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  • Voltaire. Romans et Contes / 3 vol. — Bouillon: Société Typographique, 1778.

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  • [Pascal Pia.] La semaine secrète de Sapho / Illustrée par André Collot. — s.l.: La chronique des dames contemporaines, [c. 1930].

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  • Montelupo polychrome maiolica plate with John the Baptist, 17th century.

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  • Utagawa Kunisada (Toyokuni III). Superb Edo pictures illustrating dances, 1858.

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  • Masterpieces of Ukiyo-e: Paintings from the Manno Art Museum / Catalogue 7, Exhibition March 25 – April 1, 2003. — NY: Sebastian Izzard LLC, 2003.

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  • Breitenbach Aktphotographien. — Berlin: Galerie Bodo Niemann, 1998.

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  • Utagawa Kuniyoshi .

    Utagawa Kuniyoshi. Mother and child playing hand shadows game / Fan print, c. 1845.

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  • Francis Carco. Rien qu’une femme / Eaux-fortes de Chas Laborde. — Paris: [La Roseraie], 1925.

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  • Heianjo brass inlay tsuba with bellflowers, vines and a dragonfly / Edo period (c. 1650-1700).

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  • Evgenij Kozlov. Das Leningrader Album / herausgegeben von Hannelore Fobo. — Tübingen: Konkursbuch Verlag Claudia Gehrke, 2003.

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  • Yoshirō mon-sukashi tsuba by Koike Naomasa. Momoyama or early Edo period (1574 – 1650).

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  • André-Robert Andréa de Nerciat. Les Aphrodites ou fragments thali-priapiques pour servir à l’histoire du plaisir / 2 vol. — A Lampsaque, 1793 [Bruxelles: Vital Puissant, 1872].

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  • Б. И. Николаевский. Тайные страницы истории. Ред.-сост. Ю. Г. Фельштинский. — М.: Изд-во гуманитарной лит-ры, 1995.

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  • Путеводитель по современной русской литературе. Сост. Ив. Н. Розанов.2-е изд. — М.: Работник просвещения, 1929. — 364 стр. — Тираж: 4500 экз.

    Путеводитель по современной русской литературе / Сост. Ив. Н. Розанов; 2-е изд. — М.: Работник просвещения, 1929.

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  • Yoshirō mon-sukashi tsuba. Momoyama period (1574 – 1615).

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  • Ленинград: архитектурно-планировочный обзор развития города. — М.-Л.: Искусство, 1943.

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  • La famille Impériale / Lithography, c. 1860s.

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  • John Cleland. Nouvelle traduction de woman of pleasur ou fille de joie: Contenant les mémoires de Mademoiselle Fanny, écrits par elle-même. — London [i.e. Paris]: G. Fenton [i.e. Cazin], 1776.

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