• A suite of 12 etchings 160 x 118 mm each, in the first state, pasted on paper, 2 per sheet, with a cover (250 x 210 mm).
    0. Cover. Les femmes de Paris pendant le siège./R.Martial/1871.
    1. Lorsqu'à l'approche de l'ennemi on demandait l'éloignement des bouches inutiles [...] 2. L'Ennemi ! 3. No inscription 4. Quête pour les veuves. 5. Concert et quête pour les enfants blessés, malades, infirmes. 6. Au bastion/Et celles non moins précieuses qui dirigeaient ces ventes [...] 7. Vente pour les orphelins de la guerre. 8. No inscription 9. Une ration, bouillie romaine et Vin/Cantine municipale[...] 10. No inscription 11. No inscription 12. Les effets de cette union patriotique des femmes sont connus.[...]
  • 1st edition, limited to 52 copies of which 7 copies on Japon paper (№ 1-7) and 45 copies on Rives paper (№ 8-52); printed by Maurice Daratiere; this copy is № 50. “Ladies only” – a pictorial album, unbound, printed by Maurice Darantiere, with 15 black and white lithographs by Edouard Duchâtel (French, 19th-20th century) after drawings by Marcel Vertès on cream wove paper 38 x 28 cm; French flapped wrappers, with the lithographed manuscript title “Dames seules” in a grey clamshell box 40 x 30 cm; printed by Maurice Darantiere,  title with vignette pasted to box cover, one image on a double sheet; all illustrations with tissue guards. Bookplate “From the Library of | Vance Gerry | The Weather Bird Press | pasted inside the box cover (see Vance Gerry and The Weather Bird Press). Provenance: Vance Bryden Gerry (American, 1929 – 2005) Contributors: Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Edouard Duchâtel (French, 19th-20th century) – artist, lithographer. Maurice Darantiere (French, 1882 – 1962) – printer. Louis Godefroy (French, 1885 – 1934) – publisher. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes
  • Title-page: MARCEL AYMÉ | IMAGES DE L'AMOUR | Lithographies | originales | de | Vertès (fac-simile ms) | ÉDITIONS GEORGES GUILLOT | 39 rue de Paradis à Paris || French flapped wrapper in a natural canvas double slipcase with gilt lettering to spine, 34.8 x 27.3 cm. Leaves 33 x 25.5 cm, 4 blanks at the beginning, to the second pair of leaves pasted two autograph letters signed by Marcel Aymé; [1-8] 9-119 [120] [6], last leaf blank, h.t. with inscription "En sincère hommage" signed by both Marcel Aymé and Marcel Vertès; 9 full-page chromolithographs, 6 headpieces and 2 tailpieces by Marcel Vertès, tissue-guards; in-4to, unbound. Printed on October 20, 1957. The edition is limited to 190 copies + 25 not for sale, this is copy № 1, printed on Japon Nacré paper and enriched with three additional suites of lithographs: one on  Japon Nacré, one on Japon ancien, one on Hollande, plus a set of decomposition of one chromolithograph; lacking three original drawings. Contributors: Marcel Aymé (French, 1902 – 1967) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Georges Guillot – publisher. Andrée Koch – designer. Fequet et Baudier – printers, typography. Edmond et Jacques Desjobert – lithographers. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes
  • Press moulded round box with a cover made of yellow and brown marble clay, glazed with a clear glaze inside and outside. China, the Tang dynasty [唐朝] (618 – 907) Diameter: 11 cm; Height: 5.5 cm.
  • Amber-glazed marbled pottery tripod censer, standing on unglazed beast's paws. The clay itself is not marbled, only the glaze. China, the Tang dynasty [唐朝] (618 – 907). Diameter: 16 cm; Height: 14 cm.
