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Title page: ACROSS THE RIVER | AND | INTO THE TREES | BY | ERNEST HEMINGWAY | CHARLES SCRIBNER'S SONS | NEW YORK | 1950 || Pagination: [12] 1-308; total 160 leaves. Binding: black cloth, gilt Hemingway's fac-simile to front board, lettering to spine, pictorial dust jacket designed by A. Ivancich; $3.00 price clipped from top of front flap. Bookplate of Feodor Rojankovsky to front pastedown. Size: 21.5 x 15 cm. Edition: 1st edition, 1st printing; DJ with yellow on spine (later copies have orange); letter “A” and the Scribner’s device to copyright page. Provenance: Rojankovsky, Feodor [Rojan; Рожанковский, Фёдор Степанович] (Russian-American, 1891 – 1970) Contributors: Ernest Hemingway (American, 1899 – 1961) – author. Adriana Ivancich (Italian, 1930 – 1983) – artist of the dust jacket (Ivancich inspired the figure of Renata in the novel). Charles Scribner's Sons – publisher.
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Title page: PARIS | À TABLE | PAR | EUGÈNE BRIFFAULT. | Illustré par Bertall. | {vignette} | PARIS | PUBLIÉ PAR J. HETZEL, | RUE DE RICHELIEU, 76 — RUE DE MÉNARS, 10 | 1846 || Pagination : ffl, [2] – h.t. / imprim., [2] – wood-engraved pictorial t.p. bt Bertall, [2] – t.p. / blank, [i] ii-iv, 2] – f.t. / imprim., [1] 2-184, ffl; in-text woodcuts by Betrall. Collation: π6 1-462; size 8vo. Binding: brown quarter morocco over marbled boards, raised bands, gilt device in compartments and gilt lettering to spine. Matching marbled endpapers, previous owner’s bookplate to front pastedown. Bookplate: Motto: “LITTERÆ SCIENTIA & ARTES / AR (monogram), 7738 BELIURE TOFFIER – TOURS / L. D.” Contributors: Eugène Briffault (French, 1799 – 1854) – author of the text. Bertall [ Bertal; Charles Albert d'Arnoux (French, 1820 – 1882) – illustrator. Pierre-Jules Hetzel (French, 1814 – 1886) – publisher. Printer: Imprimerie Schneider et Langrand, rue d'Erfurth, 1 (Paris). Paper: La papeterie d’Essonne.
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A woman from Antwerp or a servant, another title "Laitière anversoise"; 2nd state. Etching on wove paper. Owner's stamp LVM on verso.
Dimensions: Paper: 24.4 x 15.8 cm; Image: 12 x 7.5 cm
Catalogue raisonné: Arthur Hubschmid (1977): 343.
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Aquatint finished by a drypoint on wove paper; printed by R. Taneur, depicting young woman in bar Folies Bergère in Paris. Signed in plate under image: "Félicien Rops | AUX FOLIES-BERGÈRE | L'Artiste. — Imp. R. Taneur. Owner's stamp 'LvM' on verso.
Dimensions: Paper: 26.7 x 17.6 cm; Plate: 17.5 x 11.5 cm; Image: 13.5 x 8 cm.
Catalogue raisonné: Graphics irreverent and erotic (1968): 125.
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Etching and drypoint, signed in pencil by the artist under the plate; 2nd state. Pasted on a sheet of blue paper. Fragment of "La messe de Gnide". Owner's stamp 'LvM' on verso.
Dimensions: Blue paper: 32 x 27 cm; Laid paper: 30.7 x 22 cm; Image: 12.5 x 4 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 364; Graphics irreverent and erotic (1968): 59; Rouir: 508.
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Etching and drypoint on wove paper, depicting a woman with a face mask on her buttocks. Monogrammed in the plate 'FR'. Owner's stamp 'LvM' on verso.
Dimensions: Papaer: 22.2 x 18.5 cm; Plate: 17.5 x 13.3 cm; Image: 15.5 x 12 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 448; Graphics irreverent and erotic (1968): 106; Rouir 648.
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Two prints on laid paper, one in an earlier state, published under the name Niederkorn. Owner's stamp 'LvM' on verso.
