2018 – Page 2 – Varshavsky Collection

Ōnin ten-zōgan tsuba with sukashi design of Buddhist temple bell (tsurigane). Late Muromachi period, 16th century.

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Ōnin ten-zōgan tsuba with snowflakes motif. Muromachi period, 16th century.

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Ōnin ten-zōgan tsuba with kukurizaru motif. Muromachi period.

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Ōnin ten-zōgan tsuba with design of dragonfly and tomoe. Mid Muromachi period, 15th century.

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Ōnin ten-zōgan tsuba with design of chrysanthemum, late Muromachi period (16 AD).

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Ōnin ten-zōgan tsuba with design of lake and rudder. Muromachi period.

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Ōnin suemon-zōgan tsuba with design of plants and family crests. Mid Muromachi period.

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Ōnin suemon-zōgan tsuba with design of foliage and family crest. Late Muromachi period.

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Netsuke of Kimi no Eguchi on a recumbent elephant, by Toun. Circa 1850.

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Nazca polychrome vessel with serpents motif. Ca. 220 BCE – 150 CE

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Nazca polychrome double-spout vessel with Mythical Spotted Cat motif, ca. 400 – 600 CE

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Nazca polychrome double-spout vessel with anthropomorphic Mythical Spotted Cat motif, ca. 200 – 500 CE.

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Maurice Alhoy, Louis Lurine. Les prisons de Paris: Histoire, types, mœurs, mystères / Édition illustrée. — Paris: Gustave Havard, 1846.

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Le diable à Paris: Paris et les Parisiens. Gravures par Gavarni et Bertall / Vol. 1 & 2. — Paris, J. Hetzel, 1845-46.

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Koike Yoshirō Naomasa tsuba with design of paulownia and arabesque. Late Muromachi – Momoyama period, 16th century.

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Ko-Shōami tsuba with design of lattice (kōshi-mon). Momoyama or early Edo period.

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Ko-Shōami iron tsuba with design of latticework. Late Muromachi period, ca. 16th century.

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Ko-Shōami iron tsuba with design of latticework. Late Muromachi period, ca. 16th century.

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Ko-katchūshi tsuba with design of pine trees and kukurizaru. Early Muromachi period, 15th century.

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Ko-katchūshi tsuba with design of gorintō, heavenly objects, cloud, snowflake, and Genji-mon. Mid Muromachi period, 15th century.

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Kitagawa Utamaro. Series of horizontal o-hosoban shunga prints, c. 1803.

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Katsukawa Shunshō. Actor Ichikawa Ebizō III (Danjūrō IV) in a Shibaraku role, 1772.

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Kanmuri hat. Taishō period, ca. 1925.

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Kamakura-bori tsuba with design of temple gates, mountain pavilion and 5-storey pagoda. Muromachi period, 16th century.

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Kamakura-bori tsuba with design of reed, waves, clouds, and pagoda. Momoyama period, 16th century.

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Kamakura-bori tsuba with design of plants and waves. Muromachi period.

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Kamakura-bori tsuba with design of encircled paulownia (kiri-mon). Mid Muromachi period, ca. 1450.

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Kagamishi tsuba with design of fruits and leaves. Muromachi period or earlier.

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Junichirō Tanizaki. The Secret History of the Lord of Musashi and Arrowroot / Two novellas translated by Anthony H. Chambers. — NY: Alfred A. Knopf, 1982.

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John Locke. An essay concerning human understanding, in four books / The 3rd Edition. — London: Awnsham and John Churchil, Samuel Manship, 1695.

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Japanische Schwertzieraten. Text. Gustav Jacoby. Karl W. Hiersemann, Leipzig, 1904.

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Jacob Pins. The Japanese pillar print: Hashira-e / Foreword by Roger Keyes. — London: Robert G. Sawers Publishing, 1982.

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J. Armelhault & E. Bocher. Gavarni: Catalogue raisonné of the graphic work / A revision of the 1873 edition, with essays by Gordon N. Ray and Robert J. Wickenden, and 61 new plates. — San Francisco: Alan Wofsy Fine Arts, 2004.

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Iron tsuba with mokkō motif by Enju Kunihide of Higo province. Mid Edo period, ca. 1800.

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Indus valley terracotta jar with zebu & mountain goats motif. Ca. 3300 – 2000 BCE

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Illustrated Catalogues of Tokyo National Museum: Ukiyo-e Prints, vol. 1, 2, and 3. — Tokyo: Tokyo National Museum, 1960-63.

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