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NEWSepia drypoint with plate mark 55 x 70 mm on cream cardstock in two states: (1) 115 x 155 mm, unsigned (2) 115 x 155 mm, signed 'ORS' in pencil on the margin below the plate mark. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWSanguine drypoint with plate mark 102 x 90 mm on cream cardstock in two states: (1) 227 x 203 mm, signed 'ORS' in pencil on the margin below the plate mark. (2) 230 x x 203 mm signed 'ORS' in pencil on the margin below the plate mark and with the letter 'd' in pencil above the plate mark. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWSanguine drypoint with platemark 130 x 150 mm on cream cardstock in two states: (1) 209 x 212 mm, signed 'ORS' in pencil on the margin below the platemark. (2) 206-214 x x 224-228 mm with letter 'd' in pencil above the platemark. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWDrypoint on cream cardstock 208 x 207 mm with platemark 100 x 122 mm, monogrammed "ORS" in pencil outside the plate. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWSanguine drypoint on cream cardstock 230 x 155 mm with platemark 153 x 79 mm, monogrammed "ORS" in pencil. Inscription in pencil to bottom: "Letzter Abzug x. 49". Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWNine loose drypoint plates on cream cardstock of different sizes (sheet, platemark, signature in pencil to margin) SVE-0585.2024-1: 183 x 183 mm; 101 x 80 mm; ORS SVE-0585.2024-2: 219 x 195 mm; 102 x 80 mm; –– SVE-0585.2024-3: 183 x 187 mm; 102 x 84 mm; –– SVE-0585.2024-4: 183 x 184 mm; 103 x 81 mm; ORS SVE-0585.2024-5: 183 x 186 mm; 102 x 80 mm; ORS SVE-0585.2024-6: 220 x 194 mm; 102 x 83 mm; ORS SVE-0585.2024-7: 158 x 108 mm; 101 x 79 mm; ORS SVE-0585.2024-8: 110 x 158 mm; 83 x 102 mm; –– SVE-0585.2024-9: 158 x 109 mm; 101 x 81 mm; ORS Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWTwelve loose drypoint plates on cream cardstock of different sizes (sheet, platemark, signature in pencil to margin) SVE-0584.2024-1: 185 x 183 mm; 103 x 80 mm –– SVE-0584.2024-2: 138 x 103 mm; 103 x 82 mm; ORS SVE-0584.2024-3: 201 x 142 mm; 104 x 82 mm; ORS SVE-0584.2024-4: 200 x 144 mm; 103 x 80 mm; ORS SVE-0584.2024-5: 158 x 110 mm; 102 x 81 mm; ORS SVE-0584.2024-6: 141 x 103 mm; 103 x 82 mm; ORS SVE-0584.2024-7: 200 x 141 mm; 103 x 82 mm; ORS SVE-0584.2024-8: 230 x 207 mm; 122x 100 mm; ORS SVE-0584.2024-9: 205 x 155 mm; 132 x 102 mm; ORS SVE-0584.2024-10: 200 x 230 mm; 101 x 131 mm; ORS SVE-0584.2024-11: 230 x 206 mm; 80 x 130 mm; ORS SVE-0584.2024-12: 228 x 206 mm; 100 x 91 mm; ORS Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWGraphite on wove paper, 281 x 209 mm, remnants of red pencil signature in the bottom right corner, traces of mounting hinges to recto. Attributed to: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWPen and ink drawing on paper, 285 x 184 mm, black ink stamp “PROF. O R SCHATS | Wien II.. Gr. Mohreng, 31 | Tel.: 55 82 566", remnants of mounting hinges to the drawing side; unsigned. Black stamp "Kunst bei Kenst" and blue ballpen ms signed "DKFM E. Kenst" to recto . Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWDrawing on both sides upside down; pen and ink on paper, 255 x 170 mm, black ink stamp “PROF. O R SCHATS | Wien II.. Gr. Mohreng, 31 | Tel.: 55 82 566", remnants of mounting hinges; unsigned. Attributed to Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWGraphite on wove paper, 240 x 300 mm, blue ink stamp to verso: “PROF. O R SCHATZ" and pencil "67"; traces of mounting hinges. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWTwo loose sheets, one 295 x 235 mm and another, the title page, 295 x 470 mm, folded in half with the image on one side only, leaves pierced for being bound in an album. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWAlbum of 10 watercolour drawings on thick wove paper sheets 315 x 245 mm, incl. title and colophon, plus one blank sheet before the title page, in Japanese stab binding — cardboard covers with stripes and ribbons marbling, sewed with blue thread. Signed and dated on the rearmost sheet. Versuch (German)— trial, experiment, test, attempt. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWAlbum of 17 watercolour drawings on thick wove paper sheets 265 x 205 mm, incl. title and colophon, in Japanese stab binding — cardboard covers with yellow and grey stripes sewed with pink thread. Signed and dated. The conditional title of the album may be "Girl's Toy". Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWEleven loose sheets, approx. 250 x 230 mm each, numbered in the bottom left corner in pencil (by owner?), with five binding holes in the left margin, traces of passe-partout mounting to verso; no title sheet. It is probably a disbound watercolour album telling the same story as the printed Der Kleine Bruder (see SVE-0581.2024). Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWTwelve drypoint plates, incl. the title, with plate marks at 90 x 70 mm, unsigned, in Japanese style binding — sewed cardboard covers with blue and green diaper design 195 x 142 mm; blank fly leaves in the front and the rear. Dorotheum GmbH selling slip laid in. The number of printed copies is unknown to us. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWHardcover volume 188 x 125 mm, quarter grey shagreen over marbled boards with gilt lettering to spine ruled in double gilt fillet, marbled endpapers, publisher’s wrappers preserved; collated 2 ffl, front wrapper, π4 (blank1, ht/advert.2, blank/frontis., t.p./blank3, dedication/blank4), text 376 χ1, rear wrapper, 2ffl; pp.: [8] [1] 2-446, plus portrait frontispiece. Title-page: GUSTAVE GEFFROY | — | L'ENFERMÉ | AVEC LE MASQUE DE BLANQUI | Eau-forte de Bracquemond | (in rules) CINQUIÈME MILLE | PARIS | BIBLIOTHÈQUE CHARPENTIER | EUGENE FASJUELLE, ÉDITEUR | 11, RUE DE GRENELLE, 11 | 1919 || For another copy published in 1897, see LIB-2583.2020.
