2023 – Page 8 – Varshavsky Collection

Kyō ware (Japanese ceramics 13) [京焼日本の陶磁 (13) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.

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Karl Lindemann-Frommel. Il castel e il ponte Sant Angelo e San Pietro / Chromolithography, 1855.

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Kakiemon (Japanese ceramics 9) [柿右衛門日本の陶磁 (9) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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Jūzō Suzuki. Sharaku [写楽] / Translation by John Bester (Masterworks of ukiyo-e, №2). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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June Kysilko Kraeft, Norman Kraeft. Armin Landeck: The catalogue raisonné of his prints / Second edition, revised and enlarged. — Carbondale: Southern Illinois University Press, 1994©.

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Jules Pascin. Erotikon. — Bruxelles [i.e. Paris: Jean-Gabriel Daragnès], 1933.

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Jules Lieure. Jacques Callot / Introduction de F. Courboin (Vol. 1-3). — Paris: Gazette des Beaux-Arts, 1924-27.

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Joseph Conrad. The secret agent: A drama in three acts. — London, T. Werner Laurie, 1923.

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John Marciari. Sublime Ideas: Drawings by Giovanni Battista Piranesi. — NY: The Morgan Library & Museum, Paul Holberton Publishing, 2003©.

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John Fowles. The French lieutenant’s woman. — London: Jonathan Cape Ltd., 1969.

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John Cleland. Nouvelle traduction de woman of pleasur ou fille de joie: Contenant les mémoires de Mademoiselle Fanny, écrits par elle-même. — London [i.e. Paris]: G. Fenton [i.e. Cazin], 1776.

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John Cleland. Die Memoiren der Fanny Hill. — Paphos [i.e. Vienna]: C. W. Stern, 1906.

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Jean Viollis. Bonne-fille / Illustrations de André Dignimont (La Collection Originale). — Paris: Éditions Mornay, 1926.

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Japanese prints and paintings from the late 18th century; Catalogue № 20. — NY: Sebastian Izzard LLC, 2022.

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Japanese paintings and prints, 1800-1860; Catalogue № 21. — NY: Sebastian Izzard LLC, 2023.

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Ioannis Baptistae Passeri. Pisauren. nob. Eugubini De tribus vasculis Etruscis encaustice pictis a Clemente XIV P.O.M. in museum Vaticanum inlatis dissertatio. — Florentiae: Typographia Moückiana, 1772.

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Henry James. The Aspern Papers. — London: Folio Press, 1990.

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Heianjo tsuba with the Myriad Treasures motif. Momoyama or early Edo period (1574 – 1650).

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