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Publisher’s original wrappers, with VIDBERGS to front (bordered) and to spine, size 25 x 18 cm. Title page: O. LIEPIŅŠ | SIGISMUNDS | VIDBERGS | MONOGRAFIJA | K. RASIŅA APGĀDS | RIGĀ 1942 || Imprint: ATTĒLI MĀKSLINIEKA IZRAUDZĪTI UN SAKĀRTOTI (pictures selected and arranged by the artist) Pagination: [1-6] (incl. 1st blank leaf), 7-149 [150] [2] blank; 44 pages of text with in-text illustrations, pp. 47-149 – plates on odd pages, titles on even pages, 51 full-page illustrations. Circulation: 4,000 copies. Contributors: Liepiņš, Olģerts (Latvian, 1906 – 1983) – author. Sigismunds Vidbergs (Latvian-American, 1890 – 1970) – artist. Kārlis Rasiņš (Latvian, 1886 – 1974) – publisher.
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Title page: ПАНТЕОНЪ ЛИТЕРАТУРЫ | ТЕОФРАСТЪ. | ХАРАКТЕРИСТИКИ. | ПЕРЕВОДЪ СЪ ГРЕЧЕСКАГО | В. АЛЕКСѢЕВА. |—| С.–ПЕТЕРБУРГЪ. | Типографiя Н. А. Лебедева, Невскiй просп., 8. | 1888. || Pagination: [1-3] 4-32; 32 pages. Collation: 8vo; 1-28; 16 leaves. Binding: Modern owner’s grey wrappers, blank. Page size: 23.2 x 16 cm Contributors: Theophrastus [Θεόφραστος, Theόphrastos, Теофраст, Феофраст] (Greek, c. 371 – c. 287 BC) – author. Алексеев, Василий Алексеевич (Russian, 1863 – 1919) – translator. Лебедев, Николай Афанасьевич (Russian, 1813 – 1896); Типография Н. А. Лебедева (СПб) – publisher, printer.
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Title page: CATALOGUE | DES | OUVRAGES, ÉCRITS | ET DESSINS | DE TOUTE NATURE | POURSUIVIS, SUPPRIMÉS OU CONDAMNÉS | DEPUIS LE 21 OCTOBRE 1814 JUSQU'AU 31 JUILLET 1877 | Edition entièrement nouvelle, considérablement augmentée | SUIVIE DE LA TABLE DES NOMS D’AUTEURS ET D’ÉDITEURS | ET ACCOMPAGNÉE DE NOTES BIBLIOGRAPHIQUES ET ANALYTIQUES | PAR | FERNAND DRUJON | {publisher’s device} | PARIS | LIBRAIRIE ANCIENNE ET MODERNE | ÉDOUARD ROUVEYRE | 1, RUE DES SAINTS-PÈRES, 1 | 1879 || Pagination: [2] [i-v] vi-xxxvii [xxxviii blank] [1] 2-430 [2] 1-16, total number of pages 2+38+430+2+16=488. Collation: 8vo; π4 i-ii8 1-258 26-294 ω8, total number of leaves 4+(2x8)+(25x8)+(4x4)+8=244; 2 binder’s blank leaves before the front wrapper, 2 blanks after the wrapper, blank / avis important, h.t. with gift inscription from publisher to Anger / limitation, t.p. / blank, [text], 17 leaves of advert., 2 blanks before back wrapper, 1 binder’s blank after. Binding: 28.3 x 19 cm, tree-quarter beige buckram over marbled boards, spine: brown leather label with gilt double fillet top and bottom, gilt lettering, stamped in gilt with a lily and a year of publishing, gilt double-fillet to tail; publisher’s wrappers bound in. Bookplate with motto “AGE DICANT” to front pastedown. Gift inscription: "À mon ami Anger | Hommage de me bien dévoué | Édouard Rouveyre". Possibly Pierre Anger (1854-19..).Edition: 1st edition, this copy is from an unnumbered print run. Despite the note "Edition entièrement nouvelle, considérablement augmentée" this is obviously the 1st edition.
