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54 Products
Pierre-Joseph Bernard. L’art d’aimer, et poésies diverses. — Anonymous, [1775?]
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Вадим Скуратовский. Проблема авторства “Протоколов сионских мудрецов” // Серия: “Библиотека института иудаики”. — Киев: Дух и литера, 2001.
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Desiderius Erasmus. The praise of folly (Encomium moriae) / Translated by White Kennett, illustrated by Hans Holbein the Younger. — London: Stephen Austen, 1726.
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Альфонс Додэ. Тридцать лет в Париже / пер. с фр. (Из «Книжек Недели»)— СПб.: Газета «Неделя», 1888.
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Alphonse Daudet. Trente ans de Paris à travers ma vie et mes livres. (Collection artistique Guillaume). — Paris: C. Marpon et E. Flammarion, 1888.
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Voltaire. Candide or all for the best / Illustrated by Clara Tice. — NY: The Bennett Libraries, 1927.
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Les artistes du livre: Vertès. — Paris: H. Babou, 1930.
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Claude Joseph Dorat. Fables nouvelles. —The Hague, Paris: Delalain, 1773-[75].
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Nieuwe kaart der platte grond van de stad Parys en derzelver voorsteden; engraving, 1756.
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Life in England in aquatint and lithography, 1770-1860: from the library of J. R. Abbey / A bibliographical catalogue. — London : Curwen Press, 1953.
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The works of the right honourable Edmund Burke / 3 volumes. — Dublin: Printed for R. Cross, W. Wilson [etc.], 1792–93.
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Arthur Freeman. Bibliotheca Fictiva: a Collection of Books and Manuscripts Relating to Literary Forgery 400 BC – AD 2000. — London: Bernard Quaritch Ltd, 2014.
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Henri Murger. The Bohemians of the Latin Quarter. (Scènes de la vie de Bohême) / Translated from the French. — London: Vizetelly & Co., 1883.
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Utagawa Sadahide. Five festivals, ninth month, full moon celebration / Fan print, 1835.
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Moustiers faience plate, France, mid-18th century.
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Graham Greene. Our man in Havana: An entertainment / UNCORRECTED PROOF COPY. — London: Heinemann, 1958.
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L’Ameublement: Palais de la Nouveauté, Palais du Mobilier / Illustrations de Brunelleschi, préface de Francis de Miomandre. — Paris: Grands Magasins Dufayel, 1923.
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Dürers Kupferstiche und Holzschnitte. Ein kritisches Verzeichnis von R. v. Retberg. — München: Theodor Ackermann, 1871.
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