Dimensions: Paper (1): 31 x 22.3 cm; Paper (2): 46 x 33.8 cm; Plate: 31 x 22 cm; Image: 25.5 x 17.5 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 318; Rouir 954:3 and 954:5?.
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Photogravure after a pastel drawing by F. Rops. Monogrammed in the plate 'FR'. Owner's stamp 'LvM' on verso.
Dimensions: Paper: 26 x 20 cm; Plate: 25 x 18 cm; Image: 21 x 14.5 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 543; Graphics irreverent and erotic (1968): 156.
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"In the olive grove", etching on laid paper. Signed on the plate and inscribed "L'olivierade Monaco, 76" (sic.). Owner's stamp LvM on verso.
Dimensions: Paper: 44 x 30.5 cm; Plate: 40 x 27 cm; Image: 35 x 24.5 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 323; Graphics irreverent and erotic (1968): 323.
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Etching on laid paper, monogrammed in the plate and inscribed "Au Lac Siljan, Août 1874". Owner's stamp LVM on verso.
Dimensions: Paper: 47 x 34 cm; Plate: 24 x 19 cm; Image: 21 x 14 cm.
Catalogue raisonné: Rouir 858:5; Arthur Hubschmid (1977): 320.
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Drypoint on wove paper, depicting a woman in a hat with a ribbon lettered "ACADEMIE", carrying in her hand a male head in spectacles on a plate. Monogrammed "FR 83", inscribed: LA MODERNITÉ. — Imp. Eudes.; in pencil on verso."L'ARTISTE" – OCT. 1886 | (PRUD'HOMME ONTHOOFD) E 332-V". Owner's stamp 'LvM' on verso.
Dimensions: Paper: 27.2 x 17.8 cm; Plate: 19.7 x 14 cm; Image: 18.5 x 13 cm.
Catalogue raisonné: Rouir 767:5; Arthur Hubschmid (1977): 405; Graphics irreverent and erotic (1968): 72.
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Etching on wove paper, depicting an old woman trying to thread a needle. Signed in plate: "Felicien Rops, 76 Septembre". Owner's stamp LvM on verso.
Dimensions: Paper: 51.9 x 35 cm; Plate: 27.5 x 21 cm; Image: 23.5 x 16 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 358; Graphics irreverent and erotic (1968): 54.
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Soft-ground etching on laid paper. Inscribed on plate: "Le dessous de cartes d'une partie de whist" [The underside of a game of whist]. Owner's stamp 'LvM' on verso.
Dimensions: Paper: 26 x 20 cm; Image: 24 x 17.7 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 43; Graphics irreverent and erotic (1968): 273.
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Sanguine print on toned China paper pasted on cream wove paper sheet, depicting a dressed-up man trying to copulate with a hanged sow. Inscription on top of the plate: "Ne faites pas aux truies ce que vous ne voudriez pas qu'on vous fit", and below: "Visection" (sic.). Owner's stamp 'LvM' on verso.
Dimensions: Paper: 26.8 x 20.6 cm; India paper: 21.5 x 16.2 cm; Image: 19.3 x 14.2 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 661; Graphics irreverent and erotic (1968): 42.
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Two images printed on one sheet of van Gelder wove paper. Owner's stamp 'LvM' on verso.
Dimensions: Paper: 46.7 x 31 cm; top Mon bourgmestre: 11 x 9 cm plate, 9 x 7.5 cm image; Bottom Le modèle: 13.5 x 8.5 cm plate, 10 x 7 cm image.
Catalogue raisonné: Arthur Hubschmid (1977): 341 & 342; Rouir 425:4 & 517:7.
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Etching and drypoint on wove paper, depicting Athena with an awl on her helmet and holding a shield with Medusa head. Owner's stamp 'LvM' on verso.
Dimensions: Paper: 38.7 x 26.5 cm; Plate: 31 x 18 cm; Image: 24.5 x 14.5 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 317; Graphics irreverent and erotic (1968): 41.
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Etching on laid paper, depicting a kneeling groom with his head between the spread legs of a bare-breasted woman in a veiled hat. Inscribed on plate: Un groom a tout faire. Owner's stamp LVM on verso.
Dimensions: Paper: 24.4 x 15.8 cm; Image: 12 x 7.5 cm
Catalogue raisonné: Arthur Hubschmid (1977): 662.
