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  • Graham Greene. Our man in Havana: An entertainment. — London: Heinemann, 1958.

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  • Graham Greene. Our man in Havana: An entertainment. — New York: The Viking Press, 1958.

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  • Graham Greene. The Comedians. — London: Bodley Head, 1966.

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  • Graham Greene. The end of the affair. — London: Heinemann, 1951.

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  • Graham Greene. The Honorary Consul. — London: Bodley Head, 1973.

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  • Graham Greene. The human factor. — London: The Bodley Head, 1978.

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  • Graham Greene. The Quiet American. — London: William Heinemann Ltd., 1955.

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  • Graham Greene. The third man, and, The fallen idol. — London: Heinemann, 1950.

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  • Graham Greene. The third man. — New York: The Viking Press, 1950.

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  • Graham Greene. Travels with my aunt: A novel / Introduced by John Mortimer, illustrated by John Holder. — London: Folio Society, 2004.

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  • Graham Greene. Travels with my aunt: a novel. — London: Bodley Head, 1969.

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  • Greek Apulian red-figure pelike. Ca. 330 BCE.

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  • Green glaze ceramic ewer in a form of a purse. China, Liao Dynasty [辽朝] (907 – 1125)

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  • Guillaume Apollinaire, Fernand Fleuret, Louis Perceau. L’enfer de la Bibliothèque Nationale. — Paris: Mercure de France, 1913.

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  • Guillaume Apollinaire. Les onze mille verges ou les amours d’un Hospodar. — Brussels: s.n., 1942.

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  • Gustav Hochstetter. Das Füsschen der gnädigen Frau und Anderes / Umschlagzeichnung und fünf Bildbeigeben von Franz von Bayros. — München und Leipzig: Georg Müller, 1912.

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  • Gustave Flaubert. The Temptation of St. Anthony, illustrated by Mahlon Blaine. – NY: Williams, Belasco and Meyers, 1930.

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  • Gustave Macé. La police parisienne: Le vilain monde; Les dépeceurs de cadavres; Gibier de Saint-Lazare. — Paris: Librairie illustrée, [1889].

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  • Guy Chapman. The Third Republic of France: The First Phase, 1871–1894. — London: Macmillan & Co Ltd, NY: St. Martin’s Press, 1962 [i.e. 1963].

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  • H. L. Rosegger. Von Königen und Jakobinern / Vollbildern und Buchschmuck von Marquis F. von Bayros. — Köstritz, Leipzig: C. Seifert, 1913.

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  • Hair crystal snuff bottle carved in a form of Foo dog guarding a cub

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  • Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.

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  • Harold Curwen. Processes of graphic reproduction in printing. — New York: Oxford University Press, 1934.

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  • Harold G. Henderson, Louis V. Ledoux. The surviving works of Sharaku. — NY: E. Weyne, Society for Japanese Studies, 1939.

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  • Harriet Beecher Stowe. La case de l’Oncle Tom / gravures par George Cruikshank. — Paris: Aux Bureaux Du Magasin Pittoresque, 1853.

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  • Harukawa Eichō (Shunsai Eishō). Sumo wrestler Kuroyanagi Matsujiro. Circa 1820-40.

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  • Harunobu / text by Lubor Hájek, reproductions by W. and B.Forman. — London: Spring books, [1950-9?]

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  • Haruo Shirane. Japan and the Culture of the Four Seasons: Nature, Literature, and the arts. — NY: Columbia University Press, 2013.

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  • Hayashi tsuba with cherry blossoms motif by Tohachi III. Edo period, 18th century.

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  • Hazama tsuba with a squirrel and bamboo motif. Edo period, 18th century.

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  • Heianjo brass inlay tsuba with bellflowers, vines and a dragonfly / Edo period (c. 1650-1700).

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  • Heianjo brass inlay tsuba with swastika and other symbols. Momoyama period (1574 – 1603).

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  • Heianjō suemon-zōgan tsuba with bamboo and kukurizaru motif. Late Muromachi period.

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  • Heianjō tsuba with design of arabesque and bamboo in brass inlay. Muromachi or Momoyama period, 16th century.

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  • Heianjō tsuba with design of bamboo and sparrows. Edo period, 17th century.

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  • Heianjo Tsuba with design of lobster and deer. Late Muromachi or Momoyama period

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  • Heianjō tsuba with mythical creatures and a rabbit. Momoyama period.

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  • Heianjo tsuba with the Myriad Treasures motif. Momoyama or early Edo period (1574 – 1650).

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  • Heianjō tsuba with tiger and bamboo motif. Momoyama period.

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  • Heianjō tsuba with wood sorrel motif. Late Muromachi or Momoyama period, 16th century.

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  • Heianjō tsuba, carved and inlayed with rocks, plants, and waves. Muromachi period.

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  • Heianjo-zōgan (Bizen-Yoshirō) tsuba with design of phoenix, bamboo, and paulownia. Momoyama period (1574-1603).

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  • Heianjō-zōgan (Yoshiro) tsuba with trellis and gouds. Momoyama Period (1574-1603).

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  • Heianjō-zōgan mon-sukashi tsuba. Momoyama to early Edo period.

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  • Heianjō-zōgan tsuba with design of clematis flowers and tendrils. Mid Muromachi period.

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  • Heianjō-zōgan tsuba with design of rotten skull, fly, and boar. Momoyama period.

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  • Heianjō-zōgan tsuba with pines, mist, and snow motif. Momoyama or early Edo period.

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  • Heinz Sarkowski. Der Insel-Verlag: Eine Bibliographie, 1899 – 1969. — [Frankfurt a.M.]: Insel-Verlag, [1999].

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  • Henri de Régnier. La Pécheresse. — Paris: Mercure de France, 1920.

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  • Henri Murger. Die Bohème : Szenen aus dem Pariser Künstlerleben. — Leipzig: Insel-Verlag, 1906.

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  • Henri Murger. The Bohemians of the Latin Quarter. (Scènes de la vie de Bohême) / Translated from the French. — London: Vizetelly & Co., 1883.

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  • Henri Rollin. L'apocalypse de notre temps / Les dessous de la propagande allemande d'après des documents inédits. — NRF [Nouvelle Revue Française], — Paris: Gallimard, 1939. — Series: Problémes et documents. pp.: [1-9] 10-567 [9].

    Henri Rollin. L’apocalypse de notre temps / Les dessous de la propagande allemande d’après des documents inédits. — Paris: Gallimard, 1939.

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  • Henry James. The Aspern Papers. — London: Folio Press, 1990.

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  • Henry Monnier. Les Bas-fonds de la société / avec 8 dessins à la plume de F. R. [i.e. Félicien Rops]. — [Bruxelles: H. Kistemaeckers, 1879].

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