Sarah E. Thompson, Harry D. Harootunian. Undercurrents in the Floating World: Censorship and Japanese Prints. — NY: The Asia Society Galleries, 1991.
![lib 3151.2023 1 - Muneshige Narazaki. Hokusai: Sketches and paintings [漫画肉筆画] (Manga nikuhitsuga) / English adaptation by John Bester (Masterworks of ukiyo-e, №7). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.](https://varshavskycollection.com/wp-content/uploads/lib-3151.2023-1.jpeg)
Paperback, 27.5 x 19 cm, pictorial wrappers, lettering to front wrapper and spine, pp.: [i-iv] v-viii, 1-104, ils.: 50 figures; catalogue, notes, and bibliography.
Title-page: UNDERCURRENTS | IN THE FLOATING WORLD: | CENSORSHIP | AND JAPANESE PRINTS | Sarah E. Thompson | H. D. Harootunian | {kiwame seal} | THE ASIA SOCIETY GALLERIES | NEW YORK ||
Exhibition in NY: October 9, 1991 – January 5, 1992.
Authors:
Sarah E. Thompson (American, b. 1951)
Harry D. Harootunian (Armenian-American, b. 1929)
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| Subject | Art, Art history, Censopship, Censorship, Criticism, Culture, History, Japanese art, Japanese woodblock prints |
| Author/Editor | Harootunian, Harry D. (Armenian-American, b. 1929), Thompson, Sarah E. (American, b. 1951) |
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![Kyō ware (Japanese ceramics 13) [京焼 日本の陶磁 (13) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.](https://varshavskycollection.com/wp-content/uploads/lib-3180.2023-1.jpeg)
