-
NEWHardcover, 287 x 227 mm, pictorial boards with white lettering on blue background, red endpapers, glossy dust jacket of similar design, pp.: ffl, [1-6] 7-462 [2], addenda sheet laid in, ffl; illustrated throughout in b/w and colour. Title-page: BERNARD SAUGIER | SYLVAIN SAUVAGE | 1888 – 1948 | VOYAGE AU PAYS LITTÉRAIRE | D'UN ILLUSTRATEUR | {vignette} | Chez l'auteur | rule in red || Colophon: ACHEVÉ D'IMPRIMER | SUR LES PRESSES | DE CHAZELLE IMPRIMEURS | ZONE PORTUAIRE | 39100 DOLE | JUIN 2014 | Bertrand CHAZELLE, | Ancien élève de l'École Estienne, étant directeur. | Dépôt légal N°447 || Contributors: Sylvain Sauvage [Félix Roy] (French, 1888 – 1948) Saugier, Bernard (French) Chazelle, Bertrand (French) -
NEWHardcover, 254 x 190 mm, brown cloth with black and gilt vignette to front, gilt lettering to front and spine, pictorial endpapers, yellow pictorial dust jacket, collated 8vo: 1-248, i.e. 192 leaves, pp.: [1-7] 8-379 [5]; woodcut h.-t., t.p., faux-title, 12 book titles, initials, tail-pieces, and dust jacket. Woodcut title-page: ВЕРГИЛИЙ | ЭНЕИДА | (white on black) ПЕРЕВОД | ВАЛЕРИЯ БРЮСОВА | И | СЕРГЕЯ СОЛОВЬЕВА | РЕДАКЦИЯ, | ВСТУПИТЕЛЬНАЯ СТАТЬЯ | И КОММЕНТАРИИ | Н. Ф. ДЕРАТАНИ || Woodcut half-title: ПАМЯТНИКИ МИРОВОЙ | ЛИТЕРАТУРЫ | ВЕРГИЛИЙ | ЭНЕИДА | Academia | МОСКВА – ЛЕНИНГРАД | 1933 || Imprint (t.p. verso): P. VERGILII MARONIS | ÆNEIS | Супер-обложка и орнаментация книги (гравюры на дереве), | переплет и форзац работы Л. С. Хижинского || Print run: 5300 copies Catalogue raisonné: Крылов-Кичатова (2004): № 529, p. 230. Contributors: Virgil [Publius Vergilius Maro; Вергилий] (Roman, 70 BC – 19 BC) Брюсов, Валерий Яковлевич [Bryusov, Valery] (Russian, 1873 – 1924) Соловьёв, Сергей Михайлович (Russian, 1885 – 1942) Дератани, Николай Фёдорович (Russian, 1884 – 1958) Хижинский, Леонид Семёнович [Khizhinsky, Leonid] (Soviet, 1896 – 1972) -
NEWHardcover, 252 x 190 mm, green cloth with gilt vignettes to front and back, and gilt lettering to spine, pictorial endpapers, collated 8vo: 1-108 114, i.e. 84 leaves, pp.: [1-7] 8-166 [2], incl. two engraved faux-titles. Title-page (green and black): ВЕРГИЛИЙ | СЕЛЬСКИЕ | ПОЭМЫ | БУКОЛИКИ | ГЕОРГИКИ | ❧ | ПЕРЕВОД | ВСТУПИТЕЛЬНАЯ СТАТЬЯ | И КОММЕНТАРИИ | С. ШЕРВИНСКОГО | {VIGNETTE} | ACADEMIA | МОСКВА ~ ЛЕНИНГРАД | MCMXXXIII || Contra-title (green and black): Сокровища мировой литературы | ВЕРГИЛИЙ | БУКОЛИКИ | и | ГЕОРГИКИ | {VIGNETTE} | ACADEMIA | МОСКВА ~ ЛЕНИНГРАД | MCMXXXIII || T.p. verso: PUBLII VERGILI MARONIS | BUCOLICA ET GEORGICA | Титульные листы, супер-обложка, переплет | и форзац по рисункам П. А. Шиллинговского || Print run: 5,300 copies. Catalogue raisonné: Крылов-Кичатова (2004): № 528, p. 230. Contributors: Virgil [Publius Vergilius Maro; Вергилий] (Roman, 70 BC – 19 BC) Шервинский, Сергей Васильевич (Russian, 1892 – 1991) Шиллинговский, Павел Александрович (Russian, 1881 – 1942) -
NEWHardcover, 250 x 310 mm, black cloth, gilt lettering to spine, grey end papers, pictorial dust jacket; pp.: [1-8] 9-237 [3], illustrated in colour throughout. ISBN 0.8457.3150-5 Title-page (pictorial): The Beinecke Library OF YALE UNIVERSITY | Edited by Stephen Parks Architectural photography by Richard Cheek | Dedication photography by Ezra Stoller Collection photography by Stan Godlewski | With contributions by | Robert G. Babcock Vincent Giroud George A. Miles Stephen Parks Patrick L. Pinnell Christa Sammons Barbara A. Shailor Patricia C. Willis Marjorie G. Wynne Timothy G. Young | Published by | The Beinecke Rare Book & Manuscript Library | Yale University | Distributed by | University Press of New England || Contents: Introduction The Building Ezra Stoller Dedication Portfolio Crossing Wall Early Manuscripts and Books Modern Books and Manuscripts The Collection of American Literature The Osborn Collection: English Manuscripts German Literature Collection Western Americana Collection Music in the Beinecke -
NEWHardcover, 306 x 283 mm, pictorial cardboard, white lettering to front and spine, pictorial dust jacket, pictorial endpapers, pp.: [1-14] 15-224, illustrated in colour throughout. The 1st edition in 2000, published by The Pepin Press in Amsterdam. Title-page (white on black): Erotic Art of the Early Nineteenth Century | Romantique | {publisher’s device} | Bearsville, New York || ISBN 1-59020-000-4. Contents: Daydreams of the Juste Milieu: On the Historico-cultural Milieu of Erotic Lithographs The New Order of Love: Charles Fourier, the Unwavering Dreamer of Liberated Passions Achille Devéria and His School The Trader and the Policeman: Catalogues of Nineteenth Century Erotic Art The Blue Sofa On the Beginning and End of our Sexuality Soloists Duets Trios Quartets The Noble Orgy -
