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54 Products
Nicolas Restif de la Bretonne. Les faiblesses d’une jolie femme / Illustrations en couleurs de Raoul Serres. — Paris: Edmond Vairel, 1951.
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L’enfer de la Bibliothèque: Éros au secret / sous la direction de Marie-Françoise Quignard et Raymond-Josué Seckel. — Paris: Bibliothèque nationale de France, ©2007.
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Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.
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Georges Vicaire. Manuel de l’amateur de livres du XIXe siècle, 1801 – 1893 / Préface de Maurice Tourneux. — Teaneck, NJ: Somerset House, 1973.
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Torquato Tasso. Il Goffredo, overo Gierusalemme liberata, poema heroico / 2 volumes. — Amsterdam: Daniel Elsevier; Paris: Thomas Jolly, 1678.
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Torquato Tasso. Apologia in difesa della sua Gierusalemme liberata. — Mantua: Francesco Osanna, 1585/6.
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Torquato Tasso. Di Gerusalemme conquistata. — Paris: Abel L’Angelier, 1595.
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Torquato Tasso. L’Aminta favola boschereccia; Amore fugitivo. — Venice: Antonio Zatta, 1769.
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Torquato Tasso. Rime: Parte prima / Insieme con altri componimenti del medesimo. — Venice: [Aldus Manutius the Younger], 1581.
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Torquato Tasso. Aminta favola boscareccia / con le annotationi d’Egidio Menagio. — Paris: Augustin Courbe, 1655.
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Charles and Mary Lamb. Tales From Shakespeare / Introduction by Martin Armstrong. — London; Glasgow: Collins, 1958.
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Torquato Tasso. La Gerusalemme liberata. — Genoa: Giuseppe Pavoni, 1617
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Torquato Tasso. La Gerusalemme liberata. — Urbino: Girolamo Mainardi, 1735.
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Torquato Tasso. Il Goffredo overo la Gierusalemme liberata. — Paris: Impremerie Royale, 1644. — Paris: Impremerie Royale, 1644.
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Pierre Aretin. La putain errante: Dialogue de Madeline et Julie / [illustré par André Collot]. — Paris: s.n., 1930.
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Joseph B. Dallett. Romeyn de Hooghe: Virtuoso Etcher / Exhibition catalogue. — Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 2009.
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[William Alexander.] Costume of the Russian Empire. — London: John Stockdale, 1811.
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Dürers Kupferstiche und Holzschnitte. Ein kritisches Verzeichnis von R. v. Retberg. — München: Theodor Ackermann, 1871.
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