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  • John Cleland. Nouvelle traduction de woman of pleasur ou fille de joie: Contenant les mémoires de Mademoiselle Fanny, écrits par elle-même. — London [i.e. Paris]: G. Fenton [i.e. Cazin], 1776.

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  • John Fowles. The French lieutenant’s woman. — London: Jonathan Cape Ltd., 1969.

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  • John Johnson. Typographia, or the printers’ instructor / 2 volumes. — London: Longman, Hurst, Rees, Orme, Brown & Green, 1824.

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  • John Johnson. Typographia, or the printers’ instructor / 2 volumes. — London: Longman, Hurst, Rees, Orme, Brown & Green, 1824.

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  • John Landwehr. Romeyn de Hooghe as book illustrator: A bibliography. — Amsterdam: Vangendt & Co., New York: Abner Schram, 1970.

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  • John Landwehr. Romeyn de Hooghe the etcher: Contemporary portrayal of Europe, 1662-1707. – Leiden: A. W. Sijthoff; Dobbs Ferry, N.Y.: Oceana, 1973.

    John Landwehr. Romeyn de Hooghe, the etcher: Contemporary portrayal of Europe 1662 – 1707. — Leiden: A. W. Sijthoff; Dobbs Ferry (NY): Oceana, 1973.

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  • John Locke. An essay concerning human understanding, in four books / The 3rd Edition. — London: Awnsham and John Churchil, Samuel Manship, 1695.

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  • John Marciari. Sublime Ideas: Drawings by Giovanni Battista Piranesi. — NY: The Morgan Library & Museum, Paul Holberton Publishing, 2003©.

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  • John Milton. The poetical works : Paradise Lost, Paradise Regained, Samson Agonistes, Poems on several Occasions. — London: Jacob Tonson, 1695.

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  • John Warne Monroe. Laboratories of Faith: Mesmerism, Spiritism, and Occultism in Modern France Monroe. 2008

    John Warne Monroe. Laboratories of Faith: Mesmerism, Spiritism, and Occultism in Modern France Monroe. 2008

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  • John Whitehead. This solemn mockery: The art of literary forgery. Arlington Books, London, 1973. ISBN-10: 0851402127

    John Whitehead. This solemn mockery: The art of literary forgery. — London: Arlington Books, 1973.

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  • John Wilkins. An Essay Towards a Real Character and a Philosophical Language. — London: S. Gillebrand, J. Martyn, 1668.

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  • John Windle, Karma Pippin. Thomas Frognall Dibdin, 1776-1847: A Bibliography. — New Castle, DE: Oak Knoll Press, 1999.

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  • Josef Halfer. The progress of the marbling art … with a supplement on the decoration of book edges / translated by Herman Dieck. — Buffalo, NY: Louis H. Kinder, 1893.

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  • Romeyn De Hooghe: Virtuoso Etcher / Joseph B. Dallett [Introduction]; Andrew C. Weislogel [Preface]; Andrew C. Weislogel [Editor]; Tatyana Petukhova LaVine [Contributor]. – Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 2009. – pp.: [1-5] 6-96, ill.

    Joseph B. Dallett. Romeyn de Hooghe: Virtuoso Etcher / Exhibition catalogue. — Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 2009.

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  • Joseph Burke and Colin Caldwell. Hogarth: The Complete Engravings. – Harry N. Abrams, Inc., Publishers, New York, [1968].

    Joseph Burke, Colin Caldwell. Hogarth: The Complete Engravings. – NY: Harry N. Abrams, Inc., [1968].

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  • Joseph Conrad. The secret agent : a simple tale. — London: Methuen & Co., [1907]

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  • Joseph Conrad. The secret agent: A drama in three acts. — London, T. Werner Laurie, 1923.

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  • Jules Brivois. Bibliographie des ouvrages illustrés du XIXe siècle principalement des livres à gravures sur bois. — Paris: L. Conquet, 1883.

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  • Jules Lieure. Jacques Callot / Introduction de F. Courboin (Vol. 1-3). — Paris: Gazette des Beaux-Arts, 1924-27.

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  • Jules Pascin. Erotikon. — Bruxelles [i.e. Paris: Jean-Gabriel Daragnès], 1933.

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  • Jules Verne. Michael Strogoff : The courier of the Czar. (The story of the film). — London: The Readers Library Publishing Company Ltd., [1927]. — pp.: [1-13] 14-251 [252: printer's imprint] [253-256: blank], note: [note: first and last leaves used as front and rear paste-downs].

