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One volume collated 8vo, 19 x 14 cm, bound in black alligator leather. Front wrapper (green) / title-page (white): A female figure smoking a pipe next to a beer mug, reclining over an arch ring lettered “…VERSITÉ” (UNI… not shown), her dress ribbon lettered “MUSA STUDIORUM”, holding a book lettered “SCIENTIA”; within the arch « ALMANACH | CROCODILIEN | DÉDIÉ | AUX ÉTUDIANTS BELGES. | BIBLIOTHÈQUE | DE LA JEUNESSE MUSULMANE. »; below lies a book lettered “1856.”, next to it is a smoking skull; three male figures embracing the arch columns. Half-title: ALMANACH CROCODILIEN | POUR | L’ANNÉE BISSEXTILE, MAIS NÉANMOINS DE GRACE | 1856. || Pagination: [1-5] 6-14 [15-41] 42-134 [137] 138, total 136 pages within the wrappers, original publisher's green wrappers preserved, carte de visite ‘Félicien Rops, Étudiant’ and pink invitation card № 129 for ‘Bal des femmes’ on March 19, 1892 at ‘Fête annuelle du Courier Français’ bound in; in-text woodcuts, initials, head- and tail-pieces after Félicien Rops. Bookplate “Ex Libris Marcellus Schlimovich” with motto “Ars naturam adiuvat” on front pastedown. Stamp of the "Sociedad Hebraica Argentina / Coleccion M. Schlimovich / Varios / No. 2-492” to half-title. Pencil inscription to half-title: "Ex. Félicien Rops" – possibly an own copy of the artist. Collation: π2 1-88 92, total 68 leaves within wrappers. Printer: Typ. de J. Vanbuggenhoudt (Bruxelles). Sociedad Hebraica Argentina; Marcelo Schlimovich (Argentine-Jewish, ca. 1880 – 1960) – provenance. Félicien Rops (Belgian, 1833 – 1898) – artist. -
Russian translation of Louis-Sébastien Mercier. Tableau de Paris (1781). First edition, thus. Two volumes, 19.5 x 14 cm, uniformly bound in blue cloth with dark blue vignette to front cover and lettering to spine, in pictorial dust jacket; pp. vol. I: [I-VI] VII-LIII [LIV] [2] [2] 3-565 [566] [2]; collated 8vo: [I]-III8, IV4, [1]-358 364; total 312 leaves (624 pages) plus repro engraved frontispiece and 21 plates; vol 2: [1-10] 11-492 [4], collated 8vo: [1]-318; total 248 leaves (496 pages) plus 29 plates. Design by Н. В. Кузьмин. Title-page (black and red): ЛУИ-СЕБАСТЬЯН МЕРСЬЕ | КАРТИНЫ ПАРИЖА | Перевод В. А. Барбашевой | Редакция и комментарии | Е. А. Гунста | Статья Ц. Фридлянда | ТОМ ПЕРВЫЙ (ВТОРОЙ) | ACADEMIA | 1935(6) || Opposite t.p. (black and red): ФРАНЦУЗСКАЯ ЛИТЕРАТУРА | ЛУИ-СЕБАСТЬЯН МЕРСЬЕ | 1740—1814 | ACADEMIA | Москва—Ленинград || T.p. verso: LOUIS-SÉBASTIEN MERCIER | TABLEAU DE PARIS | 1781 | Супер-обложка и переплет | Н. В. Кузьмина || Print run: 5,300 copies. Catalogue raisonné: Крылов-Кичатова 747 (vol. 1), 838 (vol. 2). Contributors: Louis-Sébastien Mercier (French, 1740 – 1814) – author. Барбашева, Вера Александровна (Russian, 1875 – 1943) – translator. Гунст, Евгений Анатольевич (Russian, 1901 – 1983) – editor, comments. Фридлянд, Цви [Григорий Самойлович] (Russian-Jewish, 1897 – 1937) – author (preface). Kuzmin, Nikolai Vasilievich [Кузьмин, Николай Васильевич] (Russian, 1890 – 1987) – artist. -
