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Francis Carco. Tableau de l’amour vénal / Illustré de 12 lithographies par Luc-Albert Moreau; (Tableaux Contemporains № 4). — Paris: Nouvelle Revue Française, 1924.
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Plan of Paris, & the surrounding communes from Weekly Dispatch Atlas. — London: Cassell, Petter, and Galpin, 1863.
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Environs of Paris from Weekly Dispatch Atlas. — London: Cassell, Petter, and Galpin, 1863.
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A bird’s-eye view of Paris, 1867.
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La Correctionnelle: Petites causes célèbres, études de mœurs populaires au dix-neuvième siècle / par Gavarni. — Paris: Martinon, 1840.
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Complexes: 40 dessins de Vertès, préface de Pierre Mac-Orlan. — Monte-Carlo: André Sauret, 1948.
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Pierre Mac-Orlan. Les jeux du demi-jour / avec douze lithographies de Vertès. — Paris: Les arts et le livre, 1926.
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Colette. La vagabonde / Lithographies en couleurs de Marcel Vertès. — Paris: La cité des livres, 1927.
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Marcel Aymé. Images de l’amour / Lithographies originales de Vertès. — Paris: Georges Guillot, 1957. [№ 1, enriched].
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Paul Verlaine. Parallèlement / Lithographes originales de Vertès. — Paris: Vialetay, 1954.
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Marcel Vertès. Dames seules / texte de Francis Carco — Paris: Louis Godefroy, 1932.
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Paul Verlaine. Parallèlement / illustrations de Vertès. — Paris: Éditions de Cluny, 1934.
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Paul Morand. L’Europe Galante / Lithographes originales de Vertès (Le miroir des mœurs, №3). — Paris: Les arts et le livre, 1927.
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Robert Ganzo. Du dancing ou le danseur sentimental / avec un frontispice et un bandeau originaux de Marcel Vertès. — Paris: Lemarget, 1930.
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Francis Carco. Rue Pigalle / Lithographies en couleurs de Vertès. — Paris: B. Grasset, 1927.
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Alois Senefelder. A complete course of lithography: Containing clear and explicit instructions in all the different branches and manners of that art. — London: Rudolph Ackermann, 1819.
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La Belle Assemblée, or Bell’s Court and Fashionable Magazine / Vol. XI.–New Series. Jan. 1 to Jun 30, 1815. — London: J. Bell, 1815.
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The Repository of Arts, Literature, Fashions, Manufactures, &c., 2nd series, vol. 13, Nos. 73-78 (Jan–Jun) 1822. — London: Rudolph Ackermann, 1822.
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