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Title page: CATALOGUE | DES | OUVRAGES, ÉCRITS | ET DESSINS | DE TOUTE NATURE | POURSUIVIS, SUPPRIMÉS OU CONDAMNÉS | DEPUIS LE 21 OCTOBRE 1814 JUSQU'AU 31 JUILLET 1877 | Edition entièrement nouvelle, considérablement augmentée | SUIVIE DE LA TABLE DES NOMS D’AUTEURS ET D’ÉDITEURS | ET ACCOMPAGNÉE DE NOTES BIBLIOGRAPHIQUES ET ANALYTIQUES | PAR | FERNAND DRUJON | {publisher’s device} | PARIS | LIBRAIRIE ANCIENNE ET MODERNE | ÉDOUARD ROUVEYRE | 1, RUE DES SAINTS-PÈRES, 1 | 1879 || Pagination: [2] [i-v] vi-xxxvii [xxxviii blank] [1] 2-430 [2] 1-16, total number of pages 2+38+430+2+16=488. Collation: 8vo; π4 i-ii8 1-258 26-294 ω8, total number of leaves 4+(2x8)+(25x8)+(4x4)+8=244; 2 binder’s blank leaves before the front wrapper, 2 blanks after the wrapper, blank / avis important, h.t. with gift inscription from publisher to Anger / limitation, t.p. / blank, [text], 17 leaves of advert., 2 blanks before back wrapper, 1 binder’s blank after. Binding: 28.3 x 19 cm, tree-quarter beige buckram over marbled boards, spine: brown leather label with gilt double fillet top and bottom, gilt lettering, stamped in gilt with a lily and a year of publishing, gilt double-fillet to tail; publisher’s wrappers bound in. Bookplate with motto “AGE DICANT” to front pastedown. Gift inscription: "À mon ami Anger | Hommage de me bien dévoué | Édouard Rouveyre". Possibly Pierre Anger (1854-19..).Edition: 1st edition, this copy is from an unnumbered print run. Despite the note "Edition entièrement nouvelle, considérablement augmentée" this is obviously the 1st edition.
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POLEMIC AGAINST PRINTING | by | FILIPPO DE STRATA | Translated by SHELAGH GRIER | Edited and | Introduced by MARTIN LOWRY | University of Warwick | The Hayloft Press | 1986 || Publisher’s mustard wrappers w/ lettering, 18.5 x 12.5 cm, 20 unnumbered pages of parallel Latin text and English translation with English introduction; limited edition of 350 copies, 100 for private circulation and 250 numbered copies for sale of which this is №3, with ink inscription to the last page: To Beryl | on her birthday, 1986 | with love from | David ||
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Title-page: FRANCIS CARCO | RUE PIGALLE | LITHOGRAPHIES EN COULEURS | DE | VERTÈS | PARIS | BERNARD GRASSET | Éditeur | 1927 || Description: 25.7 x 19.5 cm, French flapped cream wrappers with black lettering similar to title, lettering to spine, [2] 1st blank leaf, [2] h.t. / blank, plate / blank, [2] t.p. /blank, dedication “A | FRED ANTOINE ANGERMAYER” / blank, [1-2] d.t.p. “CHAPITRE | PREMIER” / blank, [3] 4-124, [2] limitation / blank, [2] last blank leaf; collation: 4to; π4 1-164; total 68 leaves and 14 plates printed by Frères Mourlot after watercolours by Marcel Vertès. Printing : September 15, 1927 by Coulouma in Argenteuil (H. Barthélemy, director); plates printed by Frères Mourlot in Paris; Edition: print run limited to 338 copies of which 22 on Japon Impérial (numbered Japon 1-15 and I-VII) enriched with one original watercolour drawing, one suite in black and one in colour, etc.; 43 copies on Hollande van Gelder (Hollande 1-33 and I-X) with additional suites in black and in colour; 270 copies on Vélin d’Arches (Arches 1-250 and I-XX); and 3 “special” copies. This copy is numbered Arches № 162. Contributors: Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Frères Mourlot – lithographer. Robert Coulouma (French, 1887 – 1976) – printer. Bernard Grasset (French, 1881 – 1955) – publisher. Fred Antoine Angermayer (German, 1889 –1951) – dedicatee. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes
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Vol. 1: Title page: LES AVENTURES | DE | TÉLÉMAQUE, | PAR FÉNELON. — | TOME PREMIER. | {publisher’s arms by Beugnet after Choffard} | DE L'IMPRIMERIE DE MONSIEUR. | M. DCC. LXXXV. || Title-frontispiece (engraved by Montulay): lettering within garland: Les Aventures de Télémaque, FILS D’ULYSSE. GRAVÉES | D’APRÈS LES DESSEINS | DE | CHARLES MONNET | PEINTRE DU ROY | PAR | JEAN BAPTISTE | TILLIARD. ||; Lettering on ribbon beneath the garland: A PARIS | Chez L’AUTEUR Quay des Grands Augustins | Maison de Mr. Debure Fils Aîné Libraire. M. DCC. LXXIII. | AVEC PRIVILEGE DU ROY. ||; Signed under the frame: Montulay Sculpsit. || Pagination: [2] – h.t. / imprint, [2] – t.p. / blank, [2] Advert., [2] d.t.p. / sommaire, [1] 2-309 [3 blanks], total 320 pages on thick wove paper plus engraved title-frontis. by Montulay, 12 engraved text leaves (one for each book), unsigned, and 36 plates (all in ornamental frame of laurel ribbon) by Tilliard after Monnet, all engravings on laid paper. Collation: 4to; vergé flyleaves at front and back, π4 A-2P4 plus 4 additional divisional titles in choirs C, F, I, and M for books 2-5, total 160 leaves, plus 49 plates. Vol. 2: Title page: Same but “TOME SECOND”. Pagination: [2] – h.t. / imprint, [2] – t.p. / blank, [1-3] 4-297 [298 blank] [2] – approb., total 304 pages plus 12 engraved text leaves (one for each book), and 36 plates, last 6 plates in a simple frame without the laurel ribbon and before signatures. Collation: 4to; π2 A-2O4 2P1 χ1, total 152 leaves, plus 48 plates. Binding: Two volumes uniformly bound in green paper boards with two red labels lettered in gilt, untrimmed. Size: overall 36.5 x 28 cm, platemark 32 x 25 cm, with white vergé flyleaves to front and back, similar pastedowns. Catalogue raisonné: Cohen, de Ricci (1912): 384-386; Ray (French): № 37, p. 74; Lewine (1898): p. 181. Contributors: François Fénelon [François de Salignac de la Mothe-Fénelon] (French, 1651 – 1715) – author. Choffard, Pierre Philippe (French, 1730 – 1809) – artist. Monnet, Charles (French, 1732 – after 1808) – artist. Montulay (French, fl. c. 1773) – engraver. Tilliard, Jean Baptiste (French, 1740 – 1813) – engraver. Beugnet, Jean (French, c. 1803) – engraver. Didot, Pierre-François (French, 1731 – 1795) – printer. Barrois, Louis-François (French, 1748 – 1835?); Barrois, Pierre-Théophile (French, 1752 – 1836); Onfroy, Eugène (French, before 1765 – 1809) ; Delalain, Louis-Alexandre (French, 1749? – 1798) – booksellers.
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Title-page (in red and black, with tall “s”): LES | AVANTURES | DE | TELEMAQUE, | FILS D'ULYSSE, | Par seu Messire | François de Salignac, | De La Motte-Fenelon, | Precepteur de Messeigneurs les Enfans de | France, & depuis Archevêque-Duc de | Cambray, Prince du Saint Empire. | NOUVELLE EDITION, | CONFORME AU MANUSCRIT ORIGINAL, ET | ENRICHIE DE FIGURES. | {device} | A AMSTERDAM, | Chez D. J. CHANGUION. | MDCCXXV. || Pagination: fep, 1 bank leaves, frontis., [ii] title, [iii] iv-cvi, [1] 2-490 2 blank leaves, fep, total 496 pages. Collation: 12mo; 1*-4*12 5*5, A-V12 X8 (total 248 leaves) plus frontispiece and 9 plates designed and engraved by Simon Fokke (signed: “S. Fokke in et fec 1753”), and folding map (not signed). Binding: Red quarter roan over contemporary marbled vellum, only top margin trimmed. Edition: 2nd edition with these etchings after the 1st by Jan Daniel Beman in Rotterdam in 1755 (see British Museum 1887,0722.88 and 1887,0722.90 and others.) Catalogue raisonné: Not in Cohen-DeRicci, not in Lewine. Contributors: François Fénelon [François de Salignac de la Mothe-Fénelon] (French, 1651 – 1715) – author. Simon Fokke (Dutch, 1712 – 1784) – artist, engarver.