NEWHardcover, 310 x 230 mm, red cloth, gilt lettering to spine, brown endpapers, pictorial dust jacket, pp.: [1-5] 6-256, 348 illustrations, incl. 195 plates in full colour. Title-page: Edited by Lesley Hoskins | THE | PAPERED WALL | HISTORY • PATTERN • TECHNIQUE | {vignette} | Harry N. Abrams, Inc., Publishers || Imprint: Copyright @ 1994 Thames and Hudson Ltd, London | Published in 1994 by Harry N. Abrams, Incorporated, New York | A Times Mirror Company || ISBN-10 : 0810937301 ISBN-13 : 978-0810937307 Contributor: Lesley Hoskins, editor, former Secretary of the UK's Wallpaper History Society, Specialist Curator at MoDA (The Museum of Domestic Design & Architecture, Middlesex University). -
NEWHardcover, 252 x 260 mm, grey buckram with gilt lettering to spine, in a black pictorial dust jacket with white lettering; pp. [6] 1-185 [1] profusely illustrated in b/w plus 16 leaves of colour plates extraneous to collation, .e. total 112 leaves. Title-page (pictorial): JEWELLERY OF THE ANCIENT WORLD | Jack Ogden | RIZZOLI / NEW YORK || Imprint: Published in the United States of America by Rizzoli International Publications Inc. 712, Fifth Avenue, New York, NY 10019 First published by Trefoil Books Ltd, 1982 ISBN 0 8478 0444 5 Contents Jewellery and the archaeologist- Gold and silver
- Metals other than gold and silver
- Goldsmithing techniques
- The gemstones
- Organic gem materials
- Glass, enamel and faience
- Ancient imitation and altered gemstones
- Stone working
- Forgeries
- The jeweller
- Bibliography & references
- Index to illustrations
-
NEWHardcover miniature book, 150 x 85 x 30 mm, brown buckram with gilt lettering to front and spine, embossed black admiralty boat (crest of Sankt-Peterburg) to front cover, yellow dust jacket with vignette and lettering; pp.: [1-4] 5-454 [2], woodcut frontispiece, plates pp. 211-434. Title-page: Л. М. СОСКИН | ИЗДАТЕЛЬСКИЕ | МАРКИ | ПЕТРОГРАДА – | ЛЕНИНГРАДА | MOCKBA | «НОВЫЙ СВЕТ» | «КНИГА» | 1995 || Contributors: Соскин, Леонид Маркович (Soviet, ? – ?) – коллекционер-библиофил, чл. Ленингр. о-ва книголюбов, первый председатель секции миниатюрных изданий. Баренбаум, Иосиф Евсеевич (Soviet-Jewish, 1921 – 2006) -
NEWHardcover, 305 x 258 mm, black cloth with gilt lettering to spine, black pictorial dust jacket with white lettering to front and spine, olive endpapers; pp. [1-5] 6-144, 150 colour illustrations. ISBN 185177 316. Title-page: JAPANESE TEXTILES | IN THE VICTORIA AND ALBERT MUSEUM | Anna Jackson | Photographs by Ian Thomas | V&A PUBLICATIONS || Contents Acknowledgements Introduction Map Japanese textiles List of plates The plates Bibliography -
NEWHardcover, 290 x 240 mm, blue cloth with gilt lettering to spine, grey endpapers, in a black and white pictorial dust jacket with white lettering, pp.: [1-5] 6-231 [232], with 114 plates. Catalogue of an exhibition held at the Neue Galerie, NY, February 20—June 8, 2020. Title-page (white on black): MADAME D'ORA | Edited by Monika Faber | With preface by Ronald S. Lauder, foreword by Renée Price, | and contributions by Katrin Bomhoff Christian Brandstätter, Jean-Marc Dreyfus, | Monica Faber, Esther Ruelfs, Lisa Silverman, and Magdalena Vuković | PRESTEL | MUNICH • LONDON • NEW YORK | photoinstitut | BONARTES / MK&G / MUSEUM FÜR | KUNST UND GEWERBE | HAMBURG || Contributors: Kallmus, Dora [Madame d'Ora] (Austrian-Jewish, 1881 – 1963) – photographer Neue Galerie New York – museum of early twentieth-century German and Austrian art and design. Lauder, Ronald Steven (American-Jewish, b. 1944) – the owner of Neue Galerie. -
NEWHardcover, 253 x 190 mm, pink cloth, gilt monogram inside gilt-ruled borders, fleurons in corners, pictorial endpapers, collated 8vo: 1-118, i.e. 88 leaves, pp.: [1-7] 8-171 [5], plus 20 lithographic plates by Vladimir Konashevich, incl. frontispiece, extraneous to collations; pictorial dust jacket. Engraved title in red and black: Аббат | Прево | — | Манон | Леско | — | С РИСУНКАМИ | Вл. Конашевича | ПЕРЕВОД | М. А. Петровского | ПРЕДИСЛОВИЕ | А. К. Виноградова | Academia | Москва-Ленинград | 1932 || Engraved half-title in red and black: СОКРОВИЩА | МИРОВОЙ | ЛИТЕРАТУРЫ | Аббат | Прево | — | Манон | Леско | ▤ | Academia | Москва-Ленинград | 1932 || Title verso (imprint, red and black) : Antoine François | Prévost d'Exiles | MANON | LESCAUT | Lithographies | de V. Konachevitch || Printer : Типография им. Ивана Федорова (Л). Print run: 5,250 copies. Catalogue raisonné: Крылов-Кичатова (2004): № 505, p. 226. Contributors: Прево, Антуан Франсуа [Аббат Прево] Antoine François Prévost [l’abbé Prévost] (French, 1697 – 1763) Петровский, Михаил Александрович (Russian, 1887 – 1937) – translator Виноградов, Анатолий Корнелиевич (Russian, 1888 – 1946) – preface Конашевич, Владимир Михайлович [Konashevich, Vladimir] (Russian, 1888 – 1963) – artist Рерберг, Иван Фёдорович (Russian, 1892 – 1957) – artist/binding -