  • Front wrapper: In the three-compartment orange frame: 1st compartment: HISTOIRE DES DOCTRINES SOCIALISTES | *** (LES IDÉES ET LES FAITS) *** | 2nd compartment: BLANQUI | PAR | Maurice DOMMANGET | {circular device} | 3rd compartment: *** 1924 *** | LIBRAIRIE DE L'HUMANITÉ | 120 • RUE LAFAYETTE • 120 PARIS | Under the frame : Prix : 2 fr. 50 || Title page: HISTOIRE DES DOCTRINES SOCIALISTES | *** (LES IDÉES ET LES FAITS) *** | BLANQUI | PAR Maurice DOMMANGET | {device in a circle} | *** 1924 *** | LIBRAIRIE DE L'HUMANITÉ | 120 • RUE LAFAYETTE • 120 PARIS || Back wrapper: Advert. in an orange frame. Pagination: wrappers included in pagination ; [1-5] 6-95 [96-98] (total 49 leaves incl. wrappers). Collation: wrappers not included in collation: [1]-68. Binding: 18.5 x 12 cm; publisher’s blue wrappers with an orange frame, black lettering to covers and spine; uncut. Russian translation: LIB-2747.2021
  • Title-page: LUKAS ROTGANS | POËZY, | VAN VERSCHEIDE | MENGELSTOFFEN; | MET KONSTPLAATEN VERSIERT. | Tweede Druk | {vignette} | TE AMSTERDAM; | By ANTONI SCHOONENBURG, 1735. || Collation: 4to; fep, 1st blank, engraved t.p. by M. Pool, t.p., *3,4; 2*-9*4, 10*1, *LII2, *LII, 10*2 —> *-10*4 (40 leaves);  A-Z4, 2A-2Z4, 3A-3Z4, 4A-4Q4, last blank, fep; (340 leaves), 2 plates extraneous to collation. Pagination: [2] [1-5] 6-14 [15-80] [1-3] 4-680 [2], 2 unsigned plates not included in pagination after pp. 634 and 652, 50 headpieces by Jacob Folkema after Arnold Houbraken, and 2 tailpieces by Jan de Ruijter. Marks: Armorial bookplate: “Ex Libris J. J. Mak | {coat of arms} | Inveni Intermanere Melius”. Oval ink stamp: “HOOGERE BURGERSCHOOL. | DELFT” Provenance: Johannes Jacobus Mak (Dutch, 1908 – 1975). Edition: 2nd, 1st edition published in 1715 in Leeuwarden by François Halma. Contributors: Lukas Rotgans (Dutch, 1653 – 1710) – author. Arnold Houbraken (Dutch, 1660 – 1719) – artist. Jacob Folkema (Dutch, 1692 – 1767) – engraver. Matthijs Pool (Dutch, 1676 – 1740) – engraver. Jan de Ruijter (Dutch, 1688 – 1744) – engraver. Antoni Schoonenburg (Dutch, 1682 – 1754) – publisher.
  • Title page: L'AN DEUX MILLE QUATRE CENT QUARANTE. | Rêve s'il en fût jamais. | Le temps présent est gros de l'avenir... | Leibnitz. | {letterpress device} | A LONDRES. | MD CCLXXII. || Pagination: [i-iv] v-xii, 1-402 [2]; Collation: 8vo; π6 A-Z8 Aa-Bb8 Cc2. Binding: 19 x 12 cm, full mottled calf, rebacked, spine with gilt-lettered red label, compartments ruled gilt, with gilt fleuron ornament, marbled endpapers and all edges; printed on laid paper, with tall “s”. Probably published in Paris, anonymously. Handwritten nut-ink inscription to the title "Par Mercier". See also: LIB-0979.2016
  • Hand-coloured etching by an anonymous British artist, printed on May 26, 1829, in London. Description by British Museum (1868,0808.8988): "O'Connell, in wig and gown, walks to the left from the massive door of a small stone building, stooping, and holding his handkerchief to his right eye. He wails: 'O, my poor Seat! my poor Seat! my poor Seat! I'd have given any thing for a seat.' In the doorway (right) stands Peel, saying with wary blandness: 'What good can weeping do you Dan.—I'm sure I did as much as I could!!' Above the large knocker on the plank door is 'Knock & Ring'. There is a projecting bell, above a placard: 'NB. Jews or Proselytes desirous of Obtaining Seats in the House may Knock and Ring at this Door.' One corner of "the House", a small stone shed, is depicted. O'Connell is walking towards a strip of water, across which is a mountain, with a board pointing 'To — Clare'. Comment by BM: "Catholic Emancipation raised high hopes among Jews; the first Bill, after a petition from Jews in Liverpool, was introduced 15 Apr. 1830, but Jewish Emancipation did not become law till 1858." Inscription under the frame with title, "A. Sharpshooter fec", text within image and publication line: "Pub. by G. Humphrey, 24 St. James's Street May 26 1829". Size: 37.5 x 26 cm.
