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    В память Парижской коммуны. Типы комунаров по наброскам современника / Под ред. Л. Никулина. — Петроград, 1921.

    Unbound Quatro (246 x 321 mm) album in softcover with inscription:

    В память Парижской коммуны. 18 мар. 1871 - 18 мар. 1921. L. Типы комунаров по наброскам современника. Под ред. Л. Никулина. "Памятник нерукотворный мы можем поставить героям-коммунарам, освободив весь мир от ига капитала." Г. Зиновьев.

    Надписано от руки: Экз. тов. Крупской.

    17 отпечатков с измененных литографий Берталя (без ссылки). Издание Политотдела Балтийского Флота и Петроградского губ. Отд. народн. Образования. Петроград.

    Translation from Russian: In memory of the Paris Commune. March 18, 1871 - March 18, 1921. (L*). Types of the communards from the sketches of contemporaries. Edited by L. Nikulin. "Not-made-by-hand monument we will erect to the heroic Communards by freeing the world from the yoke of capital". G. Zinoviev.  Handwritten inscription in black ink: Copy of (or for) comrade Krupskaya. The album consists of 17 unnumbered prints with captions in Russian. The prints are altered images made by Bertall, with no reference to the artist. The album is published by Political division of Baltic Navy and Petrograd district of public education. Printed in Petrograd (Saint Petersburg).   *Roman letter L - Fifty (Fifty year anniversary)  
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  • George Cruikshank. Illustrations of Time. — London: by the artist, 1827.

    Engraved title page: ILLUSTRATION | OF | TIME. | GEORGE CRUIKSHANK. | "THERE IS A TIME FOR ALL THINGS". | TEMPUS EDAX RERUM. | LONDON | Published May 1st 1827 by the Artist - 22 Myddelton Terrace Pentonville. - Sold by Js. Robins & Co. Ivy Lane Paternoster Row.

    Oblong folio, 33.5 x 44 cm. Engraved vignette title page and six not-coloured engraved plates with multiple images showing thirty-five humorous scenes.

    First edition, first issue. Uncoloured. Pristine condition.

    Half-leather bound in marbled cardboard and red morocco and gild lettering and arabesque. Frontispiece and 6 plates with protective tissues.

    Content:

    1. Time-Called & Time-Come (five sketches)

    2. Behind Time (seven sketches)

    3. Time Thrown Away (six sketches)

    4. Hard Times [&] Term Time (five sketches)

    5. Time Badly Employed (five sketches)

    6. Christmas Time (seven sketches)

    British Museum № 1978,U.3026.1. BM description: "Frontispiece, the title on a background of symmetrical but dilapidated and grass-grown masonry. On the summit stands a little laughing gnome, with a wide hat and a body formed of an hour-glass; Inset is an oval bordered by a serpent with its tail in its mouth (emblem of eternity), in which is an aged and all-devouring Time (bald except for a forelock), seated behind a table whose surface is the base of the design. He puts to his mouth a fork on which is speared an elephant with a castle on its back containing tiny figures with spears. In his r. hand is a spoon containing a country church. His table is covered with dishes, and at his r. hand is a sickle. The central and biggest dish is heaped with a jumble of tiny objects: crown, table, chair, wheelbarrow, picture; round the room sit little figures: a soldier, parson, lady and child, &c. The ten other dishes contain: an antique glass coach with horses and footmen; an overladen camel beside a palm-tree; ruins of a castle; a farmhouse; a shepherd and sheep; a dismantled cannon and balls, cattle, a man-of-war in full sail; a ruinous Gothic cathedral; a clump of trees (the last two are dominated by a large decanter). Below Time are two (Egyptian) pyramids. Above: 'There Is A Time For All Things'; below: 'Tempus Edax Rerum'. 1 May 1827. Etching."
    Bibliography:
    • Reid, G W, A descriptive catalogue of the works of George Cruikshank, London, 1871.
    • Stephens, Frederic George; George, Mary Dorothy, Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, 11 vols, London, BMP, 1870.
    • Cohn, A M, George Cruikshank, catalogue raisonné, London, 1924.
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  • Adelbert von Chamisso. Peter Schlemihl / Sir John Bowring (translator), George Cruikshank (illustrator) — London: G. and W. B. Whittaker, 1824.