NEWHardcover, 245 x 180 mm, olive cloth with an embossed vignette in centre and fleurons in corners to front, lettering to spine, cream dust jacket with lettering and vignettes; collated 8vo: 1-268 +1 278 χ3, i.e. 220 leaves, pp.: [1-6] 7-434 [6] plus frontispiece portrait and five engravings (all collotype reproductions) extraneous to collation, all in the second section «Безумный день, или женитьба Фигаро». Five original illustrations after Jacques Philippe Joseph de Saint-Quentin were executed by Louis Michel Halbou, Jean-Baptiste Liénard, and Charles-Louis Lingée, printed by Société littéraire typographique de Kehl, and published by Nicolas Ruault in 1785 (Cohen 125). The frontispiece portrait of Beaumarchais is a collotype reproduction from an etching by Augustin de Saint-Aubin after Charles-Nicolas Cochin, executed in 1773; it was not included in the Kehl edition but taken from Mémoires de M. Caron de Beaumarchais published in 1774. Title-page (red and black): БОМАРШЕ | ТРИЛОГИЯ | ПЕРЕВОД В. Д. МОРИЦА | ПРЕДИСЛОВИЕ А. ДЖИВЕЛЕГОВА | ПРИМЕЧАНИЯ Д. Е. МИХАЛЬЧИ | И Л. М. ГАЛИЦКОГО | ACADEMIA | 1934 || Opposite t.p. (red and black): ФРАНЦУЗСКАЯ ЛИТЕРАТУРА | Под общей редакцией | А. М. Эфроса | БОМАРШЕ | (1732 – 1799) | ACADEMIA | МОСКВА – ЛЕНИНГРАД || T.p. verso (imprint): BEAUMARCHAIS | I. LE BARBIER DE SEVILLE, II. LE MARIAGE DE FIGARO, | III. LA MERE COUPABLE | Суперобложка и переплет по рисункам | Д. И. Митрохина || Catalogue raisonné: Крылов-Кичатова (2004): № 612, p. 243. Original titles: Le Barbier de Séville, ou la Précaution inutile; La Folle journée, ou le Mariage de Figaro; L'Autre Tartuffe, ou la Mère coupable. Print run: 5,300 copies. Contents: Севильский цирюльник, или тщетная предосторожность Безумный день, или женитьба Фигаро Преступная мать, или новый Тартюф Contributors: [Бомарше, Пьер] Beaumarchais, Pierre (French, 1732 – 1799) – author (Pierre Augustin Caron de Beaumarchais) Мориц, Владимир Эмильевич (Russian, 1890 – 1972) (In this publication, he named В. Д. Мориц by mistake; the correct spelling is В. Э. Мориц) – translator Дживелегов, Алексей Карпович (Russian-Armenian, 1875 – 1952) – preface Михальчи, Дмитрий Евгеньевич (Russian,1900 – 1973) – commentary Галицкий, Лев Николаевич (In this publication, he named Л. М. Галицкий by mistake; the correct spelling is Л. Н. Галицкий; dates unknown) – commentary Эфрос, Абрам Маркович (Russian-Jewish, 1888 – 1954) – editor/series Митрохин, Дмитрий Исидорович (Russian, 1883 – 1973) – artist -
NEWHardcover, 197 x 135 mm, light-blue cloth with blind design elements, brown lettering to spine; collated 8vo: i-ii8 1-198 206, i.e. 174 leaves; pp.: [i-vi] vii-xxxi [xxxii], [2] 3-314 [2], plus three-colour woodcut frontispiece before [1], errata slip tipped in at the back; QC slip and reader’s feedback slips laid in. Cream dust jacket with red lettering and a brown vignette woodcut to front, woodcut head- and endpieces. Title-page (red and black): ГРЕЧЕСКИЕ | ЭПИГРАММЫ | Перевод, | статья и примечания | Л. В. Блуменау | Редакция и дополнения | Ф. А. Петровского | ACADEMIA | 1935 || Opposite t.p. (red and black): АНТИЧНАЯ ЛИТЕРАТУРА | ГРЕЧЕСКИЕ ЭПИГРАММЫ | (VII век до н. э. — IX век н. э.) | ACADEMIA | Москва – Ленинград || T.p. verso (imprint): Фронтиспис, заставки, концовки, | переплет и супер-обложка | Г. А. Ечеистова || Print run: 5300 copies. Printer: Красный пролетарий (М). Catalogue raisonné: Крылов-Кичатова (2004): № 718, p. 260-1. Contributors: Петровский, Фёдор Александрович (Russian, 1890 –1978) – editor Блюменау, Леонид Васильевич (Russian, 1862 – 1931) – translator Ечеистов, Георгий Александрович (Russian, 1897 – 1946) – artist -
NEWHardcover, 176 x 130 mm, in orange cloth with embossed black and brown designs to front, lettering over labels to spine, pictorial endpapers; collated 8vo: 1-278 281, i.e. 217 leaves, pp.: [1-7] 8-432 [2] plus two-colour frontispiece with tissue guard; bookplate with SPb Admiralty boat to front ffl verso “ИЗ КНИГ [blank] 000282”; headpieces, 12 full-page illustrations within collation; pictorial dust jacket. Title-page (red and black): ЛЮЦИЙ АННЕЙ | СЕНЕКА | {vignette} | ТРАГЕДИИ | В ПЕРЕВОДЕ | СЕРГЕЯ СОЛОВЬЕВА | ВСТУПИТЕЛЬНАЯ | СТАТЬЯ | Н. Ф. ДЕРАТАНИ | ACADEMIA | 1933 || Opposite t.p.: СОКРОВИЩА МИРОВОЙ | ЛИТЕРАТУРЫ | СЕНЕКА | ТРАГЕДИИ | ACADEMIA МОСКВА – ЛЕНИНГРАД || T.p. verso (imprint): LUCIUS ANNAEUS SENECA | TRAGOEDIAE | Иллюстрации и заставки, титульные | листы, переплет и супер-обложка | работы П. Алякринского || Print run: 5,250 copies. Printer: Печатный двор (Л) Catalogue raisonné: Крылов-Кичатова (2004): № 579, p. 238. Contributors: Сенека [Lucius Annaeus Seneca the Younger] (Roman, 4 BC – 65 AD) – author Соловьёв, Сергей Михайлович (Russian, 1885 – 1942) – translator Дератани, Николай Фёдорович (Russian, 1884 – 1958) – preface Алякринский, Пётр Александрович (Russian, 1892 – 1961) – artist -
