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NEWSoftcover, 240 x 170 mm, creme dust jacket with red and black lettering and circular opening in the middle to front, red lettering to spine, over pictorial wrappers, pp. [1-8] 9-143 [1], ISBN 978-88-95598-25-3. 1st edition. Title-page (red and black): LACLOS | ILLUSTRE | « SCÈNES DES « LIAISONS DANGEREUSES» | Editions réunies et présentées | par Michel Delon et Michèle Sajous D'Oria | lineadacqua || Colophon: Imprimé à Venise, Italie | En février 2014 | Par Grafiche Veneziane || Publisher: Lineadacqua Edizioni; San Marco 3717/d, 30124 Venezia; www.lineadacqua.com Contributors: Michel Delon (French, b. 1947) – author Michèl Sajous D’Oria – author Contents: ILLUSTRATION ET INTERPRÉTATION – Michel Delon METTRE LES LETTRES ENSCÈNES – Michèle Sajous D'Oria LES LETTRES L'ÉCRITURE LE SECRET LA TRAHISON LE REFUS LA MARQUISE DE MERTEUIL LA PETITE MAISON LE CHEVALIER DE PRÉVAN LE RIVAL LE PIÈGE LE VICOMTE, DE VALMONT SÉDUCTIONS CÉCILE DE VOLANGES LA SURPRISE DES SENS LE VIOL LAPRÉSIDENTE DE TOURVEL L'AMOUR LA MORT FINALE Bibliographie des éditions illustrées Notices sur les illustrateurs -
NEWCardboard folder with title label to front, 23.5 x 26.3 cm, containing 12 hand-coloured soft-ground etchings by André Collot, unbound, in a paper folder with pink lettering and vignette engraved on wood, with a title-page in black: JEUNESSE | 12 VERNIS MOUS COLORIÉS | tires à exemplaires | réservés aux Amis de l’Artiste | 1933 || in a frame. First edition, limited to 60 copies. Dutel 1920-70: 1786. There is another copy of the same without the cardboard folder SVE-0469.2021. -
NEWHardcover, 255 x 200 mm, ¾ green morocco over marbled boards, gilt lettering to spine with raised bands, grey laid paper endpapers, Serge Golifman’s bookplate pasted to verso, 3 ffl, orig. wrappers, incl spine, preserved; collated: 2 blanks, h.t., t.p., 14 leaves of text; faux t.p. Éloge de la marquise de Beausemblant, 6 leaves of text, colophon (limitation), 2 blanks, 3 ffl, unpaginated, plus 7 leaves of plates, incl. frontispiece. Publisher's wrappers 250 x 190 mm. Title-page (red and black): PAUL MORAND | LES PLAISIRS | RHENANS | orné de sept lithographies originales | et coloriées à la main | DUSSELDORF | Librairie Leocadia || The front wrapper is the same, in black only. Limitation: Cette édition, imprimée pour une Société de Bibliophiles, a été tirée à 107 exemplaires hors commerce, savoir: exemplaires sur vieux japon, numérotés de 1 à 7, et 100 exemplaires sur vélin d'Arches, numérotés de 8 à 107. Les lithographies ont été tirées sur presse à bras et coloriées à la main. Les pierres ont été poncées après tirage. Exemplaire N° 81. [The edition was printed for a bibliophile society in 107 non-commercial copies: 7 copies on “vieux Japon” paper, numbered from 1 to 7, and 100 copies on “Arches Vellum”, numbered from 8 to 107, of which this is copy № 81]. An unauthorized (pirated) edition of two short stories by Paul Morand, initially published in “L’Europe galante” by Éditions Grasset in 1925: Les plaisirs rhénans and Éloge de la marquise de Beausemblant; illustrated with 7 lithographs coloured with crayons after Gaston-Louis Roux, printed by Mme Duchatel; the stones were then destroyed (sanded). According to Pia: « Pour le principe, semble-t-il, Bernard Grasset à qui aucune autorisation d’éditer ainsi ces deux nouvelles n'avait été demandée, déposa une plainte contre X... en contrefaçon. L'enquête judiciaire, si enquête il y eut, n’aboutit pas. Le tirage de l’édition « pirate » avait été si restreint que tous les exemplaires en avaient été vendus sitôt parus. Le coupable, en l’occurrence René Bonnel, ne fut pas inquiété ». Dutel attests: « Un des personnages, subissant une agréable fellation, représenté sur l'une des lithographies, ressemble fort à Paul Morand qui en avait pris ombrage! » Comment by the seller: L’ouvrage est d’autant plus rare que Morand lui-même, mécontent d’une des gravures qui le représente en position intéressante, fit détruire une partie des exemplaires. Resume: While Bernard Grasset opposed the pirated edition on copyright infringement grounds, Paul Morand was enraged by his resemblance to the depicted character; the latter destroyed as many copies of the edition as he could, so only a few still exist. The print run of the "pirate" edition was so limited that all the copies were sold as soon as they were published. Catalogue Raisonné: Dutel III № 2215 (p. 321) ; Pia : № 1056; Nordmann (I) № 281. Contributors: Paul Morand (French, 1888 – 1976) – author Gaston-Louis Roux (French, 1904 – 1988) – artist René Bonnel (French, 18841 – 1975) – publisher Bernard Grasset (French, 1881 – 1955) – publisher -
