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  • Kitagawa Utamaro. Series of horizontal o-hosoban shunga prints, c. 1803.

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  • Le diable à Paris: Paris et les Parisiens. Gravures par Gavarni et Bertall / Vol. 1 & 2. — Paris, J. Hetzel, 1845-46.

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  • [Okakura Kakuzō]. The ideals of the East with special reference to the art of Japan. — London: John Murray, 1903.

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  • Etruscan bucchero pottery kantharos. 6th century BCE.

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  • Wood netsuke of Seiōbo with a basket of immortal peaches. Circa 1850.

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  • Utagawa Kunimaru .

    Utagawa Kunimaru. Chūshingura (The Treasury of Loyal Retainers), Act XI: Night Battle / Fan print, 1827.

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  • Nazca polychrome vessel with serpents motif. Ca. 220 BCE – 150 CE

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  • Senichiro Masumoto, Kenichi Kokubo. Kinkō Meikan. — Tokyo: Token Shunju-sha, 1974; with English translation by John Yumoto & Alan Harvie: Listing of non-ferro fitting makers. — San Mateo, CA: John M. Yumoto, 1982.

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  • Tōshō tsuba with a butterfly and a dragonfly motif. Muromachi period.

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  • Ōnin ten-zōgan tsuba with sukashi design of Buddhist temple bell (tsurigane). Late Muromachi period, 16th century.

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  • Shunkōsai Hokushū .

    Shunkōsai Hokushū. Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as Koganosuke, 1821.

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  • Kanmuri hat. Taishō period, ca. 1925.

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  • Japanische Schwertzieraten. Text. Gustav Jacoby. Karl W. Hiersemann, Leipzig, 1904.

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  • Morphology of the Folktale by V. Propp.First edition translated by Lawrence Scott with an introduction by Svatava Pirkova-Jacobson. Second edition revised and edited with a preface by Louis A. Warner / New introduction by Alan Dundes. University of Texas Press, Austin and London. Seventh paperback printing 1979. American Folklore Society Bibliographical and Special Series; Vol. 9 / Revised edition / 1968. Indiana University Research Center in Anthropology, Folklore, and Linguistics; Publication 10 / Revised Edition / 1968.

    V. Propp. Morphology of the Folktale. — Austin: University of Texas Press, 1979.

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  • Ko-katchūshi tsuba with design of gorintō, heavenly objects, cloud, snowflake, and Genji-mon. Mid Muromachi period, 15th century.

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  • Yoshirō mon-sukashi tsuba. Momoyama or early Edo period (1574-1650).

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  • Illustrated Catalogues of Tokyo National Museum: Ukiyo-e Prints, vol. 1, 2, and 3. — Tokyo: Tokyo National Museum, 1960-63.

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  • Ōnin suemon-zōgan tsuba with design of plants and family crests. Mid Muromachi period.

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  • Nazca polychrome double-spout vessel with Mythical Spotted Cat motif, ca. 400 – 600 CE

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  • Utagawa Kunisada (Toyokuni III). Book of an incoming ship, from the series ‘Comparison of Eight Books of Proficiency and Eloquence’ / Fan print, 1856.

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  • Ōnin suemon-zōgan tsuba with design of foliage and family crest. Late Muromachi period.

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  • Tantō tsuba with paulownia and karakusa design. Early Edo period, 17th century.

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  • Дж. Д. Сэлинджер. Над пропастью во ржи и другие произведения / Пер. с англ. Р. Райт-Ковалевой. — М.: Молодая гвардия, 1965

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  • Six-lobed kamakura-bori tsuba with landscape motif. Late Muromachi period (1514-1573).

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  • Greek Apulian red-figure pelike. Ca. 330 BCE.

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  • Sasano Masayuki. Kagamishi Tsuba: Sword guards by mirror makers (in Japanese). — 1980.

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  • Ōnin ten-zōgan tsuba with kukurizaru motif. Muromachi period.

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  • Nazca polychrome double-spout vessel with anthropomorphic Mythical Spotted Cat motif, ca. 200 – 500 CE.

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  • Utagawa Kunisada (Toyokuni III). Benzaiten Shrine at Honjō Block One / Fan print, 1840.

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  • Ōnin ten-zōgan tsuba with design of lake and rudder. Muromachi period.

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  • Comte de Tressan. L’évolution de la garde de sabre japonaise. – Paris: Société Franco-Japonaise de Paris, 1910.