NEWHardcover, 175 x 128 mm, red cloth with gilt arabesque, lettered label and arabesque to spine, collated 8vo: 1-198, i.e. 152 leaves, incl. seven illustrations., pp. [1-9] 10-302 [2], plus frontispiece author’s portrait (reproduction), guard tissue; grey and black dust jacket with lettering in arabesque framework. Title-page (blue and black): СИРАНО ДЕ БЕРЖЕРАК | ИНОЙ СВЕТ | ИЛИ | ГОСУДАРСТВА | И ИМПЕРИИ | ЛУНЫ | РЕДАКЦИЯ | И ВСТУПИТЕЛЬНАЯ СТАТЬЯ | В. И. НЕВСКОГО | {fleuron} | ACADEMIA | МОСКВА – ЛЕНИНГРАД | — | M. CM. XXXI. || Half-title (blue and black): СОКРОВИЩА | МИРОВОЙ | ЛИТЕРАТУРЫ | ~ | СИРАНО ДЕ БЕРЖЕРАК | ИНОЙ СВЕТ | ИЛИ | ГОСУДАРСТВА | И ИМПЕРИИ | ЛУНЫ | ~ || Title verso (imprint): Saviniens de Cyrano de Bergerac's (sic) L'autre Monde on les Etats et les Empires de la Lune (1669). Орнаментация книги худ. И. Ф. Редберга. Иллюстрации из старинных изданий. Catalogue raisonné: Крылов-Кичатова (2004): № 467, p. 220. Original title: Histoire comique des États et Empires de la Lune. Print run: 5000 copies. Another translation by Гунст, Евгений Анатольевич (Russian, 1901 – 1983) was published in 1971 at Библиотека всемирной литературы, серия первая, том 34: LIB-0903.2015 under title "Иной свет, или государства и империи Луны". Contributors: Cyrano de Bergerac, Savinien de (French, 1619 – 1655) – author. Невский, Владимир Иванович [Кривобоков; Кривобок, Феодосий Иванович] (Russian, 1876 – 1937) – author/preface, editor of translation. Оксман, Юлиан Григорьевич (Russian-Jewish, 1894 – 1970) – author/preface. Рерберг, Иван Фёдорович (Russian, 1892 – 1957) – artist. -
Hardcover, 195 x 145 mm, in black cloth with green embossed vignette to front, gilt lettering to spine, upper margins red, dust jacket with lettering in a pictorial frame, collated 8vo: 1-408 414 (i.e. 324 leaves), pp.: [1-6] 7-643 [5] plus 9 b/w photographic plates, extraneous to collation. DJ heavily restored. Title-page (green and black): ТЕРЕНЦИЙ | КОМЕДИИ | ПЕРЕВОД | А. В. АРТЮШКОВА | РЕДАКЦИЯ И КОММЕНТАРИЙ | М. М. ПОКРОВСКОГО | ВСТУПИТЕЛЬНАЯ СТАТЬЯ | П. ПРЕОБРАЖЕНСКОГО | {vignette} | ACADEMIA | 1934 || Contra-title (green and black): АНТИЧНАЯ ЛИТЕРАТУРА | ПОД ОБЩЕЙ РЕДАКЦИЕЙ | Д. А. ГОРБОВА, В. О. НИЛЕНДЕРА | и П. Ф. ПРЕОБРАЖЕНСКОГО | ТЕРЕНЦИЙ | (ум. в 159 г. до н. э.) | {vignette} | ACADEMIA | МОСКВА ЛЕНИНГРАД || Imprint: PUBLIUS TERENTIUS APER | COMOEDIAE | Титула, переплет, суперобложка | и заставки Д. И. Митрохина || Print run: 5300 copies. Printer: Ленинградская правда (Л) Catalogue raisonné: Крылов-Кичатова (2004): №682, p. 255. Contributors: Terence [Публий Теренций Афр] (Roman, 195/85 – 159? BC) – author Артюшков, Алексей Владимирович (Russian, 1874 – 1942) – translator Покровский, Михаил Михайлович (Russian, 1868/9 – 1942) – editor Преображенский, Пётр Фёдорович (Russian, 1894 – 1941) – preface (killed by the Soviet State) Митрохин, Дмитрий Исидорович [Mitrohin, Dmitry] (Russian, 1883 – 1973) – artist. -
Hardcover, 177 x 125 mm, in dark fuchsia cloth with gilt ornamental border to front, gilt lettering and design elements to spine, all margins yellow, red dust jacket with white lettering in a pictorial border, black lettering to flaps; collated 8vo: 1-108 112 (i.e. 82 leaves), pp.: [1-6] 7-162 [2]. Inscription (ms, black ink) of the previous owner to t.p. Сур. Гайсарян, 13.V.29 г. М. Printed with large upper margins. Title-page (red and black): {headpiece} | — | КАТУЛЛ | КНИГА | ЛИРИКИ | ✦ | ПЕРЕВОД | ВСТУПИТЕЛЬНАЯ | СТАТЬЯ | И ПРИМЕЧАНИЯ | А. И. ПИОТРОВСКОГО | {vignette} | ACADEMIA | — | M•C•M•XXIX || Contra-title (red and black): {headpiece} | — | СОКРОВИЩА | МИРОВОЙ | ЛИТЕРАТУРЫ | ✦ | КАТУЛЛ | {vignette} | ACADEMIA | — | M•C•M•XXIX || Imprint: Обложка и титул работы В. П. Белкина. Print run: 2100 copies. Printer: Ленинградская правда (Л) Catalogue raisonné: Крылов-Кичатова (2004): №362, p. 204-5. Contributors: Catullus, Gaius Valerius [Катулл, Гай Валерий] (Roman, c. 84 – c. 54 BC) – author Пиотровский, Адриан Иванович [Piotrovsky, Adrian] (Russian, 1989 – 1937) – translator (killed by the Soviet State on November 21, 1937). Белкин, Вениамин Павлович (Russian, 1884 – 1951) – artist -
Softcover, 240 x 170 mm, creme dust jacket with red and black lettering and circular opening in the middle to front, red lettering to spine, over pictorial wrappers, pp. [1-8] 9-143 [1], ISBN 978-88-95598-25-3. 1st edition. Title-page (red and black): LACLOS | ILLUSTRE | « SCÈNES DES « LIAISONS DANGEREUSES» | Editions réunies et présentées | par Michel Delon et Michèle Sajous D'Oria | lineadacqua || Colophon: Imprimé à Venise, Italie | En février 2014 | Par Grafiche Veneziane || Publisher: Lineadacqua Edizioni; San Marco 3717/d, 30124 Venezia; www.lineadacqua.com Contributors: Michel Delon (French, b. 1947) – author Michèl Sajous D’Oria – author Contents: ILLUSTRATION ET INTERPRÉTATION – Michel Delon METTRE LES LETTRES ENSCÈNES – Michèle Sajous D'Oria LES LETTRES L'ÉCRITURE LE SECRET LA TRAHISON LE REFUS LA MARQUISE DE MERTEUIL LA PETITE MAISON LE CHEVALIER DE PRÉVAN LE RIVAL LE PIÈGE LE VICOMTE, DE VALMONT SÉDUCTIONS CÉCILE DE VOLANGES LA SURPRISE DES SENS LE VIOL LAPRÉSIDENTE DE TOURVEL L'AMOUR LA MORT FINALE Bibliographie des éditions illustrées Notices sur les illustrateurs -