    Title: PETER SCHLEMIHL: | FROM THE GERMAN | OF LAMOTTE FOUQUÉ | WITH PLATES BY GEORGE CRUICKSHANK. | "There are more things in heaven and earth, Horatio, | "Than are dreamt of in your philosophy." | SHAKESPEARE. | — | LONDON: | G. AND W. B. WHITTAKER, | AVE MARIA LANE. | 1824.|| Pagination: xii, 165 p. : ill. No Adelbert von Chamisso (German, 1781 – 1838) name on the title page. George Cruikshank's name printed with a typo 'Cruickshank'. The attribution on the title-page to Friedrich de La Motte-Fouqué (German, 1777 – 1843) is erroneous. The original German was edited by La Motte Fouqué. The translation was performed by Sir John Bowring (British, 1792 – 1872) First edition in English, third issue with no hyphen between "Ave" and 'Maria" in publisher's imprint.

    In a cover box of red cloth over cardboard. Box: 21 x 13 x 2.3 cm; book: 19.3 x 11.8 x 1.7 cm; Crown 8vo. Red cardboard binding. Printed spine labels mounted on spine of the box and the book. Untrimmed edges.

    Reference: Cohn 475.
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  • Адальбертъ фонъ Шамиссо. Петеръ Шлемиль. Чудесная исторiя. Перевод П. Потемкина. Иллюстрации Э. Преторiуса — СПб., 1910.

    Шамиссо, Адальбертъ фонъ. Петеръ Шлемиль. Чудесная исторiя. Пер. П.Потемкина. Рис., виньетки и перепет Эмиля Преторiуса по 1-му нѣм. изд. 1814 г. — СПб.: Книгоиздательство "Пантеонъ", 1910. — 107 стр. Отпечатано в типографии акц. о-ва типографск. дела в СПБ (Герольд), 7 рота, 26.

    Cardboard binding, 8vo, 20 x 15 cm. Russian translation of Adelbert von Chamisso book Peter Schlemihl, from the German by Peter Potemkine. With illustrations from 1814 original German first edition by Emil Preetorius. [SV: the latest statement seems strange as Emil Preetorius lived from 1883 to 1973].
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  • Utagawa Kunisada. Ichikawa Ebizō V (Danjūrō VII) in a Shibaraku role, 1833.

    Ichikawa Ebizo V (1791 – 1859) a.k.a. Ichikawa Danjûrô VII was a great-great-great-son of Ichikawa Danjûrô I. He started his stage career in 1794, at the age of 4, playing in Shibaraku (the role he is depicted here). During his stage life, he played every role type. He was later banished from Edo for living too luxurious life for an actor. While in exile he flourished in Kioto and Osaka. Kichirei (Festive Annual Custom). Publisher: Takenouchi Magohachi (Hoeidô) Circa 1833. Description: 役者の舞台姿を描いた「舞台姿」シリーズと、日常図を描いた「千社詣」シリーズがあり、同じ役者が向かい合って対になる。(『五渡亭国貞』). Signed: Gototei Kunisada ga [五渡亭国貞画]. Censor's seal: kiwame 改印：極. Ref.: Shindo, Gototei Kunisada Yakusha-e no Sekai (1993), plate 88; Utagawa Kunisada, 150th Anniversary of His Death, Ota Memorial Museum, no. 169; MFA ACCESSION NUMBER 11.43128.
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  • Utagawa Kuniyoshi .

    Utagawa Kuniyoshi. Prince Hanzoku terrorized by a nine-tailed fox, from the series ‘Japanese and Chinese parallels to Genji’, 1855.

    Title: Lyon Collection: Genji, Chapter 21, the maiden (otome - 乙女): the nine-tailed fox woman (kayō-fujin [花陽夫人]) terrorizing Prince Hanzoku (足王) and his servant from the series Japanese and Chinese parallels to Genji (wakan nazorae genji - 和漢准源氏). British Museum: Otome 乙女 (Maiden) / Waken nazorae Genji 和漢准源氏 (Japanese and Chinese Comparisons for the Chapters of the Genji). Schaap: Prince Hanzoku terrorized by a nine-tailed fox; Series: Wakan nazorae Genji (Japanese and Chinese parallels to Genji) Artist: Utagawa Kuniyoshi [歌川 國芳] (1798 – 1861). Publisher: Iseyoshi [伊勢芳] (Marks 25-013 | U095); seal [イせ芳]. Block carver: Hori Shōji [彫庄治] (Lyon Collection; BM); Hori Takichi [彫多吉] (Schaap). Date-aratame seal: Ansei 2, 7th month (1855). Ref: Jack Hillier. Japanese prints and drawings from the Vever Collection (3 volumes). — New York: Sotheby Parke Bernet & Rizzoli International, 1976; vol.3, p. 868, pl. 847. Robinson (1982): p. 161, S88, № 21. Schaap (1998): p. 115, № 107. SOLD
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  • James. De bien jolies bottes, ces Prussiens, etc., 1870

    James. De bien jolies bottes, ces Prussiens… – Paris: Deforet & Cesar, 1870.