NEWSoftcover, 240 x 190 mm, green velvet paper French flapped wrappers with a silver vignette of Rops’ sphynx, in half of double-slipcase, pp. [1-8] 9-76 [8], i.e. 42 leaves plus 20 hand-coloured soft-ground etchings, incl. frontispiece, attributed to Louis Berthomme Saint-André. Text and plates printed on thick wove paper watermarked Arches, margines untrimmed; anonymous woodcut head- and tailpieces. Enhanced by a complete set of plates, uncoloured, in green velvet paper folder, gilt inside. Pibrac (or Pybrac) by Pierre Louÿs is "composed of 313 rhymed Alexandrine quatrains, the majority of them starting with the phrase I do not like to see. Pybrac is in the form a mockery of sixteenth-century chancellor poet Guy Du Faur, seigneur de Pibrac (French, 1528-1584), whose moralizing quatrains were the common literary fare for young French readers until the nineteenth century".honesterotica.com: Pibrac is best remembered for his own collection of poems, a set of 126 moralistic quatrains, which throughout its endless printings bestowed good advice and guidelines to proper conduct…
The English translation of Louÿs' Pibrac/Pybrac by Geoffrey Longnecker was published by Wakefield Press in 2014: https://wakefieldpress.com/products/pybrac Title-page (green and black): PIBRAC | QUATRAINS ÉROTIQUES | DE | PIERRE LOUYS | {vignette} | AUX DÉPENS D’UN AMATEUR | POUR LE PROFIT DE QUELQUES AUTRES | M. IM. XXXIII || Imprint / Limitation: Cette édition des quatrains érotiques de Pierre Louÿs, illustrée de vingt eaux-fortes originales d'un artiste inconnu, a été strictement limitée à 300 exemplaires qui ont été composés en Elzévir vieux style de corps 12 avec des caractères neufs. Ils ont tous été tirés sur grand vélin d'Arches à la forme et comportent tous un état avec remarque des 20 planches, tiré en noir. Justification du tirage: 20 exemplaires sur grand vélin d'Arches à la forme, numérotés de 1 à 20, auxquels il a été ajouté en plus des états avec remarque des 20 cuivres, 1 des aquarelles ayant servi à l'illustration, 1 croquis original et 1 cuivre encré. 280 exemplaires sur grand vélin d'Arches à la forme, numérotés de 21 à 300, comprenant tous les états avec remarque. Il a été tiré en outre 8 exemplaires sur Arches, numérotés en chiffres romains de I à VIII, destinés aux collaborateurs de l'ouvrage. Pour authentifier la présente édition, l'artiste et l'éditeur apposeront sur cette justification un cachet en garantissant l'originalité. Cet exemplaire porte le No 290. Colophon: La présente édition a été achevée d'imprimer à Paris le trente et un janvier mil neuf cent trente-quatre par deux imprimeurs amis des belles éditions. Catalogue raisonné: Dutel III № 2198. Collaborators: Pierre Louÿs (French, 1870 – 1925) – author. Louis Berthomme Saint-André (French, 1905 – 1977) – artist. Edition attributed to the bookseller Robert Télin. -
NEWSoftcover, 228 x 155 mm, embossed geometrical diaper pink French flapped wrappers with black and orange lettering to front; collated 8vo: 1-108, i.e. 80 leaves, pp.: [4] [1-4] 5-152 [4], plus 12 colour plates; woodcut t.p. vignette, head- and tailpieces in sanguine. Text printed on wove paper watermarked Marais, untrimmed, some leaves uncut; colour illustrations produced by half-tone relief photo reproduction technique and printed on thinner paper without a watermark. Colouring is most probably made by hand. Besides the presence of the platemarks, micro-photo reveals clear signs of the half-tone relief photomechanical reproduction method:
Title-page (red and black): SPADDY | COLETTE | OU | LES AMUSEMENTS DE BON TON | ROMAN | {vignette} | A SAINT – CLOUD | AU TEMPLE DE CYTHÈRE ||
Limitation: CE ROMAN, EDITÉ POUR DES AMATEURS ET | NON MIS DANS LE COMMERCE, A ETÉ TIRÉ | A 250 EXEMPLAIRES, SUR VELIN PUR FIL | DU MARAIS, NUMÉROTÉS A LA PRESSE. | Cet exemplaire porte le No 49
Catalogue Raisonné: Dutel III № 1254: second edition with reproduction plates, published in 1939. The 1st edition with the original plates after Bécat was published in c. 1938.