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  • Ōnin ten-zōgan tsuba with snowflakes motif. Muromachi period, 16th century.

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  • Yoshirō mon-sukashi tsuba. Momoyama or early Edo period (1574-1650).

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  • Юрий Масанов. В мире псевдонимов, анонимов и литературных подделок. / Под ред. и с вступ. ст. П. Н. Беркова. (Серия: Историко-литературные и биографические очерки). – М.: Издательство Всесоюзной книжной палаты, 1963. – pp.: [1-6] 7-318 [2], errata slip.

    Юрий Масанов. В мире псевдонимов, анонимов и литературных подделок / Под ред. П. Н. Беркова; (Историко-литературные и биографические очерки). — М.: Издательство Всесоюзной книжной палаты, 1963.

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  • Glazed terracotta kylix. Ancient Greece, ca. 350 BCE.

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  • С. Маршак. Почта военная. Детиздат : Ленинград, 1947. Пробный экземпляр.

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  • Utagawa Kuniyoshi. A woman on a terrace dancing with a fan, from the series Collection of charming music (Enkyoku zoroi) / Fan print, 1853.

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  • Tsuba with design of water wheel, cherry blossom, and waves. Momoyama period.

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  • Utagawa Kuniyoshi .

    Utagawa Kuniyoshi. A young woman with a framed picture of Soga no Gorō, from the series A collection of pictures in modern style / Fan print, 1849-51.

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  • Koike Yoshirō Naomasa tsuba with design of paulownia and arabesque. Late Muromachi – Momoyama period, 16th century.

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  • Ko-Shōami iron tsuba with design of latticework. Late Muromachi period, ca. 16th century.

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  • Адарюковъ В.Я. Добавленiя и исправленiя къ подробномусловарю русскихъ гравированныхъ портретовъ Д.А.Ровинскаго, СПб. 1889. — Издание журнала "Старые годы", 1911. — 89 стр. [Владимир Яковлевич Адарюков (1863 -1932). Добавления и исправления к подробному словарю русских гравированных портретов Д.А.Ровинскаго].

    В. Я. Адарюков. Добавления и исправления к подробному словарю русских гравированных портретов Д. А. Ровинского, СПб., 1889 г. — СПб.: Старые годы, 1911.

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  • Katsukawa Shunshō. Actor Ichikawa Ebizō III (Danjūrō IV) in a Shibaraku role, 1772.

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  • Utagawa Toyokuni I. Actors Onoe Matsusuke I as Kudō Saemon Suketsune and Bandō Hikosaburō III as Soga no Gorō Tokimune. Circa 1800.

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  • Utagawa Kunisada, a.k.a. Toyokuni III .

    Utagawa Kunisada (Toyokuni III). Actor Bandō Takesaburō I as clerk Seijūrō and actor Ichikawa Kodanji IV as Kenkaya Gorōkichi / Fan print, 1852.

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  • Kamakura-bori tsuba with design of reed, waves, clouds, and pagoda. Momoyama period, 16th century.

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  • The works of Nicholas Machiavel, translated into English. — London: Printed for J. Starkey, C. Harper, & J. Amery, 1680.

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  • Kamakura-bori tsuba with design of encircled paulownia (kiri-mon). Mid Muromachi period, ca. 1450.

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  • Ko-Shōami iron tsuba with design of latticework. Late Muromachi period, ca. 16th century.

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  • George Cruikshank : A Catalogue Raisonné Of The Work Executed During The Years 1806-1877; With Collations, Notes, Approximate Values, Facsimiles, And Illustrationsby Albert M. Cohn, author of a bibliographical catalogue of the printed works illustrated by George Cruikshank, etc. London : Office of "The Bookman's Jounral", 1924. [Cohn, Albert M.]

    Albert M. Cohn. George Cruikshank : A catalogue raisonné of the work executed during the years 1806-1877. — London: The Bookman’s Journal, 1924.

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  • Indus valley terracotta jar with zebu & mountain goats motif. Ca. 3300 – 2000 BCE

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  • Utagawa Kunisada (Toyokuni III), Utagawa Kunihisa II. A geisha eating edamame aboard the boat of the Atari-ya teahouse, from the series ‘Three summer women’ / Fan print, 1860.

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  • Jacob Pins. The Japanese pillar print: Hashira-e / Foreword by Roger Keyes. — London: Robert G. Sawers Publishing, 1982.

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  • Heianjō tsuba with wood sorrel motif. Late Muromachi or Momoyama period, 16th century.

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