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Hardcover, 21.5 x 15 cm, green buckram with gilt border and gilt lettering to front board and spine, blind decorated in art nouveau style, T.E.G. Pagination: [26] 1-294, [4] 1-323 [324], [4] 1-255 [256] [4]; total 912 pages and photo portrait frontispiece. Title-page: THREE VOLUMES IN ONE | LEAVES OF GRASS| WALT WHITMAN | ISSUED UNDER THE | EDITORIAL SUPERVISION OF HIS | LITERARY EXECUTORS, RICHARD MAURICE | BUCKE, THOMAS B. HARNED, AND | HORACE L. TRAUBEL | {device} | D. APPLETON AND COMPANY | New York […] London || For the Russian translation, see LIB-3103.2022 Уолт Уитмен. Листья травы / Пер. с англ. Вступ. статьи К. Чуковского и М. Медельсона. — М.: Государственное издательство художественной литературы, 1955. Contributors: Walter [Walt] Whitman (American, 1819 – 1892) Richard Maurice Bucke (Canadian, 1837 – 1902) Thomas Biggs Harned (American, 1851 – 1921) Horace Logo Traubel (American, 1858 – 1919) -
Quarter calf over marbled boards, 16 x 9 cm, spine with raised bands, gilt in compartments, gilt-lettered label, all margins red, two title-pages (one for each vol.), illustrated with engraved frontispiece by Antonio Baratti after Antonio Balestra; engraved portrait of John Milton by Antonio Baratti, 12 plates, one for each book, after “Piazzetta, Zucchi, Balestra, Tiepolo, and other Venetian artists”, unsigned; plate II signed ‘Antonio Barati scul.’ Title page: IL PARADISO | PERDUTO | POEMA INGLESE | DI GIOVANNI MILTON | TRADOTTO DAL SIG. | PAOLO ROLLI | Con le Annotazioni | DI G. ADDISON | E alcune Osservazioni critiche. | TOMO PRIMO (SECUNDO). | {publisher’s device} | IN PARIGI , MDCCLVIII. | — | A spese di Bartolommeo Occhi. | LIBRAJO VENETO. || Collation: *-**12 ***8 (dedication, vita), A-R12 (vol. 1) A-K12 L9 (vol.2); total 365 leaves plus 14 engraved plates, incl. frontispiece and portrait. Pagination: [i, ii] iii-lxiv 1-407 [408 blank], [2] 3-258; total 730 pages. Catalogue raisonné: Wickenheiser Collection 688 [LIB-2795.2021]. Though it states 228 pp., which does not seem right. “Scarce. Not in Coleridge”. Contributors: Milton, John (British, 1608 – 1674) – author. Joseph Addison (British, 1672 – 1719) – author / criticism Paolo Antonio Rolli (Italian, 1687 – 1765) – author / transaltion Bartolomeo Occhi (Italian, 1730 – 1781) – publisher. Antonio Baratti (Italian, 1724 – 1787) – engraver Antonio Balestra (Italian, 1666 – 1740) – artist. Giovanni Battista Piazzetta (Italian,1682/83 – 1754) – artist. Antonio Zucchi (Italian, 1726 – 1795) – artist. Giovanni Battista Tiepolo (Italian, 1696 – 1770) – artist. -
Hardcover, 28.5 x 21 cm, blue cloth, gilt lettering to spine, pictorial dust jacket with the glued white label “Winner of the Apollo Magazine | Book of the Year 2003 Award”; pp.: [1-9] 10-260, ils.; ISBN 9781872501543, 9781872501239, 1872501540, 1872501230. Title-page: OTTO PÄCHT | Venetian Painting | in the 15th Century | Jacopo, Gentile and Giovanni Bellini | and Andrea Mantegna | Edited by | Margareta Vyoral-Tschapka | and | Michael Pächt | {publisher’s device} | HARVEY MILLER PUBLISHERS || Contributors: Otto Pächt (Austrian, 1902 – 1988) Margareta Vyoral-Tschapka Michael Pächt (Austrian, b. 1942) -
Hardcover, 28.8 x 22.3 cm, green cloth, gilt lettering to spine, pictorial dust jacket; pp.: [i-iv] v-xiv, 1-274, total 288 pp., ils. ISBN: 9780521392228, 9780521457330, 0521392225, 0521457335. Title-page: COLOR | AND | MEANING | Practice and Theory in Renaissance Painting | MARCIA B. HALL | CAMBRIDGE UNIVERSITY PRESS | Cambridge | New York Port Chester Melbourne Sydney || Marcia B. Hall (American, b. 1939) -
Pictorial paper hardcover, 29 x 22.5 cm, pp. [i-vi] vii-xiv, [2] 3-319 [3], total 336 pp. ISBN: 1442263393. ISBN/EAN: 9781442263390. Title-page: The Dictionary of the Book | A Glossary for Book Collectors, Booksellers, | Librarians, and Others | Sidney E. Berger | […] | Rowman & Littlefield | Lanham • Boulder • New York • London || -
