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54 Products
Le Théâtre de la Nature. — Bruxelles, c. 1938.
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The sword mountings of Higo Province (Higo Kinkoroku) by Gustav Jacoby. Translated from the German.
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Japanische Schwertzieraten. Text. Gustav Jacoby. Karl W. Hiersemann, Leipzig, 1904.
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Tachi tsuba of chrysanthemum design. Late Heian – Kamakura period (ca. 1150 – 1200’s)
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Ōdachi iron tsuba with yamagane fukurin. Early Muromachi period (1393-1453).
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Katchushi tsuba with a plum and cherry blossoms design in openwork. Late Muromachi period (1514-1573).
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Yamagane tsuba with design of a star, tomoe, and suhama in openwork. Muromachi period (c. 1450).
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Yamagane tsuba with design of tomoe and suhama in openwork, and family crests in relief. Muromachi period (c. 1450).
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Tantō tsuba with paulownia and karakusa design. Early Edo period, 17th century.
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Tantō tsuba with paulownia and karakusa design. Early Edo period, 17th century.
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Tsuba with sukashi design of a gourd. Momoyama Period (1574-1603).
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Six-lobed kamakura-bori tsuba with flowers and family crests motif. Late Muromachi period (1514-1573).
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Utagawa Kunisada. Onoe Kikugorō IV as Karukaya Doshin parting from his son, Ishidomaru (played by Ichimura Uzaemon XIII) and Kawarasaki Gonjūrō I as Yamazakiya Yogoro / Fan print, 1856.
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Utagawa Kunisada. Actor Bandō Shūka I as Shirai Gonpachi, from the series ‘A Parody of the Five Chivalrous Commoners: a Cup of Sake From Their Fans’ / Fan print, 1852.
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Utagawa Kunisada. Promotional fan for a hairpin shop / Fan print, 1825.
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Utagawa Kuniyoshi. Young woman with a shamisen, from the series Collection of charming music (Enkyoku zoroi) / Fan print, 1853.
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Isaac Bullart. Academie des sciences et des arts / 1st vol. of two. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.
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Utagawa Kunisada. Beauty with a lantern / Fan print, 1851.
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Ōnin tsuba with zōgan design of flowers and wild geese. Late Muromachi period (1514-1573).
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The Political and Historical Works of Louis Napoleon Bonaparte (2 Vol.) — London: Illustrated London Library, [1852].
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Yamakichibei Shodai tsuba with sukashi design of dragonfly and wheel. Momoyama period, 1574-1603.
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Phaedri Aug. Liberti Fabularum Aesopiarum libri V. Amstelaedami : Ex Typographia Francisci Halmae, 1701
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Otto Van Veen. Amoris Divini Emblemata. — Antwerp: Plantin – Balthasar Moretus, 1660.
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Skizzenbuch: Hundert Federzeichnungen von Heinrich Kley / Vol 1 & 2. — München: Albert Langen, [1909, 1910].
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Quinze poèmes d’Emile Verhaeren Illustrés de 57 gravures par Frans Masereel. Paris: Éditions Georges Crès, 1917.
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Thomas Hugo. The Bewick Collector. A Descriptive Catalogue & A Supplement to a Descriptive Catalogue of the Works of Thomas and John Bewick. Lovell Reeve and Co., 1866-1868.
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Contes et nouvelles en vers de monsieur de La Fontaine. Amsterdam: Henry Desbordes, 1685.
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Vita B. Ioannis Chisii a Maciaretto, ord. ermit. s. p. Augustini. — Antverpiæ, Henricum Aertssens, 1641.
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Иртыш, превращающийся в Ипокрену. Тобольск, 1791.
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Kokusai Tosogu Kai / 16th International Convention & Exhibition, 2020.
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Utagawa Kunisada. A young woman reading a book in the light of a lamp, ca. 1844.
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Utagawa Kunisada. A young woman adjusting her hairpins in the light of a paper lantern, ca. 1844.
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L’Imitation de Jésus-Christ / P. Corneille. — Paris: Pierre Rocolet, 1656.
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Jean de La Fontaine. Contes et nouvelles en vers / 2 Volumes. — Amsterdam [i.e. Paris: Barbou], 1762.
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Egyptian faience funerary scarab, 5th – 4th century BC.
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Е. Н. Данилова. “Завещание” Петра Великого. М.: Историко-архивный институт, 1946.
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