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NEWMass-market paperback 188 x 120 mm, red and black lettering and vignette to front, lettering to back (advert.) and spine, pp.: [1-5] 6-190 [2]; collated 8vo: 1-128, i.e. 96 leaves. Title-page: ★ ★ ★ | PUBERTÉ | JOURNAL D'UNE ÉCOLIÉRE | TEXTE INTÉGRAL | • | PARIS | LES EDITIONS RAOUL SAILLARD | 30, RUE D'ENGHIEN, 30 | Copyright, 1933, by Les Éditions Saillard. || Colophon: ACHEVÉ D'IMPRIMER SUR LES | PRESSES DE CH. VINCHE, 10, RUÉ | DAVID, VERVIERS (BELGIQUE), POUR | LES ÉDITIONS RAOUL SAILLARD, | 30, RUE D'ENGHIEN, 30, PARIS. ||
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NEWPublisher’s pink wrappers 376 x 277 mm and spine preserved by being bound in ¾ red morocco over marbled boards 384 x 285 mm outlined in gilt by Semet & Plumelle (stamp to free endpaper verso); marbled endpapers, raised bands, gilt and black decorated compartments, gilt lettering to spine, top edge gilt. Collation: 2 ffl, front wrapper, half-title with autograph “A Robert … Vertès 1956” and original gouache vignette / limitation imprint, title-page in turquoise and black / blank, i-iii [iv], 1-45 [2 table/colophon], back wrapper, spine, 2 ffl, plus two sets of 12 plates by Marcel Vertès – one on laid paper (vélin) and one on wove paper (chine), and one additional lithograph on thick wove paper laid in. Limited edition of 100 copies on vellum (Papier d'Annam) №№ 1-100 and 500 copies on Vélin pur fil Lafuma №№ 101-600. This copy is № 57. For another copy in this collection without the number, see LIB-2893.2021. Title-page (turquoise and black): LES JEUX | DU DEMI-JOUR | PAR | PIERRE MAC ORLAN | {vignette} | AVEC | DOUZE LITHOGRAPHIES DE | VERTÈS | LES ARTS ET LE LIVRE | 47, RUE LAFFITTE, PARIS | — | 1926 || Imprint: EXEMPLAIRE SUR PAPIER D'ANNAM | N° 57 (signed 'Vertès' in pencil) || Colophon: LE PRÉSENT ALBUM, ACHEVÉ | D'IMPRIMER POUR LE TEXTE | PAR LE MAITRE IMPRIMEUR | COULOUMA, D'ARGENTEUIL, | H. BARTHELEMY ETANT DIREC- | TEUR, ET POUR LES LITHOGRA- | PHIES PAR DUCHATEL, A PARIS, | A ÉTÉ TIRÉ A 600 EXEMPLAIRES | DONT 100 EXEMPLAIRES SUR | PAPIER D'ANNAM (TEXTE) ET | CHINE (HORS-TEXTE) AVEC UNE | SUITE SUR VELIN BLANC, NUME- | ROTES DE I A 100 ET 500 EXEM- | PLAIRES SUR VELIN PUR FIL LA- | FUMA, NUMÉROTÉS DE 101 A 600. Catalogue raisonné: Vokaer № 9, p. 8. Contributors: Pierre Mac-Orlan (French, 1882 – 1970) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes Seller's description: Les Jeux du Demi-Jour. Avec douze lithographies de Vertès. Paris, Les Arts et Le Livre, 1926. In-folio, demi-maroquin rouge à coins, dos à nerfs finement orné, titre doré, filet doré sur les plats, tête dorée, couverture et dos conservés (Semet & Plumelle). Vignette de titre et 12 lithographies originales hors-texte de Marcel VERTÈS. Premier tirage et édition originale tirée à 600 exemplaires numérotés ; n°57 des 100 sur Annam (texte) et chine (hors texte) avec suite sur vélin blanc, enrichi d'un grand DESSIN ORIGINAL au feutre et à l'aquarelle avec envoi signé ("à Robert ...") et daté 1956.
