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Home/Collection/2021
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  • Зигфрид Кракауэр. Жак Оффенбах и Париж его времени / Перевод С. Шлапоберской; (Волшебная флейта. Из кладовой истории). — М.: Аграф, 2000.

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  • Cornelis De Bie. Het Gulden Cabinet. — Antwerp: Jan Meyssens, 1661.

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  • Blue and white porcelain plate, Japan, Late Edo Period, early 19th century.

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  • Chinese sancai-glazed pottery bowl, Liao Dynasty [辽朝] (907 – 1125).

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  • П. Безсалько. Алмазы Востока / рис. С. Видберга, предисл. А. Луначарского. — [Пг.]: Петроградский совет рабочих и красных депутатов, 1919.

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  • William R. Holland. Louis Icart: Erotica (A Schiffer book for collectors). — Atglen, PA: Schiffer Publishing Ltd., © 1998.

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  • Jean de La Fontaine. Contes et nouvelles en vers / 2 volumes (4to). — Paris: P. Didot l’aîné, 1795.

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  • Torquato Tasso. Il Goffredo, overo Gierusalemme liberata, poema heroico / 2 volumes. — Amsterdam: Daniel Elsevier; Paris: Thomas Jolly, 1678.

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  • Colette. La vagabonde / Lithographies en couleurs de Marcel Vertès. — Paris: La cité des livres, 1927.

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  • A table d’hote or French ordinary in Paris. Thomas Rowlandson, 1810.

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  • P. L. Jacob [i.e. Paul Lacroix]. Bibliographie et iconographie de tous les ouvrages de Restif de la Bretonne. — Paris: A. Fontaine, 1875.

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  • Ayn Rand. The Fountainhead. — NY, Indianapolis: The Bobbs–Merrill Company, ©1943.

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  • H. L. Rosegger. Von Königen und Jakobinern / Vollbildern und Buchschmuck von Marquis F. von Bayros. — Köstritz, Leipzig: C. Seifert, 1913.

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  • Rodney K Engen. Dictionary of Victorian wood engravers. — Cambridge; Teaneck (N.J.): Chadwyck-Healey, 1985.

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  • Voyages et mémoires de Maurice-Auguste, Comte de Benyowsky / 2 vol. — Paris : F. Buisson, 1791.

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  • Феофраст. Характеры / Перевод Г. А. Cтратановского (Литературные памятники). — Л.: Наука, 1974.

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  • The Objectivist Newsletter, vol. 1-4 / 48 issues total (complete run). — New York: The Objectivist, Inc., 1962–1965.

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  • Les contes de Boccace: Decameron / Traduit de l’italien par Antoine Le Maçon, illustrations de Brunelleschi / 2 vol. — Paris: Gibert Jeune, Librairie d’Amateurs, 1934.

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  • Collection de vignettes pour les œuvres de J.-J. Rousseau gravées par MM. Forster, Laugier, Leroux, Muller, etc. d’après les dessins de Devéria. — Paris: Dalibon, 1825.

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  • Gérard Bauer. Les six étages / illustré par Vertès (Les mœurs du siècle, № 1). — Paris: Éditions de l’Étoile, 1925.

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  • Félicien Rops. Anversoise ou servante; etching, n.d.

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  • Paris tel qu’il est aujourd’hui or Plan of Paris at the present day, 1800.

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  • Utagawa Kunisada. Five types of haiku in shōfū style / Fan print, 1842-46.

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  • Sancai tripod jar. China, Tang dynasty [唐朝] (618 – 907).

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  • James Self, Nobuko Hirose. Japanese art signatures / A handbook and practical guide. — Warren, CT: Floating World Editions, 2011.

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  • The Repository of Arts, Literature, Fashions, Manufactures, &c., 2nd series, vol. 13, Nos. 73-78 (Jan–Jun) 1822. — London: Rudolph Ackermann, 1822.

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  • Geoffrey A. Godden. British Porcelain: An Illustrated Guide. — London: Barrie and Jenkins, 1986.

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  • Ko-Shoami tsuba with deer and maple leaves motif, c. 1575-1625.

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  • Lacquered wood netsuke of Noh theatre actor by Kogyoku [光玉], mid-19th century.

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  • Graham Greene and Carol Reed. The third man / Film script. — New York: Simon and Schuster, 1968.

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  • [Marcel Vertès]. Trois filles de leur mère. — [Paris: Marcel Cotinaud, 1927].

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  • Pierre Aretin. La putain errante: Dialogue de Madeline et Julie / [illustré par André Collot]. — Paris: s.n., 1930.

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  • Graham Greene. A sort of life. — London: The Bodley Head, 1971.

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  • Félicien Rops. Aux Folies-Bergère; aquatint & drypoint, n.d.

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  • The Environs of Paris. — London: Charles Knight & Co., 1844.

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  • Torquato Tasso. La Gierusalemme liberata. — Genoa: Girolamo Bartoli, 1590.

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  • Thomas F. Adams. Typographia: a brief sketch of the origin, rise, and progress of the typographic art. — Philadelphia, 1837

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  • Торквато Тассо. Освобожденный Иерусалим / Перевод В. С. Лихачева (Библиотека зарубежного поэта). — СПб.: Наука, 2007.

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  • John Milton. The poetical works : Paradise Lost, Paradise Regained, Samson Agonistes, Poems on several Occasions. — London: Jacob Tonson, 1695.

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  • Jean-Pierre Dutel. Bibliographie des ouvrages érotiques publiés clandestinement en français entre 1880 et 1920 [Vol. 1]; 1920 et 1970 (Vol. 2); 1650 et 1880 (Vol. 3). — Paris: Chez l’Auteur, 2002–2009.

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  • Chinese sancai-glazed pottery bowl, Liao Dynasty [辽朝] (907 – 1125).

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  • Joseph Conrad. The secret agent : a simple tale. — London: Methuen & Co., [1907]

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  • G. Legman. The art of Mahlon Blaine. — East Lansing: Peregrine Books, 1982.

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  • Raymond Radiguet. Vers libres / Illustrés par Rojan. — Nogent: Au Panier Fleuri [i.e. Paris, c. 1937].

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  • Georges Vicaire. Manuel de l’amateur de livres du XIXe siècle, 1801 – 1893 / Préface de Maurice Tourneux. — Teaneck, NJ: Somerset House, 1973.

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  • Pierre Mac-Orlan. Les jeux du demi-jour / avec douze lithographies de Vertès. — Paris: Les arts et le livre, 1926.

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  • COG.- or not ashamed of being in town in November! – INCOG or supposed to be in the country in August! George Cruikshank after M. Egerton, 1826.

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  • Choderlos de Laclos. Les Liaisons dangereuses (2 volumes). — Genève: 1792.

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  • Arthur M. Hind. Engraving in England in the Sixteenth and Seventeenth Centuries: A Descriptive Catalogue / 3 volumes. — Cambridge: The University Press, 1952, 1954, 1964.

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  • Ayn Rand. Atlas shrugged. — NY: Random house, [1957].

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  • Phyllis Dearborn Massar. Presenting Stefano della Bella. — NY: The Metropolitan Museum of Art, [1971].

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  • Polychrome faience charger, Delft, 18th century.

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  • Restif de la Bretonne. Les parisiennes, ou XL caractères généraux pris dans les mœurs actuelles, propres à servir à l’instruction des personnes-du-sexe / 4 vol. — Neufchâtel, et Paris: Guillot, 1787.

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  • Гильгамеш. Вавилонский эпос / Перевод Н. С. Гумилева. — СПб.: Изд. Гржебина, 1919.

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