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Title page: THE | ADVENTURES | OF | TELEMACHUS, | THE | SON OF ULYSSES. | FROM THE FRENCH OF | SALIGNAC DE LA MOTHE–FENELON, | ARCHBISHOP OF CAMBRAY. | BY THE LATE | JOHN HAWKESWORTH, LL. D. | CORRECTED AND REVISED BY | G. GREGORY, D. D. | JOINT EVENING PREACHER AT THE FOUNDLING HOSPITAL, AND AUTHOR OF | ESSAYS, HISTORICAL AND MORAL, &C. | WITH | A LIFE OF THE AUTHOR, AND A COMPLETE INDEX, HISTORICAL AND GEOGRAPHICAL. | EMBELLISHED WITH TWELVE ELEGANT ENGRAVINGS. | IN TWO VOLUMES. | VOL. I. [VOL. II] | — | LONDON: | PRINTED FOR C. AND G. KEARSLEY, FLEET-STREET. | 1795. || Vol. 1: collation: 2 blank leaves, π6, a-d4, B-Z4 Aa-Ff4, 2 blank leaves, 7 coloured engravings; pagination: [i-v] vi-xxxv [xxxvi], [1] 2-223 [224 blank]. Vol. 2: collation: 2 blank leaves, π4, Gg-Zz4, 3A-3K4 [a]4 b2, 2 blank leaves, 5 coloured engravings; pagination: [i-iii] iv-vii [viii], [225] 226-439, [440-452]. Exterior: 2-volume set, uniformly bound in full crimson linen morocco, key fret inside, gilt-ruled with a floral pattern between fillets to boards, flat spine decorated in gilt, with gilt lettering, marbled endpapers, AEG, 4to, 28 x 22.5 cm; printed on wove paper with watermark “WS”. Blind stamp to ffl by previous owner: "B. J. WIJNVELDT". Engravings: 12 tinted stipple engravings à la poupée: one by James Neagle (British, 1760? – 1822), four by William Bromley (British, 1769 – 1842), four by William Skelton (British, 1763 – 1848), one by John Ogborne (British, 1755 – 1837), and two by James Parker (1750 – 1805) after Thomas Stothard (British, 1755 – 1834). Ref.: Lewine (1898), p. 183: "The 1795 edition, 2 vols., 4to., with 12 engravings after Stothard, has a nominal value." Not in Cohen De Ricci, 1912. Original: François Fénelon. Les Aventures de Télémaque, fils d’Ulysse. See №№ LIB-2522-2020 and LIB-2683.2021 in this collection. John Hawkesworth (British, c. 1715 – 1773). George Gregory (British, 1754 – 1808).
George Kearsley the elder (British, 1739 – 1790) (Kearsley, Catharine and George – publishers)
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THE | ADVENTURES | OF | TELEMACHUS, | THE SON OF ULYSSES. | Translated from the French of | Messire François Salignac de la Mothe–Fenelon, | Archbishop of Cambray. | BY | JOHN HAWKESWORTH, L. L. D. | — | LONDON: | Printed for the AUTHOR, by W. and W. Strahan, | M DCC LXVIII. || Binding: half polished brown calf over marbled boards, wave ruled blind, gilt fillet ruled compartments, black label with gilt lettering to spine; 29.5 x 24.5 cm; marbled endpapers. Pagination: 2 blank leaves (wove paper), [I, ii] – t.p. / blank, [iii] iv – dedication, [v] vi-xv – subscribers, [xvi] blank, [xvii] xviii-xix – preface, [xx] xxi-xxxv – contents, [xxxvi] – errata, subscribers omitted, [1] 2-462, printed on laid paper, 2 blank leaves (wove paper). Collation: 4to; A4, a-c4 d2, B-Z4 Aa-Zz4 Aaa-Mmm4 Nnn3; 24 head- and 24 tailpieces engraved by Charles Grignion the Elder (British, 1721 – 1810) after Samuel Waly (British, 1720 – 1786). Original: François Fénelon. Les Aventures de Télémaque, fils d’Ulysse. See № LIB-2522-2020 in this collection. Not in Lewine, 1898; Not in Cohen De Ricci, 1912.