Hardcover, black cloth, 175 x 135 mm, red lettering to spine, red Phrygian cap and white weapons and tools to front cover, collated 8vo: 1-508 516, i.e. 406 leaves, pp. [1-7] 8-808 [4] incl. errata and illustrations, plus photo frontispiece; cream dust jacket with a vignette, red and black lettering to front and spine, black lettering to flaps. Title-page (red and black): ПЕСНИ | ПЕРВОЙ | ФРАНЦУЗСКОЙ | РЕВОЛЮЦИИ | {vignette} | ПОДБОР ТЕКСТОВ, | ВСТУПИТЕЛЬНАЯ СТАТЬЯ И КОММЕНТАРИИ | А•ОЛЬШЕВСКОГО | • РЕДАКЦИЯ | М•ЗЕНКЕВИЧА И АБРАМА ЭФРОСА | ВВЕДЕНИЕ | Ц. ФРИДЛЯНДА | ACADEMIA | 1934 || Contra-title (red and black): ФРАНЦУЗСКАЯ | ЛИТЕРАТУРА | ПОД ОБЩЕЙ РЕДАКЦИЕЙ | А•М•ЭФРОСА | ПЕСНИ | ПЕРВОЙ ФРАНЦУЗСКОЙ | РЕВОЛЮЦИИ | {vignette} | / 1789-1799 / | МОСКВА – ЛЕНИНГРАД | ACADEMIA | 1934 || Imprint: Суперобложка, переплет, | титул, шмуц-титула, | заставки и концовки | М. В. Маторина || Print run 5300 copies. Printer: Красный пролетарий (Moscow) Catalogue raisonné: Крылов-Кичатова (2004): №661, p. 251-2. Contributors: Ольшевский [Овсянников], Александр Александрович [Russian, 1878 – 1951) – compiler Зенкевич, Михаил Александрович (Russian, 1886 – 1973) – editor Эфрос, Абрам Маркович (Russian-Jewish, 1888 – 1954) – editor Фридланд [Фридлянд], Цви (Russian-Israeli, 1898 – 1967) – preface Маторин, Михаил Владимирович (Russian, 1901 – 1976) – artist -
Hardcover, stapled, grey cloth, 175 x 135 mm, brown lettering to spine, brown geometrical elements to front cover, collated 8vo: 1-348 356, i.e. 278 leaves, pp. [1-7] 8-555 [1], plus photo frontispiece; terracotta dust jacket with black lettering to front and spine, meander borders, black lettering to flaps, barbarically restored. Title-page (red and black): ЛИСИЙ | РЕЧИ | Перевод, статьи и комментарии С. И. Соболевского | ACADEMIA | 1933 || Contra-title (red and black): АНТИЧНАЯ ЛИТЕРАТУРА | Под общей редакцией А. Малецкого | ЛИСИЙ | (ок. 459—380) | ACADEMIA | Москва – Ленинград || Imprint: Lysiae orationes | Заставки, | переплет и супер-обложка | В. А. Милашевского || Print run 5300 copies. Printer: Красный пролетарий (Moscow) Catalogue raisonné: Крылов-Кичатова (2004): №557, p. 235. Contributors: Лисий [Λυσίας; Lysias] (Greek, c. 445 – 380 BC) – author Соболевский, Сергей Иванович (Russian, 1864 – 1963) – translator Милашевский, Владимир Алексеевич (Russian, 1893 – 1976) – artist -
Hardcover, stapled, dark olive cloth, 200 x 140 mm, black lettering to spine, portrait of the author pasted to front cover, collated 8vo: 1-348 352, i.e. 274 leaves, pp. [1-7] 8-547 [1], plus errata leaf before back ffl and 12 plates incl. frontispiece, extraneous to collation; Black dust jacket with olive lettering and vignette to front and olive lettering to spine, black lettering to flaps, barbarically restored. Title-page (green and black): ВОЛЬТЕР | ОРЛЕАНСКАЯ | ДЕВСТВЕННИЦА | ПОЭМА | В ДВАДЦАТИ ОДНОЙ ПЕСНЕ | Перевод под редакцией | М. Лозинского | Вступительная статья | С. Мокульского | Комментарии | Л. Н. Галицкого | и Д. Е. Михальчи | ACADEMIA | 1935 || Contra-title (green and black): ФРАНЦУЗСКАЯ ЛИТЕРАТУРА | Под общей редакцией А. М. Эфроса | ВОЛЬТЕР | (1694—1778) | ACADEMIA | Москва – Ленинград || Imprint: VOLTAIRE | LA PUCELLE D’ORLEANS | Иллюстрации, заставки, | концовки, переплет и супер- | обложка М. К. Соколова || Print run 5300 copies. Catalogue raisonné: Крылов-Кичатова (2004): №707, p. 259. Contributors: Arouet, François-Marie [Voltaire] (French, 1694 – 1778)– author. Михаил Леонидович Лозинский [Mikhail Lozinsky] (Russian, 1886 – 1955) – translator. Стефан Стефанович Мокульский (Russian, 1896 – 1960) – preface Лев Николаевич Галицкий – commentary Дмитрий Евгеньевич Михальчи (Russian, 1900 – 1973) – commentary Михаил Ксенофонтович Соколов [Mikhail Sokolov] (Russian, 1885 – 1947) – artist Абрам Маркович Эфрос (Russian-Jewish, 1888 – 1954) – series editor -
スラブ社会文化論シリーズ||スラブ シャカイ ブンカロン シリーズ ; 第4号 Softcover, grey publisher’s wrappers with black lettering, in silver dust jacket with black lettering and vignette; pp. [8] [i] ii-iii [iv] [1] 2-293 [5]; 257 x 183 mm. DJ Front: Эдуард ВЛАСОВ | БЕССМЕРТНАЯ ПОЭМА | ВЕНЕДИКТА ЕРОФЕЕВА | МОСКВА ПЕТУШКИ | {vignette} | СПУТНИК ПИСАТЕЛЯ | Slavic research center | Hokkaido university || Title-page: Эдуард ВЛАСОВ | БЕССМЕРТНАЯ ПОЭМА | ВЕНЕДИКТА ЕРОФЕЕВА | МОСКВА ПЕТУШКИ | {vignette} | СПУТНИК ПИСАТЕЛЯ | ИЗДАНИЕ ПЕРВОЕ, | ИСПРАВЛЕННОЕ И СОКРАЩЕННОЕ || Contributors: Ерофеев, Венедикт Васильевич [Yerofeyev, Venedikt] (Russian, 1938 – 1990) – author Власов, Эдуард Ю. – author/commentary -