Honesterotica.com:
Colette, ou les amusements de bon ton (Colette, Good Time Amusements) was an important early commission from Bécat by the master clandestine publisher Maurice Duflou, to complement a text bordering on the outrageous by Johannès Gros…
Contributors: Spaddy [Johannès Gros] (French, 18.. – 1937) – author Maurice Duflou (French, 1885 – 1947) – publisher Paul-Émile Bécat (French, 1885 – 1960) – artist -
NEWSoftcover, 210 x 149 mm, white wrappers with red and black lettering and a vignette to front, red and black lettering to spine and black lettering to back; pp. [1-8] 9-143 [1]. ISBN 978-88-95598-98-7. Title-page (red and black): CASANOVA | IN | VENICE | Illustrated editions of The story of my life | collected and presented | by Michel Delon and Michèl Sajous D’Oria | lineadacqua || Colophon: Printed in Venice, Italy | In may 2019 | By Grafiche Veneziane, Venice || Back wrapper: 100 illustrations enrich | Casanova's own telling | of his adventures in Venice || First edition in French: April 2013 First edition in English: March 2019 Contributors: Michel Delon (French, b. 1947) – author Michèl Sajous D’Oria – author Lucian Comoy – translator Contents: A WORLD OFIMAGES – Michel Delon OF PLACES AND BOOKS – Michèle Sajous D'Oria PORTRAITS AND ALLEGORIES NANETTE AND MARTON VEDUTE C.C. A LETTER M.M. RENDEZ-VOUS AND AMBUSH THE CASINO AT THE OPERA AND THE RIDOTTO A MASKED BALL AT THE CONVENT THE QUADRILLE COMPARISON MELANCHOLY TONINE AND BARBERINE MASKS ARREST THE PIOMBI ADIEU VENICE Bibliography of the illustrated editions Notes concerning the illustrators -
NEWHardcover album 387 x 300 mm, bound in orange half-calf over green paper with vertical black zig-zag and embossed gilt rings, by Isy Brachot of Brussels; includes a photographic portrait of D. H. Lawrence pasted to front green ffl verso, ms title-page, six pages of ms text with a woodcut portrait of the same to page 2, 27 plates (including eight double-page), one blank leaf followed by ten pages of ms text and back green ffl with text to recto, 49 leaves total, plates on thick wove paper, text on Canson & Montgolfier watermarked laid paper, all unpaginated; in a slipcase. The title page indicates: “Vertés, a fashionable and popular designer from 1940 to 1960 […] attempted to illustrate in 1959 the famous novel by D.H. Lawrence, Lady Chatterley's Lover, but not getting along with his publisher, he sold his sketches for two thousand dollars to count Charles de Kerchove de Denterghem (1819 – 1882). Further, the t.p. reads: Les esquisses, lit-on encore sur cette page, furent reliées par Isy Brachot de Bruxelles. Elles furent classées par lui sans ordre, comme elles venaient. En préface figurent un bref résumé du roman, un historique des difficultés qu'il connut, un compte rendu de sa victoire finale. En postface sont transcrits, en langue originale, les scènes illustrées par Vertès dans l'ordre où elles se trouvent écrites, ainsi qu'une appréciation de l'art de Vertès. Michel Vokaer’s Bibliographie de Marcel Vertès (1967) does not mention this collection of sketches; however, it says that the artist had produced two test etchings for Lady Chatterley’s Lover around 1936, which remained unpublished. The gouaches were drawn in the US, and the texts accompanying them are in English, so one could suppose that the prospective publisher—who remains unknown—was American. Contributors: Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) David Herbert Lawrence (British, 1885 – 1930) -