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Title-page: APOLOGIA | DEL S. TORQVATO | TASSO. | IN DIFESA DELLA SVA | GIERVSALEMME | LIBERATA. | Con alcune Opere, partien in accusa, | partein difesa dell Orlando Furioso | dell’Ariosto. | Della Gierusalem- | me istessa , e dell’Amadigi | del Tasso Padre. | I titoli tutti si leggono nella feguente | facciata. | con privilegi. | {publisher’s device} | In Mantoua, Per Francesco Osana. | M D LXXXV. || 1st blank π1, [a]-a8; (9 leaves, 18 pp., unpaginated) Divisional t.p. (1): DE GLI | ACCADEMICI | DELLA CRVSCA | DIFESA DELL’ ORLANDO | FVRIOSO DELL’ ARIOSTO | Contra’l Dialogo dell’Epica | poesia di Camillo | Pellegrino. | Stacciata prima. | {woodcut} ||; A-E12 [2]A1 (61 leaves, 122 pp., unpaginated). Divisional t.p. (2): APOLOGIA | DEL S. TORQVATO | TASSO. | IN DIFESA DELLA SVA | GIERVSALEMME | LIBERATA. | {publisher’s device} | IN MANTOVA, |—| Per Francesco Osanna. | MDLXXXV. || [2]A11 2B-[2]I12 [2]K4, pp. [2] 3-219 [3] (111 leaves, 222 pages). Divisional t.p. (3): DELL’ | INFARINATO | ACADEMICO | DELLA CRVSCA … etc. | MDLXXXV. | Con licenza de’ Superiori. || [3]A-[3]G12, pp. [2] 3-164, 163 (i.e. 165) [3] (84 leaves, 168 pages). Divisional t.p. (4): RIPOSTA | DEL S. TORQVATO | TASSO, | ALLA LETTERA | DI BASTIAN ROSSI, …etc. | MDLXXXV. | Con licenza de’ Superiori. || [4]A-[4]E12 F8, ([4]B3 i.e. [4]A3), pp. [2] 3-135 [1] (68 leaves, 136 pages). Divisional t.p. (5): DISCORSO | IN TORNO | A’CONTRASTI, | CHE SI FANNO | SOPRA… ect. | M D LXXXVI. || [5]A-[5]D12 E4, pp. [2]3-67, 66 (i.e. 68), 92 (69), 70-73 (70-73), 94 (74), 95 (75), 76, 77, 98-115 (78-95), 112 (96), 97-100, [4] (52 leaves, 104 pages). Divisional t.p. (6): PARERE | DEL SIGNOR | TORQVATO | TASSO. | SOPRA IL DISCORSO | del Signor Horatio Lom- | bardello intorno a’ | contrasti,&c. … etc. | M D LXXXVI. || [6]A12 [6]B6 (incl. last blank), pp. [1-5] 6-33 [3] (18 leaves, 36 pages). Collation: 12mo; π1, a8, A-E12, [2]A-[2]I12 [2]K4, [3]A-[3]G12, [4]A-[4]E12 F8, [5]A-[5]D12 E4, [6]A12 [6]B6 (incl. last blank), total 403 leaves, 806 pages, in-text woodcut head- and tailpieces, and initials. Binding: 14.4 x 9 cm, 19th-century quarter calf over marbled boards, raised bands, gilt-bordered compartments, gilt lettering, three flyleaves at the front and back, "The Robin Collection" bookplate to front pastedown. Provenance: The Robin Collection. Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Orazio Ariosto (Italian, 1555 – 1593) – author. Ludovico Ariosto (Italian, 1474 – 1533) – author. Camillo Pellegrino (Italian, 1527-1603) – author. Francesco Osanna [Osana] (Italian, fl. 1549 – 1608) – printer, publisher.
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(1) Claudine à l'école: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-206 [2], colophon "IMPRIMÉ EN BELGIQUE"; 208 pages (104 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | à l'école | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || (2) Claudine à Paris: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-153 [3], colophon "IMPRIMÉ EN BELGIQUE"; 156 pages (78 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | à Paris | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || (3) Claudine en ménage: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-150 [2], colophon "IMPRIMÉ EN BELGIQUE"; 152 pages (76 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | en ménage | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || (4) Claudine s'en va: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-128 [4], colophon "IMPRIMÉ EN BELGIQUE"; 132 pages (66 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | s'en va | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || Illustrations: in each volume, there are 12 plates extraneous to collation, incl. frontispiece, stencil-coloured (au pochoir) collotype reproductions after drawings by Renée Ringel, and numerous in-text b/w illustrations. Binding: 4 volumes uniformly bound in French flapped pictorial wrappers, spine with lettering and vignette, each in a canvas double slipcase 22 x 17.5 cm, with lettering to spine. Edition: Limited to 1800 copies, of which this is copy № 365, printed by Jean de Clercq, plates printed by Thill, colouring by Ateliers du coloris d’art. Contributors: Sidonie-Gabrielle Colette [a.k.a. Colette] (French, 1873 – 1954) Renée Ringel – nothing is known so far.