Description: Two volumes, 16.5 x 11 cm, collated 8vo, uniformly bound in the mid-19th century by H. Stamper (stamp to verso free endpaper) in red Morocco, ornated with gilt fillets and dentelles to boards and turn-ins, spine with raised bands and gilt decorations and lettering in compartments, marbled endpapers, all edges gilt; printed on laid paper; bookplate to front pastedown “EX LIBRIS | DANIEL | BERDITCHEVSKY”. Title-page (red and black, tall ‘s’): LES CENT | NOUVELLES | NOUVELLES. | SUIVENT LES CENT NOUVELLES | CONTENANT | Les Cent Histoires Nouveaux, | Qui sont moult plaisans a raconter, | En toutes bonnes Compagnies, | Par MANIERE DE JOYEUSETÉ. | Avec d'excellentes Figures en Taille-douce, | Gravées sur les desseins du fameux Mr. | ROMAIN DE HOOGE | & retouchées par feu | B. PICART LE ROMAIN | TOME PREMIER (TOME SECOND) |{device} | A COLOGNE | Chez Pierre Gaillard. | M.DCCXXXVI. || Vol. 1: Collation: [1] flyleaf torn out, [1] frontispiece, [1] title-page, [3] preface (*2-4), [1] Auertissement, [10] table (2+**-**8), A-Bb8 (Bb8 blank); 45 in-text half-page copperplate etchings by various engravers after Romain de Hooge; total 215 leaves plus ffl and frontispiece by Gilliam van der Gouwen after Romain de Hooge. Pagination (starting from t.p.): [30] 1-397 [398] [2], total 430 pages. Vol. 2: Collation: ffl, [*1] t.p., [11] table (*2-8, **-4), A-Aa8 Bb4 (Bb4 blank); 55 in-text half-page copperplate etchings by various engravers after Romain de Hooge; total 208 leaves plus ffl. Pagination: [24] 1-389 [390] [2], total 416 pages. Catalogue raisonné: Landwehr (1970) № 94, p. 203; Lewine (1898) p. 326; Cohen-DeRicci (1912) p. 658. Landwehr cites two editions after the 1st of 1701: Amsterdam 1732 and Cologne 1786 [i.e. 1736]. Both Lewine and Cohen-DeRicci attribute the text to Louis XI and mention the 1736 reprint (though not 1786). The first edition of “Les cent nouvelles nouvelles” appeared in 1486 by commission of Duke of Burgundy Philippe le Bon; the text is attributed to Philippe Pot (1428 – 1493), Antoine de La Sale (c. 1385 – c. 1460) or King Louis XI (1423 – 1483). Contributors: Artists: Romain de Hooge (Dutch, 1645 – 1708) Bernard Picart (French, 1673 – 1733) Engravers: Gilliam van der Gouwen (Dutch, c. 1657 – 1716) (frontispiece) Laurens Scherm (Dutch, fl. 1689 – 1701) (nouvelles XXIX, XXX, LXXVII) Jan Van Vianen (Dutch, c.1660 – 1726?) (nouvelles L, LII, LVII-LX, LXIV-LXVII, LXX) Binder: Henry Stamper (British, 1802? – 1887) Commissioner: Philippe le Bon [Philip III] (French, 1396 – 1467) Publisher: Pierre Gaillard (French, fl. 1715 – 1737) -
Description: Hardcover, 24.5 x 20 cm, collated 4to, modern half crushed Morocco over marbled boards, raised bands, gilt fillets, fleurons, and lettering to spine, top margin gilt; pp.: [4] [1-5] 6-238 [2] [4]; 1-314, total 124 leaves, 20 in-text vignettes in colour after André Collot, b/w tail-pieces; printed on BFK Rives watermarked wove paper; original wrappers absent. Limitation: Print run of 331 copies of which this is copy № 255. Title-page (blue and black): ANDREA DE NERCIAT | FÉLICIA | OU MES FREDAINES | ORNÉ DE VINGT EAUX-FORTES | COLORIÉES A LA MAIN | PAR L'ARTISTE | PARIS | 1928 || Catalogue raisonné: Dutel (1920-1970) № 1556, p. 165. Contributors: André-Robert Andréa de Nerciat (French, 1739 – 1800) – author. André Collot (French, 1897 – 1976) – artist. Another copy of the same title with illustrations after Louis Icart in this collection: LIB-3046.2022. -
Description: Hardcover, 18.8 x 13 cm, pictorial front cover (after Franz von Bayros) in colour over tan cloth, lettering to spine, all margins red, laid paper endpapers, pp.: [4] 1-185 [3]; collated 8vo as π2 1-118, 126, total 192 pages (96 leaves) plus 5 b/w photogravures after drawings by Franz von Bayros. Title-page (blackletter): Gustav Hochstetter | Das Füsschen der gnädigen Frau | und Anderes | {publisher’s device} | {blank} | 1912 | München und Leipzig bei Georg Müller || T.p. verso (blackletter): Umschlagzeichnung und fünf Bildbeigeben von | Franz von Bayros | {blank} | (serif) Copyright 1912 by Georg Müller in München || Colophon: Druck von Mänicke u. Jahn, Rudolstadt. Contributors: Gustav Hochstetter (German-Jewish, 1873 – 1944) – author. Franz von Bayros (Austrian, 1866 – 1924) – artist. Mänicke und Jahn (Rudolstadt) – printer. Georg Müller (München, Leipzig) – publisher. -