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Title: THE LIFE OF LOUIS ADOLPHE THIERS | BY | FRANCOIS Le GOFF | DOCTEUR-ÈS-LETTRES | TRANSLATED FROM THE UNPUBLISHED MANUSCRIPT | BY | THEODORE STANTON, A. M. | {motto: Patriam dilexit, veritatem coluit.} | NEW YORK | G. P Putnam's Sons, 1879 | 182 FIFTH AVENUE | 1879 || Pagination: 2 blank leaves, frontis.: portrait of A. Thiers engraved on wood by J.I. Pease w/ tissue guard, [2] fac-simile of Thiers’s handwriting / blank, [2] - t.p. / copyright, [2] – dedication / blank, [2] – translators note / blank, [2] contents / blank, [vii] viii-xi [xii], [1] 2-353 [354 blank], [4] advert., 2 blank leaves; ill.: frontis., 1 woodcut plate, 1 folding manuscript fac-simile. Binding: dark-green cloth with bevelled margins, a gilt fac-simile of Thiers’s handwriting to front board, gilt lettering to spine. Note: The motto on the title page (Patriam dilexit, veritatem coluit) is taken from A. Thiers tomb on Père-Lachaise cemetery in Paris: "He cherished his homeland and worshipped the truth".
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Black and white photographic half-length portrait of Fred Astaire [Frederick Austerlitz] (American, 1899 – 1987) in sailor's uniform, signed "Fred Astaire" in black ink. Probably, from "Following the Fleet", a 1936 American RKO musical comedy. Size: 26.2 x 20.6 cm sheet; 23.3. x 19.3 cm image. Certificate of authenticity from John Reznikoff, University Archives.
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Tin-glazed earthenware polychrome plate with a scalloped rim, decorated with a triton riding a dolphin, surrounded by flowers and arabesque. Diameter: 24.5 cm; Height: 3.5 cm.
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Title page: THE ART OF | MAHLON BLAINE | A Reminiscence | by G. Legman | with a Mahlon Blaine bibliography | compiled by Roland Trenary | {Blaine’s fac-simile} | Peregrine Books | 1982 || Pagination: [1-4] 5-26 + 84 pp. of illustrations, unpaginated. Collation: 13 leaves of text, 40 leaves of b/w plates, and 2 leaves of colour plates, 55 leaves total. Binding: 29 x 22.5 cm; publisher’s black cloth, silver lettering to spine, pictorial endpapers, pictorial dust jacket. Edition: Limited edition of 100 copies (this is №100), signed by Gelman, Trenary, and Arrington. Contributors: Blaine, Mahlon (American, 1894 – 1969) – illustrator. Legman, Gershon (American, 1917 – 1999) – author. Arrington, Robert L. (American, 1984 – 2015) – author, introduction. Trenary, Roland (American) – author, compiler. Peregrine Books (East Lansing, MI) – publisher.
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Upper right: Galignani's | PLAN OF PARIS | 1827 || in oval frame: Sauve sculpt. Bottom, under the frame: le Plan écrit par Lallemand. […] Gravé par E. Collin. Rue de la Harpe № 45. Dimensions: 36.5 x 46.5 cm. Armand Joseph Lallemand (French, c. 1810 - 1871) – cartographer. Charles-Étienne Collin (French, 1770 – 1840) – engraver. Étienne Collin II (French,1790 – 1852) – engraver. John Anthony Galignani (Italian, 1796 – 1873) – publisher. William Galignani (Italian, 1798 – 1882) – publisher.
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Hardcover in blue cloth with gilt lettering to spine, pictorial dust jacket, 25.5 x 19.5 cm, pp.: [1-4] 5-452, +12 colour plates; 576 b/w plates within the pagination.