    Artist: James (nothing else is known). According to Maurice Quentin-Bouchart (p. 95), this is sheet №2 of only two known caricatures by James except for Collection Wentzell (publisher) of 14 sheets. Text: De bien jolies bottes, ces Prussiens, mais quelle odeur!..... [What beautiful boots these Prussians have, but what an odour!.....] Two women from the bourgeoisie stand in front of a line of Prussian officers. One covers her nose with a handkerchief and hides what she is saying from the men with her fan.
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  • Cham| Gustave Janet| Achille Devéria| Honoré Daumier| Jean-Paul Laurens . Charges sur le Communisme, le socialisme et sur les idées de ce genre par les dessinateurs du Charivari, 1848

    Charges sur le Communisme, le socialisme et sur les idées de ce genre par les dessinateurs du Charivari. — Paris: Aubert & Cie., 1848.

    Charges sur le Communisme, le socialisme et sur les idées de ce genre par les dessinateurs du Charivari. Binding: original cardboard. Catalogue raisonée: Hazard & Delteil 1904 / Catalogue raisonné de l'oeuvre lithographié de Honoré Daumier [LIB-2176.2019 in this collection], p. 267: 20 illustrations by Daumier, Cham, Vernier, Ed. de Beaumont. Sticker: Vendu par Francois, Grande-Rue №33, à Rouen. Bought in Paris, seller claimed 1848, first edition. Similar title here : #31. Charges sur le communisme Le socialisme et sur les idées de ce genre par les dessinateurs. Paris, Chez Aubert & Cie., Éditeurs du Journal pour rire, sans date (vers 1865). Relié, plein cartonnage vert décoré et illustré de l'éditeur, in-folio (34,5 x 26 cm) de 20 planches lithographiées. 250 €. Caricatures par Cham (11), Gustave Janet (1), ADC (1), sans nom (3), Daumier (1), Lorentz-Jean-Paul Laurens (3). Nous trouvons pour ce même cartonnage des recueils différents à diverses périodes ; le nôtre doit dater des années 1865-67, moment où Jean-Pierre Laurens fut condamné par la justice du Second Empire pour son anticléricalisme.  
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  • Н. Л. [Бутми де Кацман Георгий Васильевич]. Фран-масонство и государственная измена. Издание В. П. — СПб.: тип. газеты "Россiя", 1906. — 77 стр.

    Н. Л. Фран-масонство и государственная измена. — СПб.: Издание В. П., 1906.

    Cover and title page: Н. Л. | ФРАН-МАСОНСТВО | И | ГОСУДАРСТВЕННАЯ ИЗМѢНА. | Изданiе В. П. | С.-ПЕТЕРБУРГЪ | Типографиiя газеты «Россiя». Бассейная, 3. | 1906 г. || Pagination: [1-3] 4-77 [3]; collation: [1]8 2-58; 23 x 15.5 cm, in publisher’s lettered wrappers, library and bookstore stamps. A reprint of an article published in № 4 of the magazine "Море и его Жизнь", January 1905. Allegedly a translation and a brief exposition of La franc-maçonnerie et la Révolution française by Maurice Talmeyr [Marie-Justin-Maurice Coste] (French, – 
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  • Луи-Себастьян Мерсье. Год две тысячи четыреста сороковой. Сон, которого, возможно, и не было. / Изд. подг. А. Л. Андрес, П. Р. Заборов. — Л.: Наука, 1977. — 240 стр. (Loūis-Sébastien Mercier/ L'an deux mille quatre cent quarante. Réve, s'il en fut jamais). (АН СССР, Литературные памятники).

    Луи-Себастьен Мерсье. Год две тысячи четыреста сороковой: Сон, которого, возможно, и не было. / Изд. подг. А. Л. Андрес, П. Р. Заборов; (Литературные памятники). — Л.: Наука, 1977.

