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Kikugawa Eizan. The two lovers Komurasaki and Gonpachi reading a letter. Ca. 1815.
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Utagawa Toyokuni I. Eleventh lunar month, from the series ‘Fashionable Twelve Months’ / Fan print, 1822.
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Protected: Polina De Mauny. Irises. 2020
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Félicien Rops. L’ariette; etching, n.d. (two prints).
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Galignani’s plan of Paris, 1827
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Utagawa Kunisada (Toyokuni III). Benzaiten Shrine at Honjō Block One / Fan print, 1840.
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Utagawa Toyokuni I. Early spring, from the series ‘Fashionable twelve months’ / Fan print, 1822.
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Utagawa Kunisada. Jisei ha-uta no tsuma-biki / Fan print, 1856.
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Calendrier de l’abeille, 1857 / Lithography.
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[André Collot]. Jeunesse. — [Paris], 1933.
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Two Monkeys Hanging From Branches. Mori Sosen (1747-1821).
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Utagawa Toyokuni I. The Maiden at Dōjō Temple. Circa 1815.
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М. Беломлинский. Поселок, Чукотка. 1975.
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Utagawa Kunisada (Toyokuni III). Eight prints from the series Twelve hours of a modern clock (Imayo tokei jūniji), 1820-22.
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La Caillette (XVIIIe siècle), by E. Charreyre after Juan Antonio González, 1884.
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The self tormenter. Anonymous drawing, late 18th century.
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Utagawa Kunisada (Toyokuni III). Kabuki actor Ichikawa Danjūrō VII wipes his face in front of a makeup mirror, from the series ‘Six choice modern flowers’ / Fan print, 1833-4.
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Utagawa Kunisada (Toyokuni III). Edo Murasaki – Fake Murasaki’s Rustic Genji / Fan print, 1853.
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