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54 Products
Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.
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Harold Curwen. Processes of graphic reproduction in printing. — New York: Oxford University Press, 1934.
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Harriet Beecher Stowe. La case de l’Oncle Tom / gravures par George Cruikshank. — Paris: Aux Bureaux Du Magasin Pittoresque, 1853.
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Heianjō-zōgan (Yoshiro) tsuba with trellis and gouds. Momoyama Period (1574-1603).
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Heinz Sarkowski. Der Insel-Verlag: Eine Bibliographie, 1899 – 1969. — [Frankfurt a.M.]: Insel-Verlag, [1999].
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Henri Murger. Die Bohème : Szenen aus dem Pariser Künstlerleben. — Leipzig: Insel-Verlag, 1906.
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Henri Murger. The Bohemians of the Latin Quarter. (Scènes de la vie de Bohême) / Translated from the French. — London: Vizetelly & Co., 1883.
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Henry Murger. Scènes de la bohême; (Bibliothéque contemporaine, 2e série). — Paris: M. Lévy frères, 1851.
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Highlights from the Erotica Library of Tony Fekete / Auction catalogue, Tuesday 18 November 2014. — London: Christie’s, 2014.
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Il bombardamento di Venezia nell’Agosto del 1849. [Venice]: M. Fontana, [1849-50?].
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Illustration for Littré’s “Œuvres complétes d’Hippocrate” after Joseph Kuhn-Régnier, 1932–34.
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Im Garten der Aphrodite. 18 Bildgaben von Franz von Bayros. Privatdruck. — s.l.: s.n., s.a. [c. 1920].
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Isaac Bullart. Academie des sciences et des arts / 2 volumes in 1. — Paris: Louis Bilaine [i.e. Brussels: Foppens], 1682.
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Isaac Bullart. Academie des sciences et des arts / 2 volumes. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.
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Jack Kahane. Memoirs of a booklegger. — London: Michael Joseph Ltd., 1939.
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James Parsons. Human Physiognomy Explain’d: In The Crounian Lectures On Muscular Motion. — London: C. Davis, 1747.
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James Self, Nobuko Hirose. Japanese art signatures / A handbook and practical guide. — Warren, CT: Floating World Editions, 2011.
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Jay A. Gertzman. Bookleggers and Smuthounds: The Trade in Erotica, 1920-1940. — Philadelphia: University of Pennsylvania Press, © 1999.
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Jean de La Fontaine. Contes et nouvelles en vers / 2 vol. — Amsterdam [i.e. Paris: David Jeune], 1745.
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Jean de La Fontaine. Contes et nouvelles en vers / 2 volumes (4to). — Paris: P. Didot l’aîné, 1795.
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Jean de La Fontaine. Les amours de Psyché et de Cupidon / Établie par Louis Perceau et ornée d’illustrations en couleurs par Carlègle. — Paris: Georges Briffaut, 1932.
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Jean Galtier-Boissière. Mysteries of the French secret police / translated by Ronald Leslie-Melville. — London: Stanley Paul, [1938].
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Jean-Pierre Dutel. Bibliographie des ouvrages érotiques publiés clandestinement en français entre 1880 et 1920 [Vol. 1]; 1920 et 1970 (Vol. 2); 1650 et 1880 (Vol. 3). — Paris: Chez l’Auteur, 2002–2009.
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John Allington. The grand conspiracy of the members against the minde, of Jewes against their King. — London: R. Royston, 1654.
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John Carter. ABC for book-collectors, by John Carter. — London: R. Hart-Davis, 1952.
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John Carter. Taste and technique in book-collecting. — Cambridge: Cambridge University Press, 1949.
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John Johnson. Typographia, or the printers’ instructor / 2 volumes. — London: Longman, Hurst, Rees, Orme, Brown & Green, 1824.
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John Johnson. Typographia, or the printers’ instructor / 2 volumes. — London: Longman, Hurst, Rees, Orme, Brown & Green, 1824.
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John Milton. The poetical works : Paradise Lost, Paradise Regained, Samson Agonistes, Poems on several Occasions. — London: Jacob Tonson, 1695.
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John Windle, Karma Pippin. Thomas Frognall Dibdin, 1776-1847: A Bibliography. — New Castle, DE: Oak Knoll Press, 1999.
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Joseph B. Dallett. Romeyn de Hooghe: Virtuoso Etcher / Exhibition catalogue. — Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 2009.
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Joseph Conrad. The secret agent : a simple tale. — London: Methuen & Co., [1907]
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Jules Brivois. Bibliographie des ouvrages illustrés du XIXe siècle principalement des livres à gravures sur bois. — Paris: L. Conquet, 1883.
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Jun-type ware bowl. China, Yuan Dynasty [大元] (1279 – 1368).
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K. A. Coleridge. A descriptive catalogue of the Milton Collection in the Alexander Turnbull Library, Wellington, New Zealand. — Oxford: Oxford University Press, 1980.
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Kamakura-bori tsuba with design of a dragon. Muromachi period, c. 1450.
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Kamakura-bori tsuba with design of a bridge, mountain pavilion and 5-storey pagoda. Muromachi period, 16th century.
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Kanayama tsuba with design of utensils. Momoyama period, late 16th century.
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Kaneie tsuba with design of ginkgo leaf and plum blossoms. Momoyama or early Edo period, c. 1600.
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Ko-Shoami tsuba with deer and maple leaves motif, c. 1575-1625.
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L. Andrieux. Souvenirs d’un préfet de police / 2 vol. — Paris: Jules Rouff et Cie, 1885.
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L. Prudhomme. Miroir de l’ancien et du nouveau Paris / 2 vol. — Paris: Prudhomme, fils, Debray, 1804.
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L’Ameublement: Palais de la Nouveauté, Palais du Mobilier / Illustrations de Brunelleschi, préface de Francis de Miomandre. — Paris: Grands Magasins Dufayel, 1923.
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L’enfer de la Bibliothèque: Éros au secret / sous la direction de Marie-Françoise Quignard et Raymond-Josué Seckel. — Paris: Bibliothèque nationale de France, ©2007.
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La Belle Assemblée, or Bell’s Court and Fashionable Magazine / Vol. XI.–New Series. Jan. 1 to Jun 30, 1815. — London: J. Bell, 1815.
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La Caillette (XVIIIe siècle), by E. Charreyre after Juan Antonio González, 1884.
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La Conspiration Juive contre les Peuples : «Protocols» procès-verbaux de réunions secrètes des sages d’Israël. — Paris: La Vieille-France, 1920.
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La Correctionnelle: Petites causes célèbres, études de mœurs populaires au dix-neuvième siècle / par Gavarni. — Paris: Martinon, 1840.
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La Vieille France (1920) / par Urbain Gohier, №№ 154–203 (50 issues, full 1920 year).
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Lacquered wood netsuke of Noh theatre actor by Kogyoku [光玉], mid-19th century.
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Laurence Sterne. A sentimental journey through France and Italy (Illustrated library) / Illustrated by Mahlon Blaine. — Garden City, NY: Halcyon House, [c. 1950].
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Laurence Sterne. A sentimental journey through France and Italy / Illustrated by Mahlon Blaine. —NY: Three Sirens Press, [1930].
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Le decameron de Jean Boccace / 5 volumes, illustrated. — London [i.e., Paris, Prault]: 1757-61.
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Le Miroir de la Vérité ou le tigre écrassé. French anonyme, hand-coloured etching, 1815.
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