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Home/Collection/European prints and drawings
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  • Thomas Hugo. The Bewick Collector. A Descriptive Catalogue & A Supplement to a Descriptive Catalogue of the Works of Thomas and John Bewick. Lovell Reeve and Co., 1866-1868.

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  • [RASPE, Rudolf Erich]. The Travels and Surprising Adventures of Baron Munchausen. / Illustrated with 37 curious engravings, from the Baron's own designs, and five woodcuts, by G. Cruikshank. — London: William Tegg, 1869. — xii + [10] + 268 pp.

    [Rudolf Erich Raspe]. The travels and surprising adventures of baron Munchausen / George Cruikshank (illustrator). — London: William Tegg, 1869.

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  • Arthur M. Hind. A history of engraving & etching from the 15th century to the year 1914. — Boston: Houghton Mifflin Co., 1923.

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  • Valenciennes: Valencena, quondam cygnorum vallis, urbs han: perelegãs et valde magnifica; engraving, 1612.

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  • Peter Fendi. Vierzig Erotische Aquarelle in Faksimilereproduktion. — [Vienna: C. W. Stern , 1910].

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  • Napoléon III / Lithography, 1852.

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  • Versailles soldiers firing upon the communists from roofs and windows in Paris. Harper's Weekly: July 1, 1871

    Versailles soldiers firing upon the communists from roofs and windows in Paris. Harper’s Weekly: July 1, 1871

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  • Engraved portrait of Erasmus of Rotterdam in an octagonal frame, 1757.

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  • [Voltaire]. La Pucelle d’Orléans, Poëme héroï-comique en dix-huit chants. — Genève: [Cazin], 1788.

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  • Félicien Rops. La Modernité; drypoint, 1883.

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  • Eastern and western divisions of Paris, containing the quartiers. — London: Baldwin & Cradock, 1834.

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  • Emilie Mediz-Pelikan. Roman Pines Grove / Chromolithography, c. 1905.

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  • Napoléon III, Empereur des français / Chromolithography, 1852

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  • Adelbert von Chamisso. Peter Schlemihl / Sir John Bowring (translator), George Cruikshank (illustrator) — London: G. and W. B. Whittaker, 1824.

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  • Giovanni Battista Brustolon. Nocturnal view of the gondolas’ procession in front of the Basilica of San Pietro di Castello, 1763.

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  • Thomas Bewick. History of British birds with the supplements and addenda / Vol. 1 & 2. — Newcastle: T. Bewick and E. Charley; London: Longman & Co., 1821.

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  • Losing my seat. [Anonyme] A. Sharpshooter, 1829.

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  • [Feodor Rojankovsky, dit Rojan]. Quatorze études originales pour Vers Libres de Raymond Radiguet, c. 1935.

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  • Amiral / Image d’Épinal, c. 1870.

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  • Marianne Clouzot. Set of 10 sanguine etchings from the album “Jeunesse”, published by La Tradition, 1945 (incomplete).

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  • Contes et nouvelles en vers de monsieur de La Fontaine. Amsterdam: Henry Desbordes, 1685.

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  • George Cruikshank. George Cruikshank's Fairy Library. Hop-O'-My Thumb. Jack and the Bean-Stalk. Cinderella. Puss in Boots. — London: George Bell and Sons, 1885. — pp.: [2] blank, [2] first half-title with blank verso, [i-ii] second half-title with blank verso, [2] frontispiece plate with blank recto, [iii-viii] title, colophone, editor's note, list of illustr. [2] title with blank verso, [1] 2-101 [3] blank, 24 plates with protective tissue, unpag. — Colophon: This edition is limited to 500 copies, with India paper impressions. The former editions have been from lithographic transfers. The plates were retouched under Mr. Cruikshank's direction shortly before his death, and have not been used since until now.

    George Cruikshank’s Fairy Library. — London: George Bell and Sons, 1885.