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Title-page (in red and black): Keramic art of Japan, | BY | GEORGE A. AUDSLEY | AND | JAMES L. BOWES. | LONDON: HENRY SOTHERAN & CO., | 36 PICADILLY; 136, STRAND; 77 & 78, QUEEN STREET, CITY. | MANCHESTER: 49, CROSS STREET. | MDCCCLXXXI. || Description: 28.5 x 19.5 cm, publisher’s red cloth, bevelled boards, gilt lettering and tooling on front cover and spine, AEG, disbound. 304 p., 10 pl., 32 chromo-lithographed plates. This is the 2nd edition of the 1875 folio edition by the same publisher.. Contents: Introductory essay on Japanese art: p. 1-107; Keramic art of Japan: p. 108-260; Marks and monograms: p. 261-287, Index: p. 288-304. Contributors: George Ashdown Audsley (American, 1838 – 1925) – author. James Lord Bowes (British, 1834 – 1899) – author.
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Title-page: Manuel de l'amateur | de livres du XIXe siècle, | 1801 - 1893 | Editions originales – Ouvrages et périodiques illustrés. | Romantiques – Réimpressions critiques de textes | anciens ou classiques. Bibliothèques et collections | diverses. Publications des sociétés de bibliophiles | de Paris et des départements. Curiosités bibliographiques, | etc., etc. Préface de Maurice Tourneux. | GEORGES VICAIRE | 1894-1920 | SOMERSET HOUSE | Teaneck 1973 || Photographically reduced reprint in one volume of the original edition by A. Rouquette (Paris) in 8 volumes, 9 pages to a page. Vol. 1: xix, 990; Vol. 2: 1098; Vol. 3: 1188; Vol. 4: 1362; Vol. 5: 1324; Vol. 6: 1240; Vol. 7: 1232; Vol. 8: Index of titles – 646; 4,559 original physical pages total (two numbers for one physical page). Binding: Green cloth, glit lettering to spine, 36 x 26 cm. Contributors: Georges Vicaire (French, 1853 – 1921) Maurice Tourneux (French, 1849 – 1917)
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Front wrapper: LES MŒURS DU SIECLE - № 1 | Les | six étages | par | GERARD BAUER | illustré de vingt gravures à l’eau-forte | par VERTÈS | {publisher’s device, “PARIS | 17, avenue de Friedland”} | ÉDITIONS DE L’ÉTOILE || Title-page: essais pour servir a1 l’histoire contemporaine | de la galanterie et du plaisir | I | Les six étages | par | GERARD BAUER | illustré de vingt gravures à l’eau-forte | par VERTÈS | | {publisher’s device, “ÉDITIONS DE L’ÉTOILE | 17, avenue de Friedland”} | PARIS […] MCMXXV || Pagination: front wrapper with lettering, [1-8] incl. 1st bank leaf, h.t. / limitation, t.p. / blank, dedication to Abel Hermant / blank, 9-169 [170] [6] incl. table, colophon, and last blank leaf, 17 etchings by Vertès within pagination; advert. of the other books of the series to the back wrapper. Edition: 15 copies on Japon Impérial (№ 1-15), 35 on Hollande Van Gelder Zonen (№ 16-50), 400 on Vélin de Rives BFK (№ 51-450) and 3 on blue paper not for sale. This copy is № 369. Printed on November 10, 1925 by L. Petitbarat in Saint-Ouen-l’Aumône (text) and by Vernant in Paris (etchings). Edition directed by Roger Allard. Binding: 19 x 12.5 cm, French flapped pink wrappers, lettered to front, back, and spine. Contributors: Gérard Bauër (French, 1888 – 1967) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Abel Hermant (French, 1862 – 1950) – dedicatee. Roger Allard (French, 1885 – 1961) – editor. L. Petitbarat (Saint-Ouen-l’Aumône) – printer. Éditions de l’Étoile (Paris) – publisher. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes
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Title: GESCHICHTEN | AUS | ARETINO | MIT FÜNFZEHN BILDERN | VON | CHOISI-NÉRAC | NICHT IM HANDEL | GEDRUCKT FÜR HEINRICH CONRAD | UND SEINE FREUNDE | SIENA 1907 || Collation: 8vo; 1-128 137; frontispiece, t.p. and 14 plates, extraneous to collation. Pagination: [2] f.t. / blank, 3-203 [2], il. Binding: Full cream vellum, ruled with gilt double-fillet, grey label with gilt lettering to spine. Bookplate by von Bayros Par Avi Cigno to front pastedown. Note: Private edition of Aretino's Ragionamenti in German as Geschichten aus Aretino by translater and publisher Heinrich Conrad (German, 1866 – 1918), whose real name was Hugo Storm, this copy №394, illustrated by Franz von Bayros (Austrian, 1866 – of Choisi-Nérac.