Description: softcover, 16.5 x 13 cm, in wrappers, white lettering on blue panel in white frame: “C. ВАРШАВСКИЙ Б. РЕСТ | СЫН | ОТЕЧЕСТВА | — | ВОЕНМОРИЗДАТ 1942”. Pagination: [2] 3-71 [72]; collated 8vo: [1]-48 54, total 36 leaves. Title-page: СМЕРТЬ НЕМЕЦКИМ ОККУПАНТАМ! | БИБЛИОТЕКА КРАСНОФЛОТЦА | C. ВАРШАВСКИЙ, Б. РЕСТ | СЫН | ОТЕЧЕСТВА | {publisher’s device} |—| ВОЕННО-МОРСКОЕ ИЗДАТЕЛЬСТВО НКВМФ СОЮЗА ССР | МОСКВА • 1942 || Autograph to t.p.: Дорогим друзьям | Тоне и Семе (скептику) | этот малый плод | военной эрзац-литературы | с любовью оставляет | Сергей | 3. XI. 42 || Another copy: LIB-3029.2022. Contributors: Сергей Петрович Варшавский [Sergei Varshavsky] (Russian-Jewish, 1906 – 1980) – author. Б. Рест (Юлий Исаакович Шапиро (Russian-Jewish, 1907 – 1984) – author. -
Volume collated 4to, 32.5 x 21 cm, later full calf, blind-tooled boards, sunned, raised bands and gilt lettering to spine. bound without the additional engraved title-page sometimes present; title printed in black and red, woodcut headpieces and initials; a little foxing (mostly marginal) throughout, title lightly dust stained with slight chipping at extremities, minor marginal worming to early leaves (b3-I4), paper flaw to outer margin of E1; contemporary English ownership inscription of George Legh to the title, a handful of manuscript corrections to text and annotations to index. Title-page (double frame, red and black, tall ‘s’): THE MOST EXCELLENT | HUGO GROTIUS | HIS THREE | BOOKS | Treating of the | RIGHTS | OF | WAR & PEACE. | In the First is handled, | Whether any War be Just. | In the Second is shewed , | The Causes of War, both Just and Uujust (sic). | In the Third is declared , | What in War is Lawful ; that is, | Unpunishable. | With the Annotations digested into the | Body of every Chapter. | — | Translated into ENGLISH by | William Evats, B. D. | — | LONDON, | Printed by M. W. for Thomas Basset at the George in Fleetstreet, and | Ralph Smith at the Bible under the Piazza of the Royal Exchange | in Cornhill. M DC LXXXII. || Collation: A4 a-b4 c3 B-Z4 2A-2D4 2E6 3A-3Z4 4A-4D4 4E-4L2; total 247 leaves as called for; lacking engraved title-page. Pagination: [4] i-xxi [5] 1-220 (text continuous) 361-572 [573] [574 blank] [30 table]; total 494 pages. Seller’s note: First edition of the first complete English translation, following Barksdale’s abridgement, of Grotius’s landmark work of political philosophy, the first treatise on international law. First published in Latin in 1625, Grotius’s De iure belli ac pacis “became the basic manual for both the theoretical justification and the entire practice of the international law of war as well as of international law in general for the whole period of the ancien régime in Europe” [Duchhardt, p. 288]. “It would be hard to imagine any work more central to the intellectual world of the Enlightenment … [By] the time of the post-First World War settlement, Grotius was regarded almost exclusively as the founder of modern civilized interstate relations, and as a suitable tutelary presence for the new Peace Palace at The Hague … [In] some ways that was to radically misunderstand Grotius’s views on war; he was in fact much more of an apologist for aggression and violence than many of his more genuinely innovative qualities of his moral theory, qualities that entitle him to an essential place in the history of political theory …” [Tuck, pp. xi-xii]. Contributors: Hugo Grotius (Dutch, 1583 – 1645) – author. William Evats (British, c.1606 – 1677) – translator. Margaret White (British, fl. 1678 – 1683) – printer. Thomas Bassett (British, fl. c. 1659 – 1693) – publisher/bookseller. Ralph Smith (British, fl. 1642 – 1684) – publisher/bookseller. -
Two 8vo volumes bound in one, 19 x 12.5 cm, in full mottled sheepskin with gilt-bordered boards, gilt decorated flat spine with gilt-lettered red and black calf labels, rebacked, marbled endpapers and edges, printed on wove paper, plates on thicker laid paper. Title-page: FABLES | MISES EN VERS | PAR J. DE LA FONTAINE. | TOME PREMIER (SECOND). | {medallion portrait} (printer’s device “PC”) | A PARIS, | CHEZ ANT. AUG. RENOUARD. | M. DCC. XCV. || Collation: Vol. 1: π2 (h.t./imprint, t.p. medallion portrait/blank), [1]-38 (Notice sur la vie…), 1-58 64 (Vie de la Fontaine, Épitre, Préface, Vie d’Ésope), [7]-148 156 χ3 (table); pagination [4] [i] ii-xlviii, [1] 2-234. Total 143 leaves (286 pages) plus 6 plates after Moreau le Jeune by Devilliers fratres (p. 112), E. De Ghendt (pp. 122 and 181), Jean Louis Delignon (p. 140), Delvaux (p. 197), and Ph. Trière (p. 219). Title medallion portrait of La Fontaine (G Rigault