Hardcover volume, 8vo, 200 x 140 mm, bound in light blue cloth with vignette to front, cream printed label and lettering to flat spine; pictorial dust jacket, black lettering to spine, publisher’s device to back, and black lettering to flaps. Print-run 5,000 copies. Faux frontispieces, binding, and dust jacket designed by Н. В. Кузьмин. Collation: 1-388 394, i.e. 308 leaves plus 12 plates extraneous to collation, incl. frontispiece portrait of the author [1-7] 8-611 [5], errata slip tipped in. Title-page (blue and black): АЛЬФРЕД ДЕ МЮССЕ | ТЕАТР | Перевод, вступительная | статья и комментарии | А. В. Федорова | ACADEMIA | 1934 || Contre-title (blue and black): ФРАНЦУЗСКАЯ ЛИТЕРАТУРА | Под общей редакцией | А. М. Эфроса | АЛЬФРЕД ДЕ МЮССЕ | (1810 – 1857) | СОЧИНЕНИЯ | ACADEMIA | Москва – Ленинград || Title verso: ALFRED DE MUSSET | THÉÂTRE | Фронтисписы титулов, | переплет и супер-обложка | Н. В. Кузьмина || Catalogue Raisonné: Крылов-Кичатова 653 (p. 250). Contents: Венецианская ночь, или Свадьба Лауретты; Андреа дель Сарто; Фантазио; Любовью не шутят; Лоренцаччо; Подсвечник; Не надо биться об заклад; Молча за дело; Всего не предусмотришь; Беттина (пер. Е. Геркена) Contributors: Musset, Alfred de (French, 1810–1857) – author Фёдоров, Андрей Венедиктович (Russian, 1906 – 1997) – translator Геркен, Евгений Георгиевич (Russian, 1886 – 1962) – translator Кузьмин, Николай Васильевич (Russian, 1890 – 1987) – artist Эфрос, Абрам Маркович (Russian-Jewish, 1888 – 1954) – editor -
Two hardcover volumes, 8vo, 200 x 140 mm each, uniformly bound in cream cloth with gilt triple fillet frame to front, same blind to back, and blind volutes to corners, gilt lettering, fillets and blind fleurons in compartments to flat spine; cream dust jacket with red lettering and black vignette to front, black spine with cream lettering to spine, publisher’s device to back, and black lettering to flaps. Print-run 5,300 copies. Besides these two volumes, Academia later published volumes 5 (1936), 3, 4, and 8 (1937); other volumes were published in 1939-47 by ОГИЗ-Гослитиздат. Vol. 1: 1-318 324, i.e. 252 leaves plus 13 b/w plates extraneous to collation; pp.: [1-7] 8-501 [3]. Title-page (red and black): ДЕНИ ДИДРО | СОБРАНИЕ СОЧИНЕНИЙ | ТОМ I | ФИЛОСОФИЯ | Редакция и вступительная статья | И. К. Луппола | Перевод И. Б. Румера, | В. К. Сережникова, П. С. Юшкевича | Примечания А. Н. Лаврентьева | ACADEMIA | 1935 || Vol. 2: 1-368 374, i.e. 292 leaves plus 14 b/w plates extraneous to collation; pp.: [1-7] 8-582 [2]. Title-page (red and black): ДЕНИ ДИДРО | СОБРАНИЕ СОЧИНЕНИЙ | ТОМ II | ФИЛОСОФИЯ | Редакция и вступительная статья | И. К. Луппола | Перевод В. К. Сережникова и П. С. Юшкевича | Примечания М. Д. Цебенко| ACADEMIA | 1935 || In both volumes: Contre-Title: ФРАНЦУЗСКАЯ ЛИТЕРАТУРА | ДЕНИ ДИДРО | (1713 – 1784) | СОБРАНИЕ СОЧИНЕНИЙ | в десяти томах | Под общей редакцией | И. К. ЛУППОЛА | ACADEMIA | Москва – Ленинград || Title verso: DENIS DIDEROT | OEUVRES CHOISIES | Супер-обложка и переплет | Б. В. Шварца || Catalogue Raisonné: Крылов-Кичатова 723, 724 (pp. 261-2). Contributors: Denis Diderot (French, 1713 – 1784) Луппол, Иван Капитонович (Russian, 1896 – 1943) – killed in GULAG Румер, Исидор Борисович (Russian-Jewish, 1884 – 1938) – killed in GULAG Серёжников, Виктор Константинович (Russian, 1873 – 1944) – killed in GULAG Юшкевич, Павел Соломонович (Ukrainian-Jewish, 1873 – 1945) Цебенко, Мария Дмитриевна (Russian, ? – 1957) Шварц, Борис Владимирович (1906 – 1967) Лаврентьев, А. Н. -
Hardcover volume, 19 x 13 cm, grey cloth with gilt lettering to spine, grey/cream dust jacket lettered throughout, price “10s 6d | NET” unclipped. Covers rubbed, dust jacket has a purple ink stain on the back bottom. Black ink inscription to recto ffl. Collation: a-o8 p10, total 122 leaves; pp.: [6] 1-237 [238]. 1st edition, 1st issue / Great Britain. Title-page: THE END OF THE | AFFAIR | by | GRAHAM GREENE | {publisher’s device} | — | WILLIAM HEINEMANN LTD | MELBOURNE :: LONDON :: TORONTO || Imprint: FIRST PUBLISHED 1951 | PRINTED IN GREAT BRITAIN | AT THE WINDMILL PRESS | KINGSWOOD, SURREY || Dedication: To C. (Catherine Walston, nee Crompton, American, 1925 – 1978) Contributors: Graham Greene (British, 1904 – 1991) William Henry Heinemann (Jewish-British, 1863 – 1920) -