  • Title: Государственный Эрмитаж | LIVRE DARTISTE | ВЫСТАВКА КНИГ | ИЗ СОБРАНИЯ | МАРКА БАШМАКОВА | КАТАЛОГ | Санкт-Петербург | Издательство Государственного Эрмитажа | 2013 || Frontispiece: The State Hermitage Museum | LIVRE D’ARTISTE | AN EXHIBITION | OF BOOKS FROM | THE COLLECTION | OF MARK BASHMAKOV | CATALOGUE | St. Petersburg | The State Hermitage Publishers | 2013 || Pagination: [1-5] 6-319 [320]. Binding: pictorial over cardboard, black and red lettering to cover, white lettering to spine. Size: 31 x 23 cm.
  • Title in black and red: LIFE IN ENGLAND | in Aquatint and Lithography | 1770—1860 | ARCHITECTURE • DRAWING BOOKS | ART COLLECTIONS • MAGAZINES | NAVY AND ARMY • PANORAMAS ETC. | FROM THE LIBRARY OF J. R. ABBEY | — | A BIBLIOGRAPHICAL | CATALOGUE | — | LONDON | PRIVATELY PRINTED | AT THE CURWEN PRESS | 1953 || Pagination: 2 blank leaves, [2] – limited edition 114 of 400 / blank, [i, ii] – h.t. / blank, [2] blank / frontis., [iii, iv] – t.p. / printer, v – contents, [vi] –blank, vii-ix – list of plates, [x] – blank, xi-xiii – list of ill., [xiv] – blank, xv-xxi – preface, xxii – blank; [1, 2] f.t. / blank, 3-427 [428], 2 blank leaves. Binding: Hardcover, 32 x 25.5 x 6.5 cm; brown cloth, red label with gilt lettering to spine, tan DJ with lettering to front and spine.
  • Title: LETTRES DE GAMBETTA | 1868 – 1882 | recueillies et annotées par | DANIEL HALÉVY ET ÉMILE PILLIAS | ÉDITIONS BERNARD GRASSET | 61, RUE DES SAINTS-PÈRES, VIe | PARIS || Collation: 8vo; [1]8 2-428, unpaginated, (336 leaves) + 4 leaves of plates extraneous to collation, untrimmed wove paper, 587 letters, printed on the 25th of March 1938 by Floch (Mayenne); limited edition, unnumbered copy. Binding: original publisher’s pictorial wrappers, lettering to spine. Series: "Documents", pub. sous la direction de la Société d'histoire de la troisième république. Insert: Lettre Autographe Signée (LAS): Ludovic Halévy (French, 1834 – 1908). Transcript:
    Mercredi, Mon cher ami, Reçois mes bien sincères et bien affectueuses félicitations. Si tu continues à marcher de ce pas tu en seras bientôt en grande situation et ce sera justice, et j’en serais bien heureux n’en doute pas. Tout à toi Ludovic Halévy
    Gambetta, Léon (French, 1838 – 1882). Halévy, Daniel (French, 1872 – 1962). Pillias, Émile (French, 1905 – 1940).
