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Home/Collection/Art history
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  • Important eighteenth century Japanese prints. / Catalogue 15, Exhibition November 1-5, 2019. — NY: Sebastian Izzard, LLC., 2019.

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  • Haruo Shirane. Japan and the Culture of the Four Seasons: Nature, Literature, and the arts. — NY: Columbia University Press, 2013.

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  • Gian Carlo Calza, Stefania Piotti. Poem of the pillow and other stories by Utamaro, Hokusai, Kuniyoshi and other artists of the floating world. — London; New York: Phaidon Press, 2010.

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  • Harold G. Henderson, Louis V. Ledoux. The surviving works of Sharaku. — NY: E. Weyne, Society for Japanese Studies, 1939.

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  • С. Варшавский, Б. Рест. Подвиг Эрмитажа: Государственный Эрмитаж в годы Великой отечественной войны. — М.-Л.: Советский художник, 1965.

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  • Old imari (Japanese ceramics 8) [古伊万里 日本の陶磁 (8) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.

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  • Utagawa Kunisada (1786 – 1865): His world revisited / Catalogue 17, Exhibition March 17-21, 2021. — NY: Sebastian Izzard, LLC., 2021.

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  • Gabriel Laurin : un monde en couleurs, 1901–1973 / Sous la direction de Gérard Fabre, texte de Jeanine Warnod. — Paris: Somogy éditions d’art; Martigues: Musée Ziem, 2006.

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  • Rosina Buckland. Shunga: Erotic art in Japan. — London: The British Museum Press, 2010.

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  • Seiichirō Takahashi. Harunobu [春信] / English adaptation by John Bester (Masterworks of ukiyo-e, №6). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Andreas Marks. Kunisada's Tōkaidō. Riddles in Japanese Woodblock Prints. Hotei Publishing, 2013.

    Andreas Marks. Kunisada’s Tōkaidō: Riddles in Japanese Woodblock Prints. — Leiden: Hotei Publishing, 2013.

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  • С. Варшавский, Б. Рест. Билет на всю вечность: Повесть об Эрмитаже в трех частях. Части первая и вторая. - Лениздат, 1986. (Библиотека молодого рабочего)

    С. Варшавский, Б. Рест. Билет на всю вечность: Повесть об Эрмитаже в трех частях / Части первая и вторая. Предисл. Б. Б. Пиотровского. 3-е издание. — Л.: Лениздат (Библиотека молодого рабочего), 1986.

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  • Ninsei; Kenzan (Japanese ceramics 12) [仁清 乾山 日本の陶磁 (12) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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  • Sebastian Izzard. Kunisada’s world. — New York: Japan Society, Ukiyo-e Society of America, ©1993.

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  • Jūzō Suzuki, Isaburō Oka. The decadents / Translated by John Bester (Masterworks of ukiyo-e, №8). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.

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  • Ukiyo-e: A journey through the Floating World / Exhibition catalogue (Japan, Jan-Jul 2014). — The Yomiuri Shimbun, 2014.

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  • Japanese prints and paintings from the late 18th century; Catalogue № 20. — NY: Sebastian Izzard LLC, 2022.

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  • Important Japanese prints: 1830-1860 / Catalogue 16, Exhibition March 14-20, 2020. — NY: Sebastian Izzard LLC, 2020.

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  • С. Варшавский, Б. Рест. Билет на всю вечность: Повесть об Эрмитаже в трех частях. Часть третья. - Лениздат, 1986. (Библиотека молодого рабочего)

    С. Варшавский, Б. Рест. Билет на всю вечность: Повесть об Эрмитаже в трех частях / Часть третья. 3-е издание. — Л.: Лениздат (Библиотека молодого рабочего), 1986.

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  • Kyō ware (Japanese ceramics 13) [京焼 日本の陶磁 (13) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.

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  • Robert Schaap. Kunisada: Imaging, drama and beauty / Introduction by Sebastian Izzard, contributions by Paul Griffith and Henk. J. Herwig. — Leiden: Hotei Publishing, ©2016.

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  • Marcia B. Hall. Color and meaning : Practice and theory in Renaissance painting. — Cambridge: Cambridge University Press, 1992.

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  • Jack Hillier. Japanese prints and drawings from the Vever Collection (3 volumes). — New York: Rizzoli International & Sotheby Parke Bernet, 1976.

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  • Japanese paintings and prints, 1800-1860; Catalogue № 21. — NY: Sebastian Izzard LLC, 2023.

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  • Dürers Kupferstiche und Holzschnitte. Ein kritisches Verzeichnis von R. v. Retberg. — München: Theodor Ackermann, 1871.

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  • С. Варшавский, Б. Рест. Билет на всю вечность: Повесть об Эрмитаже / Предисл. Б. Б. Пиотровского. — Л.: Лениздат, 1978.

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  • ‎Arsène Alexandre. L’Art du Rire et de la Caricature. — Paris: Librairies-imprimeries réunies, [1892].

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  • Ellis Tinios. Mirror of the stage: The actor prints of Kunisada. — Leeds: The University Gallery Leeds, 1996.