    Title page: Луи-Себастьен | МЕРСЬЕ | ГОД | ДВЕ ТЫСЯЧИ | ЧЕТЫРЕСТА СОРОКОВОЙ | СОН, КОТОРОГО, ВОЗМОЖНО, И НЕ БЫЛО | {device} | ИЗДАНИЕ ПОДГОТОВИЛИ | А. Л. АНДРЕС, П. Р. ЗАБОРОВ | ИЗДАТЕЛЬСТВО «НАУКА» | ЛЕНИНГРАДСКОЕ ОТДЕЛЕНИЕ | ЛЕНИНГРАД | 1977 || Frontispiece: Louis-Sébastien | MERCIER | L'AN | DEUX MILLE | QUATRE CENT QUARANTE | RÊVE, S'IL EN FUT JAMAIS | {device} || Pagination: [1-5] 6-240, 3 leaves of plates extraneous to collation. Collation: 8vo; [1]8 2-158. Binding: Hardcover, serial design green buckram with gilt lettering on an embossed scroll to front cover, gilt lettering to spine. 23 x 18 cm. Series: АН СССР, Литературные памятники. Autor: Louis-Sébastien Mercier (French,  – Translator: Александра Львовна [Лейбовна] Андрес (Russian, 1907 – 1991).
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  • Война мышей и лягушек. Батрахомиомахия / Пер. с древнегреческого, вводн. стат. и коммент. М.С.Альтмана. Иллюстр. А. И. Порет, переплет и обложка по ее же рисункам. С суперобложкой. — М.-Л.: Academia, 1936. — XV, [I], 21, [2] стр. (Античная литература под общей ред. Д. А. Горбова и В. О. Нилендера.

    Война мышей и лягушек (Батрахомиомахия) / Пер. М. С. Альтмана; Илл. А. И. Порет (Античная литература). — М.-Л.: Academia, 1936.

    Description: white paper hardcover, lettered to front, 25.8 x 18 cm, in pictorial dust jacket; pagination: [i-vi] vii-xv [xvi] [2] 3-21 [3], errata slip bound in; one folding plate bound in after p.8. Title-page: ВОЙНА | МЫШЕЙ И ЛЯГУШЕК | (БАТРАХОМИОМАХИЯ) | Перевод с древнегреческого, | вводная статья | и комментарии | М. С. АЛЬТМАНА | ACADEMIA | 1936 || Opposite title: АНТИЧНАЯ ЛИТЕРАТУРА | под общей редакцией | Д. А. ГОРБОВА И В. О. НИЛЕНДЕРА | БАТРАХОМИОМАХИЯ | ACADEMIA | Москва – Ленинград || Title verso: ΒΑΤΡΑΧΟΜΥΟΜΑΧΊΑ | Иллюстрация А. И. Порет | Переплет и суперобложка | по ее же рисункам || Print run: 10,300 copies. Catalogue raisonné: Крылов-Кичатова № 798, p. 274. Contributors: Альтман, Моисей Семёнович (Russian-Jewish, 1896—1986) – translator, author Порет, Алиса Ивановна (Russian, 1902 – 1984) – artist.
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  • Г. Г. Москвич. Иллюстрированный практический путеводитель по Одессе / Изд. 6-е. — Одесса: Тип. И. Копельмана, 1910.

    Г. Г. Москвич. Иллюстрированный практический путеводитель по Одессе / Изд. 6-е. — Одесса: Тип. И. Копельмана, 1910.