  • Vol. 1 : Title : LES | RUES DE PARIS | PARIS ANCIEN ET MODERNE | ORIGINES, HISTOIRE | MONUMENTS, COSTUMES, MŒURS, CHRONIQUES ET TRADITIONS | OUVRAGE | RÉDIGÉ PAR L’ÉLITE DE LA LITTÉRATURE CONTEMPORAINE | SOUS LA DIRECTION DE | LOUIS LURINE | et illustré de 300 dessins exécutés par les artistes les plus distingués | TOME PREMIER | { publisher’s device «G.K.» in vignette} | PARIS | G. KUGELMANN, ÉDITEUR, 25 RUE JACOB | 1844 || Pagination: [4] [1] 2-396 [4], total number of pages 404, plus 21 wood-engraved plates, incl. frontispiece, extraneous to collation. Collation: 4to; π2 [1]4 2-504, total number of leaves 202, plus 21 leaves of plates. Vol. 2: Title: Same, “TOME SECOND”. Pagination: [4] [1] 2-411 [412] [4], total number of pages 420, plus 22 wood engraved plates, incl. frontispiece, extraneous to collation. Collation: 4to; π2, 1-524, total number of leaves 210, plus 22 leaves of plates. Binding: 27 x 17 cm, two volumes uniformly bound by the publisher in brown cloth, blind-stamped frame and gilt design (corners, coat of arms of Paris, lettering) to boards and spine, yellow endpapers. CONTRIBUTORS: Printer: Alfred Wittersheim (French, 1825 – 1881) Publisher: Georges Kugelmann (French, 1809 – 1882) Editor/Compiler: Louis Lurine (French, 1816 – 1860) Texts by: Briffault, Eugène (French, 1799 – 1854); Janin, Jules Gabriel (French, 1804 – 1874); Huart, Louis Adrien (French, 1813 – 1865); Burette, Théodose (French, 1804 – 1847); Beauvoir, Roger de (French, 1806 – 1866); Brot, Charles Alphonse (French, 1807 – 1895); Le Roux de Lincy, Antoine (French, 1806 – 1869); Achard, Louis Amédée Eugène (French, 1814 – 1875). Illustrated book, profusely illustrated with over 300 woodcuts by: ArtistsDaumier, Honoré (French, 1808 – 1879); Gavarni , Paul [Chevalier, Hippolyte Guillaume Sulpice] (French, 1804 – 1866); Nanteuil, Célestin François (French, 1813 – 1873); Baron, Henri (French, 1816 – 1885); Beaumont, Édouard de (French, 1821 – 1888); David, Jules (French, 1808 – 1892); Marckl, Louis (French, b. 1807); Schlesinger, Heinrich [Henri-Guillaume] (German-French, 1814 – 1893); Collignon, François Jules (French, d. 1850); Godefroy, Félix (French, 1765 – 1848); Lemercier, Charles Nicolas (French, 1797 – 1859); Loutrel, Victor Jean-Baptiste (French, 1821 – 1908); May, Edouard (French, c. 1807 – 1881); Moraine, Louis-Pierre René de (French, 1816 – 1864); Moynet, Jean Pierre (French, 1819 – 1876); Rossigneux, Charles (French, 1818 – 1907). Engravers: Bara, J. (French, b. c. 1812); Brugnot (French, fl.c. 1834 – 1873); Castan, André (French, 19th century); Budziłowicz, Ignacy (Polish-French, 1805 – 1863); Chevauchet (French, fl. 1837 – 1850); Pégard (French, 19th century); Czechowicz, A. (Polish-French, fl. 1840 – 1850); Debraine, T. Etienne (French, 19th century); Deschamps, M. (French, 19th century); Fauchery, Jean-Claude Auguste (French, 1798 – 1843); Ghouy, de (French, fl. mid-19th century); Montigneul, Émile (French, fl. 1840 – 1850); Joret, J. (French, 19th century); Fity, A. (French, 19th century); Guillaumot, Eugène (French, 1813 – 1869); Halley-Hiback (French, 19th century); Lacoste père et fils (French, fl. 1830s – 1860s); Lenepveu (French, 19th century); Lesestre, Jean Théophile Gustave (French, 1815 – 1873); Pannemaker, Adolphe François (Belgian-French, 1822 – 1900); Piaud, Antoine Alphée (French, 1813 – 1867); Pisan, Héliodore Joseph (French, 1822 – 1890); Pollet A. (French, 1840 – 1860); Pouget, Jean-Achille (French, fl. 1844 – 1877); Porret, Henri Désiré (French, 1800 – 1867); Pontenier, Auguste [Etienne, François] (French, 1820 – 1888); Rose, Alphonse Antoine (French, fl. 1840 – 1860); Timms, J. (English-French, fl. c. 1839 – 1865); Verdeil, Pierre (French, 1812 – 1874); Vien, Alphonse Jean-Baptiste (French, b. 1814).