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Ink drawing on watermarked paper by an anonymous artist, British or American. Original pen and ink with manuscript text. About 7 x 10-1/2 inches, Vander Ley type watermark (Churchill 321), mounted to old laid paper; several corners chipped, some creasing, soiling, etc. Np, Late 18th-century.
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Title in black and red: AN HISTORICAL SKETCH | OF | BOOKBINDING | BY | S. T. PRIDEAUX | WITH A CHAPTER ON EARLY STAMPED BINDINGS | BY E. GORDON DUFF. | {Publisher’s device} | LONDON: LAWRENCE & BULLEN | 16 HENRIETTA STREET, COVENT GARDEN | 1893 || Pagination: [i, ii] – h.t. / blank, [2] – blank / frontis. w/guard, [iii, iv] – t.p. / colophon, [v], vi – preface, [vii, viii] – contents / blank, [1] 2-303 [304 blank]. Collation: 8vo; [A]4 B-U8. Binding: Grey cloth with gilt-stamped lettering and publisher’s device to front cover, gilt lettering to spine, blue floral ornamental endpapers, free margin untrimmed; printed on laid paper.
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Vol. 1: THE | POEMS | OF | OSSIAN. | TRANSLATED | By JAMES MACPHERSON, Esq; | IN TWO VOLUMES. VOL. I. | A NEW EDITION. | LONDON: | PRINTED FOR W. STRAHAN ; AND T. CADELL, | IN THE STRAND. | M DCC XC.|| Pagination: 2 blank leaves, [2] - t.p. / blank, [v] vi-xiv, [2] - contents / cont., [1, 2] 3-404, one blank leaf. Collation: 8vo; π1 A-Z8 Aa-Cc8 Dd2 Vol. 2: THE | POEMS | OF | OSSIAN. | TRANSLATED | By JAMES MACPHERSON, Esq; | VOL. II. | A NEW EDITION. | LONDON: | PRINTED FOR W. STRAHAN ; AND T. CADELL, | IN THE STRAND. |M DCC XC.|| Pagination: 2 blank leaves, [2] - t.p. / blank, [2] - contents / blank, [1, 2] 3-436, [2] advert. / advert., two blank leaves. Collation: 8vo; π4 B-Z8 Aa-Ee8 Ff2 A1. Two volumes, 21.5 x 14 cm; hardcover; full tree calf gilt-tooled with stylized meander ruled boards inside and outside, flat spite tooled in gilt with meander and pineapples in compartments, two crimson lettered labels. margins speckled blue; peacock marbled endpapers, owner's karks to front pastedown: Owen J. Williams sticker and H. A. Lonis armorial bookplate with an earl's crown, hand-written inscription H. A. and H. C. Williams Wynn and ink stamp of Arthur J. Frank. James Macpherson (British, 1736–1796) was a Scottish writer, poet, literary collector and politician, known as the "translator" of the Ossian cycle of epic poems. Publishing Year: 1790 Publisher: W. Strahan and T. Cadell
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Title: MAROUSSIA | PAR | P.-J. STAHL | D'APRÈS UNE LÉGENDE DE MARKOWOVZOK | DESSINS PAR TH. SCHULER | GRAVURES PAR PANNEMAKER | {vignette} | BIBLIOTHÈQUE | D'ÉDUCATION ET DE RÉCRÉATION | J. HETZEL ET Cie, 18, RUE JACOB | PARIS | Tous droits de reproduction et de traduction réservés || Pagination: [2] – t.p. / blank, [1, 2] – dedication / blank, [3] 4-272, [1] 2-11 [12] – publisher’s advert.; Frontispiece and 22 leaves of wood-engraved plates by F. Pannemaker after Th. Schuler, extraneous to collation, woodcut head- and tailpieces, vignettes in the text by Charles Baude. Collation: 4to; 1-344, + 6 leaves of publisher's advertisement. Binding: “Cartonnage Hetzel” – red cloth stamped in gilt and black with the elements of design to spine, front and back, publisher's device to back, AEG. Author and publisher: Pierre-Jules Hetzel [P.-J. Stahl] (French, 1814 – 1886). Artist: Jules Théophile Schuler (French, 1821 – 1878). Engravers: Adolphe François Pannemaker (Belgian-French, 1822 – 1900) and Charles Baude (French, 1853 – 1935). Author of the legend: Markowovzok [Marko Vovchok; Марко́ Вовчо́к, real name Mariya Vilinskаya; Мария Александровна Вилинская] (Ukrainian, 1833 – 1907). Series: Collection Hetzel (stamped on the front board). Typographie A. Lahure (Paris), Alexis Lahure (French, 1849 – 1929). MAROUSSIA – The French version of the Ukrainian name Маруся.