pinx. – C S Gaucher inc.) by Gaucher after Rigaud. Vol. 2: π2 1-158 164; pagination [4] [1] 2-247 [248 blank]. Total 126 leaves (252 pages) plus 6 plates after Moreau le Jeune by Devilliers fratres (p. 19), Villerey (pp. 37, 80, and 146), Bosq (p. 121), and Ph. Trière (p. 199). The book published in 1795 (An 3) supplemented with plates produced in 1811 and 1812 for Œuvres complèttes (sic) de Jean de la Fontaine published by Lefèvre in 1814. The reason for choosing this particular edition for someone's library shortly after 1814 was probably the absence of censorship in 1795. Catalogue raisonné: (1) Lewine [LIB-2538.2020] on p. 276 (Paris, chez Renouard, 1795, 2 vols., 8vo., medal portrait on first title, and 12 plates after Moreau by Delvaux, Bosq, Ghendt, Trière, and Villerey). (2) M.-J.-F. Mahérault. L' oeuvre de Moreau le Jeune : catalogue raisonné et descriptif avec notes iconographiques et bibliographiques. — Paris: A. Labitte, 1880. Contributors: Jean de La Fontaine (French, 1621–1695) – author. Jean-Michel Moreau le Jeune (French, 1741–1814) – artist. Hyacinthe Rigaud (French, 1659 – 1743) – artist. Antoine-Augustin Renouard (French, 1765 – 1853) – publisher. Pierre Causse (French, 1761 – 1834) – printer. Engravers: Charles Étienne Gaucher (French, 1741 – 1804) Etienne De Villiers [Devilliers, Devilliers fratres] (French, 1784 – after 1844) Emmanuel Jean Nepomucène de Ghendt (Flemish, worked in France, 1738 – 1815) Jean-Louis Delignon (French, 1755 – 1820) Rémi Henri Joseph Delvaux (French, 1748 – 1823) Philippe Trière (French, 1756 – c. 1815) Auguste Villerey (French, 1801 – 1846) Jean Bosq (French, fl. c. 1801 – 1844) -
Small paperback, 12.3 x 9 cm, pictorial turquoise wrappers, pp.: [2] 3-52 [4], ils., total 56 pp., incl. contents, colophon and last blank; collated 8vo: 1-38 44, total 28 leaves; print run 25,000 copies. Title-page (framed): С. ВАРШАВСКИЙ и Б. РЕСТ | ВОИНЫ | КРЫЛАТОЙ | БАЛТИКИ | 1941 | Государственное издательство | “Искусство” | Ленинград • Москва || Contributors: Сергей Петрович Варшавский [Sergei Varshavsky] (Russian-Jewish, 1906 – 1980) – author. Б. Рест (Юлий Исаакович Шапиро (Russian-Jewish, 1907 – 1984) – author. Лев Самойлович Самойлов (Russian, 1918 – 1988) – artist.
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Hardcover, 20.7 x 13 cm, paper boards and spine, silver and gilt lettering, pictorial endpapers, pp.: [1-5] 6-321 [5] [10 advert.], in-text ill., total 336 pages plus 12 (8+4) leaves of plates. 944 entries (1921-1938), plus a list of new books published between 1991 and 2004. Title-page: В. В. Крылов | Е. В. Кичатова | ИЗДАТЕЛЬСТВО | «ACADEMIA» | ЛЮДИ И КНИГИ | 1921 ~ 1938 ~ 1991 | Под общей редакцией | В. А. Попова | ~ | {publisher’s device} | Москва | 2004 || Print run: 2,000 copeis. Contributors: Крылов, Вячеслав Викторович (Russian, 1940 – 2005) Кичатова, Екатерина Вячеславовна (Russian)
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The book Münchhausen: eine Geschichte in Arabesken by Karl Leberecht Immermann was published in Düsseldorf by J. E. Shaub in 1838-1839. Its Russian translation by the Yarkho brothers was published in 1931 and 1932 by Academia publishing in two volumes uniformly bound in full green cloth with embossed and gilt pictorial design to front cover and spine, 17.3 x 12.5 cm, pictorial endpapers, top margin red, and pictorial dust jacket.
Vol. I: 8vo, [1]-398 (312 leaves, 10 plates within collation); pp.: [1-7] 8-624. Print run 5,000 copies.
Title-page (red and black): КАРЛ ИММЕРМАН | Мюнхгаузен | История | в арабесках | перевод и примечания | Г. И. и Б. И. Ярхо | ПРЕДИСЛОВИЕ | П. С. КОГАНА | I | {vignette} | ~ ACADEMIA ~ | МОСКВА ~ ЛЕНИНГРАД | 1931 ||
Frontispiece (red and black): СОКРОВИЩА | МИРОВОЙ ЛИТЕРАТУРЫ | КАРЛ ИММЕРМАН | МЮНХГАУЗЕН | {fleuron} | * | ~ ACADEMIA ~ | МОСКВА ~ ЛЕНИНГРАД | 1931 ||
Reverse title: KARL IMMERMANN | MÜNCHHAUSEN | Eine Geschichte in Arabesken | {…} | ИЛЛЮСТРАЦИИ, ТИТУЛ, | ТИСНЕНИЕ НА ПЕРЕПЛЕТЕ | И СУПЕРОБЛОЖКА ПО РИС. | ХУД. Д. И. МИТРОХИНА | {…} | Ленинградский Областлит № 64832. | Тир. 5.000—39 листов. Зак. 7167. | Государственная типография | “Ленинградская Правда”, | Ленинград. | Соц. 14. ||
Vol. 2: 8vo, [1] 398 ( 312 leaves, 14 plates within collation), pp.: [1-7] 8-622 [2 colophon/blank]. Print run 5,250 copies.