  • Pictorial album of 20 hand-coloured wood engravings by Firmin Gillot after Alfred Grévin; numbered 1 to 20, bound with tissue guards in half-brown cloth over marbled boards, publisher's gilt-lettered blue wrappers preserved, purple-blueish endpapers. Front wrapper (gilt on blue): LES FILLES D'EVE | ALBUM | DE TRAVESTISSEMENTS | PLUS OU MOINS | HISTORIQUES | Par A. GRÉVIN | — | PARIS | AUX BUREAUX : DU JOURNAL AMUSANT, DES MODES PARISIENNES | DE LA TOILETTE DE PARIS ET DU PETIT JOURNAL POUR RIRE | 20. Rue Bergère. || ; Henri Plon's imprint to back wrapper. Contributors: Grevin, Alfred (French, 1827 – 1892) Gillot, Firmin (French, 1820 – 1872) Plon, Henri (French, 1806 – 1872) Ref.: Metropoliten Museum.
  • Vol. 1: Front wrapper and title page (in red and black): CONTES | ET | NOUVELLES | DE | LA FONTAINE | ILLUSTRATIONS | EN COULEURS | DE | BRUNELLESCHI | {vignette} | PREMIER ET DEUXIÈME LIVRE | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [6] – advert., [2] – d.t.p., 1-164 [165-6], [4] – table, [2] – imprint / blank, [2] – blanks; total 188 pages (94 leaves) with 35 in-text black illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Vol. 2: Front wrapper and title page similar to Vol. 1 but TROISIÈME, QUATRIÈME ET CINQUIÈME LIVRE under the vignette. Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [2] – d.t.p., 1-233 [234], [4] – table, [2] – colophon / blank, [2] – blanks; total 250 pages (125 leaves) with 42 in-text black illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Edition: Limited edition of 3,000 copies, this copy is № 1 (stamped in black in vol. 1). Printed on the 10th of June, 1938 by J. Dumoulin (H. Barthélemy – director, Louis Malexis – mise en page); stencil-colouring (au pochoir) by E. Charpentier under direction of the artist. Binding: Two volumes 26.3 x 20.3 cm, uniformly bound in publisher’s pictorial flapped wrappers with vignettes and lettering to front wrapper and spine and publisher’s device to back wrapper. Description of the stensil (au pochoir) technique.
  • Front wrapper and title page (in red and black): LES CONTES DE | CHARLES | PERRAULT | ILLUSTRATIONS | EN COULEURS | DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [4] – preface, [2] – d.t.p., 1-168 [169-70], [4] – table, [2] – imprint / blank; total 188 pages (94 leaves) with 55 in-text illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Edition: Limited edition of 1,000 copies, this copy is № 1 (stamped in black). Printed on the 31st of October 1946 by J. Dumoulin (H. Barthélemy – director, Louis Malexis – mise en page); stencil-colouring (au pochoir) by E. Charpentier under direction of the artist. Binding: 26.7 x 20.3 cm, publisher’s flapped pictorial wrappers, vignettes and lettering to front wrapper and spine, publisher’s device to back wrapper, uncut. Fairy Tales by Charles Perrault (French, 1628 – 1703): Griselidis (Griselda) — Peau d'Asne (Donkeyskin) — Les Souhaits ridicules (The Ridiculous Wishes— La Belle au Bois dormant (Sleeping Beauty) — Le Petit Chaperon rouge (Little Red Riding Hood) — La Barbe-Bleue (Bluebeard) — Le Maistre Chat ou Le Chat Botté (Puss in Boots) — Les Fées (The Fairies) — Cendrillon ou La Petite Pantoufle de verre (Cinderella)— Riquet à la Houppe (Riquet with the Tuft) — Le Petit Poucet (Hop-o'-My-Thumb) Description of the stensil (au pochoir) technique.