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NEWHardcover, 306 x 235 mm, bound in crimson cloth with gilt lettering to front cover and spine, marbled endpapers; pp.: [1-4] 5-112, illustrated in b/w and colour throughout. Title-page: (in floral frame) ART | and | FASHION | By | MARCEL VERTES | In Collaboration with Bryan Holme | {vignette} | THE STUDIO PUBLICATIONS INC. • NEW YORK AND LONDON || Imprint: Printed in the U.S.A. by The Plantin Press and Albert Davis, Samuel Faber, Colorist. Catalogue Raisonné: Vokaer № 43, p. 17. Contributors: Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist/author Holme, Bryan (American, 1913 – 1990) – co-author Davis, George (American, 1906 – 1957) – translator
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NEWGraphite and watercolour on wove paper, 220 x 277 mm, upper margin trimmed to cut heads of the characters. Pencil sketch and a blue ink stamp “Nachlaß O R SCHATZ", traces of hinges to verso. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWTwo hardcover volumes, 205 x 160 mm each, uniformly bound in red quarter-shagreen over marbled boards, raised bands and gilt lettering to spine, original wrappers preserved, marbled endpapers, previous owner’s bookplate to front pastedown “Ex libris de Alfred de Maghellen 02”, and his initials to spine. Text printed on wove paper, red initials, top margin speckled, other trimmed roughly. La Rive Droite: [1-11] 12-278 [12], pagination includes wrappers; collated 8vo: ffl, front wrapper, π3 [1]-178 184, rear wrapper, ffl; plates within collation, i.e. 145 leaves total, excl. ffls. La Rive Gauche: [1-11] 12-290 [12], pagination includes wrappers; collated 8vo: ffl, front wrapper, π3 1-188 192, rear wrapper, ffl; plates within collation, i.e. 151 leaves total, excl. ffls. Title-page (red and black): PARIS VIEUX & NEUF | DESSINS DE CHARLES HUARD | TEXTE PAR ANDRÉ BILLY | LA RIVE GAUCHE (LA RIVE DROITE) | ❦ | ÉDITÉ PAR EUGÈNE REY, LIBRAIRE | 8, BOULEVARD DES ITALIENS, PARIS | 1909 || Colophon: IMPRIME | SUR LES PRESSES | DE " LA SEMEUSE " | POUR | EUGÈNE REY | LIBRAIRE-ÉDITEUR | PARIS || Contributors: André Billy (French, 1882 – 1971) – author. Charles Huard (French, 1874 – 1965) – artist. Eugène Rey (French, 1868 – 1949) – publisher Alfred de Maghellen (French, 1871 – 1959) – provenance (bookplate)
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NEWHardcover, 150 x 110 mm, greyish brown cloth with brown embossed vignette to front, brown lettering to spine, top margin brown, pp.: [1-8] 9-241 [3], collated 8vo: 1-158, 162, i.e. 122 leaves, plus six woodcut plates, extraneous to collation; woodcut head- and tailpieces, vignettes. No dust jacket. Title-page (red and black): ЛИРИКА | ДРЕВНЕЙ ЭЛЛАДЫ | В ПЕРЕВОДАХ РУССКИХ ПОЭТОВ | Собрал и комментировал | Я. Голосовкер | ACADEMIA | 1935 || Contra-title (red and black): АНТИЧНАЯ ЛИТЕРАТУРА | под общей редакцией | Д. А. Горбова, В. О. Нилендера | и П. Ф. Преображенского | ЛИРИКА | ДРЕВНЕЙ ЭЛЛАДЫ | ACADEMIA | Москва – Ленинград || Title verso: Гравюры на дереве художника | М. И. Пикова | Переплет по его же рисунку || Print run: 5300 copies. Printer: Печатный двор (Л.) / Полиграфкнига Catalogue raisonné: Крылов-Кичатова (2004): № 743, p. 265. Contributors: Голосовкер, Яков Эммануилович [Яків Еммануїлович] (Ukrainian-Jewish, 1890 – 1967) – compiler/foreword/comments Пиков, Михаил Иванович (Russian, 1903 – 1973) – artist, wood engraver
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NEWHardcover, 150 x 108 mm, blue cloth red embossed vignette to front, red lettering to spine; pp. [2] 5-97 [3], collated 8vo: 17, 2-68 72, i.e. 49 leaves plus four plates, incl. frontispiece, extraneous to collation, leaf 11 missing or published without it. No dust jacket. Title-page (red and black): ЭСХИЛ | ПРИКОВАННЫЙ | ПРОМЕТЕЙ | Перевод, статья | и комментарии | Адр. Пиотровского | ACADEMIA | 1935 || Imprint: Фронтиспис и рисунки – фототипии с офортов М. А. Доброва. Супер и переплет по его же рисункам. Заставки и концовки выполнены автоцинкографией. Print run: 5300 copies. Printer: Красный пролетарий (М). Catalogue raisonné: Крылов-Кичатова (2004): № 789, p. 272. Contributors: Aeschylus [Эсхил, Αἰσχύλος] (Greek, 525 – 456 BC) – author. Пиотровский, Адриан Иванович [Piotrovsky, Adrian] (Russian, 1898 – 1937) – translator, killed by the Soviet State on November 21, 1937. Добров, Матвей Алексеевич (Russian, 1877 – 1958) – artist.
