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54 Products
Jean Viollis. Bonne-fille / Illustrations de André Dignimont (La Collection Originale). — Paris: Éditions Mornay, 1926.
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Johann Wolfgang Goethe. Das Tagebuch / Mit handkolorierten Zeichnungen von Max Schwimmer. — Leipzig: Nachrichtenamt der Stadt, [1947].
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John Carter. ABC for book-collectors, by John Carter. — London: R. Hart-Davis, 1952.
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John Carter. Taste and technique in book-collecting. — Cambridge: Cambridge University Press, 1949.
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John Cleland. Die Memoiren der Fanny Hill. — Paphos [i.e. Vienna]: C. W. Stern, 1906.
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John Fowles. The French lieutenant’s woman. — London: Jonathan Cape Ltd., 1969.
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John Landwehr. Romeyn de Hooghe as book illustrator: A bibliography. — Amsterdam: Vangendt & Co., New York: Abner Schram, 1970.
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John Landwehr. Romeyn de Hooghe, the etcher: Contemporary portrayal of Europe 1662 – 1707. — Leiden: A. W. Sijthoff; Dobbs Ferry (NY): Oceana, 1973.
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Joseph Conrad. The secret agent : a simple tale. — London: Methuen & Co., [1907]
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Joseph Conrad. The secret agent: A drama in three acts. — London, T. Werner Laurie, 1923.
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Jules Lieure. Jacques Callot / Introduction de F. Courboin (Vol. 1-3). — Paris: Gazette des Beaux-Arts, 1924-27.
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Jules Pascin. Erotikon. — Bruxelles [i.e. Paris: Jean-Gabriel Daragnès], 1933.
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Julia Hutt, Hélène Alexander. Ōgi: A history of the Japanese fan. — London: Dauphin, ©1992.
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June Kysilko Kraeft, Norman Kraeft. Armin Landeck: The catalogue raisonné of his prints / Second edition, revised and enlarged. — Carbondale: Southern Illinois University Press, 1994©.
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Jūzō Suzuki, Isaburō Oka. The decadents / Translated by John Bester (Masterworks of ukiyo-e, №8). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.
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Jūzō Suzuki. Sharaku [写楽] / Translation by John Bester (Masterworks of ukiyo-e, №2). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.
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K. A. Coleridge. A descriptive catalogue of the Milton Collection in the Alexander Turnbull Library, Wellington, New Zealand. — Oxford: Oxford University Press, 1980.
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Kakiemon (Japanese ceramics 9) [柿右衛門 日本の陶磁 (9) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.
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Kyō ware (Japanese ceramics 13) [京焼 日本の陶磁 (13) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.
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L’Académie des Dames: Vingt attitudes par Albert Marquet. — NY: Sixty-Ninth Avenue [i.e. Paris: s.n., ca. 1950)
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L’Ameublement: Palais de la Nouveauté, Palais du Mobilier / Illustrations de Brunelleschi, préface de Francis de Miomandre. — Paris: Grands Magasins Dufayel, 1923.
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L’école des biches ou mœurs des petites dames de ce temps / Schem. — S.l.: s.n., 1939.
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La Conspiration Juive contre les Peuples : «Protocols» procès-verbaux de réunions secrètes des sages d’Israël. — Paris: La Vieille-France, 1920.
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La Mésangère [Henri Boutet]. Les petits mémoires de Paris / Eaux-fortes par Henri Boutet; 6 vol. — Paris: Dorbon, 1908-9.
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La Vieille France (1920) / par Urbain Gohier, №№ 154–203 (50 issues, full 1920 year).
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Laurence Sterne. A sentimental journey through France and Italy (Illustrated library) / Illustrated by Mahlon Blaine. — Garden City, NY: Halcyon House, [c. 1950].
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Laurence Sterne. A sentimental journey through France and Italy / Illustrated by Mahlon Blaine. —NY: Three Sirens Press, [1930].
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Le Marquis de Sade. Les 120 journées de Sodome. Anonymous pen and ink drawings after André Collot, c. 1935.
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Le Mouvement social : bulletin trimestriel de l’Institut français d’histoire sociale; N° 35, Avril – Juin, 1961. — Paris: Les Éditions ouvrières, 1961 // Maurice Dommanget. La vie de Blanqui sous le Second Empire, pp. 30 – 41.
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Le roman de godemichet / illustrée par un maître du genre [Jean Reschofsky]. — Paris: amis de l’auteur, 1948.
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Le Théâtre de la Nature. — Bruxelles, c. 1938.
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Léo Larguier. La Poupée / Dessins de Chas Laborde. (La rose et le laurier). — Paris: G. Briffaut, 1925.
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Léon Werth. Éloge de Albert Marquet / Orné de gravures originales. — Paris: Manuel Bruker, 1948.
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Léopold Carteret. Le trésor du bibliophile: Epoque romantique 1801 – 1875 / Livres illustrés du XIXe siècle. — Paris: L. Carteret, 1927.
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Les artistes du livre: Sylvain Sauvage. — Paris: H. Babou, 1929.
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Les artistes du livre: Vertès. — Paris: H. Babou, 1930.
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