    Title: Издательство Путеводителей "Русскiй Бедекеръ" сущ. съ 1888 г. | Григорiй Москвичъ. | ИЛЛЮСТРИРОВАННЫЙ | Практический Путеводитель | по Одессѣ | с приложенiемъ: | очерка одесской выставки, плана Одессы, исполненнаго | в краскахъ, плановъ — порта, Куяльницкаго лимана, | расписанiя рейсовъ пароходовъ и тарифовъ, алфавита | и проч. | ИЗДАНИIЕ ШЕСТОЕ. | Цѣна 1 руб. (в переплетѣ) | ПРОДАЕТСЯ | во всѣх лучшихъ книжныхъ магазинахъ столицъ | и провинцiи. | ОДЕССА. | Типографiя и стереотипия И. Копельмана, Пушк. 34. | 1910. || Binding: Red cloth with gilt lettering to the front board: XXII-й ГОДЪ ИЗДАНIЯ XXII-й | ПУТЕВОДИТЕЛЬ | ПО | ОДЕССѢ | Г. МОСКВИЧА. | 6 изд. Цѣна 1 руб. | 1910. [Pictorial advert.], to the back board: Text. advert. in gilt; to spine: ОДЕССА. Pink end-papers with advertisement. Pagination: [i-ii - t.p. /advert.] [iii]-iv - preface to 6th edition; [v]-viii - content; [ix]-xvi - index; 11 leaves advert., unpag; [i]-xii - Odessa exhibition; [1] 2-240; [1] 2-8 - schedules; photo plates, 2 folding maps; in-16mo (numerical). Size: 16.5 x 10.5 cm.
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  • Maurice Joly. Les affamés. Études de mœurs contemporaines. — Paris, E. Dentu, 1876. — pp.: [1 half-title, verso colophone] [1 title, verso blank] [i] ii-xvi, 1-340.

    Maurice Joly. Les affamés : Études de mœurs contemporaines. — Paris: E. Dentu, 1876.

    Title page: MAURICE JOLY | LES | AFFAMÉS | ÉTUDES | DE MŒURS CONTEMPORAINES |{publisher’s device «ED»}| PARIS | E. DENTU, LIBRAIRE-ÉDITEUR | PALAIS-ROYAL, 15-17-19, GALERIE D’ORLÉANS | 1876 | Tous droits réservés.|| Pagination: short ffl, [2] h.t. / colophon [2] t.p. /  blank] [i] ii-xvi, 1-340. Collation: 12mo ; π10 1-1812 198. Binding: 19 x 12 cm; softcover; original wrappers with lettering to front and spine in black and red in a frame, untrimmed lateral edge.
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  • [ROSCOE, Thomas, translator]. Tales of Humour, Gallantry, & Romance, selected and translated from the Italian. With sixteen illustrative Drawings by George Cruikshank. London, Printed for Charles Baldwyn, 1827.

    Tales of Humour, Gallantry, & Romance / George Cruikshank (illustrator). — London: Charles Baldwyn, 1827.

    Title: TALES | OF | Humour, Gallantry, & Romance, | SELECTED AND TRANSLATED | FROM THE ITALIAN. | Vignette "The Elopement, p. 183" | With sixteen illustrative Drawings by George Cruikshank. | — | LONDON : | PRINTED FOR CHARLES BALDWYN, | NEWGATE STREET. | MDCCCXXVII. Pagination: [2], [v]-vi [2] – Contents (Cohn's collation calls for this at the end) 3-253, [1]; title-page a cancel with vignette 'The Elopment', sixteen other plates by Cruikshank; as per HathiTrust: vi, 253, [3] p. (last p. blank), [16] leaves of plates: ill. Binding: 8vo, 20 x 13 cm, later polished calf, gilt, t.e.g. others untrimmed, by Rivière for H. Sotheran. Note: 1st edition, very rare 3rd issue, with a cancel title-page replacing that of 1824 issue when there were two issues and the work was entitled Italian Tales. Cohn notes the rarity of the 1827 edition, which restores one of the plates 'The Dead Rider', suppressed in the second issue, and also includes the plate done to replace it. "The rarest edition of this work is that published in 1827 in green paper boards [...]. This issue has no edition stated on the title. It has seventeen woodcuts, inclusive of the "Elopement" vignette upon the title. The suppressed plate "The Dear Rider" is restored, and the plate done to replace it is also included. The woodcut in other editions upon the title page is "The Pomegranate Seed". Probably compiled and translated by Thomas Roscoe (cf. National union catalog) from a variety of authors 'out of materials not generally accessible', but also ascribed to J. Y. Akerman and to one "Southern". Two or three tales that furnished plots for Shakespeare. Catalogue Raisonné: Cohn 444; this issue not found in OCLC or COPAC.
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  • Д. Ровинский. Русские граверы и их произведения с 1564 года до основания Академии художеств. — М.: Издание графа Уварова, 1870.