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  • Les Filles d’Eve – Album de Travestissements Plus ou Moins Historiques. — Paris: Le Journal Amusant et al., 1867.

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  • Nieuwe kaart der platte grond van de stad Parys en derzelver voorsteden; engraving, 1756.

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  • Chevalier F. de Bouval [i.e. Franz von Bayros]. Sixteen erotic prints, c. 1925.

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  • Géneral de division / Lithography, c. 1852.

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  • The morgue at Paris - The last scene of a tragedy. Harper's Weekly: July 18, 1874

    The morgue at Paris – The last scene of a tragedy. Harper’s Weekly: July 18, 1874

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  • Fables de La Fontaine by J.-J. Grandville, 1838.

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  • Crébillon fils. Le sopha, conte moral / Nouvelle édition. — Pekin [i.e. Paris]: l’imprimeur de l’Empereur, 1749.

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  • Félicien Rops. La vieille à l’aiguille; etching, 1876.

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  • Eastern and western divisions of Paris, containing the quartiers. — London: c. 1840.

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  • Napoléon III: Kaiser der Franzosen / Lithography, 1852.

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  • Jules Pascin. Erotikon. — Bruxelles [i.e. Paris: Jean-Gabriel Daragnès], 1933.

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  • Le Pere Matthieu Ricci, Le Pere Adam Schaal, and Le Pere Ferdinand Verbiest by Joshua Van Solingen (1736).

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  • [Taxile Delord]. Un autre monde par Grandville. — Paris: H. Fournier, 1844

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  • [Feodor Rojankovsky]. Idylle printanière. — [Paris: Henri Pasquinelli, 1938].

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  • Das Kaiserlein Napoleon, und seine Rauberhorten. L. Schlemmer, hand-coloured etching, c. 1815.

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  • Erzählungen am Toilettentische von Choisy le Conin [i.e. Franz von Bayros].

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  • Armée française. Garde–mobile. Artillerie / Image d’Épinal, c. 1870.

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  • Franz von Bayros. Exlibris, c. 1910 — Album of 49 bookplates.

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  • Vita B. Ioannis Chisii a Maciaretto, ord. ermit. s. p. Augustini. — Antverpiæ, Henricum Aertssens, 1641.

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  • George Cruikshank's table-book / edited by Gilbert Abbott à Beckett. – London: Punch office, 1845. – viii, 284 p., [12] leaves of plates : ill's.

    George Cruikshank’s table-book / edited by Gilbert Abbott à Beckett. – London: Punch office, 1845.

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  • Collection de vignettes pour les œuvres de J.-J. Rousseau gravées par MM. Forster, Laugier, Leroux, Muller, etc. d’après les dessins de Devéria. — Paris: Dalibon, 1825.

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  • Environs of Paris from Weekly Dispatch Atlas. — London: Cassell, Petter, and Galpin, 1863.

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  • Feodor Rojankovsky. La Grande Maison de Blanc. Four plates, advertisement, 1929.

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  • Calendrier de l’abeille, 1857 / Lithography.

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  • Thomas Birch. The Heads of Illustrious Persons in Great Britain. London, 1747.

    Thomas Birch. The Heads of Illustrious Persons in Great Britain. London, 1747.

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  • C. Plinius S. Van Menschen, Beesten, Vogeln en Visschen. – Amsterdam: Joost Hartgers, 1650.

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  • Crébillon fils. Le sopha, conte moral / Illustrations de Carlègle. — Paris: Éditions Mornay, 1933.

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  • Félicien Rops. Pallas; etching and drypoint, 1874.

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  • Galignani’s plan of Paris, 1827

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  • Mort du Prince Louis-Eugène-Napoléon / Image d’Épinal, 1879.

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  • Otto Rudolf Schatz. Erotic scene / Watercolour on paper, c. 1950.

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  • A portrait of Marcello Malpighi from his Opera Posthuma (1697).

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