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Vol. 1: Title page (red and black): THE | COMIC HISTORY OF ENGLAND • | BY GILBERT ABBOTT A'BECKETT. | {vignette with one line caption} | WITH TEN COLOURED ETCHINGS AND ONE HUNDRED AND TWENTY | WOODCUTS, | BY JOHN LEECH. | VOL. I. | PUBLISHED AT THE PUNCH OFFICE, 85, FLEET STREET. | MDCCCXLVII. || Pagination: [iii-iv] – t.p. / imprint., [v]-vi – preface, [vii]-viii – contents, [ix]-xii – list of ills. [1] 2-320, lacking half-title otherwise as called for by Tooley (1935) p. 161. Collation: 8vo; π3 b2 B-X8 plus 10 plates, incl. frontispiece, of hand-coloured steel engravings and 120 in-text woodcuts by John Leech. Vol. 2: Title page: similar but “VOL. II.” And “MDCCCXLVIII”; typeface “with ten coloured…” is different (sans serif). Pagination: [iii-iv] – t.p. / imprint., [v]-vi – advert., [vii]-viii – contents, [ix]-xii – list of ills. [1] 2-304, lacking half-title otherwise as called for by Tooley (1935) p. 161. Collation: 8vo; π3 b2 B-U8 X2 plus 10 plates, incl. frontispiece, of hand-coloured steel engravings and 120 in-text woodcuts by John Leech. Binding: two volumes 22 x 14.5 cm each uniformly bound in full tan calf with gilt double-fillet border, spine gilt in compartments with red and green morocco labels lettered in gilt, blind-stamped dentelle inside, blue marbled endpapers, all edges marbled, additional flyleafs at the front and end. Catalogue raisonné: Hardie p. 210-11; Abbey, Life № 434, p. 362; Tooley (1935) p. 161 Contributors: Gilbert Abbott à Beckett (British, 1811 – 1856) – author. John Leech (British, 1817 – 1864) – artist. Bradbury & Evans (Whitefriars); William Bradbury (British, 1799 – 1869); Frederick Mullett Evans (British, 1804 – 1870) – printer. Punch – publisher.
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Woodcut pictorial title page (red and black): THE | COMIC | HISTORY | OF | ROME | By GILBERT ABBOTT À BECKETT. | ILLUSTRATED BY JOHN LEECH. | BRADBURY AND EVANS, 11, BOUVERIE STREET. || Pagination: [iii-iv] – t.p. / imprint., [v]-vi – preface, [vii]-viii – contents, [ix]-xii – list of ills., [1] 2-308, lacking half-title (i-ii) otherwise as called for by Tooley (1935) p. 162. Collation: π1 b4 B-U8 X2 plus 10 plates, incl. frontispiece, of hand-coloured steel engravings and 98 in-text woodcuts by John Leech. Imprint: “LONDON: | BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.”; same in the colophon on p. 308, in one line. Binding: 22 x 14.5 cm, full tan calf with gilt double-fillet border, spine gilt in compartments with red morocco label lettered in gilt, blind-stamped dentelle inside, marbled endpapers, additional flyleaf at the end (binding similar to 2-volume “The Comic History of England” LIB-2847.2021, making three volumes in total). Edition: 1st thus (in book form), without “and Co.” in the imprint on t.p. verso. Catalogue raisonné: Tooley (1935) p. 162. Catalogue raisonné: Hardie p. 210; Abbey, Life № 435, p. 365-6; Tooley (1935) p. 162. Contributors: Gilbert Abbott à Beckett (British, 1811 – 1856) – author. John Leech (British, 1817 – 1864) – artist. Bradbury & Evans (Whitefriars); William Bradbury (British, 1799 – 1869); Frederick Mullett Evans (British, 1804 – 1870) – printer.