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NEWZeugnis (Grade book) – a set of fifteen plates, incl. the title page and the colophon, that tells the story of a schoolgirl whose parents spanked her for not being a good student. Watercolour and ink on 244 x 344 mm cream laid paper with Hahnemühle's watermark (rooster with a shield), signed and dated in manuscript on the last page (colophon) "O. R. SCHATZ | 1954 | X", unbound (disbound), with four binding holes in the left margin of each sheet; no boards. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWWatercolour, pen and ink on laid paper 313 x 265 mm; each monogrammed "ORS” in manuscript; seven ex-album holes along the left margin. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWCardboard clamshell box of red buckram over marbled paper 360 x 260 mm, contains 13 drawings (watercolour and pen on paper), wove paper sheets approx. 220 x 190 mm, title page mounted on a blank sheet and monogrammed 'ORS", others in passe-partout 350 x 250 mm, unsigned. Artist: Otto Rudolf Schatz (Austrian, 1900 – 1961).
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NEWGreen paper cardboard flapped portfolio 325 x 235 mm with the pasted label "• ENTRÉE • | INTERDITE | AU | PUBLIC", contains a folded by half in-folio sheet with the title "INTERDITE | AU | PUBLIC", limitation statement "TIRÉ A 250 EXEMPLAIRES TOUS SUR JAPON IMPÉRIAL | N° 22", and a notice by Pierre Mac-Orlan; and 20 loose leaves of plates—heliogravures, printed in black, bistre, red or green on Japon Impérial laid paper ~ 275 x 210 mm, each in a passepartout 314 x 226 mm, plate marks from 63x92 to 220x277 mm. According to J.-P. Dutel № 1487, pp. 150/1, five of these prints have not been published before, while fifteen are copies of two original works by Vertés:
- Six from Le Pays A Mon Gout: 12 etchings. — Paris: [n.p.], 1921; Limited to 550 copies.
- Nine from L'Heure exquise: 20 pointes sèches originales. — Paris [Vienne], 1920 ; Limited to 200 copies.
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NEWFlapped portfolio 330 x 245 mm, blue cloth spine over crimson paper boards, contains six loose etched plates printed on laid paper, each in a passepartout 320 x 235 mm, incl. title sheet 175 x 210 mm with plate mark 120 x 165 mm, and five other sheets of various sizes (220-250 x 163-215 mm). Contributors: Schoff, Otto (German, 1888 – 1938) Gurlitt, Fritz (Austrian-German, 1854 – 1893) According to many sources, there should be six etchings besides the title-page. Another set that belonged to Hans-Jürgen Döpp and was sold in Berlin on May 10, 2024, has an additional image: And another '7th plate' can be found at honesterotica.com: However, I believe the six etchings mentioned at t.p. are all in the portfolio, including t.p. The two images above are probably parts of other sets.