Hardcover, 242 x 168 mm, quarter burgundy cloth over blue paper boards, outer edge untrimmed; pp.: [6] [1-4] 5-516 [2 colophon/blank] [6 blanks]. First published in France in 2000 as “Haussmann” by Librairie Arthème Fayard. Title-page: HAUSSMANN | ~ | His Life and Times, | and the Making of Modern Paris | MICHEL CARMONA | TRANSLATED FROM THE FRENCH BY PATRICK CAMILER | {publisher’s device} | Ivan • R • Dee | Chicago 2002 || Michel Carmona (French, b. 1940) Georges-Eugène Haussmann [Baron Haussmann] (French, 1809 – 1891) -
Hardcover, 333 x 247 mm, black cloth with gilt facsimile to front board and gilt lettering to spine, aubergine dust jacket with white lettering and red facsimile over black panel to front and back, crimson endpapers, laid paper, unpaginated; pp.: [4] h.t./blank, t.p./imprint, [2] text by John Hollander, 61 leaves of plates; originally published in 1969 by Rhinoceros Press, New York, as a limited-edition portfolio with slipcase. Title-page: Fornicon | (in frame) BY TOMI UNGERER | GROVE PRESS NEW YORK || Jean-Thomas [Tomi] Ungerer (French,1931 – 2019) John Hollander (American, 1929 – 2013) -
Hardcover volume, 20.2 x 14.5 cm, aubergine cloth, gilt lettering and publisher’s device to spine, aubergine top edge, aubergine dust jacket with gilt lettering and black fleuron to front, gilt lettering and black fleuron and publisher’s device to spine, and a captioned photographic portrait to back, blurb text to flaps, price ”35s net | in U.K. only” unclipped; pictorial endpapers. Pp.: [1-8] 9-445 [446] [2], collation: A-O16, total 224 leaves. Title-page (in oval frame): JOHN FOWLES | THE | FRENCH | LIEUTENANT'S | WOMAN | — | Every emancipation is a restoration of the human | world and of human relationships to man himself. | MARX, Zur Judenfrage (1844) | JONATHAN CAPE | THIRTY BEDFORD SQUARE | LONDON || Contributors: John Fowles (British, 1926 – 2005) – author. Herbert Jonathan Cape (British, 1879 – 1960) – publisher. Ebenezer Baylis & Son, Ltd. (f. 1858) – printer. The Trinity Press – printer. -
Cardboard box 32 x 23.7 cm with lettering and vignette to front, lettering to spine, and Loomis facsimile and Titan publisher's barcode label to back.- Title-page: Drawing | THE HEAD AND HANDS | BY | ANDREW LOOMIS | {vignette} ||
- Title-page: FIGURE DRAWING | FOR ALL IT'S WORTH | ANDREW LOOMIS ||
-
Hardcover volume, 31 x 23.5 cm, peach cloth, with peach lettering to the green label on front board, green lettering to spine, pictorial dust jacket, price unclipped ($4.95); text to flaps; pp.: [1-6] 7-154 [155 plate] [5 blanks], ils. (photomechanical reproductions); magazine clipping laid in. Title-page: Drawing | THE HEAD AND HANDS | BY | ANDREW LOOMIS | {vignette} | NEW YORK • THE VIKING PRESS || Imprint: COPYRIGHT © 1956 BY ANDREW LOOMIS | FIRST PUBLISHED BY THE VIKING PRESS IN JANUARY 1956 | PUBLISHED ON THE SAME DAY IN THE DOMINION OF CANADA | BY THE MACMILLAN COMPANY OF CANADA LIMITED | SECOND PRINTING 1958 | {two paragraphs of copyright statement} | LITHOGRAPHED IN U.S.A, BY W. S. KONECKY ASSOCIATES || Edition: 1st edition, 2nd printing. Andrew Loomis (American, 1892 – 1959) -
Hardcover volume, 311 x 235 mm, bound in blue cloth, gilt lettering to spine, olive endpapers, pictorial dust jacket with text to flaps, pp.: [i-xi] xii-xvi, [1] 2-245 [246 blank], plus 19 leaves of plates and 4 leaves of captions, extraneous to collation (169 leaves total). Title-page: MARBLED | PAPER | ITS HISTORY, TECHNIQUES, | AND PATTERNS | With Special Reference to the Relationship of | Marbling to Bookbinding in Europe and | the Western World | RICHARD J. WOLFE {publisher’s device} | UNIVERSITY OF PENNSYLVANIA PRESS | Philadelphia || Imprint: Copyright © 1990 by the University of Pennsylvania Press | All rights reserved | Printed in Japan | Second printing 1991 || Frontispiece: A Publication of the | A. S. W. ROSENBACH FELLOWSHIP | IN BIBLIOGRAPHY || Wolfe, Richard J. (American, 1928 – 2017) -
Hardcover volume, 25.3 x 19.3 cm, green cloth with gilt lettering to front and spine, pictorial dust jacket, pp.: [1 blank] [i-viii] ix-xxiii [xxiv blank] [2] 3-297 [298 blank] [8 blanks], 26 plates, unpaginated. MS inscription in black ink to ffl “David Tatham 1969”. Title-page: The World of | HOGARTH | Lichtenberg's Commentaries | on Hogarth's Engravings | TRANSLATED FROM THE GERMAN | AND WITH AN INTRODUCTION BY | INNES AND GUSTAV HERDAN | HOUGHTON MIFFLIN COMPANY BOSTON | The Riverside Press Cambridge | 1966 || Illustrations: A Harlot's Progress; Marriage-à-la-Mode; Strolling Actresses Dressing in a Barn; A Midnight Modern Conversation or The Bacchanalians; A Rake's Progress; The Four Times of the Day: Morning, Noon, Evening, Night. Edition: First printing w; Printed in the United States of America. Provenance (possibly): David Tatham (American, 1932 – 2023) Contributors: George Christoph Lichtenberg (German, 1743 – 1799) Innes Herdan (British, 1911 – ?) Gustav Herdan (German, 1897 – 1968) William Hogarth (British, 1697 – 1764) -
