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54 Products
Heianjo tsuba with the Myriad Treasures motif. Momoyama or early Edo period (1574 – 1650).
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Il Paradiso Perduto Poema inglese di Giovanni Milton tradotto dal sig. Paolo Rolli Con le Annotazioni di G. Addison E alcune Osservazioni critiche. — In Parigi [i.e. Verona/Venice]: Bartolomeo Occhi, 1758 / 2 vol. in one.
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The most excellent Hugo Grotius his three books treating of the rights of war & peace… with the annotations digested into the body of every chapter / translated into English by William Evats, B.D. — London: Margaret White for Thomas Basset and Ralph Smith, 1682.
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Yoshirō mon-sukashi tsuba by Koike Naomasa. Momoyama or early Edo period (1574 – 1650).
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Higo tsuba with slanting rays of light (tokei) motif / Edo period, mid-17th century.
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Heianjo brass inlay tsuba with bellflowers, vines and a dragonfly / Edo period (c. 1650-1700).
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Owari tsuba with slanting rays of light (tokei) motif / Edo period, early 17th century.
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Yoshirō brass inlay tantō tsuba by Koike Naomasa; Momoyama period (1574 – 1603).
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Heianjo brass inlay tsuba with swastika and other symbols. Momoyama period (1574 – 1603).
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Valenciennes: Valencena, quondam cygnorum vallis, urbs han: perelegãs et valde magnifica; engraving, 1612.
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Stefano della Bella. La perspective du pont Neve de Paris; etching, 1646 (2nd state).
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Torquato Tasso. Il Goffredo, overo Gierusalemme liberata, poema heroico / 2 volumes. — Amsterdam: Daniel Elsevier; Paris: Thomas Jolly, 1678.
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Torquato Tasso. Aminta favola boscareccia / con le annotationi d’Egidio Menagio. — Paris: Augustin Courbe, 1655.
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Torquato Tasso. La Gerusalemme liberata. — Genoa: Giuseppe Pavoni, 1617
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Torquato Tasso. Il Goffredo overo la Gierusalemme liberata. — Paris: Impremerie Royale, 1644. — Paris: Impremerie Royale, 1644.
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Nevers faience plate, France, late 17th century.
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Yoshirō mon-sukashi tsuba. Momoyama or early Edo period (1574-1650).
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[Pierre Jurieu]. The accomplishment of the prophecies, or the approaching deliverance of the church / Translated from the French. — London: [s.n.], 1687.
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Isaac Bullart. Academie des sciences et des arts / 2 volumes. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.
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Isaac Bullart. Academie des sciences et des arts / 2 volumes in 1. — Paris: Louis Bilaine [i.e. Brussels: Foppens], 1682.
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John Milton. The poetical works : Paradise Lost, Paradise Regained, Samson Agonistes, Poems on several Occasions. — London: Jacob Tonson, 1695.
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Cornelis De Bie. Het Gulden Cabinet. — Antwerp: Jan Meyssens, 1661.
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Glazed pottery jar. Japan, Seto ware [瀬戸焼,], Early Edo period, 17th century
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Jade openwork Bi disc with dragon and serpents. China, Ming Dynasty [大明] (1368 – 1644).
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Blue and white Zhangzhou porcelain plate decorated with a bird in landscape. China, Ming Dynasty (1368 – 1644).
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Blue and white porcelain plate with a running yak, China, Ming Dynasty (1368 – 1644).
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Blue and white porcelain plate with a crane, China, Ming Dynasty (1368 – 1644).
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John Allington. The grand conspiracy of the members against the minde, of Jewes against their King. — London: R. Royston, 1654.
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John Locke. An essay concerning human understanding, in four books / The 3rd Edition. — London: Awnsham and John Churchil, Samuel Manship, 1695.
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Antiquitates Christianæ: or, the History of the Life and Death of the Holy Jesus: as Also the Lives, Acts and Martyrdoms of His Apostles, in 2 parts / The 8th edition. — London: Luke Meredith, 1694.
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John Wilkins. An Essay Towards a Real Character and a Philosophical Language. — London: S. Gillebrand, J. Martyn, 1668.
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The works of Nicholas Machiavel, translated into English. — London: Printed for J. Starkey, C. Harper, & J. Amery, 1680.
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Florens Schoonhoven. Emblemata partim moralia, partim etiam civilia. — Amsterdam: Johannes Janssonius, 1635.
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C. Plinius S. Van Menschen, Beesten, Vogeln en Visschen. – Amsterdam: Joost Hartgers, 1650.
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L’Imitation de Jésus-Christ / P. Corneille. — Paris: Pierre Rocolet, 1656.
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Vita B. Ioannis Chisii a Maciaretto, ord. ermit. s. p. Augustini. — Antverpiæ, Henricum Aertssens, 1641.
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Contes et nouvelles en vers de monsieur de La Fontaine. Amsterdam: Henry Desbordes, 1685.
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Isaac Bullart. Academie des sciences et des arts / 1st vol. of two. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.
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Tantō tsuba with paulownia and karakusa design. Early Edo period, 17th century.
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Tantō tsuba with paulownia and karakusa design. Early Edo period, 17th century.
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Nishigaki tsuba with design of bamboo by Kanshiro I. Edo period, late 17th century.
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A portrait of Marcello Malpighi from his Opera Posthuma (1697).
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Heianjo-zōgan (Bizen-Yoshirō) tsuba with design of phoenix, bamboo, and paulownia. Momoyama period (1574-1603).
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Heianjō-zōgan tsuba with pines, mist, and snow motif. Momoyama or early Edo period.
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Yoshirō mon-sukashi tsuba. Momoyama or early Edo period (1574-1650).
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Yoshirō mon-sukashi tsuba. Momoyama or early Edo period (1574-1650).
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Heianjō-zōgan mon-sukashi tsuba. Momoyama to early Edo period.
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Tsuba with design of water wheel, cherry blossom, and waves. Momoyama period.
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Owari school tsuba with design of keys. Edo period, 17th century.
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Owari tsuba with double crossbar and family crests motif. Early Edo period, 17th century.
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Higo school tsuba with a design of nesting crane in openwork. Edo period, 17th century.
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Heianjō tsuba with tiger and bamboo motif. Momoyama period.
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Tsuba with slanting rays of light (tokei) and other symbols / Edo period, 17th century.
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Sukashi tsuba with slanting rays of light (tokei) motif / Edo period, 17th century.
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