Hardcover, 20.2 x 13.6 cm, green cloth, gilt lettering to spine, in unclipped dust jacket, pp.: [1-8] 9-334 [2]. Title-page: THE HONORARY CONSUL | GRAHAM GREENE | {4 line citation} | {publisher’s device} | THE BODLEY HEAD | LONDON SYDNEY | TORONTO || © Graham Greene 1973. Printed by: William Clowes & Sons Ltd. (Beccles). Graham Greene (British, 1904 – 1991). -
Square softcover, 28.5 x 28.7 cm, pictorial wrappers, pp.: [1-5] 6-208, ils. Title-page: Chikanobu | Modernity and Nostalgia in Japanese Prints | by Bruce A. Coats | with essays by | Allen Hockley, Kyoko Kurita and Joshua S. Mostow | Scripps College, Claremont, CA, USA | in association with | Hotei Publishing | Leiden, The Netherlands | {publisher’s device} || Contributors: Toyohara Chikanobu [豊原周延] (Japanese, 1838 – 1912) Bruce Arthur Coats (American, modern) -
Hardcover, 25.2 x 17 cm, quarter burgundy shagreen with raised bands and gilt lettering to spine over turkish marbled boards and endpapers, publisher’s wrappers preserved. Title-page: JEAN BERLEUX | LA | CARICATURE POLITIQUE | EN FRANCE | PENDANT LA GUERRE, LE SIÈGE DE PARIS | ET LA COMMUNE | (1870–1871) | {vignette} | PARIS | LABITTE, ÉM. PAUL ET Cie | LIBRAIRES DE LA BIBLIOTHÈQUE NATIONALE | 4, RUE DE LILLE, 4 | – | 1890 || Collation: 4to; π8 1-274 282, plates within collation; total 118 leaves. Pagination: [i-ix] x-xvi, [1] 2-217 (printed 317) [3], total 236 pages, profusely illustrated, incl. in-text and full-page b/w ils, all within pagination. Condition: Good, scattering foxing, pencil marks. Contributors: Maurice Quentin-Bauchart [pseud. Jean Berleux] (French, 1857 – 1910) – author. Georges Chamerot (French, 1845 – 1922) – printer, president of the 'Chambre syndicale des imprimeurs typographes', married to Claudie Viardot (French, 1852 – 1914) in 1874 – printer. Labitte, Ém. Paul et Cie (Paris) – publisher, Adolphe Labitte (French, 1832 – 1882); Émile Paul (French, 1847 – ?). Another copy in poor condition: LIB-1653.2016, and another, a modern reprint: LIB-0814.2015. -
Unbound volume in publisher’s wrappers, lettered in red “FELICIA | ou | mes fredaines”, in 29.7 x 23.6 cm purple and blue diaper cloth double-slipcase with a lettered label, 52 leaves folded in half, first and last blank leaves within the wrappers, pagination: [8] 1-186 [2] [4] (200 pages total); illustrated with 20 coloured etchings after watercolours by Louis Icart (signed), plates within collation, 8 b/w tail-pieces and coloured initials; the edition enriched with an original watercolour, an etched copperplate, and two suites of plates, one in black and one in sanguine. Edition printed on thick wove paper, margins untrimmed. Title-page (purple and black): ANDRÉA DE NERCIAT | Félicia | ou | Mes fredaines | ILLUSTRÉ | DE VINGT EAUX-FORTES ORIGINALES EN COULEURS | PAR | LOUIS ICART | GEORGES GUILLOT, ÉDITEUR | 7, RUE PERRONET | PARIS || Limitation: a print run of 500 copies numbered 1 to 500 plus 30 copies “exemplaires d’artiste, numbered I to XXX, of which this is number I. Catalogue raisonné:William R. Holland (1998): pp. 152-164. Ref.: [LIB-2785.2021] William R. Holland. Louis Icart: Erotica (A Schiffer book for collectors). — Atglen, PA: Schiffer Publishing Ltd., © 1998. Printed by Joseph Zichieri (text) and Manuel Robbe (etchings). Contributors: André-Robert Andréa de Nerciat (French, 1739 – 1800) – author. Louis Icart (French, 1888 – 1950) – artist. Solange et Georges Guillot, éditeurs – publisher (7, rue Perronet, Paris) Joseph Zichieri (Grench, mid-20th century) – printer. Ateliers en taille-douce de Manuel Robbe (French, 1872 – 1936) – engraver/printer. Watercolour:
Copperplate:
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Iron tsuba of a round form (maru-gata) pierced (sukashi) with two six-petal flowers at 6 and 12 o’clock and modified lozenges at 3 and 9 o’clock, and inlaid in brass (suemon-zōgan) with tendrils and flowers (chrysanthemum, cherry blossom, Chinese bellflower, paulownia); openings outlined with scalloped brass wire. The plate is slightly concave with traces of lacquer on the surface. Nakago-ana plugged with copper sekigane. Some elements of inlay missing. The rim with conspicuous tekkotsu, quite worn. Measurements: Height 92.0 mm; Width 86.3 mm; thickness at seppa-dai 3.2 mm, at rim 4.2 mm. Time: Late Muromachi (1514 – 1573) or earlier. -
Iron tsuba of round form pierced with the design of slanting rays of light (Christian motif, Jesuit’s IHS symbol) in positive silhouette (ji-sukashi). This design is often called “tokei” [時計], or “clock gear”. Nakaga-ana fitted with copper sekigane. Rounded rim. Unsigned. Higo school. Early Edo period, mid-17th century (1632-1650).Size: 78.3 x 77.0 x 5.3 mm
For information regarding this type of tsuba see the article 'Kirishitan Ikenie Tsuba by Fred Geyer at Kokusai Tosogu Kai; The 2nd International Convention & Exhibition, October 18-23, 2006, pp. 84-91. School and age attribution thanks to Bruce Kirkpatrick. . 
IHS emblem of the Jesuits
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Iron tsuba of a spindle shape (tate-itomaki-gata) pierced and inlaid in brass suemon-zōgan with bellflowers, vines and foliage, and a dragonfly in the upper right corner, on both sides. One of the hitsu-ana plugged with grey metal (led or pewter), nakaga-ana fitted with copper sekigane. The shape of the tsuba may be interpreted as four saddles connected to each other by horse bits. Such a design of sukashi and zōgan is usually attributed to Kaga Yoshirō branch of Heianjo school, active in the second half of the 17th century (c. 1650-1700). Size: 95.9 mm diagonal; 4.1 mm thickness. Tokubetsu Kicho certificate № 332 issued by NBTHK on October 12, 1965. -
A shakudō kozuka decorated with equestrian tack inlaid in raven black shakudō, gold uttori and a silver alloy on a nanako ground. Unsigned. Attributed to Goto Joshin (Japanese, 1513 – 1562), 3rd generation Goto master. Late Muromachi period, Tenbun era (c. 1550). Size: 96.7 x 14.4 x 4.9 mm. Tokubetsu Hozon certificate № 2004230 issued by NBTHK on May 10, 2017. For a detailed explanation of terms see: Sesko, Markus. Handbook: Of Sword Fittings Related Terms. Germany: Books on Demand, 2011. -
Softcover, 19 x 12 cm, publisher’s yellow wrappers with lettering to front, rear and spine, pp. [i-v] vi-xix [xx] [1] 2-474 [6], including index pp. 465-71 and contents pp.473-74. Bookseller’s label to front wrapper in the bottom: « LIBRAIRIE CLASSIQUE | ET | MILITAIRE | S. MILON FILS | SAUMUR | FOURNITURES DE BUREAU » Title-page: Pierre Vésinier | ANCIEN MEMBRE DE LA COMMUNE | — | COMMENT A PÉRI | LA COMMUNE | {publisher’s device} | PARIS | NOUVELLE LIBRAIRIE PARISIENNE | ALBERT SAVINE, ÉDITEUR | 12, RUE DES PYRAMIDES, 12 | – | Tous droits réservés. || Contributors: Pierre Vésinier (French, 1824 – 1902) – author. Albert Savine (French, 1859 – 1927) – publisher. Imprimerie de Saint-Denis, H. Bouillant (Paris) – printer. -