Title-page (red and black): КАРЛ ИММЕРМАН | Мюнхгаузен | История | в арабесках | перевод и примечания | Б. И. и Г. И. Ярхо | II | {vignette} | ~ ACADEMIA ~ | МОСКВА ~ ЛЕНИНГРАД | 1932 ||
Frontispiece: СОКРОВИЩА | МИРОВОЙ ЛИТЕРАТУРЫ | КАРЛ ИММЕРМАН | МЮНХГАУЗЕН | {fleuron} | * | ~ ACADEMIA ~ | МОСКВА ~ ЛЕНИНГРАД | 1932 ||
Reverse title: KARL IMMERMANN | MUNCHHAUSEN | Eine Geschichte in Arabesken | {…} | Иллюстрации, титул, тиснение | на переплете | и суперобложка | по рис. худ. Д. И. Митрохина.
Illustrations: Plates, title pages, faux-titles, head- and endpieces, design of covers and dust jackets after Dmitry Mitrokhin (Д. И. Митрохин).
Catalogue raisonné: Крылов-Кичатова v.1: 451/2, v.2: 491. [LIB-2260.2019].
Contributors:
Karl Leberecht Immermann (German, 1796 – 1840) – author.
Григорий Исаакович Ярхо (Russian-Jewish, 1886 – 1954) – translator.
Борис Исаакович Ярхо (Russian-Jewish,1889 – 1942) – translator.
Пётр Семёнович Коган (Russian-Jewish, 1872 – 1932) – author/preface.
Dmitry Mitrokhin [Дмитрий Исидорович Митрохин] (Russian, 1883 – 1973) – artist.
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Softcover, 21 x 14.8 cm, print on demand edition, pp.: 1-88 [2], total 90 pages, pp. 1, 2, 88, and 89 blanks, p. 90 colophon. Font cover: Markus Sesko | — | Handbook | {vignette} | of Sword Fittings related Terms | — || Title-page: Handbook | of Sword Fittings | related Terms | © 2011 Markus Sesko | Herstellung und Verlag: | Books on Demand GmbH, Norderstedt | ISBN 978-308423-6422-6 || On the back cover: Blurb, publisher’s device in blue and black, barcode, and web address. Lettering to spine. Printed in the USA. -
The so-called Yoshirō-tsuba [与四郎鐔] with an iron plate of mokkō form densely decorated with floral arabesque and adorned with eight pierced, chiselled and inlaid brass roundels and signed on both sides 'Koike Yoshirō Izumi no Kami Naomasa'. Four of the roundels are pierced and have geometrical designs representing flowers (e.g. wood sorrel) or snowflakes. Four others are solid and represent family crests; on one side: Mulberry (kaji) – mon of the Matsunaga clan [松永氏], Bamboo Grass (sasa) – mon of the Takenaka clan [竹中氏]), Wild Geese (kari) – mon of the Shibata clan [新発田氏]), and Pine Needles (matsuba); on the other side: Nine Stars (kuyō) – the Hosokawa clan [細川氏], Paulownia (kiri) – the Toyotomi clan [豊臣氏]), Bamboo Leaves (take) – the Minamoto clan [源], and Seven Treasures (shippo) – Izumo Genji clan [出雲源氏]. Hitsu-ana obliterated with a nanako-treated pewter plug. Brass with rainbow patina. Artist: Koike Izumi no Kami Naomasa (Japanese, active late 16th – early 17th century). The Momoyama or early Edo period, end of the 16th to the first half of the 17th century (1574-1650). Size: 81.7 x 78.8 x 4.3 cm. Provenance: Dr. Kazutaro Torigoye. Special thanks to Markus Sesko for providing the translation of hakogaki. Hakokaki lid (outside): 小池与四郎 – Koike Yoshirō Hakokaki lid (inside): 銘曰小池与四郎 – Mei’etsu: Koike Yoshirō – Signed: Koike Yoshirō 和泉守直正 – Izumi no Kami Naomasa – Izumi no Kami Naomasa 木瓜形 鉄地 – Mokkōgata, tetsu-ji – Lobed shape, of iron 真鍮据紋象嵌 – Shinchū suemon-zōgan – with brass suemon-zōgan inlay 縦二寸七分横二寸六分 – Tate ni-sun shichi-bu, yoko ni-sun roku-bu – Height 8.2 cm, width 7.9 cm 右正真也 – Migi shōshin nari – Above described object is authentic 昭和廾九年八月十一日 – Shōwa nijūkyūnen hachigatsu jūichinichi – August 11, 1954 草堂「花押」– Sōdō + kaō – Sōdō [pen name of Torigoye Kazutarō, 鳥越一太郎] + monogram Ref.: (1) Tsuba Geijutsu-Ko by Kazutaro Torigoye, 1960; (2) Tsuba. An aesthetic study. By Kazutaro Torigoye and Robert E. Haynes from the Tsuba Geijutsu-kō of Kazataro Torigoye. Edited and published by Alan L. Harvie for the Nothern California Japanese Sword Club, 1994-1997, p. Yoshirō, 4. See also Yoshirō tsuba. -
