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Printing and the mind of man: assembled at the British Museum and at Earls Court, London, 16-27 July 1963. — [London]: F. W. Bridges & Sons Ltd., Association of British Manufacturers of Printers’ Machinery Ltd., [1963].
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Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.
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Arthur M. Hind. A history of engraving & etching from the 15th century to the year 1914. — Boston: Houghton Mifflin Co., 1923.
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Harold Curwen. Processes of graphic reproduction in printing. — New York: Oxford University Press, 1934.
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Printing and the mind of man / Edited by John Carter & Percy H. Muir; 2nd edition revised and enlarged. — München: Karl Pressler, 1983.
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Alois Senefelder. A complete course of lithography: Containing clear and explicit instructions in all the different branches and manners of that art. — London: Rudolph Ackermann, 1819.
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P. M. Handover. Printing in London : from Caxton to modern times. — Cambridge, MA: Harvard University Press, 1960.
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Phyllis Dearborn Massar. Presenting Stefano della Bella. — NY: The Metropolitan Museum of Art, [1971].
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Ronald B. McKerrow. An introduction to bibliography, for literary students. — Oxford: Clarendon Press, 1927.
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William Blades. The biography and typography of William Caxton, England’s first printer. – London: Trübner, 1877.
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Filippo de Strata. Polemic Against Printing / Shelagh Grier (translator), Martin Lowry (editor). — [Birmingham]: Hayloft, 1986.
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John Johnson. Typographia, or the printers’ instructor / 2 volumes. — London: Longman, Hurst, Rees, Orme, Brown & Green, 1824.
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David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.
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John Johnson. Typographia, or the printers’ instructor / 2 volumes. — London: Longman, Hurst, Rees, Orme, Brown & Green, 1824.
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Thomas F. Adams. Typographia: a brief sketch of the origin, rise, and progress of the typographic art. — Philadelphia, 1837
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