Description: Hardcover, 24.5 x 16.5 cm, collated 8vo, bound in quarter green marbled sheepskin over buckram boards, publisher’s wrappers preserved. Front wrapper and title-page (red and black): LIANE DELORYS | JOUJOU | OU | LES LIBERTINAGES DU TRAVESTI | Orné de 16 héliogravures | PARIS | AUX GALANTS PASSE-TEMPS | 79, Rue de Vaugirard, 79 || Collation: [1]8 (2 blanks, h.t./advert., t.p./limit., text), 2-178 on laid paper (total 136 leaves) plus 16 photomechanical b/w plates, incl. frontispiece on thick wove paper. Pagination: [1-9] 10-269 [3], total 272 pages, ils. Limitation: a print run of 2,050 copies on vergé antique Hollande reserved for subscribers, of which this is copy № 379. Contributors: Author: Liane Delorys – pen name; the real name is unknown; according to various sources other pseudonyms of this author are: Liane Lauré, Liane de Lorys, Liane de Lauris, Lucette de Chata, and G. Donville. The latter may be a real name, though there is no information even about the gender of this person. Publisher: Aux Galants Passe-temps, i.e. Jean Fort or Jean-Marie Fort (French, fl. c. 1907 – 1839), also published under the name of ‘Collection des Orties Blanches’, ‘Bon Vieux temps’, ‘Au Cabinet du Livre’. Artist: Chéri Hérouard (French, 1881 – 1961). Printer: Darantiere (Dijon), i.e. Maurice Darantiere (French, 1882 – 1962). -
Title-page: CURIOSITÉS | DE L’HISTOIRE | DU VIEUX PARIS | PAR | P. L. JACOB | BIBLIOPHILE | { LES NOMS DES RUES | LES RUES DE CITÉ | LES RUES HONTEUSES AU MOYEN AGE. | PROMENADES DANS LE VIEUX PARIS EN 1834. | PHYSIOLOGIE DU PONT NEUF. | BICÊTRE } | PARIS | ADOLPHE DELAHAYS, LIBRAIRE-ÉDITEUR | 4-6, RUE VOLTAIRE, 4-6 | – | 1858 || Description: Hardcover, in-16o, 17 x 11 cm, quarter brown morocco over marbled boards, spine with raised bands, gilt lettering, gilt fleurons, marbled endpapers, original wrappers with red and black lettering within red frame bound in, some pages uncut. Collation: 8vo; π2 14, 2-238 244, total 186 leaves between original wrappers. Pagination: [4] [1] 2-364 [4], total 372 pages. Catalogue raisonné: Vicar: I, 770. Contributors: Printer: Simon Raçon et Comp. (Paris). Author: Paul Lacroix [P. L. Jacob] (French, 1806 – 1884). Publisher: Adolphe Delahays (French, mid-19th century). -
Two volumes in-16o, 16.3 x 10.3 cm, uniformly bound in marbled calf with gilt triple-fillet border, flat spine with gilt lozenges in compartments, two crimson labels with gilt lettering, marbled endpapers, all edges gilt, with engraved title, 2 title vignettes, 11 copper plate engravings, incl. title/frontispiece in vol. 1, and 10 headpieces (two of them similar), printed on laid paper. Vol. 1: Livres 1 – 5. Engraved title-page: Cartouche with the title "Les | Amours de | THEAGENES | & | CHARICLÉE", with a Cupid holding a torch on top and a defeated winged dragon at the bottom; Cupid's quivers with bows and arrows beside. Collation: 8vo; a5 (t.p., preface), A-N8 O4 (O4 blank), total 113 leaves plus 6 unsigned engraved plates, incl. engraved title as frontispiece, unsigned; 5 different headpieces, unsigned. Pagination: [i, ii] iii-x, [1] 2-213 [3] (blank), total 226 pages, ils. Vol. 2: Livres 6 – 10. Collation: 8vo; π1 (t.p.), A-M8, total 97 leaves plus 6 unsigned plates, incl. the Conclusion, no frontispiece; 5 headpieces, the headpiece for Livre 7 similar to