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Dust jacket (black lettering, sanguine vignettes over light blue) : {vignette} | P. M. HANDOVER | PRINTING | IN LONDON | from Caxton to | Modern Times | {vignette} || Title page: PRINTING IN LONDON | FROM 1476 TO MODERN TIMES | COMPETITIVE PRACTICE AND | TECHNICAL INVENTION | IN THE TRADE OF | BOOK AND BIBLE PRINTING | PERIODICAL PRODUCTION | JOBBING &C |—| P. M. HANDOVER | M.A. F.R.HIST.S. | HARVARD UNIVERSITY PRESS | CAMBRIDGE, MASSACHUSETTS | 1960 || Pagination: [1, 2] – h.t. / blank ; frontispiece; [3, 4] – t.p. / imprint; [5, 6] – dedication / blank; [7] 8-224, inset: 7 sheets of plates between pp. 112-113 extraneous to collation, other illustrations in text; insert: invitation card "Publication date JUL 11 1960 Handover". Collation: 8vo; [A]8 B-O8. Binding: publisher’s blue cloth, red label to spine, silver lettering, DJ.
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Title: Государственный Эрмитаж | LIVRE D’ARTISTE | ВЫСТАВКА КНИГ | ИЗ СОБРАНИЯ | МАРКА БАШМАКОВА | КАТАЛОГ | Санкт-Петербург | Издательство Государственного Эрмитажа | 2013 || Frontispiece: The State Hermitage Museum | LIVRE D’ARTISTE | AN EXHIBITION | OF BOOKS FROM | THE COLLECTION | OF MARK BASHMAKOV | CATALOGUE | St. Petersburg | The State Hermitage Publishers | 2013 || Pagination: [1-5] 6-319 [320]. Binding: pictorial over cardboard, black and red lettering to cover, white lettering to spine. Size: 31 x 23 cm.
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Title page: АКАДЕМИЯ НАУК СССР | В. П. ВОЛГИН. | ФРАНЦУЗСКИЙ | УТОПИЧЕСКИЙ | КОММУНИЗМ | ИЗДАТЕЛЬСТВО АКАДЕМИИ НАУК СССР | МОСКВА 1960 || Pagination: [1-5] 6-375 [376], errata slip. Collation: 8vo; [1]-228, 234, 248 (total 188 leaves) + errata slip; 171 unsigned. Print run: 4200 copies. Binding: Burgundy buckram, lettering in blind-stamped frame: В. П. Волгин. Французский утопический коммунизм. Contributor: Волгин, Вячеслав Петрович (Russian, 1879 – 1962) – author.
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Cover (in red and black): BÉRANGER | CHANSONS | GALANTES | {vignette} || Title page (in red and black): BÉRANGER | CHANSONS | GALANTES | ORNEES DE 16 AQUARELLES | PAR | ROJAN | {vignette} | ÉDITIONS DE LA BELLE ÉTOILE | PARIS || Pagination: [2] – front wrapper, [2] – blank, [1-4] 5-157 [3] [2] blank, [2] – back wrapper; the total number of pages 168 + 16 plates, numerous in-text head- and tailpieces in black. Collation: 4to; [1] 2-214, wrapped leaves included in collation; the total number of leaves 84 + 16 plates. Colour illustrations: 16 full-page colour plates and 4 colour headpieces are produced by the so-called Duval-Beaufumé process (collotype and stencil) of reproductions after Rojan’s watercolours. Tirage: Limited edition of 1500 copies, of which this is № 1434. Binding: Publisher's French flapped cream wrappers with red and black lettering to front wrapper and black lettering to spine, wove paper (vélin Navarre), uncut. Size: 243 x 195 mm. Contributors: Béranger, Pierre-Jean de (French, 1780 – 1857) – author. Rojankovsky, Feodor [Rojan; Рожанковский, Фёдор Степанович] (Russian-American, 1891 – 1970) – artist. NOTE on technique: Micro-photography reveals that this is not a collotype but some sort of photochemical reproduction method, such as a halftone screen. The colour was applied with a stencil, indeed.