Hardcover volume, 28.6 x 22.4 cm, tan cloth over brown cloth boards, black lettering to spine, blind-stamped lettering in frame to front, in a black pictorial dust jacket, price unclipped; pp.: [1-ix] x-xi [xii blank], [1-4] 5-36 [4], 64 pages with 109 b/w plates, 12 pages with chronology, bibliography, credits; total 128 pp. Title-page: EDWARD HOPPER (in frame)| THE COMPLETE PRINTS | GAIL LEVIN | W • W • NORTON & COMPANY • NEW YORK • LONDON | IN ASSOCIATION WITH THE | WHITNEY MUSEUM OF AMERICAN ART || Contributors: Gail Levin (American, b. 1948) – author. Edward Hopper (American, 1882 – 1967) – artist. W. W. Norton & Company (f. 1923) – publisher. Whitney Museum of American Art (NY) – publisher. -
Hardcover volume 28.5 x 22.2 cm, bound in grey cloth with gilt lettering to front and spine, olive endpapers, pictorial dust jacket [Washington square vista] with text and portrait of the authors to flaps, pp.: [i-viii] ix-xxi [xxii], [2] 3-208 [2], total 117 leaves, 205 photomechanical illustrations, limitation to last page: 1200 copies regular edition, 100 copies deluxe edition. Title-page: Armin Landeck | The Catalogue Raisonné of His Prints | Second Edition, Revised and Enlarged | June Kysilko Kraeft and Norman Kraeft | Southern Illinois University Press / Carbondale and Edwardsville || Contributors: Armin Landeck (American, 1905 – 1984) June Kysilko Kraeft Norman Kraeft -
Hardcover volume 28.5 x 19 cm, bound in brown wrinkled buckram with framed gilt lettering and fleurons to front and framed gilt lettering to spine, in a pictorial dust jacket, green and yellow floral diaper endpapers, printed on laid paper, bottom and outer margins untrimmed. Collation: Eight unnumbered pages of text in English, incl. bibliography, plus 45 unnumbered leaves of plates (photomechanical) with captions in French. Facsimile reproduction of the published in ca. 1907-1908 ‘La grande danse macabre des vifs’, which can be loosely translated as ‘The great strange dance of life’ or ‘The great dance of death by the living’. Title-page: THE | SATYRICAL | DRAWINGS OF | MARTIN VAN MAELE | {vignette} | THE CYTHERA PRESS NEW YORK || SELECTED BIBLIOGRAPHY OF MAURICE FRANÇOIS ALFRED MARTIN VAN MAËLE [MARTIN VAN MAËLE] (FRENCH, 1863 – 1926) (ANONYMOUS). Sweet Seventeen. — Paris: Charles Carrington, 1910. ANSON, MARGUERITE. Une Société de flagellantes. — Paris: Charles Carrington. 1902. 31 illustrations by Van Maele and A. Lambrecht. Translation of The Merry Order of St. Bridget. APULEUS, LUCIUS. Les Métamorphoses, ou l’âne d'or. — Paris: Charles Carrington, 1905. Translation of The Golden Ass. The same Van Maele plates were probably used by the publisher for his English translation of the same work (Paris, 1904). ARETINO, PIETRO. Les Dialogues. 2 volumes. — Paris: Au Cabinet du Livre. 1927. Only the textual illustrations are by Van Maele. The other plates are by Viset. This is believed to be the Iast book that Van Maele illustrated. DESROIX, JACQUES. La Gynécocratte. — Paris: Charles Carrington, 1902. Translation of Gynecocracy. FRANCE, ANATOLE. Thaïs. — Paris: Charles Carrington, 1901. English translation. JUSANGE. PIERRE DE. La Comtesse au foulet. — Paris: Collection des Orties Blanches, s.d. SACHER-MASOCH. La Vénus a la fourrure. — Paris: Charles Carrington, 1902. VAN MAELE, MARTIN. La Grande Danse macabre des vifs. — Paris: Charles Carrington, ca. 1907-8. VERLAINE, PAUL. La Trilogie érotique. — Paris: Charles Carrington, 1907. Reprinted, Brussels, 1931. The original edition is rare. VILLIOT, JEAN DE. Camille et moi. — Paris: Charles Carrington, 1904. Translation of Frank and I. VILLIOT, JEAN DE. Dix-sept ans. — Paris: Librairie des Bibliophiles Parisiens, Charles Carrington, 1905. Translation of Sweet Seventeen. VILLIOT, JEAN DE. La Flagellation amoureuse. — Paris: Charles Carrington. 1904. VILLIOT, JEAN DE. La Flagellation des femmes en Allemagne. — Paris: Charles Carrington. 1901. Translation of Nell in Bridewell. VILLIOT, JEAN DE. Volées de bois vert. — Paris: Librairie des Bibliophiles Parisiens, Charles Carrington, 1905. (ANONYMOUS): Flèches de plomb. BAUDELAIRE, CHARLES. Les Fleurs du mal. BERANGER. Chansons érotiques. CHODER LOS DE LACLOS. Les Liaisons dangereuses. — Paris: 1908. GAUTIER, THEOPHILE. Lettre au Président. HARAUCOURT. Légende des sexes. — Paris, 1908. MICHELET, JULES. La Sorcière. — Paris, 1911. -
Hardcover volume, 25.3 x 19.6 cm, bound in blue cloth, gilt lettering to spine, pictorial dust jacket, crimson endpapers, pp.: [1-4] 5-160, ils. Title-page: THE MAN WHO MADE PARIS | PARIS | THE ILLUSTRATED BIOGRAPHY OF | GEORGES-EUGENE HAUSSMANN | WILLET WEEKS | Photographer of | scenes of Paris today | JEAN-CLAUDE MARTIN | (in frame) LONDON / HOUSE || Contributors: Willet Weeks (American)– author. Jean-Claude Martin (French-American) – photographer. Georges Eugène Haussmann (French, 1809 – 1891) – character.
