20 AD – Page 14 – Varshavsky Collection

The erotic drawings of Mihály Zichy: Forty drawings. — New York: Grove Press Inc., 1969.

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Erato: Graphiken von Mihály Zichy. — Budapest: Corvina Kiadó, 1989.

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Michael von Zichy. Liebe: Vierzig Zeichnungen. Leipzig: Privatdruck, 1911.

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Pierre Louÿs. Les aventures du Roi Pausole / Illustrations de Brunelleschi. — Paris: L’Estampe Moderne, 1930.

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Sebastian Izzard. Kunisada’s world. — New York: Japan Society, Ukiyo-e Society of America, ©1993.

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Ellis Tinios. Mirror of the stage: The actor prints of Kunisada. — Leeds: The University Gallery Leeds, 1996.

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Samuel L. Leiter. Kabuki Encyclopedia: An English-language adaptation of Kabuki Jiten. — Westport, CT; London: Greenwood Press, 1979.

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Pierre Louÿs. Manuel de civilité pour les petites filles à l’usage des maisons d’éducation. — Londres [i.e. Nice]: s.n., 1948.

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Jack Hillier. Japanese prints and drawings from the Vever Collection (3 volumes). — New York: Rizzoli International & Sotheby Parke Bernet, 1976.

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Jacob Pins. The Japanese pillar print: Hashira-e / Foreword by Roger Keyes. — London: Robert G. Sawers Publishing, 1982.

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Maurice Joly. Dialogue aux enfers entre Machiavel et Montesquieu (Liberté de l’Esprit). — Paris: Calmann-Lévy 1948.

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Japanese paintings and works of art, Korean ceramics / Catalogue 2, Exhibition September 14-18, 1999. — NY: Sebastian Izzard LLC, 2002.

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Julia Hutt, Hélène Alexander. Ōgi: A history of the Japanese fan. — London: Dauphin, ©1992.

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[Pierre Louÿs]. Douze douzains de dialogues ou petites scènes amoureuses / [Illustrée par André Collot]. — [Paris: Robert Télin, 1927].

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[Pierre Mac Orlan.] Petites cousines: Alice, Simonne, Marcelle, Andrée / [Illustrations de Schem]. — Aux dépens d’un amateur et pour ses amis, [c. 1948].

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Breitenbach Aktphotographien. — Berlin: Galerie Bodo Niemann, 1998.

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Oliver Hill. Pan’s garden. — London: Philip Allan & Co. Ltd., 1928.

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Longus. Daphnis et Chloé / Traduction de Jacques Amyot, revue et corrigée par Paul-Louis Courier, illustré par Marcel Vertès. — Paris: Manuel Bruker, 1954.

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