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Title page (in a blue frame): The | Robert J. Wickenheiser Collection | of | John Milton | at the | University of South Carolina | A Descriptive Account | with Illustrations | Robert J. Wickenheiser | {publisher’s device} | The University of South Carolina Press | Published in Cooperation with the | Thomas Cooper Library, University of South Carolina || Pagination: [i-ix] x-xvi, [1] 2-839 [840]; 856 pages total. Binding: 28.5 x 22 cm; full crimson faux morocco, gilt lettering to front cover in a blind-stamped frame, gilt lettering to spine. Contributor: Wickenheiser, Robert J. (American, 1942 – 2015)
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Pictorial album of 20 hand-coloured wood engravings by Firmin Gillot after Alfred Grévin; numbered 1 to 20, bound with tissue guards in half-brown cloth over marbled boards, publisher's gilt-lettered blue wrappers preserved, purple-blueish endpapers. Front wrapper (gilt on blue): LES FILLES D'EVE | ALBUM | DE TRAVESTISSEMENTS | PLUS OU MOINS | HISTORIQUES | Par A. GRÉVIN | — | PARIS | AUX BUREAUX : DU JOURNAL AMUSANT, DES MODES PARISIENNES | DE LA TOILETTE DE PARIS ET DU PETIT JOURNAL POUR RIRE | 20. Rue Bergère. || ; Henri Plon's imprint to back wrapper. Contributors: Grevin, Alfred (French, 1827 – 1892) Gillot, Firmin (French, 1820 – 1872) Plon, Henri (French, 1806 – 1872) Ref.: Metropoliten Museum.
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Front wrapper (in black and blue): PAUL MORAND | L'EUROPE | GALANTE | QUINZE LITHOGRAPHES | HORS TEXTE ORIGINALES | DE VERTÈS | {vignette} | LE MIROIR DES MŒURS | LES ARTS ET LE LIVRE | =| M. CM. XXVII || Title-page (in black and blue): PAUL MORAND | L'EUROPE | GALANTE | ORNÉ DE QUINZE | LITHOGRAPHES ORIGINALES | PAR VERTÈS | {vignette} | LE MIROIR DES MŒURS | LES ARTS ET LE LIVRE | 17 Rue Froidevaux (XIVe) | =| M. CM. XXVII || Pagination: [1-9] 10-245 [7], and 2 leaves under the wrappers, ils. Collation: 8vo; [1]8 2-168; first and last leaves under wrappers; total 128 leaves and 17 plates extraneous to collation (two more than the declared 15). Binding: 20.5 x 14.5, French flapped tan wrappers with lettering and vignette, lettering to spine. Printed on May 30, 1927 at l'Imprimerie du Livre, Rueil (Henri Filipacchi, director); under supervision of Georges-Célestin Crès. Edition: 3rd book is the series "Le miroir des mœurs", limited to 1165 copies of which 65 on Papier d'Annam, 15 of them not for sale, numbered 1-50 and 51-65, respectively; 1100 copies on Vélin teinté de Rives (100 of them not for sale), numbered 66-1065 and 1066-1165, respectively. This copy is № 474. Contributors: Paul Morand (French, 1888 – 1976) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Les arts et le livre; Georges-Célestin Crès (French, 1875 – 1935) – publisher. l'Imprimerie du Livre (Rueil); Henri Élie Michel Filipacchi [Flippaki] (French, 1900 – 1961) – printer. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes
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Etching on laid paper, monogrammed in the plate and inscribed "Au Lac Siljan, Août 1874". Owner's stamp LVM on verso.
Dimensions: Paper: 47 x 34 cm; Plate: 24 x 19 cm; Image: 21 x 14 cm.
Catalogue raisonné: Rouir 858:5; Arthur Hubschmid (1977): 320.
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PLAN OF PARIS & THE SURROUNDING COMMUNES | SHEWING THE FORTIFICATIONS & ALL MODERN IMPROVEMENTS. || Lettered above the image with title, and below with production detail: "Day & Son, Lithrs to the Queen"; and production detail above: "Drawn & Engraved by B.R. Davies: / 16 George Str Euston Squ London", and on top right: "Weekly Dispatch Atlas, 138 Fleet Str". Dimensions: 47.5 x 65.4 cm. Contributors: Day & Son; William Day (British, 1797 – 1845) – lithographer, printer. Davies, Benjamin Rees (British, 1789 – 1872) – artist, engraver.