Hardcover, 26.2 x 20.3 cm, quarter blue cloth over pictorial boards, pictorial endpapers, collated in-8vo, 1-58 64, pp.: [2] 3-87 [88], total 44 leaves with in-text woodcuts plus 8 leaves of colour plates (14 illustrations printed on both sides) and colour frontispiece (blank recto) after Gustave Doré. The story was written by Rudolf Erich Raspe in English and published anonymously in book form in Oxford in 1786 under the title Baron Munchausen's Narrative of his marvellous travels and campaigns in Russia, etc. The French translation from German of Gottfried August Bürger was performed by Théophile Gautier and published by Charles Furne in Paris in 1862 with illustrations after Gustave Doré – 158 wood engravings, including a frontispiece, 1 vignette on the title, 31 full-page plates and 125 vignettes in the text). Korney Chukovsky retold the Raspe story in Russian using the Būrger-Gautier version of the text, changing the order, time, and location of events. In addition, artist Yuri Syrnev (Ю. А. Сырнев) coloured Dore's woodcuts, and the book was born (first edition in 1928). Title-page (black and yellow earth): Э. РАСПЭ | ПРИКЛЮЧЕНИЯ | {vignette} | МЮНХАУЗЕНА | С ИЛЛЮСТРАЦИЯМИ | ГУСТАВА | ДОРЭ | • | ДЛЯ | ДЕТЕЙ | ПЕРЕСКАЗАЛ К.ЧУКОВСКИЙ | • | ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО ДЕТСКОЙ ЛИТЕРАТУРЫ | НАРКОМПРОСА РСФСР | Москва 1945 Ленинград || Colophon: Для младшего возраста | РАСКРАСКА ВКЛЕЕК, ТИТУЛ И ОБЛОЖКА | худ. Ю. Сырнева | Издание десятое || Edition: 10th Russian edition thus. Print run: 11,000 copies. Contributors: Rudolf Erich Raspe (German, 1736 – 1794) – author. Korney Chukovsky [Корней Иванович Чуковский, Николай Корнейчуков] (Russian, 1882 – 1969) – translator. Gustave Doré (French, 1832 – 1883) – artist. Юрий Аркадьевич Сырнев (Russian, 1905 – 1943) – artist. Fictional author: Baron Munchausen [Baron Münchhausen] / Karl Friedrich Hieronymus von Münchhausen (German, 1720 – 1797). -
Photographic half-length portrait of academician Juri Lotman, with his head turned to the left, giving a lecture in front of a blackboard. Pencil-signed on the mat: 5/45 • ©Mikhail Lemkhin; on the back of the print: ink stamp ©MIKHAIL LEMKHIN, pencil inscription Mikhail Lemkhin 5/45; ink stamp: PHOTO BY MIKHAIL LEMKHIN | 1811–38th AVENUE | SAN FRANCISCO, CA 94122 | (415) 664-7677; Copyright statement ink stamp; on the back of the mat: pencil inscription (top) ЛОТМАН, ЮРИЙ | YURI LOTMAN, (bottom) VI. Size: mat: 35.6 x 43.1 cm; window: 15.5 x 24 cm; print: 20.2 x 25.3 cm. Limited edition of 45, of which this is № 5, signed and stamped by the artist. Sitter: Juri Lotman [Юрий Михайлович Лотман] (Estonian-Jewish, 1922 – 1993). -
Photographic portrait of writer Vladimir Bukovsky with head tilted, closed eyes, and smoking a cigarette. Pencil-signed on the mat: 3/45 • Mikhail Lemkhin; on the back of the print: ink stamp ©MIKHAIL LEMKHIN, ink inscription ©mikhail Lemkhin; ink stamp: PHOTO BY: | MIKHAIL LEMKHIN | 2327 – 38th AVENUE | SAN FRANCISCO, CA 94116 | (415) 664-7677, pencil inscription 3/45 Mikhail Lemkhin; pencil inscription on the back of the mat: (top) ВЛАДИМИР БУКОВСКИЙ | VLADIMIR BUKOVSKY, (bottom) VI. Size: mat: 43.2 x 35.7 cm; window: 21.5 x 18.5 cm; print: 25.3 x 20.3 cm. Limited edition of 45, of which this is № 3, signed and stamped by the artist. Sitter: Vladimir Bukovsky [Владимир Константинович Буковский] (Russian, 1942 – 2019). Popularity: Bukovsky left the Soviet Union, where he was kept in prison for his political views, in exchange for Luis Alberto Corvalán, a Chilean communist. The event was commemorated in the following folk verse:Обменяли хулигана На Луиса Корвалана. Где б найти такую блядь, Чтоб на Брежнева сменять!
This can be translated as a Haiku:A troublemaker was exchanged for Luis Corvalán... Where to find a whore to exchange for Brezhnev?