  • Vol. 1: Front cover and title page: LES CONTES | DE BOCCACE | ☙ DECAMERON ❧ | TRADUIT DE L'ITALIEN | PAR | ANTOINE LE MAÇON | LES CINQ | PREMIÈRES JOURNÉES | ILLUSTRATIONS DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [6] 1-342 [343-4] [10], 16 colour plates and 70 b/w head- and tailpieces after Umberto Brunelleschi. Vol. 2: Front cover and title page: LES CONTES | DE BOCCACE | ☙ DECAMERON ❧ | TRADUIT DE L'ITALIEN | PAR | ANTOINE LE MAÇON | LES CINQ | DERNIÈRES JOURNÉES | ILLUSTRATIONS DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [6] 1-281 [282] [10], 16 colour plates and 68 b/w head- and tailpieces after Umberto Brunelleschi. Edition: Limited to 2,500 copies, of which this is № 1. Edition supplemented with two full extra sets of plates, 32 in black and white, and 32 in colour. Printed on June 25, 1934. Binding: 26.5 x 20.5 cm; cream flapped wrappers (French softcover) with green and black lettering and vignettes to front cover and spine, publisher’s device on the back; uncut copy. Paper: Vélin de Navarre (wove paper), size: 260 x 200 mm. Contributors: Giovanni Boccaccio (Italian, 1313 – 1375) – author. Antoine Le Maçon (French, c. 1500 – 1559) – translator. Umberto Brunelleschi (Italian, 1879 – 1949) – artist. Malexis, Louis (French, 20 century) – mise en page. Coulouma, Robert (French, 1887 – 1976), Imprimerie Coulouma (Argenteuil) – printer, H. Barthélemy – director. Dantan, A. – engraver (probably from the family of Edouard Joseph Dantan (French, 1848 – 1897) Charpentier, E. – colour au pochoir. Compare this copy with a small one-volume reprint of 1941: [LIB-2773.2021]. Description of the stensil (au pochoir) technique.
  • Title-page: LES ARTISTES DU LIVRE | MARCEL | VERTÈS | ÉTUDE PAR | ANDRÉ SALMON | LETTRE-PRÉFACE PAR | PAUL MORAND | PORTRAIT PAR | JEAN OBERLÉ | { publisher’s device} | HENRY BABOU, ÉDITEUR | 1, RUE VERNIQUET, PARIS | 1930 || Description: 26.3 x 20.5 cm, French flapped brown wrappers with black and blue lettering, lettering to spine, unbound, [1-2] 1st blank leaf, [3-4] h.t. / limitation, two plates (fac-simile letter and portrait of Vertès), [5-6] t.p. /”Cette monographie…”, 7-39 [40-48], incl. Bibliographie des ouvrages, Table des planches, and colophon – all with in-text illustrations; plus 22 leaves of plates, one on a double-page, all with foxing and marginal browning. Printing: December 1930 by Durcos & Colas in Paris. Edition: the 17th edition in the series “Les artistes du livre’, published under the direction of Marcel Valotaire; print run limited to 700 copies of which 50 on Japon (numbered 1-50) enriched with one original unpublished drypoint, 650 copies on Vélin Blanc from Arches (50-650), and 50 “non-commercial” copies (I-L). This copy is numbered № 473. Contributors: Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. André Salmon (French, 1881 – 1969) – author. Paul Morand (French, 1888 – 1976) – author. Jean Oberlé (French, 1900 – 1961) – artist. Maitres-imprimeurs Ducros et Colas (Paris) – printer. Henry Babou (Paris) – publisher. Marcel Valotaire (French, 1889 – 1979) – publisher. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes