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54 Products
George Cruikshank’s omnibus / edited by Laman Blanchard. – London : Tilt and Bogue, 1842.
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L’Imitation de Jésus-Christ / P. Corneille. — Paris: Pierre Rocolet, 1656.
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Ogata Gekkō. Advertisement of tobacco for the Kagoshima Prefecture, 1890
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Blue glaze tripod censer. China, Tang dynasty [唐朝] (618 – 907).
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Fables de La Fontaine by J.-J. Grandville, 1838.
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Ernest Gegout, Charles Malato. Prison Fin de Siècle: Souvenirs de Pélagie / Illustrations de Steinlen. — Paris: G. Charpentier & E. Fasquelle, 1891.
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Owen E. Holloway. French rococo book illustration. (Chapters in art) — London: Alec Tiranti, 1969.
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Otto Van Veen. Amoris Divini Emblemata. — Antwerp: Plantin – Balthasar Moretus, 1660.
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Florens Schoonhoven. Emblemata partim moralia, partim etiam civilia. — Amsterdam: Johannes Janssonius, 1635.
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William Blades. The biography and typography of William Caxton, England’s first printer. – London: Trübner, 1877.
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Jean de La Fontaine. Contes et nouvelles en vers / 2 Volumes. — Amsterdam [i.e. Paris: Barbou], 1762.
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Utagawa (Gountei) Sadahide. Framed portrait of a young woman and a painting of a parrot on a pomegranate tree / Fan print, 1832.
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Jian ware bowl with hare’s fur glaze. China, Song dynasty [宋朝] (960 – 1279).
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Gustave Flaubert. The Temptation of St. Anthony, illustrated by Mahlon Blaine. – NY: Williams, Belasco and Meyers, 1930.
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George Cruikshank’s Fairy Library. — London: George Bell and Sons, 1885.
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John Landwehr. Romeyn de Hooghe, the etcher: Contemporary portrayal of Europe 1662 – 1707. — Leiden: A. W. Sijthoff; Dobbs Ferry (NY): Oceana, 1973.
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Skizzenbuch: Hundert Federzeichnungen von Heinrich Kley / Vol 1 & 2. — München: Albert Langen, [1909, 1910].
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Ovid’s Metamorphoses in Latin and English (2 vols.) — Amsterdam: Wetstein & Smith, 1732.
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Thomas F. Dibdin. Bibliomania or book madness: a bibliographical romance. – London: Longman, Hurst, Rees, Orme, and Brown, 1811.
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Egyptian faience funerary scarab, 5th – 4th century BC.
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Giovanni Battista Brustolon. Nocturnal view of the gondolas’ procession in front of the Basilica of San Pietro di Castello, 1763.
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Jizhou black glazed bottle. China, Song dynasty [宋朝] (960 – 1279). (Copy)
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C. Plinius S. Van Menschen, Beesten, Vogeln en Visschen. – Amsterdam: Joost Hartgers, 1650.
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Jules Verne. Michael Strogoff : The courier of the Czar. (The story of the film). — London: The Readers Library Publishing Company Ltd., [1927].
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Timothy Wilson. Maiolica: Italian Renaissance Ceramics in The Metropolitan Museum of Art (Highlights of the Collection). — NY: The Metropolitan Museum of Art, 2016.
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Quinze poèmes d’Emile Verhaeren Illustrés de 57 gravures par Frans Masereel. Paris: Éditions Georges Crès, 1917.
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Maiolica dish, Venice, Italy, 17th century
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Lucien de La Hodde. History of Secret Societies, and of the Republican Party of France from 1830 to 1848. — Philadelphia: J. B. Lippincott and Co., 1856.
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De Chertablon & de Hooghe. La maniere de se bien preparer a la Mort. – Antwerp: George Gallet, 1700.
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[Taxile Delord]. Un autre monde par Grandville. — Paris: H. Fournier, 1844
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Flambé glazed nine-mouth vase. China, Qianlong period (1711 – 1799).
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Thomas Astle. The Origin and Progress of Writing. – T. Payne and Son, et al., London, 1784.
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[Richard Barham]. The Ingoldsby Legends or Mirth and Marvels / 3 vol., George Cruikshank and John Leech (illustrators). — London: Richard Bentley, 1840-1847.
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И. Л. Галинская. Загадки известных книг (АН СССР: Из истории мировой культуры). — М.: Наука, 1986.
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Thomas Hugo. The Bewick Collector. A Descriptive Catalogue & A Supplement to a Descriptive Catalogue of the Works of Thomas and John Bewick. Lovell Reeve and Co., 1866-1868.
