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[Jean-Baptiste de Boyer]. Thérèse philosophe, avec figures / 2 vol. — Londres [i.e. La Haye]: s.n., 1783 (Fake).
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Le diable à Paris: Paris et les Parisiens. Gravures par Gavarni et Bertall / Vol. 1 & 2. — Paris, J. Hetzel, 1845-46.
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Thomas Astle. The Origin and Progress of Writing. – T. Payne and Son, et al., London, 1784.
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Д. Ровинский. Русские граверы и их произведения с 1564 года до основания Академии художеств. — М.: Издание графа Уварова, 1870.
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Rudolf Hans Bartsch. Mozarts Faschingsoper / Illustriert von Franz von Bayros. — Leipzig: L. Haackmann Verlag, 1922.
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Torquato Tasso. La Gierusalemme liberata. — Genoa: Girolamo Bartoli, 1590.
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Ellis Tinios. Japanese prints: Ukiyo-e in Edo, 1700 – 1900. — Burlington, VT : Lund Humphries, 2010.
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La Belle Assemblée, or Bell’s Court and Fashionable Magazine / Vol. XI.–New Series. Jan. 1 to Jun 30, 1815. — London: J. Bell, 1815.
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Jean Galtier-Boissière. Mysteries of the French secret police / translated by Ronald Leslie-Melville. — London: Stanley Paul, [1938].
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Graham Greene. The third man, and, The fallen idol. — London: Heinemann, 1950.
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Harold Curwen. Processes of graphic reproduction in printing. — New York: Oxford University Press, 1934.
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Tales and novels of J. de La Fontaine / Illustrated by Clara Tice (2 volumes) — Nijmegen: G. J. Thieme, 1929.
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[Louis-Sébastien Mercier.] L’an deux mille quatre cent-quarante: rêve s’il en fût jamais; suivi de L’homme de fer: songe (3 volumes). — S.l.: s.n., 1786.
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Otani [Ōya] Sadao. Enjoying brass inlay tsuba: 100 Tsuba. — Tokyo: Ōtsuka Kōgeisha Co. Ltd., 1999.
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М. В. Успенский. Нэцкэ / Рецензент В. И. Сисаури — Л.: Искусство, 1986.
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Anthony Sutcliffe. The autumn of central Paris: The defeat of town planning, 1850-1970 (Studies in urban history I). — London: Edward Arnold, 1970.
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A. D. M. [Alfred de Musset]. Gamiani ou deux nuits d’excès. Fac-similé du texte original (1833) orné des 12 lithographies de Devéria & Grévedon. — Paris: Aux dépens d’un amateur, 1926.
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Kakiemon (Japanese ceramics 9) [柿右衛門 日本の陶磁 (9) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.
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Cornelia Cabuk. Otto Rudolf Schatz: Monografie und Werkverzeichnis. — Wien: Ritter Verlag, 2018©.
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Otto Van Veen. Amoris Divini Emblemata. — Antwerp: Plantin – Balthasar Moretus, 1660.
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[Taxile Delord]. Un autre monde par Grandville. — Paris: H. Fournier, 1844
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Sasano Masayuki. Kagamishi Tsuba: Sword guards by mirror makers (in Japanese). — 1980.
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Adelbert von Chamisso. Peter Schlemihls wundersame Geschichte. — Leipzig: Insel-Verlag, [1916–1940].
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Contes fantastiques de Hoffmann / traduction par P. Christian, Illustrés par Gavarni. — Paris: Lavigne, 1843.
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Phyllis Dearborn Massar. Presenting Stefano della Bella. — NY: The Metropolitan Museum of Art, [1971].
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Две книги о Михаиле Пселле: П. В. Безобразов. Византийский писатель и государственный деятель Михаил Пселл; Я. Н. Любарский. Михаил Пселл. Личность и творчество / Изд. 2-е, исправленное и дополненное. (Византийская библиотека. Исследования). — СПб.: Алетейя, 2001.
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Алессандро Манцони. Обрученные. Повесть из истории Милана XVII века / Перевод И. И. Шитца. (Итальянская литература). — М.-Л.: Academia, 1936.
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Voltaire. Candide / Illustrations by Mahlon Blaine. — New York: Illustrated Editions Company, [c. 1930].
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[William Alexander.] Costume of the Russian Empire. — London: John Stockdale, 1811.
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Voltaire. Romans et Contes / 3 vol. — Bouillon: Société Typographique, 1778.
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Samuel L. Leiter. Kabuki Encyclopedia: An English-language adaptation of Kabuki Jiten. — Westport, CT; London: Greenwood Press, 1979.
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B. W. Robinson; Victoria and Albert Museum. Kuniyoshi. — London: Her Majesty’s Stationery Office, 1961.
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A.-R. Andréa de Nerciat. Félicia ou mes fredaines / Orné de vingt eaux-fortes coloriées à la main par l’artiste [André Collot]. — Paris: s.n., 1928.
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Otto Pächt. Venetian painting in the 15th century : Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna. — London: Harvey Miller Publishers, ©2003.
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Наталья Кодрянская. Глобусный человечек: сказочное путешествие / Иллюстрации Федора Рожанковского. — Paris: ©Natalie Codray, 1954.
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Charles-Pierre Colardeau. Le temple de Gnide, mis en vers. — Paris : Le Jay, [1773?].
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