NEWSoftcover volume 200 x 145 mm, in a slipcase, unbound, in French wrappers, sanguine lettering on cream paper, block printed on wove paper with watermark “Marais”, collated 8vo, pp.: [1-6] 7-114 [6], 60 leaves, first and last leaves blank; illustrated with 20 etchings, incl. vignette on front wrapper, two head- and two tailpieces, printed in sanguine; etching on t.p., similar to the one on the front wrapper, printed in black. Limited edition of 250 copies, this is copy № 24. Front wrapper and title-page: in a double frame A de M. | GAMIANI | {vignette} || Colophon: CE LIVRE | IMPRIMÉ AUX DÉPENS | D'UN GROUP D'AMATEURS | SUR PAPIER CHIFFON | A ÉTÉ TIRE | A DEUX CENT CINQUANTE EXEMPLAIRES | LA VENTE AU PUBLIC | EN EST RIGOUREUSEMENT INTERDITE | EXEMPLAIRE N°24 || [This book is printed at the expense of a group of amateurs on rag paper in two hundred and fifty copies; sale to the public is strictly prohibited]. Catalogue raisonné: Dutel III № 1649. Alfred de Musset (French, 1810 – 1857) – author. -
NEWHardcover volume, 297 x 256 x 40 mm, glossy pictorial boards, pp. [1-8] 9-428 [4], profusely illustrated, text in French. F.I.N.A.L.E. stands for Foundation Internationale d’Arts et Litératures Érotiques (Foundation of Erotic Arts and Literatures, established on December 12, 1996 in Lausanne, Switzerland. Title-page: éros, | indéfiniment | Collections F.I.N.A.L.E. | { HumuS, publisher’s device} || -
NEWHardcover volume, 290 x 225 mm, bound in scarlet velveteen with gilt lettering to front and spine, gilt vignette and lettering to back; pp.: [1-8] 9-204 [4], profusely illustrated; text in French and English. ISBN : 2-940127-37-9. Title-page (yellow on red paper): EROS SECRET | OBJETS EROTIQUES A TRANSFORMATION | EROTIC TRANSFORMATION OBJECTS | Photographies et chorégraphie : Véronique Willemin | Photographer and choreography || “The ensemble of 150 objects presented belongs to one single collector. The manner in which the author met him at the airport of Larnaca, then on a yacht in the Mediterranean sea, resembles more a novel by Gérard de Villiers than the preface of a curator but has its own touch of spice” [Art of the day Weekly]. -
NEWSoftcover, French flapped pictorial wrappers, 240 x 160 mm, translated title: Rape at the boarding school, pp. [1-6] 7-164 [4], 40 black and white illustrations by Garcini. Title-page: D’après un texte de | CERKAN DE SARDAN | VIOL | AU PENSIONNAT | illustrations de | GARCINI || -
NEWBound in full-colour pictorial wrappers with French flaps, 250 x 190 x 35 mm, 1,311 g by weight, profusely illustrated volume, pp. [1-4] 5-427 [5], 216 leaves total. Title-page: {vignette} | EROS BACCHUS | L'amour et le vin | {publisher's device} || Exhibition at Château Musée du vin et de la vigne, à Aigle, du 24 mai 2014 au 28 février 2015. Text by Michel Froidevaux. Original description : Depuis l'apparition du vignoble, l'amour et le vin sont inséparables. Tantôt boisson des dieux, tantôt breuvage des poètes, le vin a la vertu de rapprocher les êtres. De la riche mythologie antique - Dionysos et Bacchus - aux fêtes des confréries contemporaines, le vin enflamme l'imaginaire et génère de la convivialité. L'idée est de proposer un parcours ludique et culturel, badin et savant pour aller par siècles et contrées à la découverte des plaisirs du boire et des méandres du désir. Livre richement illustré d'un millier d'images (dessins, objets, cartes postales,...) avec la participation d'une quarantaine d'artistes contemporains qui ont créé spécialement une œuvre. Machine translation: Love and wine have been inseparable since the dawn of the vineyard. Sometimes the drink of the gods, sometimes the beverage of poets, wine has the virtue of bringing people together. From the rich mythology of antiquity - Dionysus and Bacchus - to contemporary brotherhood celebrations, wine fires the imagination and generates conviviality. The idea is to offer a playful and cultural journey, both playful and learned, through centuries and lands, to discover the pleasures of drinking and the twists and turns of desire. The book is richly illustrated with some 1,000 images (drawings, objects, postcards, etc.), featuring works by some 40 contemporary artists. -
