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  • [Jean-Baptiste de Boyer]. Thérèse philosophe, avec figures / 2 vol. — Londres [i.e. La Haye]: s.n., 1783 (Fake).

    $2,760.00
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  • Copper tsuba with a mythical creature motif. Edo period.

    $1,780.00
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  • Copper tsuba with Daruma motif. Edo period.

    $1,550.00
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  • Nara school tsuba by Sugiura Jōi with dreaming Rosei motif. Edo period.

    $1,500.00
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  • Iron tsuba with spotted deer motif by Hamano Noriyuki. Edo period, 18th-19th century.

    $1,300.00
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  • Bushū-Itō school tsuba by Masamitsu, ca. 1800.

    $980.00
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  • Chōshū school tsuba with ivy motif, 19th century.

    $980.00
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  • Kawaji school tsuba with landscape motif, by Tomohisa. Edo period, c. 1700.

    $900.00
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  • Iron tsuba with a horse motif in marubori-sukashi. Edo period, ca. 1800.

    $890.00
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  • Nomura school tsuba by Masaharu, Kazuyuki, and Yoshikazu, 18th century.

    $800.00
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  • Kawaji school marubori-sukashi tsuba by Hisatsugu. Edo period, c. 1750.

    $780.00
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  • Iron tsuba with pines, crescent moon, and torii in openwork. Edo period.

    $710.00
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  • Silver kozuka carved with a bijin-ga motif, by Koreyasu. Edo period, 19th century

    $700.00
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  • Iron tsuba with design of scholar and attendant in landscape. Edo period, 19th century.

    $700.00
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  • Sentoku tsuba with Sennin motif. Edo period, ca. 1770.

    $680.00
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  • Owari school tsuba with design of keys. Edo period, 17th century.

    $600.00
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  • Iron tsuba with design of slanting rays of light. Edo period.

    $600.00
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  • Морис Жоли. Разговоры Макиавелли и Монтескье в царстве мертвых.

    Морис Жоли. Разговоры Макиавелли и Монтескье в царстве мертвых.

    $50.00
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  • Каторга и ссылка. Книга 9, № 2, 1924.

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  • Seated Monkey. Mori Sosen (1747-1821).

    Seated Monkey. Mori Sosen (1747-1821).

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  • Nishigaki tsuba with paulownia motif by Kanshiro III. Edo period, early 18th century.

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  • Iron tsuba with a cormorant fisherman motif. Edo period.

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  • Kitagawa Utamaro. Ehon koi no Onamaki (2). 1799.

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  • Altered Bizen Shōami sukashi tsuba with a butterfly design. Early Edo period.

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  • Copper menuki in the form of a shrimp. Edo period.

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  • Katsukawa Shunshō. Parody of the letter-reading scene in Act VII of Chûshingura.

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  • The Communists of Paris 1871. Types, Physiognomies, Characters by Bertall. Popular English Edition, Buckingham and Co., 1873.

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  • Yamagane tsuba with design of tomoe and suhama in openwork, and family crests in relief. Muromachi period (c. 1450).

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  • Jean-François Marmontel. Contes Moraux / 3 vol. — Paris: J. Merlin, 1765.

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  • [Taxile Delord]. Un autre monde par Grandville. — Paris: H. Fournier, 1844

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  • [Voltaire]. La pucelle d’Orléans : poeme, divisé en vingt-un chants, avec les notes de M. de Morza. — A Londres, [1775].

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  • Painted Cizhou ware meiping vase. China, Yuan Dynasty [大元] (1279 – 1368).

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  • Указатель имен и предметов упомянутых в подробном словаре русских граверов Д. А. Ровинского. Составил Евг. Ник. Тевяшов. (Доложено на заседании Историко-филологического отделения 13 января 1899 г.) Санкт-Петербург, 1899. Напечатоно по распоряжению Императорской академии наук.

    Е. Н. Тевяшов. Указатель имен и предметов упомянутых в подробном словаре русских граверов Д. А. Ровинского. — СПб.: Императорская академия наук, 1899.

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  • О.Б. Лепешинская. Происхождение клеток из живого вещества. / Научно-популярная лекция. Издательство ЦК ВЛКСМ "Молодая гвардия", 1951. - 38 с.

    О. Б. Лепешинская. Происхождение клеток из живого вещества. / Научно-популярная лекция. — Издательство ЦК ВЛКСМ “Молодая гвардия”, 1951.

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  • Конрад Д. Тайный агент. На взгляд Запада. / Изд. подг. В. М. Толмачев. - М.: Ладомир, Наука, 2012. - 632 с. - (РАН, Литературные памятники). ISBN 978-5-86218-500-3. Тираж 1500 экз. / Joseph Conrad. The Secret Agent. Under Western Eyes.

    Джозеф Конрад. Тайный агент: Простая история • На взгляд Запада / Пер. А. Л. Антипенко, изд. подг. В. М. Толмачев; (Литературные памятники). — М.: Ладомир–Наука, 2012.

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  • The Repository of Arts, Literature, Fashions, Manufactures, &c., 2nd series, vol. 2, Nos. 7-12 (July–December) 1816. — London: Rudolph Ackermann, 1816.

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