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Chansons de salles de garde / Internat Quartier Latin: À l’enseigne des trois orfèvres. — [s.l.: s.n., c. 1948].
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Tales and novels of J. de La Fontaine / Illustrated by Clara Tice (2 volumes) — Nijmegen: G. J. Thieme, 1929.
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Graham Greene. A sort of life. — London: The Bodley Head, 1971.
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Graham Greene. Monsignor Quixote: A novel. — London: The Bodley Head, 1982.
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Graham Greene. The human factor. — London: The Bodley Head, 1978.
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Graham Greene. Doctor Fischer of Geneva, or the bomb party. — London: The Bodley Head, 1980.
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Graham Greene. A burnt out case. — London: Heinemann, 1961.
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François Fénelon. Les Aventures de Télémaque, fils d’Ulysse. — Amsterdam: D. J. Changuion, 1775.
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Paul Verlaine. Parallèlement / Lithographes originales de Vertès. — Paris: Vialetay, 1954.
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Marcel Vertès. Dames seules / texte de Francis Carco — Paris: Louis Godefroy, 1932.
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Contes et nouvelles de Bocace florentin: traduction libre, figures en taille-douce gravées par Mr. Romain de Hooge (2 volumes). — Amsterdam: George Gallet, 1699.
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Paul Verlaine. Parallèlement / illustrations de Vertès. — Paris: Éditions de Cluny, 1934.
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Gérard Bauer. Les six étages / illustré par Vertès (Les mœurs du siècle, № 1). — Paris: Éditions de l’Étoile, 1925.
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Paul Morand. L’Europe Galante / Lithographes originales de Vertès (Le miroir des mœurs, №3). — Paris: Les arts et le livre, 1927.
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Robert Ganzo. Du dancing ou le danseur sentimental / avec un frontispice et un bandeau originaux de Marcel Vertès. — Paris: Lemarget, 1930.
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Les artistes du livre: Vertès. — Paris: H. Babou, 1930.
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Francis Carco. Rue Pigalle / Lithographies en couleurs de Vertès. — Paris: B. Grasset, 1927.
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Chansons de salles de garde. — Lucerne: Éditions des quatre cantons, 1938.
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C. J. Dorat. Les Baisers; Mois de Mai, poème / Compositions originales de Brunelleschi. — [Paris]: Eddis, 1947.
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Nicolas Restif de la Bretonne. Les faiblesses d’une jolie femme / Illustrations en couleurs de Raoul Serres. — Paris: Edmond Vairel, 1951.
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L’enfer de la Bibliothèque: Éros au secret / sous la direction de Marie-Françoise Quignard et Raymond-Josué Seckel. — Paris: Bibliothèque nationale de France, ©2007.
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Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.
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Turning Point: Oribe and the Arts of Sixteenth-Century Japan / Edited by Miyeko Murase. — NY: The Metropolitan Museum of Art; New Haven (CT), London: Yale University Press, 2003.
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Georges Vicaire. Manuel de l’amateur de livres du XIXe siècle, 1801 – 1893 / Préface de Maurice Tourneux. — Teaneck, NJ: Somerset House, 1973.
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Torquato Tasso. Il Goffredo, overo Gierusalemme liberata, poema heroico / 2 volumes. — Amsterdam: Daniel Elsevier; Paris: Thomas Jolly, 1678.
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Torquato Tasso. Apologia in difesa della sua Gierusalemme liberata. — Mantua: Francesco Osanna, 1585/6.
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Torquato Tasso. Di Gerusalemme conquistata. — Paris: Abel L’Angelier, 1595.
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Torquato Tasso. L’Aminta favola boschereccia; Amore fugitivo. — Venice: Antonio Zatta, 1769.
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Torquato Tasso. Rime: Parte prima / Insieme con altri componimenti del medesimo. — Venice: [Aldus Manutius the Younger], 1581.
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Torquato Tasso. Aminta favola boscareccia / con le annotationi d’Egidio Menagio. — Paris: Augustin Courbe, 1655.
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Charles and Mary Lamb. Tales From Shakespeare / Introduction by Martin Armstrong. — London; Glasgow: Collins, 1958.
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Torquato Tasso. La Gerusalemme liberata. — Genoa: Giuseppe Pavoni, 1617
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Torquato Tasso. La Gerusalemme liberata. — Urbino: Girolamo Mainardi, 1735.
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Torquato Tasso. Il Goffredo overo la Gierusalemme liberata. — Paris: Impremerie Royale, 1644. — Paris: Impremerie Royale, 1644.
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Timothy Wilson. Maiolica: Italian Renaissance Ceramics in The Metropolitan Museum of Art (Highlights of the Collection). — NY: The Metropolitan Museum of Art, 2016.
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Elisa P. Sani. Italian Renaissance Maiolica. — London: V&A Publishing, 2012.
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Pierre Aretin. La putain errante: Dialogue de Madeline et Julie / [illustré par André Collot]. — Paris: s.n., 1930.
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John Landwehr. Romeyn de Hooghe, the etcher: Contemporary portrayal of Europe 1662 – 1707. — Leiden: A. W. Sijthoff; Dobbs Ferry (NY): Oceana, 1973.
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John Landwehr. Romeyn de Hooghe as book illustrator: A bibliography. — Amsterdam: Vangendt & Co., New York: Abner Schram, 1970.
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Joseph B. Dallett. Romeyn de Hooghe: Virtuoso Etcher / Exhibition catalogue. — Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 2009.
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[William Alexander.] Costume of the Russian Empire. — London: John Stockdale, 1811.
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Dürers Kupferstiche und Holzschnitte. Ein kritisches Verzeichnis von R. v. Retberg. — München: Theodor Ackermann, 1871.
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François Fénelon. Les Aventures de Télémaque / 2 vol. — [Paris:] De l’Imprimerie de Monsieur, 1785.
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Gilbert Abbott à Beckett. The Comic History of Rome / illustrated by John Leech. — London: Bradbury and Evans, [1851].
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Gilbert Abbott à Beckett. The comic history of England / illustrated by John Leech. — London: The Punch Office, 1847-1848.
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The vision; or Hell, Purgatory, and Paradise, of Dante Alighieri / Translated by Henry Francis Cary (3 volumes, 2nd edition). — London: Taylor and Hessey, 1819.
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Pascal Pia. Les Livres de l’enfer: bibliographie critique des ouvrages érotiques dans leurs différentes éditions du XVIe siècle à nos jours / 2 volumes. — Paris: C. Coulet et A. Faure, 1978.
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Les Contes de La Fontaine / Illustrations de Brunelleschi (2 vol.) — Paris: Gibert Jeune, Librairie d’Amateurs, 1938.
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Les Contes de Charles Perrault / Illustrations de Brunelleschi. — Paris: Gibert Jeune, Librairie d’Amateurs, 1946.
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Collection de vignettes pour les œuvres de J.-J. Rousseau gravées par MM. Forster, Laugier, Leroux, Muller, etc. d’après les dessins de Devéria. — Paris: Dalibon, 1825.
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Les Filles d’Eve – Album de Travestissements Plus ou Moins Historiques. — Paris: Le Journal Amusant et al., 1867.
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Alfred de Musset. La Nuit Vénitienne; Fantasio; Les Caprices de Marianne / illustrations de Umberto Brunelleschi. — Paris: L’Edition d’art H. Piazza, [1913].
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Voltaire. Candide or all for the best / Illustrated by Clara Tice. — NY: The Bennett Libraries, 1927.
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Arthur M. Hind. A history of engraving & etching from the 15th century to the year 1914. — Boston: Houghton Mifflin Co., 1923.
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