    Jules Verne. Michael Strogoff : The courier of the Czar. (The story of the film). — London: The Readers Library Publishing Company Ltd., [1927].

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  • Julia Hutt, Hélène Alexander. Ōgi: A history of the Japanese fan. — London: Dauphin, ©1992.

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  • Jun-type ware bowl. China, Yuan Dynasty [大元] (1279 – 1368).

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  • June Kysilko Kraeft, Norman Kraeft. Armin Landeck: The catalogue raisonné of his prints / Second edition, revised and enlarged. — Carbondale: Southern Illinois University Press, 1994©.

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  • The Secret History of the Lord of Musashi and Arrowroot: Two Novellas by Junichirō Tanizaki translated by Anthony H. Chambers. Alfred A. Knopf, New York, 1982. First edition. Translation of: Bushō Kō hiwa and Yoshino-kuzu.

    Junichirō Tanizaki. The Secret History of the Lord of Musashi and Arrowroot / Two novellas translated by Anthony H. Chambers. — NY: Alfred A. Knopf, 1982.

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  • Jūzō Suzuki, Isaburō Oka. The decadents / Translated by John Bester (Masterworks of ukiyo-e, №8). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.

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  • Jūzō Suzuki. Sharaku [写楽] / Translation by John Bester (Masterworks of ukiyo-e, №2). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • K. A. Coleridge. A descriptive catalogue of the Milton Collection in the Alexander Turnbull Library, Wellington, New Zealand. — Oxford: Oxford University Press, 1980.

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  • Kabuki plays on stage (3 volumes of 4) / Edited by James R. Brandon and Samuel L. Leiter. — Honolulu: University of Hawai’i Press, 2002.

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  • Kagamishi tsuba with design of fruits and leaves. Muromachi period or earlier.

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  • Kakiemon (Japanese ceramics 9) [柿右衛門 日本の陶磁 (9) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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  • Kamakura-bori tsuba with design of a dragon. Muromachi period, c. 1450.

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  • Kamakura-bori tsuba with design of a bridge, mountain pavilion and 5-storey pagoda. Muromachi period, 16th century.

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  • Kamakura-bori tsuba with design of encircled paulownia (kiri-mon). Mid Muromachi period, ca. 1450.

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  • Kamakura-bori tsuba with design of ginkgo leaves and family crests (mon). Muromachi period, 16th century.

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  • Kamakura-bori tsuba with design of hatchet and fans. Edo period.

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  • Kamakura-bori tsuba with design of plants and waves. Muromachi period.

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  • Kamakura-bori tsuba with design of reed, waves, clouds, and pagoda. Momoyama period, 16th century.

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  • Kamakura-bori tsuba with design of temple gates, mountain pavilion and 5-storey pagoda. Muromachi period, 16th century.

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  • Kamakura-bori tsuba with mokkō motif. Muromachi period, 15th or 16th century.

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  • Kanayama tsuba with design of rings and crossbars. Momoyama period, 16th century.

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  • Kanayama tsuba with design of utensils. Momoyama period, late 16th century.

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  • Kanayama tsuba with slanting rays of light motif. Momoyama period, 16th century.

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  • Kanayama tsuba with the Chinese character motif. Early Edo period, 17th century.

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  • Kaneie tsuba with design of ginkgo leaf and plum blossoms. Momoyama or early Edo period, c. 1600.

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  • Kanmuri hat. Taishō period, ca. 1925.

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  • Karl Lindemann-Frommel. Il castel e il ponte Sant Angelo e San Pietro / Chromolithography, 1855.

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  • Katchushi tsuba with a plum and cherry blossoms design in openwork. Late Muromachi period (1514-1573).

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  • Katsukawa School (Shunshō?). Portrait of an actor (Ichikawa Monnosuke II?). Circa 1780s.

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  • Katsukawa Shun’ei. Kabuki scene.

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  • Katsukawa Shun’ei. Portrait of an actor (Ichikawa Monnosuke II?). Circa 1780s.

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  • Katsukawa Shun’ei. Sawamura Sōjūrō III as Kakogawa Honzō in play Kanadehon Chūshingura at Miyakoza theater, 1795.

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  • Katsukawa Shun’ei. The sumo bout between Yotsuguruma and Yamaoroshi

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