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Maiolica vase, Palermo, Italy, 17th century
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Neil Stewart. Blanqui. — London: Victor Gollancz, 1939.
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L’Operateur Barri. Jean-Joseph Baléchou after Etienne Jeaurat, 1743.
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Utagawa Sadahide. The God of Wind and The God of Thunder / Fan print, 1831.
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Jade openwork Bi disc with dragon and serpents. China, Ming Dynasty [大明] (1368 – 1644).
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Utagawa Kunisada. Early autumn (Tanabata), from the series ‘Short love songs, Second volume’ / Fan print, 1858.
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[Philip Graves]. The Truth About “The Protocols” : A Literary Forgery / From the Times of August 16, 17, and 18, 1921. — London: The Times, 1921.
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Affaire Pierre Bonaparte ou le meurtre d’Auteuil. — Paris: A. Chevalier, 1870.
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![George Cruikshank's omnibus / edited by Laman Blanchard. – London : Tilt and Bogue, 1842. – [2], vi, [2], [2] 300 p., [22] leaves of plates : ill's.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2558.2020-6-500x500.jpeg)
![Ernest Gegout, Charles Malato. Prison Fin de Siècle: Souvenirs de Pélagie / par E. Gegout et Ch. Malato. — Paris: G. Charpentier & E. Fasquelle, 1891. — pp.: [ - blank, tiré] [2 - ht, frontis.] [2 - t. p. blank] [2 - préface] [1] 2-352 [2 blanks], wrappers, ills by Steinlen.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2452.2020-a-1-scaled-500x500.jpeg)
![Owen E. Holloway. French Rococo Book Illustration. – London: Alec Tiranti, 1969. – pp.: ffl [2 blanks] [i-iv] v-vi, 1-283, bfl.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2526.2020-d-500x500.jpeg)
![George Cruikshank. George Cruikshank's Fairy Library. Hop-O'-My Thumb. Jack and the Bean-Stalk. Cinderella. Puss in Boots. — London: George Bell and Sons, 1885. — pp.: [2] blank, [2] first half-title with blank verso, [i-ii] second half-title with blank verso, [2] frontispiece plate with blank recto, [iii-viii] title, colophone, editor's note, list of illustr. [2] title with blank verso, [1] 2-101 [3] blank, 24 plates with protective tissue, unpag. — Colophon: This edition is limited to 500 copies, with India paper impressions. The former editions have been from lithographic transfers. The plates were retouched under Mr. Cruikshank's direction shortly before his death, and have not been used since until now.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2454.2020-f-1-500x500.jpeg)
![Jules Verne. Michael Strogoff : The courier of the Czar. (The story of the film). — London: The Readers Library Publishing Company Ltd., [1927]. — pp.: [1-13] 14-251 [252: printer's imprint] [253-256: blank], note: [note: first and last leaves used as front and rear paste-downs].](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2460.2020-a-1-500x500.jpeg)
![[Barham, Richard Harris]. The Ingoldsby Legends or Mirth and Marvels by Thomas Ingoldsby, esquire / First, Second and Third Series - 3 volumes; Illustr.: George Cruikshank and John Leech. — London: Richard Bentley, 1840-1847. — Vol. 1: Printed by London: Samuel Bentley, 1840. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [iii] iv-v [vi blank] [contents, list of ill.] [blank, etching on verso] [1] 2-338 [339] [7, incl. orig. FC and Sp.] bf, 6 plates: 1 by Buss, 3 by Leech, 2 by Cruikshank. — Vol. 2: Printed by London: S. & J. Bentley, Wilson, and Fley, 1842. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [v] vi-vii [viii blank] [contents, verso blank] [blank, etching on verso] [1] 2-288 [6, incl. orig. FC and Sp.] bf, 7 plates: 3 by Leech, 4 by Cruikshank. — Vol. 3: Printed by London: S. & J. Bentley, Wilson, and Fley, 1847. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [iii] iv-vi [contents, list of ill.] [blank, portrait on verso] [1] 2-364 [6, incl. orig. FC and Sp.] bf, 6 plates: 2 portraits, 2 by Leech, 2 by Cruikshank.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2483-1.2020-c-1-500x500.jpeg)
![[Philip Graves]. The Truth About "The Protocols" : A Literary Forgery / From the Times of August 16, 17, and 18, 1921. — London: [The Times, 1921]. — pp.: [2 title, coloph.] 3-24.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2496.2020-a-scaled-500x500.jpeg)