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NEWRed cloth portfolio 313 x 250 mm, with gilt lettering in frame to front, contains an in-folio brochure (4 sheets folded in-half), unbound, pp. [2] 3-15 [1], plus 24 leaves of loose plates 300 x 239 mm; title page, full-length photo portrait of Pilotell by Charles Reutlinger (German-French, 1816 – 1881), autograph of the former, and a copy of his birth certificate. Printed by l'Imprimerie Union in Paris in 1970 (2nd edition). Portfolio title: AVANT | PENDANT ET APRÈS | LA | COMMUNE || Title-page: PILOTELL | Dessinateur et Communard | PAR | CHARLES FELD | LIVRE-CLUB DIDEROT – PARIS || Contributors: Pilotell [Pilotelle, Georges Raoul Eugène] (French, 1845 – 1918) Feld, Charles Léon Salomon (Jewish-French, 1919 – 1995) Imprimerie Union (Paris, 1910 – 1995)
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NEWTwo hardcover volumes, 222 x 148 mm, uniformly bound in grey cloth with red and black lettering to front board and spine. 1: В. С. НЕЧАЕВА | Журнал | М. М. и Ф. М. Достоевских | «ВРЕМЯ» | 1861–1863 | {publisher’s device} | — | ИЗДАТЕЛЬСТВО «НАУКА» | МОСКВА | 1972 ||; pp. [1-4] 5-316 [4], errata slip tipped in. Print run 4,900 copies. 2: В. С. НЕЧАЕВА | Журнал | М. М. и Ф. М. Достоевских | «ЭПОХА» | 1864–1865 | {publisher’s device} | — | ИЗДАТЕЛЬСТВО «НАУКА» | МОСКВА | 1975 ||; pp. [1-4] 5-301 [3], errata slip tipped in. Print run 8,000 copies. Blue ink stamp "Из книг А. Б. Муратова" to ffl. Достоевский, Михаил Михайлович [Dostoevsky, Mikhail] (Russian, 1820 – 1864) Достоевский, Фёдор Михайлович [Dostoevsky, Fyodor] (Russian, 1821 – 1881) Нечаева, Вера Степановна (Russian, 1895 – 1979) Муратов Аскольд Борисович (Russian, 1937 – 2005)
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NEWHardcover, 220 x 175 mm, cloth spine over blue floral paper boards, pp.: [1-6] 7-69 [3], 21 leaves of plates. Title-page: Михаил | ГЕРМАН | В. ДВОРАКОВСКИЙ | «ХУДОЖНИК РСФСР» | Ленинград | 1970 || Print run: 3,000 copies. Герман, Михаил Юрьевич (Russian, 1933 – 2018) Двораковский, Валериан Дмитриевич (Russian, 1904 – 1979)
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NEWPaperback, 168 x 126 mm, publisher’s woodcut wrappers, stapled brochure, pp.: [2] 3-14 [2], oval blue ink stamp «Ленинградское Общество Кустарей и Ремесленников – Библиотека». Title-page: ДЕШЕВАЯ БИБЛИОТЕКА ЖУРНАЛА “КАТОРГА И ССЫЛКА”. (rule) | В. Д. ВИЛЕНСКИЙ-СИБИРЯКОВ | КРОВАВОЕ | ВОСКРЕСЕНЬЕ | 9-Е ЯНВАРЯ 1905 ГОДА | МОСКВА | 1925. || Print run: 20,000 copies. Виленский-Сибиряков, Владимир Дмитриевич (Russian, 1888 – 1942), author, died in GULAG.
