English – Page 3 – Varshavsky Collection

Otto Pächt. Venetian painting in the 15th century : Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna. — London: Harvey Miller Publishers, ©2003.

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Marcia B. Hall. Color and meaning : Practice and theory in Renaissance painting. — Cambridge: Cambridge University Press, 1992.

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Sidney E. Berger. The Dictionary of the Book: A Glossary for Book Collectors, Booksellers, Librarians, and Others. — Lanham, MD: Rowman & Littlefield, 2016.

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The most excellent Hugo Grotius his three books treating of the rights of war & peace… with the annotations digested into the body of every chapter / translated into English by William Evats, B.D. — London: Margaret White for Thomas Basset and Ralph Smith, 1682.

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Markus Sesko. Handbook of sword fittings related terms. — Norderstedt: Books on Demand GmbH, 2011.

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Printing and the mind of man: assembled at the British Museum and at Earls Court, London, 16-27 July 1963. — [London]: F. W. Bridges & Sons Ltd., Association of British Manufacturers of Printers’ Machinery Ltd., [1963].

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Report of the Committee on Leather for Bookbinding. — London: George Bell & Sons for the Society of Arts, 1905.

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Reid Byers. The private library: the history of the architecture and furnishing of the domestic bookroom. — New Castle, DE: Oak Knoll Press, 2021.

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Jūzō Suzuki, Isaburō Oka. The decadents / Translated by John Bester (Masterworks of ukiyo-e, №8). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.

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Anthony Sutcliffe. The autumn of central Paris: The defeat of town planning, 1850-1970 (Studies in urban history I). — London: Edward Arnold, 1970.

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Ben B. Fischer. Okhrana: The Paris operations of the Russian imperial police. — CIA: Center for the study of intelligence, 1997 (2010 reprint).

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Phiscultura. Valery Katsuba. — Nashville: Turner, 2007

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Haruo Shirane. Japan and the Culture of the Four Seasons: Nature, Literature, and the arts. — NY: Columbia University Press, 2013.

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Evgenij Kozlov. Das Leningrader Album / herausgegeben von Hannelore Fobo. — Tübingen: Konkursbuch Verlag Claudia Gehrke, 2003.

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Wayne Andersen. Picasso’s Brothel: Les Demoiselles d’Avignon. — NY: Other Press, 2002.

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Terence Emmons. Alleged sex and threatened violence: Doctor Russel, Bishop Vladimir, and the Russians in San Francisco, 1887-1892. — Stanford (CA): Stanford University Press, 1977.

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Puck, vol. XXXVIII, №№ 982-1007. — NY: Keppler & Schwarzmann, 1896.

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Louis V. Ledoux. A descriptive catalogue of an exhibition of Japanese figure prints from Moronobu to Toyokuni. — NY: The Grolier Club, 1924.

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Graham Greene. The Honorary Consul. — London: Bodley Head, 1973.

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Bruce A. Coats. Chikanobu: Modernity and Nostalgia in Japanese Prints. — Leiden: Hotei Publishing, 2006.

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Charlotte M. Salwey. Fans of Japan. — London: Kegan Paul, Trench, Trübner & Co., 1894.

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Graham Greene. The Quiet American. — London: William Heinemann Ltd., 1955.

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Ukiyo-e prints and paintings: The primitive period, 1680–1745 / An exhibition in memory of Margaret O. Gentles; catalogue by Donald Jenkins. — Chicago: Art Institute Of Chicago, 1971.

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Ogden Nash. You can’t get there from here / Drawings by Maurice Sendak. — Boston, Toronto: Little, Brown and Co., [1957].

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Graham Greene. The Comedians. — London: Bodley Head, 1966.

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Ernest Alfred Vizetelly. My days of adventure: The fall of France, 1870-71. — London: Chatto & Windus, 1914.

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The Clarence Buckingham collection of Japanese prints: Vol. 1 & 2. — [Chicago]: Art Institute of Chicago, 1955 & 1965.

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Andreas Marks. Japanese woodblock prints: Artists, publishers and masterworks, 1680 – 1900 / Foreword by Stephen Addiss. — Tuttle Publishing, 2010©.

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Robert Schaap. Heroes & ghosts: Japanese prints by Kuniyoshi, 1797-1861 / Introduction by Amy Reigle Newland; essays by Timothy T. Clark, Matthi Forrer, Inagaki Shin’ichi. — Leiden: Hotei Publishing, 1998.

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B. W. Robinson. Kuniyoshi: the warrior-prints. — Oxford: Phaidon, 1982.

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B. W. Robinson; Victoria and Albert Museum. Kuniyoshi. — London: Her Majesty’s Stationery Office, 1961.

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Konrad Lorenz. On aggression / translated by Marjorie Latzke, foreword by Sir Julian Huxley. — London: Methuen, 1966.

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Josef Halfer. The progress of the marbling art … with a supplement on the decoration of book edges / translated by Herman Dieck. — Buffalo, NY: Louis H. Kinder, 1893.

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Variations: Drawings, water colors, etchings and lithographs by Vertès / Text by Claude Roger-Marx. — Greenwich, CT: New York Graphic Society, 1961.

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Oliver Hill. Pan’s garden. — London: Philip Allan & Co. Ltd., 1928.

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Breitenbach Aktphotographien. — Berlin: Galerie Bodo Niemann, 1998.

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