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С. Довлатов. Зона, записки надзирателя; Компромисс; Заповедник. — Москва: ПИК, 1991.
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Roger Lambelin. Maurice Joly et les « Protocoles » / La Revue hebdomadaire 1921, A30, T12 (Dec), pp. 308-322. — Paris : E. Plon–Nourrit et Cie, 1921.
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Maurice Joly. Le Plébiscite: Épilogue du dialogue aux enfers entre Machiavel et Montesquieu, précédé de César. — Paris: Paris-Zanzibar, 1996.
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Jacques Ruppert. Le costume, T.IV: Louis XVI—Directoire; T. V: Consulat—Napoléon III (Les arts décoratifs). — Paris: Flammarion, 1931.
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Jack Ogden. Jewellery of the Ancient World. — NY: Rizzoli, 1982.
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Л. М. Соскин. Издательские марки Петрограда-Ленинграда / Предисл. проф. И. Е. Баренбаума. — М.: Новый свет; Книга, 1995.
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Christine Guth. Art of Edo Japan: The Artist and the City 1615-1868 (Perspectives). — NY: Harry N. Abrams, Inc., 1996.
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Franz von Bayros. Die Bonbonière: Galante und Erotische Phantasien; Emil Sartori. Der Hirschpark: Galante und artige Sammlung duftiger Phantasien. — Wien: C. W. Stern-Rosner, 1907.
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Ansaad de Lytencia [i.e. André Lambert]. Les seuils empourprés: Dix évocations érotiques. [— Paris : l’auteur, 1927].
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Convolute: Pélagie la sainte. — Paris, 1832-1889.
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Gilbert Garnon. Cent trente deux positions amoureuses / Préface de Gérard Zwang (Images obliques). — Paris: Roger Borderie, 1981.
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Anna Jackson. Japanese Textiles in the Victoria & Albert Museum. – London: V&A Publications, 2000.
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Josephine Rout. Japanese dress in detail. — London: V&A; Thames & Hudson, 2022.
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Martin van Maële. La petit suite complète de 12 eaux fortes inspires de la Légende des sexes du Sire de Chambley [Edmond Haraucourt]. — Paris, 1908.
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Joris-Karl Huysmans. Là-Bas / Enrichi de 15 gouaches originales signées par Martin van Maële. — Paris: Tresse et Stock, 1891.
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Венедикт Ерофеев. Москва-Петушки. — Paris: YMCA-Press, 1977.
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Erika Plehn. Aspasia’s prostitute school: Three watercolour drawings, c. 1923.
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Erika Plehn. Seven watercolour illustrations for “Pybrac” by Pierre Louÿs / Berlin, c. 1928.
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