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Photographic portrait of writer Andrei Sinyavsky, head and shoulder, turned to the left, wearing glasses. Pencil-signed on the mat: 4/45 • ©Mikhail Lemkhin; on the back of the print: Copyright statement stamp; ink stamp ©MIKHAIL LEMKHIN; ink stamp: PHOTO BY MIKHAIL LEMKHIN | 1811 38TH AVENUE | SAN FRANCISCO, CA 94122 | (415) 664-7677; pencil inscription on the back of the mat: (top) АНДРЕЙ СИНЯВСКИЙ | ANDREI SINYAVSKY, (bottom) XXIX. Size: mat: 43.2 x 35.5 cm; window: 23.5 x 18.5 cm; print: 25.2 x 20.2 cm. Limited edition of 45, of which this is № 4, signed and stamped by the artist. Sitter: Sergei Dovlatov [Сергей Донатович Довлатов] (Russian, 1941 – 1990) -
Photographic portrait of writer Andrei Sinyavsky, head and shoulder, turned to the left, wearing glasses. Pencil-signed on the mat: 3/45 • ©Mikhail Lemkhin; on the back of the print: Copyright statement stamp; ink stamp ©MIKHAIL LEMKHIN; ink stamp: PHOTO BY MIKHAIL LEMKHIN | 1811 38TH AVENUE | SAN FRANCISCO, CA 94122 | (415) 664-7677; pencil inscription on the back of the mat: (top) АНДРЕЙ СИНЯВСКИЙ | ANDREI SINYAVSKY, (bottom) XXIX. Sitter: Andrei Sinyavsky [Андрей Донатович Синявский] (Russian, 1925 – 1997) Size: mat: 35.6 x 43.3 cm; window: 16.5 x 23.5 cm; print: 20.2 x 25.2 cm. -
Photographic portrait of poet Joseph Brodsky, head, shoulders, and hand, three-quarters to the right, wearing glasses and with a cigarette. Pencil-signed on the mat: 1/45 • ©Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 43 x 35.5 cm; window: 24 x 19 cm. -
Photographic portrait of poet Joseph Brodsky, short half-length, turned to the left, with arms crossed on his breast. Pencil-signed on the mat: 7/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 35.7 x 43.3 cm; window: 19.5 x 23 cm; print: 20.3 x 25.3 cm. -
Photographic portrait of poet Joseph Brodsky, head and shoulders, turned slightly right, looking slightly to the right. Pencil-signed on the mat: 5/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 35.7 x 43.3 cm; window: 19.5 x 23 cm; print: 20.3 x 25.3 cm. -
Photographic portrait of poet Joseph Brodsky, head and shoulder, turned slightly right, looking to the right. Pencil-signed on the mat: 1/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 51 x 40.5 cm; window: 34.5 x 27 cm; print: 35 x 28 cm. -
Photographic portrait of poet Joseph Brodsky, head, hand, and shoulder, three-quarters to the right, wearing glasses and with a cigarette. Pencil-signed on the mat: 4/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 40.5 x 51 cm; window: 26.5 x 30 cm; print: 28 x 35.4 cm. -
Photographic portrait of poet Joseph Brodsky, head and shoulders, three-quarters to the right, wearing glasses. Pencil-signed on the mat: 1/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 40.5 x 51 cm; window: 24.5 x 35 cm; print: 27.7 x 35.4 cm. -
Photographic portrait of poet Joseph Brodsky, head, hand, and shoulder, three-quarters to the left, wearing glasses and with a cigarette. Pencil-signed on the mat: 5/45 • Mikhail Lemkhin; same inscription on the back of the print, and ink stamp ©Mikhail Lemkhin. Sitter: Joseph Brodsky [Иосиф Александрович Бродский ] (Russian-American-Jewish, 1940 – 1996). Size: mat: 41 x 51 cm; window: 27 x 30 cm; print: 27.7 x 35.4 cm. -
Artist: Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). Artist signature: By the brush of the 79-year-old Toyokuni [七十九歳豊國画] (Nanajūkyū-sai Toyokuni ga). Publisher: Ebiya Rinnosuke [海老屋林之助] (Japanese, fl. c. 1832 – 1895); seal: ト/ 海老林 (to, Ebirin). Block carver: Matsushima Masakichi [松島政吉]; seal: carved by Masa [彫政] (Hori Masa). Combined date seal and kiwame censor seal: [子極] 1864 (Bunkyū 4/Genji 1). Media: Untrimmed fan print (uchiwa-e), 223 x 297 mm. Inscription in the cartouches: (R) Wakana-hime [若菜姫], Sawamura Tanosuke III [沢村田之助]; (L) Ashikaga Sanshichirō [足利三七郎], Sawamura Tosshō II [沢村訥升]. Play: Kinoene Soga Daikoku-bashira [甲子曽我大国柱], performed at the Morita theatre [森田座・守田座] (Morita-za) in 1864 (Bunkyū 4/Genji 1), 2nd month (see playbill at MFA-Boston Collection). Playwright: Muraoka Kōji II [村岡幸治]. Actors and Characters: Sawamura Tanosuke III [三代目沢村田之助] (Japanese, 1859 – 1878); other names: Shozan [曙山] (poetry name), Sawamura Yoshijirō I [初代沢村由次郎], here in the role of Princess Wakana [若菜姫] (Wakana-hime) (R). The story about Princess Wakana, Shiranui Monogatari, was written by Ryukatei Tanekazu [柳下亭種員] (Japanese, 1807 – 1858) and published as a 90-volume book of comics between 1849 and 1855. ...The tale revolves around the clash between the Kikuchi and Ōtomo clans. Princess Wakana’s father Ōtomo Sōrin [大友 宗麟] (1530 – 1587) was killed in a battle, and his spirit demanded revenge. To appease her late father's spirit, Princes Wakana acquired the power of the Earth Spider. She often appears in prints with a magic scroll, which helps her fight various enemies. Sawamura Tosshō II [二代目沢村訥升] (Japanese, 1854 – 1879); other names: Kōga [高賀] (poetry name), Sawamura Genpei II [二代目沢村源平], Sawamura Sōjūrō [澤村宗十郎], Suketakaya Takasuke IV [四代目助高屋高助], Sawamura Tosshi VI [六代目澤村訥子] (poetry name), here in the role of Ashikaga Sanshichirō [足利三七郎] (L) with a horse. According to Markus Sesko, the scene comes from the kabuki play Umakiri (馬斬り) by Tatsuoka Mansaku [辰岡万作] (17432 – 1809), which premiered in 1794. It was later assimilated into the Kabuki play Kozotte Mimasu Kuruwa no Datezome [襷廓三升伊達染], which was staged in the 1st lunar month of 1853 at the Nakamura-za. Umakiri is based on a Kyōgen play featured in Hideyoshi’s biography Taikōki [太閤記]. Its plot is that Ashikaga Sanchichirō Yoshitaka [足利三七郎義孝・義高], who is supposed to allude to Nobunaga’s son Oda Sanshichirō Nobutaka [織田三七郎信孝], attacks and kills a horse that is carrying 3,000 ryō (金三千両), money Mashiba Hisayoshi [真柴久吉] (an allusion to Hashiba Hideyoshi [羽柴秀吉]) had sent to be donated to a shrine on Mt. Kōya. The surrounding people try to catch him, but when they hear it is Yoshitaka who killed the horse, they fall to the ground and prostrate, and Yoshitaka leisurely leaves with the money. The plot is very simple, but Yoshitaka’s dashing appearance makes it very pleasing to watch. There are also prints that quote the main protagonist as Ashikaga Sanshichirō Harutaka [足利三七郎春高], and there is another title for the play, Sanzen-Ryō Kogane no Kurairi [三千両黄金蔵入] (Pocketing 3,000 ryō of gold). For reference, see also the BLOG. What these two characters are doing in one play remains a riddle. As Mr Graebner comments: "Most kabuki plays were only performed for one season (two months), and the books were lost. The playwrights have repeatedly used parts of plots from other plays, they have adopted characters, sometimes with the same or similar names. What can be found is the Kabuki Playbill (Tsuji banzuke) with cast and roles; the content is lost".Acknowledgements: Special thanks to Horst Graebner of the Kunisada Project and to Markus Sesko of The Metropolitan Museum, NY, for the analysis of the image and their invaluable contribution. For reference, see also:
MBA-Boston Accession number 11.28192
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Original exhibition catalogue in wrappers, 23.6 x 16 cm, pp.: [1-4] 5-125 [3], two leaves of plates after p. 16 and 32 plates; [1-8] 9-61 [3], 16 plates; total 192 pages and 26 leaves of photographic plates, one of them in colour. For the 2nd edition of classical PPM see LIB-0775.2015 in this collection. Printer: The University Press, Oxford; Vivian Hughes Ridler (British, 1913 – 2009) Publisher: F. W. Bridges & Sons Ltd.; Association of British Manufacturers of Printers' Machinery Ltd. Authors of preface: Sir Frank Chalton Francis (British, 1901 –1988); Stanley Arthur Morison (British, 1889 – 1967); John Waynflete Carter (British, 1905 – 1975). Front wrapper: PRINTING | AND THE | MIND OF MAN (white lettering in red frame) | CATALOGUE OF THE | EXHIBITION AT | THE BRITISH MUSEUM | AND AT | EARLS COURT, LONDON | 16–27 JULY 1963 | ORGANIZED IN CONNEXION WITH THE | ELEVENTH INTERNATIONAL PRINTING MACHINERY | AND ALLIED TRADES EXHIBITION || (red lettering). Title-page: PRINTING | AND THE | MIND OF MAN (white lettering in black frame) |ASSEMBLED AT | THE BRITISH MUSEUM | AND AT | EARLS COURT | LONDON | 16–27 JULY 1963 | PUBLISHED BY | MESSRS F.W. BRIDGES & SONS LTD AND | THE ASSOCIATION OF BRITISH MANUFACTURERS OF PRINTERS' MACHINERY (PROPRIETARY) LTD | COPIES OBTAINABLE FROM THE BRITISH MUSEUM || Opposite-title: CATALOGUE OF A | DISPLAY OF | PRINTING MECHANISMS AND | PRINTED MATERIALS | ARRANGED TO ILLUSTRATE | THE HISTORY | OF | WESTERN CIVILIZATION | AND THE MEANS OF | THE MULTIPLICATION | OF | LITERARY TEXTS | SINCE THE XV CENTURY | ORGANIZED IN CONNEXION WITH THE | ELEVENTH INTERNATIONAL PRINTING MACHINERY | AND ALLIED TRADES EXHIBITION | UNDER THE TITLE OF || -
Description: hardcover, 25.2 x 19.2 cm, 8vo, dark blue cloth, gilt lettering in a frame to cover and gilt lettering to spine; captured leather samples pasted to front and back pastedowns, grey endpapers, colour frontispiece, 10 colour plates, multiple in-text b/w illustrations. Collation: a1 blank, a2 h.t./imprint, colour frontis. pasted in, a3 t.p./blank, a4 committee/blank; b2, (no A), B-H8, I5 (10 leaves H1 – I2 with colour plates pasted in, I5 colophon/blank); pagination starts at B2: [1] 2-120 [2]; total a4 b2 B-H8 I5 =67 leaves, 11 colour plates, incl. frontispiece. Title-page: REPORT OF THE COMMITTEE | ON | LEATHER FOR BOOKBINDING. | EDITED FOR | THE SOCIETY OF ARTS | AND | THE WORSHIPFUL COMPANY OF LEATHERSELLERS | BY | THE RT. HON. VISCOUNT COBHAM | CHAIRMAN OF THE COMMITTEE | AND | SIR HENRY TRUEMAN WOOD, M.A. | SECRETARY OF THE SOCIETY | LONDON : | PUBLISHED FOR THE SOCIETY OF ARTS | BY GEORGE BELL & SONS, | YORK HOUSE, PORTUGAL STREET, W.C. | — | 1905 || Contributors: Authors:Society of Arts (Great Britain)
Charles George Lyttleton Cobham (British, 1842 – 1922)
Henry Trueman Wood (British, 1879 – 1917), Secretary of the Royal Society of Arts (1879–1917).