NEWHardcover volume, 292 x 185 x 65 mm, pictorial cream paper over cardboard, black and burgundy lettering to spine and covers; pagination: [4] h.t./imprint, t.p./photo, caption; i-vi, 7-921 [3] colophon; limitation/blank, total 464 leaves. A heavy volume of over 3 kg. Front cover: Martin Van Maele | ou le diable se cache dans détails | Catalogue raisonné | établi par | LUC BINET | Preface de Jacques Duprilot | {vignette} | HumuS || Title-page (red and black): MARTIN VAN MAELE | (1863-1926) | ou le diable se cache dans détails | Catalogue raisonné | établi et commenté par | LUC BINET | Introduction de Jacques Duprilot | {publisher’s device} | ÉDITIONS HUMUS || Edition limited to 333 copies. Maele, Martin van [Martin, Maurice François Alfred] (French, 1863 – 1926) -
NEWNetsuke with a design of an old man carrying a giant mushroom on his back. Possibly signed on his left foot. According to Merrily Baird (Symbols of Japan, page. 93): ... This prominent use in the symbol-rich netsuke art form, however, reflects more their sexual symbolism than either their dietary appeal or interesting shapes. Mushrooms in Japan are generally a symbol of fertility, with some flat varieties, like shiitake, being associated with females. In contrast, the matsutake mushroom (Armillaria edodes) is a phallic symbol, as befits its thick, spearlike stem and the fact that it is consumed before cap opens.
Seller's description: "The old man carved walking, with one foot slightly raised, wearing a loose fitted robe and carrying a large long-stemmed mushroom on his back. The wood stained and bearing a fine patina. Himotoshi through the mushroom stem". See VO-0270.2018 for the same subject. Late 18th century. Dimensions: 62 mm tall -
NEWSet of 30 lithographic plates printed on watermarked Van Gelder Simili Japon wove paper, loose in two rexine-backed stiff paper wrappers, 15 in each, together in rexine portfolio with gilt lettering and keyhole on front cover. According to the seller, these are facsimiles of prints/ drawings by Mario Tauzin. Scenes from the series 'Interdit aux adultes'. No publisher indicated; printed in about 1950—a limited edition. Six of these designs used to illustrate 'Bonne à tout faire' were published by Éric Losfeld in the late 1950s (LIB-3293.2024). Dimensions: sheet 320 x 420 mm; album 330 x 430 mm. Contributor: Mario Tauzin (French, 1909 – 1979) — artist -
NEWA softcover volume 18.7 x 12.1 cm, in publisher’s cream wrappers, red lettering in red and green frames to front cover, in glassine dustwrapper, uncut, untrimmed, collated in 8vo: 1-98 104, pp. [1-8] 9-151 [152 blank], plus 6 illustrations reproduced in drypoint after Mario Tauzin's lithographs from the album 'Interdit aux adultes' (see SVE-0547.2024). Front cover : BONNE | A | TOUT | FAIRE Title-page : BONNE | A | TOUT | FAIRE Stated limited edition of 900, strictly for subscribers. According to J.-P. Dutel III 1108 (p.66): published by Éric Losfeld in the late 1950s. Bonne à tout faire is a French idiom = maid-of-all-work Éric Losfeld (Belgian-French, 1922 – 1979) — publisher Mario Tauzin (French, 1909 – 1979) — artist -
NEWOne of a series of six anti-allies propaganda cards, printed in colour, inscribed Ou le Tommy est-il resté? (Where did Tommy stay?), where Tommy is slang for a common soldier in the British Army. The postcards visibly depict French soldiers who fight and die at the western front, while the covert watermark image shows a British military having fun in a bordello. Those cards were printed in the Third Reich for France and dropped from aeroplanes to motivate French soldiers to fight against the British. Size: 149 x 104 mm -
Catalogue raisonné of Pascin's erotic drawings. Softcover, 21 x 15 cm, burgundy gloss pictorial paperback with lettering and vignettes, pp.: [1-3] 4-102 [2], illustrated throughout. Limited edition of 1,000 copies. Title-page: Pascin érotique | {round vignette} | éditions Astarté - Paris || Contributors: Alexandre Dupouy (French) Pascin, Jules [Pincas, Julius Mordecai] (French-Jewish, 1885 – 1930)