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NEWHardcover, 254 x 190 mm, brown cloth with black and gilt vignette to front, gilt lettering to front and spine, pictorial endpapers, yellow pictorial dust jacket, collated 8vo: 1-248, i.e. 192 leaves, pp.: [1-7] 8-379 [5]; woodcut h.-t., t.p., faux-title, 12 book titles, initials, tail-pieces, and dust jacket. Woodcut title-page: ВЕРГИЛИЙ | ЭНЕИДА | (white on black) ПЕРЕВОД | ВАЛЕРИЯ БРЮСОВА | И | СЕРГЕЯ СОЛОВЬЕВА | РЕДАКЦИЯ, | ВСТУПИТЕЛЬНАЯ СТАТЬЯ | И КОММЕНТАРИИ | Н. Ф. ДЕРАТАНИ || Woodcut half-title: ПАМЯТНИКИ МИРОВОЙ | ЛИТЕРАТУРЫ | ВЕРГИЛИЙ | ЭНЕИДА | Academia | МОСКВА – ЛЕНИНГРАД | 1933 || Imprint (t.p. verso): P. VERGILII MARONIS | ÆNEIS | Супер-обложка и орнаментация книги (гравюры на дереве), | переплет и форзац работы Л. С. Хижинского || Print run: 5300 copies Catalogue raisonné: Крылов-Кичатова (2004): № 529, p. 230. Contributors: Virgil [Publius Vergilius Maro; Вергилий] (Roman, 70 BC – 19 BC) Брюсов, Валерий Яковлевич [Bryusov, Valery] (Russian, 1873 – 1924) Соловьёв, Сергей Михайлович (Russian, 1885 – 1942) Дератани, Николай Фёдорович (Russian, 1884 – 1958) Хижинский, Леонид Семёнович [Khizhinsky, Leonid] (Soviet, 1896 – 1972)
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NEWHardcover, 252 x 190 mm, green cloth with gilt vignettes to front and back, and gilt lettering to spine, pictorial endpapers, collated 8vo: 1-108 114, i.e. 84 leaves, pp.: [1-7] 8-166 [2], incl. two engraved faux-titles. Title-page (green and black): ВЕРГИЛИЙ | СЕЛЬСКИЕ | ПОЭМЫ | БУКОЛИКИ | ГЕОРГИКИ | ❧ | ПЕРЕВОД | ВСТУПИТЕЛЬНАЯ СТАТЬЯ | И КОММЕНТАРИИ | С. ШЕРВИНСКОГО | {VIGNETTE} | ACADEMIA | МОСКВА ~ ЛЕНИНГРАД | MCMXXXIII || Contra-title (green and black): Сокровища мировой литературы | ВЕРГИЛИЙ | БУКОЛИКИ | и | ГЕОРГИКИ | {VIGNETTE} | ACADEMIA | МОСКВА ~ ЛЕНИНГРАД | MCMXXXIII || T.p. verso: PUBLII VERGILI MARONIS | BUCOLICA ET GEORGICA | Титульные листы, супер-обложка, переплет | и форзац по рисункам П. А. Шиллинговского || Print run: 5,300 copies. Catalogue raisonné: Крылов-Кичатова (2004): № 528, p. 230. Contributors: Virgil [Publius Vergilius Maro; Вергилий] (Roman, 70 BC – 19 BC) Шервинский, Сергей Васильевич (Russian, 1892 – 1991) Шиллинговский, Павел Александрович (Russian, 1881 – 1942)
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NEWPaperback, 240 x 155 mm, publisher’s wrappers, series red label of Cahiers des Annales Publiés avec le concours du Centre National de la Recherche Scientifique, red vertical rule and black lettering to front, black lettering to spine, and red and black lettering to back; collated 8vo: 1-158 χ2, i.e. 122 leaves, pp.: [i-vi] vii-viii, 1-234 [2]. Autograph dedication signed by Maurice Dommanget to Pierre Dumayet, blue ballpen ms at the top of ffl « À Pierre Dumayet | En Souvenir et bien cordialement | Dommanget ». Title-page: CAHIERS DES ANNALES | 14 | MAURICE DOMMANGET | BLANQUI | ET L'OPPOSITION | RÉVOLUTIONNAIRE | à la fin | du Second Empire | {publisher’s device « economies – sociétés – civilisation » } | LIBRAIRIE ARMAND COLIN | 103, boulevard Saint-Michel, PARIS - 5e | 1960 || Contents: De Belle-Île à la Conciergerie. Vues et action politiques à Sainte-Pélagie. L'action à l'hôpital Necker. Le séjour à Bruxelles et l'action des étudiants blanquistes. L'action blanquiste, de décembre 1867 à la grève du Creusot. Le Blanquisme et l'Internationale. Contributors: Dommanget, Maurice (French, 1888 – 1976) Dumayet, Pierre (French, 1923 – 2011) Blanqui, Auguste (French, 1805 – 1881)