George Bell & Sons – publisher. William Clowes and Sons – printer. -
Hardcover, 28 x 19 cm, black cloth with gilt lettering to spine, red pictorial dust jacket; pp.: [i-vii] viii-x [2] [1] 2-540 [8], total 560 pages, profusely illustrated. Title-page: The private library | ~ | Being a More or Less Compendious Disquisition | on | The History of the Architecture and | Furnishing of the Domestic Bookroom | ☙ ❧ | Reid Byers | {publisher’s device} | New Castle, Delaware | 2021 || ISBN: 9781584563884 Author: Reid Byers (American). -
Artist: Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). No publisher seal, no date or censor seal; probably a private printing. Signed: Kunisada ga [国貞画] in a red double gourd cartouche. Media: Untrimmed fan print (uchiwa-e), 231 x 294 mm, with the use of mica and black lacquer. -
Artist: Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). Pubisher (accorfding to Suzuki & Oka): Ibaya Senzaburō [伊場屋仙三郎] (Japanese, 1815 – 1869), Dansendō [伊場仙]. Title: Beauty holding a roll of paper (by seller); A woman of Edo (by Suzuki & Oka) Date seal and aratame censor seal: 1822 (Bunsei 5). Signed: Gototei Kunisada ga [五渡亭国貞画]. Media: Untrimmed fan print (uchiwa-e), 228 x 295 mm. Ref: [LIB-3085.2022] Jūzō Suzuki, Isaburō Oka. “The decadents”. — Tokyo: Kodansha International, 1969, p. 35, plate 30: exactly this print:
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Title: Early Spring [初春之図] (Hatsuharu no zu); Series: Fashionable Twelve Months [今様十二ヶ月] (Imayo juni-kagetsu). Another version of translation: Modern Beauties of Twelve Months. Artist: Utagawa Toyokuni I [歌川豊国] (1769–1825). Pubisher: Ibaya Senzaburō [伊場屋仙三郎] (Japanese, 1815 – 1869), seal: Dansendō [伊場仙]. Signed: Toyokuni ga [豊国画] and sealed with toshidama. Date-kiwame seal: Ushi (ox), Bunsei 5 (1822). Size: double-sheet uncut fan print ( aiban uchiwa-e), each 217 x 288 mm. Ref: Tokyo Museum Collection.
Other five prints of this series: SVJP 0326.2020; SVJP-0362.2022; SVJP-0363.2022; SVJP-0364.2022; SVJP-0365.2022.
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Description: Hardcover 26.5 x 19 cm, grey cloth, red lettering in kanji over black stripe to front, lettering to spine, tan endpapers, pictorial slipcase 27 x 19.5 cm; pp.: [1-6] 7-95 [96], pasted frontispiece and 79 colour illustrations with captions, within a collation. Series Masterworks of ukiyo-e, №8. ISBN: 9780870110986; 0870110985. Ref.: Worldcat Title-page (in frame): MASTERWORKS OF UKIYO-E | "THE DECADENTS” | by Jūzō Suzuki and Isaburō Oka | translation by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A. || (Vertical text in kanji to the right, between rules). Artists: Utagawa Kunisada (Japanese [歌川 国貞], 1786 – 1865); Utagawa Kuniyoshi (Japanese [歌川 国芳], 1798 – 1861); Keisai Eisen [Japanese [渓斎 英泉], 1790 – 1848). Contributors: Jūzō Suzuki [鈴木重三] (Japanese, 1919 – 2010) – author. Isaburō Oka [岡畏三郎] (Japanese, 1914 –2010) – author. John Bester (British, 1927 – 2010) – translator Kunisada's fan print in this collection (exactly the same copy) [SVJP-0380.2022]:
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An uncut fan print showing Otsu-e [大津絵] (Otsu pictures). Artist: Utagawa Sadahide [歌川貞秀] (Japanese, 1807 – 1879). Signed: Gountei Sadahide ga [五雲亭貞秀画] (Picture by Gountei Sadahide); characters on the Otsu-e. Publisher: Ibaya Senzaburō [伊場屋仙三郎] (Japanese, c. 1815 – 1869). Published: c. 1849. Inscription in a paper-weight shaped cartouche: [大津追 分絵の図] Ōtsu-oi wake-e no zu (Following Otsu – image of separate pictures) No date seal, no censor seal (privately printed?) Media: Fan print (uchiwa-e, 団扇絵), 235 x 298 mm. -
An uncut aizuri fan print showing travellers arriving at Inba Lake [印旛沼] (Inba-numa) on Shimosa Plateau [下総台地] (Shimōsa-daichi). Artist: Utagawa Sadahide [歌川貞秀] (Japanese, 1807 – 1879) Publisher: Unknown. Published: c. 1849. Signed: Gountei Sadahide ga [五雲亭 貞秀画] (Picture by Gountei Sadahide). Inscription in cartouche: Shimosa Plateau, Inbanuma (Inba Lake) [下總國印幡沼]. No date seal, no censor seal (privately printed?) Media: Fan print [団扇絵] (uchiwa-e), 235 x 300 mm. -
An uncut aizuri fan print showing two travellers admiring the view of the Tama River [多摩川] (Tamagawa) and Mount Kōya [高野山] (Kōyasan) in Kii Province [紀伊国] (Kii no Kuni). Artist: Utagawa Sadahide [歌川貞秀] (Japanese, 1807 – 1879). Signed: Gountei Sadahide ga [五雲亭貞秀画] (Picture by Gountei Sadahide). Publisher: Unknown. Published: c. 1849. No date seal, no censor seal (privately printed?) Media: Fan print [団扇絵] (uchiwa-e), 235 x 300 mm.
