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Home/Collection/2021
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  • Utagawa Kunisada (Toyokuni III). Pine, bamboo, and plum: Three delights / Fan print, 1855.

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  • John Allington. The grand conspiracy of the members against the minde, of Jewes against their King. — London: R. Royston, 1654.

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  • Torquato Tasso. La Gerusalemme liberata (2 volumes). — Paris: Delalain, Durand, Molini, 1771.

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  • Guy Chapman. The Third Republic of France: The First Phase, 1871–1894. — London: Macmillan & Co Ltd, NY: St. Martin’s Press, 1962 [i.e. 1963].

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  • La Belle Assemblée, or Bell’s Court and Fashionable Magazine / Vol. XI.–New Series. Jan. 1 to Jun 30, 1815. — London: J. Bell, 1815.

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  • La Caillette (XVIIIe siècle), by E. Charreyre after Juan Antonio González, 1884.

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  • Eugène Briffault. Paris à table / Illustré par Bertall. — Paris: Hetzel, 1846.

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  • Eckhart G. Franz. Revolution, Krieg und Streik, Weltausstellung und Volksfest : der Illustrator und Karikaturist Leo von Elliot (1816–1890). — Darmstadt : Hessische Historische Kommission, 2000.

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  • Voltaire. Candide / Illustrations by Mahlon Blaine. — New York: Illustrated Editions Company, [c. 1930].

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  • Harold Curwen. Processes of graphic reproduction in printing. — New York: Oxford University Press, 1934.

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  • Chansons de salles de garde. — Lucerne: Éditions des quatre cantons, 1938.

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  • George A. Audsley, James L. Bowes. Keramic art of Japan. — London: Henry Sotheran & Co., 1881.

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  • Mons the Capital City of Hainault in ye Low Countries; engraving, 1744.

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  • William Wyld. Monuments et rues de Paris. — Paris: Lith. G. Englemann, publiés par Rittner et Goupil, et Susse Frères, 1839.

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  • Marbled clay round box with cover. China, Tang dynasty [唐朝] (618 – 907).

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  • Ōnin suemon-zogan tsuba of mokko form with design of flowers and wild geese. Late Muromachi period (1514-1573).

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  • Charles Virmaitre. Paris qui s'efface. — Paris: Albert Savine, 1887. — 2me édition. — pp.: [2 blanks] [2 hf-t, advert.] [t.p., blank] [2 dedicat., blank] [1, 2 - chap.1 cont., blank] [2-3] 4-314 [2 blanks].

    Charles Virmaitre. Paris qui s’efface. — Paris: Albert Savine, 1887.

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  • Polina de Mauny. Still life with a vase.

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