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Mid-20th Century
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Helena Varley [i.e. Michèle Nicolaï]. Une jeune fille à la page / [illustrée par Paul Émile Bécat]. — A La Villa Brigitte, Collection des Deux Hémisphères [i.e. Maurice Duflou, c.1939].
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[Léon Courbouleix]. Le mariage de Suzon: Journal secret. — Aux dépens des Amis de Cupidon, [i.e. Paris: l’Autor, late 1930s].
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[Léon Courbouleix]. Suzon en vacances: Journal secret d’une jeune fille. — Aux dépens des Amis de Cupidon, [i.e. Paris: l’Autor, c.1935].
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Honoré Gabriel Riqueti, comte de Mirabeau. Le rideau levé ou l’éducation de Laure / [illustrée par Suzanne Ballivet]. — Priape d’Argent [i.e. Paris: Éditions Vialetay, 1951].
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Nicolas Sternberg. Erotic study / Ink and ink wash on wove paper, 496 x 315 mm, early 1930s.
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Armand Coppens [i.e. Willem Nicolas Schors]. The memoirs of an erotic bookseller / Vol. 1 [of 1]. — London: Luxor Press, [1969].
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Вильгельм Гауф. Сказки / Предисловие Е. Ф. Пуриц, илл. Б. Ефимова, переплет А. Г. Репникова. — М.: Художественная литература, 1938.
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Feodor Rojankovsky. Le Rire № 631, 7 Mars 1931 / top cover. — Paris: S.A.D.E.P., 1931.
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Otto Rudolf Schatz. Sapphic threesome (5) — drypoint, c.1950.
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Otto Rudolf Schatz. Sapphic threesome (4) — drypoint, c.1950.
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Otto Rudolf Schatz. Sapphic threesome (3) — drypoint, c.1950.
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Otto Rudolf Schatz. Sapphic threesome (2) — erotic drypoint in two states, c.1950.
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Otto Rudolf Schatz. Sapphic duo — erotic drypoint in two states, c.1950.
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Otto Rudolf Schatz. Sapphic threesome (1) — erotic drypoint in two states, c.1950.
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Otto Rudolf Schatz. Foursome — erotic drypoint in two states, c.1950.
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Otto Rudolf Schatz. Damensauna — drypoint, c.1950.
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Otto Rudolf Schatz. Letzter Abzug — erotic drypoint, c.1950.
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Otto Rudolf Schatz. Nine erotic drypoints, c.1950.
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Otto Rudolf Schatz. Twelve erotic drypoints, c.1950.
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Otto Rudolf Schatz. Erotic scene (22) / Graphite on paper, c.1950.
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Otto Rudolf Schatz. Erotic scene (21) / Pen and ink on paper, c.1950.
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Otto Rudolf Schatz. Erotic scene (20) / Pen and ink on paper, c.1950.
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Otto Rudolf Schatz. Erotic scene (19) / Graphite on paper, c.1950.
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Otto Rudolf Schatz. 2 x 2 (two by two) — Two watercolours from a picture story, c.1950.
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Otto Rudolf Schatz. Versuche — Experiments: Album of 10 watercolour drawings, 1948.
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Otto Rudolf Schatz. Erotic picture story: Album of 17 watercolour drawings (untitled) / Vienna, 1955.
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Otto Rudolf Schatz. A picture story in 11 watercolours (erotica, untitled), c.1950.
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Otto Rudolf Schatz. Der kleine bruder — The little brother: a picture story in 12 drypoints, c.1950.
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[Maria Luz.] Puberté: Journal d’une écoliére / Texte intégral. — Paris: Raoul Saillard, 1933.
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Pierre Mac-Orlan. Les jeux du demi-jour / avec douze lithographies de Vertès. — Paris: Les arts et le livre, 1926 (№ 57, enriched)
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Marcel Vertes, Bryan Holme. Art and fashion. — New York, London: The Studio Publications Inc., 1944.
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Otto Rudolf Schatz. Erotic scene (18) / Graphite and watercolour on paper, c. 1950.
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Лирика древней Эллады в переводах русских поэтов / Сост., предисл. и коммент. Я. Э. Голосовкера; ил. и оформ. М. И. Пикова (Серия «Античная литература»). — М.-Л.: Academia, 1935.
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Эсхил. Прикованный Прометей / Пер., ст. и коммент. А. И. Пиотровского; ил. и оформ. М. А. Доброва. — [М.-Л.:] Academia, 1935.
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Otto Rudolf Schatz. Zeugnis — Grade Book: a picture story in 14 watercolour drawings, 1954.
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Otto Rudolf Schatz. Three sapphic scenes from an album / Watercolour, pen and ink on paper, c.1950.
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Otto Rudolf Schatz. Erotic picture story: Portfolio of 13 watercolour drawings / Vienna, c.1950.
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Marcel Vertès. Entrée interdite au public (№22). — Paris: Paul Cotinaud, 1926.
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Charles Feld. Pilotell: Dessinateur et Communard; Avant, pendant et après la Commune: croquis & caricatures à l’eau-forte par Pilotell. — Paris: Livre-Club Diderot, 1970.
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В. С. Нечаева. Журналы М. М. и Ф. М. Достоевских «Время» (1861-1863) и «Эпоха» (1864-1865) / АН СССР. Ин-т мировой лит-ры им. А. М. Горького (2 тома). — М.: Наука, 1972, 1975.
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М. Ю. Герман. В. Двораковский. — Л.: Художник РСФСР, 1970
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В. Д. Виленский-Сибиряков. Кровавое воскресенье: 9-е января (Дешевая библиотека журнала «Каторга и ссылка»).— М.: Всесоюзное общество политкаторжан и ссыльнопоселенцев, 1925.
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Вергилий. Энеида / Пер. В. Я. Брюсова и С. М. Соловьева; ред., вступ. ст. и коммент. Н. Ф. Дератани; оформ. Л. С. Хижинского (Серия «Памятники мировой литературы»). — М.-Л.: Academia, 1933.
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Вергилий. Сельские поэмы: Буколики и Георгики / Пер., вступ. ст. и коммент. С. В. Шервинского, оформ. П. А. Шиллинговского (Серия «Сокровища мировой литературы»). — М.-Л.: Academia, 1933.
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Maurice Dommanget. Blanqui et l’opposition révolutionnaire à la fin du Second Empire (Cahiers des annales 14). — Paris: Armand Colin, 1960.
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[Gaston Hoffmann]. Variations amoureuses. — [Paris: s.n.,] 1936.
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Sophie, ou les belles vacances. [— Paris: Éric Losfeld, 1962]
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W. A. Churchill. Watermarks in paper in Holland, England, France, etc., in the XVII and XVIII centuries and their interconnection. — Amsterdam: Menno Hertzberger & Co., 1935.
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Pierre Louÿs. Cydalise / Avec des illustrations originales gravées a l’eau-forte [par Jean Traynier]. — Paris: Les amis de l’écrivain, 1949.
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Jacques Ruppert. Le costume, T.IV: Louis XVI—Directoire; T. V: Consulat—Napoléon III (Les arts décoratifs). — Paris: Flammarion, 1931.
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Ansaad de Lytencia [i.e. André Lambert]. Les seuils empourprés: Dix évocations érotiques. [— Paris : l’auteur, 1927].
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Erika Plehn. Seven watercolour illustrations for “Pybrac” by Pierre Louÿs / Berlin, c. 1928.
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Dora Kallmus. Portrait of actor and singer Maurice Chevalier, c. 1927.
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Dora Kallmus, Arthur Benda. Portrait of a young woman with a veiled hat and a dog, c. 1930.
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