Erotica – Varshavsky Collection

Santippa [i.e. Gaston Hoffmann]. Le Théâtre de la Nature. — Bruxelles, c. 1938.

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[André Collot]. Jeunesse. — [Paris], 1933.

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Pierre Mac-Orlan. Les jeux du demi-jour / avec douze lithographies de Vertès. — Paris: Les arts et le livre, 1926.

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Gabriel Soulages. Le malheureux petit voyage / Illustrations de Maurice Leroy. — Paris : Éditions du Charme, 1942.

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[Léon Courbouleix]. Les vacances de Suzon: Journal secret. — Aux dépens des Amis de Cupidon, [late 1940s].

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Mœurs russes, a set of ten post cards with clandestine erotic watermark images, c. 1900.

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[Henriette de Mannoury d’Ectot]. Le roman de Violette. — Sodome: Royne de Cythère, 1920.

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Alexandre Dupouy. Pascin érotique. — Paris: Éditions Astarté, 2001.

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Ou le Tommy est-il resté? – German propaganda card, c. 1944.

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Bonne à tout faire / illustrations by Mario Tauzin. — Éric Losfeld, late 1950s.

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Luc Binet. Martin Van Maele ou le diable se cache dans détails : catalogue raisonné. — Lausanne : Humus, 2017 ©.

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Éros Bacchus : L’amour et le vin. — Lausanne : HumuS, 2014 ©

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Protected: Cerkan de Sardan. Viol au Pensionnat / illustrations de Garcini. — Paris: Evasion, 1988.

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Éros secret: objets érotiques à transformation – erotic transformation objects / directed by Véronique Willemin, preface by Michel Froidevaux. — Lausanne : HumuS, 2007.

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Éros, indéfiniment : collections F.I.N.A.L.E. / introduction par Michel Froidevaux. — Lausanne: HumuS, 2016.

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A de M. [Alfred de Musset]. Gamiani. — s.l.: s.n, c.1935.

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Contes libertins du dix-huitième siècle / Présentés par Edmond Pilon, trente-deux illustrations en couleurs de A. Calbet. — Paris: Le Vasseur & Cie, 1936.

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Spaddy [i.e. Johannès Gros]. Colette, ou les amusements de bon ton: Roman. — St. Cloud: Temple de Cythère [Maurice Duflou, c. 1939].

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Pierre Louÿs. Pibrac: quatrains érotiques. — Paris: Aux dépens d’un amateur, 1933 [i.e. 1934].

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Paul Morand. Les plaisirs rhénans / Orné de sept lithographies originales et coloriées à la main. — Düsseldorf: Librairie Leocadia [i.e. Paris: René Bonnel, 1926].

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[André Collot]. Jeunesse. — [Paris], 1933.

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L’Académie des Dames: Vingt attitudes par Albert Marquet. — NY: Sixty-Ninth Avenue [i.e. Paris: s.n., ca. 1950)

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Otto Rudolf Schatz. Erotic picture story: Album with 20 watercolour drawings, 1954.

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Otto Rudolf Schatz. Erotic scene (9) / Graphite on paper, c. 1950.

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Otto Rudolf Schatz. Erotic scene (10) / Watercolour, pen and ink on paper, c.1950.

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Otto Rudolf Schatz. Erotic scene (11) / Watercolour, pen and ink on paper, c. 1950.

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Otto Rudolf Schatz. Erotic scene (12) with catholic nuns / Watercolour, pen and ink wash on paper, c. 1950.

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Otto Rudolf Schatz. Erotic scene (13) / Watercolour, pen and ink on card stock, c. 1950.

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Otto Rudolf Schatz. Erotic scene (14) with hat and cane / Watercolour and India ink on card stock, c. 1950.

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Otto Rudolf Schatz. Erotic scene (15) / Watercolour, pen and ink on paper, c. 1950.

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Otto Rudolf Schatz. Erotic scene (16) / Watercolour on paper, c. 1950.

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Otto Rudolf Schatz. Erotic scene (17) / Watercolour on paper, c. 1950.

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Erika Plehn. Seven watercolour illustrations for “Pybrac” by Pierre Louÿs / Berlin, c. 1928.

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Erika Plehn. Aspasia’s prostitute school: Three watercolour drawings, c. 1923.

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Martin van Maële. La petit suite complète de 12 eaux fortes inspires de la Légende des sexes du Sire de Chambley [Edmond Haraucourt]. — Paris, 1908.

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Gilbert Garnon. Cent trente deux positions amoureuses / Préface de Gérard Zwang (Images obliques). — Paris: Roger Borderie, 1981.

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