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2018
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54 Products
Ko-Shōami iron tsuba with design of latticework. Late Muromachi period, ca. 16th century.
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Heianjō-zōgan tsuba with pines, mist, and snow motif. Momoyama or early Edo period.
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Iron tsuba with mokkō motif by Enju Kunihide of Higo province. Mid Edo period, ca. 1800.
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Kamakura-bori tsuba with design of temple gates, mountain pavilion and 5-storey pagoda. Muromachi period, 16th century.
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Ōnin ten-zōgan tsuba with sukashi design of inome. Mid Muromachi period, 15th century.
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Le diable à Paris: Paris et les Parisiens. Gravures par Gavarni et Bertall / Vol. 1 & 2. — Paris, J. Hetzel, 1845-46.
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Ōnin ten-zōgan tsuba with sukashi design of Buddhist temple bell (tsurigane). Late Muromachi period, 16th century.
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Nazca polychrome double-spout vessel with Mythical Spotted Cat motif, ca. 400 – 600 CE
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Nazca polychrome double-spout vessel with anthropomorphic Mythical Spotted Cat motif, ca. 200 – 500 CE.
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С. Маршак. Почта военная. Детиздат : Ленинград, 1947. Пробный экземпляр.
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Utagawa Toyokuni I. Actors Onoe Matsusuke I as Kudō Saemon Suketsune and Bandō Hikosaburō III as Soga no Gorō Tokimune. Circa 1800.
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Utagawa Kunisada (Toyokuni III), Utagawa Kunihisa II. A geisha eating edamame aboard the boat of the Atari-ya teahouse, from the series ‘Three summer women’ / Fan print, 1860.
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Ko-katchūshi tsuba with design of pine trees and kukurizaru. Early Muromachi period, 15th century.
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Heianjo-zōgan (Bizen-Yoshirō) tsuba with design of phoenix, bamboo, and paulownia. Momoyama period (1574-1603).
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Netsuke of Kimi no Eguchi on a recumbent elephant, by Toun. Circa 1850.
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Stag antler netsuke of a recumbent ox. Signed: Tomomasa. Circa 1800.
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Wood netsuke of Seiōbo with a basket of immortal peaches. Circa 1850.
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Japanische Schwertzieraten. Text. Gustav Jacoby. Karl W. Hiersemann, Leipzig, 1904.
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Tantō tsuba with paulownia and karakusa design. Early Edo period, 17th century.
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Comte de Tressan. L’évolution de la garde de sabre japonaise. – Paris: Société Franco-Japonaise de Paris, 1910.
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The works of Nicholas Machiavel, translated into English. — London: Printed for J. Starkey, C. Harper, & J. Amery, 1680.
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Antiquitates Christianæ: or, the History of the Life and Death of the Holy Jesus: as Also the Lives, Acts and Martyrdoms of His Apostles, in 2 parts / The 8th edition. — London: Luke Meredith, 1694.
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John Locke. An essay concerning human understanding, in four books / The 3rd Edition. — London: Awnsham and John Churchil, Samuel Manship, 1695.
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Albert M. Cohn. George Cruikshank : A catalogue raisonné of the work executed during the years 1806-1877. — London: The Bookman’s Journal, 1924.
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Brothers Grimm. German popular stories / George Cruikshank (illustrator), vol. 1 & 2. — London: James Robins; Dublin: Joseph Robins Jr., 1825-1826.
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В. Я. Адарюков. Добавления и исправления к подробному словарю русских гравированных портретов Д. А. Ровинского, СПб., 1889 г. — СПб.: Старые годы, 1911.
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Sasano Masayuki. Kagamishi Tsuba: Sword guards by mirror makers (in Japanese). — 1980.
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Senichiro Masumoto, Kenichi Kokubo. Kinkō Meikan. — Tokyo: Token Shunju-sha, 1974; with English translation by John Yumoto & Alan Harvie: Listing of non-ferro fitting makers. — San Mateo, CA: John M. Yumoto, 1982.
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Junichirō Tanizaki. The Secret History of the Lord of Musashi and Arrowroot / Two novellas translated by Anthony H. Chambers. — NY: Alfred A. Knopf, 1982.
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Юрий Масанов. В мире псевдонимов, анонимов и литературных подделок / Под ред. П. Н. Беркова; (Историко-литературные и биографические очерки). — М.: Издательство Всесоюзной книжной палаты, 1963.
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Popular stories collected by the brothers Grimm / A reprint of the first English edition. — London: Henry Frowde, 1905.
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Избранные сказки братьев Гримм / Пер. Г. Н. Петникова, илл. Ракхама. — М.-Л.: Academia, 1937.
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T. R. Malthus. An Essay on the Principle of Population / 5th edition, in 3 volumes. — London: John Murray, 1817.
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[Okakura Kakuzō]. The ideals of the East with special reference to the art of Japan. — London: John Murray, 1903.
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Turning Point: Oribe and the Arts of Sixteenth-Century Japan / Edited by Miyeko Murase. — NY: The Metropolitan Museum of Art; New Haven (CT), London: Yale University Press, 2003.
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Shunkōsai Hokushū. Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as Koganosuke, 1821.
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