    Title: РУССКIЕ ГРАВЕРЫ | И | ИХЪ ПРОИЗВЕДЕНIЯ | СЪ 1564 ГОДА | ДО ОСНОВАНIЯ АКАДЕМIИ ХУДОЖЕСТВЪ. | Изследованiе Д. Ровинскаго. | Изданiе графа Уварова. | МОСКВА. | Въ Сѵнодальной типографiи, на Никольской улицѣ. | 1870. || Pagination: [2] orig. wrapper / advert., [2] t.p. / imp.[i] ii-x, [1] 2-403 [404], [2] orig. wrapper / advert. Collation: 8vo; π6 (incl. t.p.), 1-258 χ2 Binding: Owner’s ½ black morocco over marbled boards, raised bands, gilt-ruled, florets and lettering in compartments, blue endpapers, uncut, untrimmed, original wrappers preserved. Size: 29.5 x 19 cm
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  • Э. Лиссагарэ. История Парижской Коммуны в 1871 году / С французского. Полный перевод под редакцией В. Базарова. — С.-Петербург. 1906. (Дешевая библиотека товарищества "Знание", № 274). — pp.:[4] [1] 2-524. [Проспер Оливье Лиссагарэ].

    Э. Лиссагарэ. История Парижской Коммуны в 1871 г. (Дешевая библиотека, № 274) / Пер. под ред. В. Базарова. — С.-Петербург: Знание, 1906.

    Hardcover volume, collated in-8o, 21.1 x 14.9 cm, bound in half black polished morocco over green buckram boards, gilt lettering in rules to flat spine, brown diaper over cream endpapers, red ink oval library stamp in Estonian to t.p. «AJALOOMUUSEUM RAAMATUKOGU» (history museum library); pp.: [4] [1] 2-524, total 528 pages; collation π2 1-328 336, total 264 leaves. Title-page: ДЕШЕВАЯ БИБЛIОТЕКА ТОВАРИЩЕСТВА "ЗНАНIЕ". | № 274. | Э. Лиссагарэ. | ИСТОРIЯ ПАРИЖСКОЙ КОММУНЫ | въ 1871 г. | Съ французскаго. Полный переводъ | подъ редакцiей В. Базарова.| С.-ПЕТЕРБУРГЪ | 1906. || Original title: Prosper-Olivier Lissagaray. Histoire de la Commune de 1871. — Paris: E. Dentu, 1876. English translation by Eleanor Marx Aveling: [LIB-1110.2016] Prosper-Olivier Lissagaray. History of the Commune of 1871. — London: Reeves and Turner, 1886. Contributors: Hippolyte Prosper-Olivier Lissagaray (French, 1838 – 1901) – author. Владимир Александрович Базаров [Руднев, Vladimir Bazarov] (Russian, 1874 – 1939) – translator.
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  • Царская дипломатия и Парижская коммуна 1871 года / Под ред. и с предисл. Ц. Фридлянда. // Центрархив — М.-Л.: Соцэкгиз, 1933.

    Царская дипломатия и Парижская коммуна 1871 года / Центрархив; Под ред. и с предисл. Ц. Фридлянда. — М.-Л.: Соцэкгиз, 1933.

    Front cover: ЦЕНТРАРХИВ | [—] | ЦАРСКАЯ ДИПЛОМАТИЯ | И | ПАРИЖСКАЯ КОММУНА | 1871 года | [blank space] [publisher's device] | ГОСУДАРСТВЕННОЕ СОЦИАЛЬНО-ЭКОНОМИЧЕСКОЕ ИЗДАТЕЛЬСТВО | МОСКВА 1933 ЛЕНИНГРАД || Title: ЦЕНТРАРХИВ | [—] | ЦАРСКАЯ ДИПЛОМАТИЯ | И | ПАРИЖСКАЯ КОММУНА | 1871 года | ПОД РЕДАКЦИЕЙ И С ПРЕДИСЛОВИЕМ | Ц. ФРИДЛЯНДА | [blank space] [publisher's device] | ГОСУДАРСТВЕННОЕ СОЦИАЛЬНО-ЭКОНОМИЧЕСКОЕ ИЗДАТЕЛЬСТВО | МОСКВА 1933 ЛЕНИНГРАД || [Центральное архивное управление при ВЦИК РСФСР]. Pagination: [2] 3-238 [2]. Softcover, editor's wrappers, lettering to covers and spine. 23 x 15 cm; Printrun (Тираж): 2000 экз.
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  • David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.

    Pictorial cloth boards, spiral-bound, pp.: 3 leaves: h.t., frontis., t.p., 1-326; 123 black & white plates within the pagination.

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