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  • Otto Pächt. Venetian painting in the 15th century : Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna. — London: Harvey Miller Publishers, ©2003.

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  • Jacob Pins. The Japanese pillar print: Hashira-e / Foreword by Roger Keyes. — London: Robert G. Sawers Publishing, 1982.

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  • Muneshige Narazaki. Hiroshige: Famous views [広重] / English adaptation by Richard L. Gage (Masterworks of ukiyo-e, №5). — Tokyo; Palo-Alto, CA: Kodansha International, 1970.

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  • Geisha: Beyond the painted smile / Edited by the Peabody Essex Museum. — [New York]: George Braziller; Salem, MA: Peabody Essex Museum, ©2004.

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  • S. Varshavsky, B. Rest. The ordeal of the Hermitage: The siege of Leningrad, 1941-1944 — Leningrad: Aurora Art Publishers, New York: Harry N. Abrams, Inc., 1985.

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  • Thomas Wright. A history of caricature and grotesque in literature and art. — London: Virtue Brothers & Co., 1865.

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  • Arendie and Henk Herwig. Heroes of the kabuki stage: an introduction to kabuki with retellings of famous plays, illustrated by woodblock prints. — Amsterdam: Hotei Publishing, 2004.

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  • Sotheby’s. Collection Huguette Berès: estampes, dessins et livres illustrés japonais (2 volumes). — Paris: Sotheby’s, 2002-2003.

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  • David Waterhouse. The Harunobu decade: a catalogue of woodcuts by Suzuki Harunobu and his followers in the Museum of Fine Arts, Boston (2 volumes) / Revised & corrected 1990 & 2009-13. — Leiden: Hotei Publishing, ©2013.

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  • Muneshige Narazaki. Studies in Nature: Hokusai-Hiroshige [花鳥風月]/ Translated by John Bester (Masterworks of ukiyo-e, №11). — Tokyo; Palo-Alto, CA: Kodansha International, ©1970.

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  • Rupert Faulkner. Hiroshige fan prints / Victoria and Albert museum, Far Eastern Series. — London: V&A Publications; NY: Harry N. Abrams, Inc., 2001.

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  • S. Varshavsky, B. Rest. Saved for humanity: the Hermitage during the siege of Leningrad, 1941-1944. — Leningrad: Aurora Art Publishers, 1985.

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  • Samuel L. Leiter. Kabuki Encyclopedia: An English-language adaptation of Kabuki Jiten. — Westport, CT; London: Greenwood Press, 1979.

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  • С. Варшавский, Б. Рест. Рядом с Зимним / Из истории Государственного Эрмитажа. Эрмитаж перед Октябрем. — Л.: Советский художник, 1969.

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  • Andreas Marks. Japanese woodblock prints: Artists, publishers and masterworks, 1680 – 1900 / Foreword by Stephen Addiss. — Tuttle Publishing, 2010©.

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  • Muneshige Narazaki, Sadao Kikuchi. Utamaro [歌麿] / Translation by John Bester (Masterworks of ukiyo-e, №4). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Japanese painting and prints of the Edo period / Catalogue 1, Exhibition September 15-18, 1998. — NY: Sebastian Izzard LLC, 1998

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  • C. Варшавский, Б. Рест. Подвиг Эрмитажа, 1941-1944 / Альбом. — Ленинград: Издательство «Аврора», 1987.

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  • Samuel L. Leiter. Historical Dictionary of Japanese Traditional Theatre (Historical Dictionaries of Literature and the Arts). / 2nd edition. – Rowman & Littlefield, 2014.

    Samuel L. Leiter. Historical dictionary of Japanese traditional theatre (Historical dictionaries of literature and the arts) / 2nd edition. – Lanham: Rowman & Littlefield, 2014.

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  • Sarah E. Thompson, Harry D. Harootunian. Undercurrents in the Floating World: Censorship and Japanese Prints. — NY: The Asia Society Galleries, 1991.

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  • Shigeo Miyao. Edo kabuki uchiwa-e / With notes by Sutezō Kimura. — Tokyo: Inoue Shobō, 1962.

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  • Nabeshima (Japanese ceramics 10) [鍋島 日本の陶磁 (10) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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  • Important Japanese prints from the collection of Henry Steiner / Catalogue 14, Exhibition March 17-29, 2018. — NY: Sebastian Izzard LLC, 2018.

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  • Jean Berleux [i.e. Maurice Quentin-Bauchart]. La caricature politique en France pendant la guerre, le siège de Paris et la Commune (1870-1871). — Paris: Labitte, Ém. Paul et Cie, 1890.

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  • Kabuki plays on stage (3 volumes of 4) / Edited by James R. Brandon and Samuel L. Leiter. — Honolulu: University of Hawai’i Press, 2002.

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  • Muneshige Narazaki. Hokusai: Sketches and paintings [漫画肉筆画] (Manga nikuhitsuga) / English adaptation by John Bester (Masterworks of ukiyo-e, №7). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.

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