Livre 4. Pagination: [2] [1] 2-190 [2] (blank), total 194 pages, ils. Letterpress title-page (red and black) in each volume: AMOURS | DE | THEAGÉNES | ET | CHARICLÉE• | HISTOIRE ETHIOPIQUE. | PREMIERE (SECONDE) PARTIE. | {vignette} | A LONDRES, | — | M. DCC. XLIII. || According to Cohen-DeRicci, this is the first anonymous edition with 9 different headpieces; the second edition in the same 1743 was published by Antoine Urban Coustelier (French, 1714 – 1763) in Paris with less provocative headpiece vignettes. The original text belongs to Héliodore d'Emèse, i.e. Heliodorus [Ἡλιόδωρος] (Greek, 3rd – 4th century AD). The earliest translation into French was performed by Jacques Amyot (French, 1513 – 1593) and published by J. Longis in Paris in 1547. The new translation is credited by Lewine to Jean de Montlyard (French/Swiss, 17th century), first published in Paris in 1620. However, most scholars attribute it to Louis François de Fontenu (French, 1667 – 1759), Bernard Le Bovier de Fontenelle (French, 1657 – 1757) or Germain François Poullain de Saint-Foix (French, 1698 – 1776), first published in 1727 by Herman Uytwerf (Dutch, 1698 – 1754) in Amsterdam. Catalogue raisonné : J. Lewine, 236; Cohen-DeRicci, 478. Information about the story can be found here: Aethiopica. -
Title-page: IDYLLES | DE BION | ET | DE MOSCHUS, | TRADUITES EN FRANÇAIS | Par J. B. Gail, Professeur de littéra- | ture grecque au collège de France. | Ouvrage orné de Figures dessinées par le Barbier. | DE L’IMPRIMERIE DE DIDOT JEUNE. | A PARIS, | Chez Gail, au Collège de France, place | Cambrai. | L’AN TROISIEME. || Small volume in-12mo, 14.7 x 10 cm, bound in tree calf with gilt ornamental border, flat spine with gilt lozenges in compartments, lacking upper label and half of the lower label, gilt dentelle inside, marbled endpapers, all edges gilt. Collation: 1st and last leaves blank, [1]-96, total 54 leaves and 9 engraved plates, incl. frontispiece. Pagination: [1-5] 6-106 [2] (notice), total 108 pages, ils. Illustrations: (1) Frontispiece bust portrait of Jean-Baptiste Gail in two states, one proof before letters signed Le Barbier del., — C. S. Gaucher inc. a. ƒ., the other in finished state lettered « J. B. Gail | Professeur de littérature grecque | au collège de France » signed Le Barbier del. — C. S. Gaucher incid. (2) Le tombeau d’Adonis in two states, the first unsigned, the second signed by Le Barbier and Gaucher in Greek Λε Βαρβιερ εγραφε — Γαυχερ εχαλχενε, with tissue guard. (3) Enlèvement d’Europe in two states, the first signed Baquoy fecit., the second Le Barbier inv. — Delignon Sculp. (4) Amour du fleuve Alphée pour la fontaine Aréthuse in two states, the first unsigned, the second signed Le Barbier inv. — Dambrun. (5) Daphnis et Naïs only in final state signed by Le Barbier and Gaucher in Greek Λε Βαρβιερ εγρφε — Γαυχερ εχαλχενε. (sic.) Catalogue raisonné: Cohen-DeRicci 151-2, attributes to 1895, in-18, Daphnis et Naïs without the proof state; Lewine 64, "very scarce, particularly that of the portrait, a fancy price". Contributors: Bion [Βίων] (fl. late 2nd century BCE, Phlossa near Smyrna) – author. Moschus [Μόσχος] (fl. mid 2nd century BCE, Syracuse) – author. Jean-Baptiste Gail (French, 1755 – 1829) – translator. Jean-Jacques-François Le Barbier (French, 1738 – 1826) – artist. Charles-Étienne Gaucher (French, 1740 – 1804) – engraver. Jean-Louis Delignon (French, 1755 – 1820) – engraver. Jean Dambrun (1741 – 1808/14) – engraver. Pierre François Didot, Le Jeune (French, 1732 – 1795) – publisher.
