Izzard, Sebastian (American) – Page 2

Robert Schaap. Kunisada: Imaging, drama and beauty / Introduction by Sebastian Izzard, contributions by Paul Griffith and Henk. J. Herwig. — Leiden: Hotei Publishing, ©2016.

Softcover, publisher’s pictorial wrappers, 29.7 x 24.6 cm, pp.: [1-3] 4-174 [2 blank], ils.; total 88 leaves. Title-page: Kunisada | imaging | drama and beauty | Robert Schaap | with an introduction by Sebastian Izzard | and contributions by Paul Griffith and Henk. J. Herwig | {publisher’s device} Hotei Publishing || Contents: Preface / Robert Schaap & Chris Uhlenbeck; Lenders to the exhibition & catalogue: notes to readers; Utagawa Kunisada, the artist and his times / Sebastian Izzard; Catalogue / Robert Schaap with Paul Griffith, Henk J. Herwig & Sebastian Izzard. Subjects: Utagawa, Kunisada, — 1786-1864 — Catalogs; Color prints, Japanese — Edo period, 1600-1868 — Catalogs; Ukiyo-e — Catalogs. Contributors: Sebastian Izzard Paul Griffith Henk. J. Herwig Utagawa Kunisada [歌川国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865) Select illustrations (references in this collection):
SVJP-0226.2016: Superb Edo pictures illustrating dances, 1858.

SVJP-0221.2016: Actor Morita Kan’ya XI as Saito Tarozaemon Toshiyuki, 1860.

SVJP-0228.2017: Matsumoto Kōshirō V (Japanese, 1764-1838) as Nikki Danjō Saemon Naonori, 1863.

SVJP-0197.2015: Three Pleasures of Present-day Osaka (Tōsei Naniwa no sankō), 1821.

SVJP-0222.2016: A view of the dressing room of a Theater in Dōtonbori, Ōsaka, 1821-2.

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Sebastian Izzard. Kunisada’s world. — New York: Japan Society, Ukiyo-e Society of America, ©1993.

Glossy softcover, publisher’s pictorial wrappers, 30 x 23 cm, pp.: [i-v] vi-xi [xii blank], [2] 3-199 [200 blank], ils.; total 106 leaves. Title-page: Vertical from bottom to top along the outer margin in grey: KUNISADA'S WORLD; horizontally: KUNISADA'S WORLD | SEBASTIAN IZZARD | with essays by | J. THOMAS RIMER | JOHN T. CARPENTER | JAPAN SOCIETY, INC., in collaboration with the | UKIYO-E SOCIETY OF AMERICA || Published in conjunction with an exhibition held at the Japan Society Gallery, New York, September 30 - November 14, 1993. Contents: (1) Kunisada: in and out of his times; Kabuki at the time of Kunisada / J. Thomas Rimer. (2) Popular fiction in the age of Kunisada; Kunisada and the art of comic poetry / John T. Carpenter. (3) Kunisada the artist / Sebastian Izzard. Contributors: Sebastian Izzard J. Thomas Rimer (American, b. 1933) John T. Carpenter (American) Utagawa Kunisada [歌川国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865) Select illustrations (references in this collection):
SVJP-0179-3.2014: The Hour of the Tiger, Seventh Hour of Night from the series Twelve Hours of a Modern Clock.

SVJP-0222.2016: A view of the dressing room of a Theater in Dōtonbori, Ōsaka.

SVJP-0105.2014: Ichikawa Danjūrō VIII as the ghost of Seigen.

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The floating world in the eighteenth century: Japanese paintings and prints / Catalogue 11, Exhibition March 28 – April 7, 2006. — NY: Sebastian Izzard, LLC., 2006.

Softcover, in pictorial wrappers, 28 x 21.7 cm, 25 entries, with colour illustrations, some folding. Catalogue of the sales exhibition on March 28 -April 7, 2006, in NY; pagination: [2] 3-61 [62 blank [2], ils. Contributor: Sebastian Izzard

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Utagawa Kunisada (1786 – 1865): His world revisited / Catalogue 17, Exhibition March 17-21, 2021. — NY: Sebastian Izzard, LLC., 2021.

Softcover, in pictorial wrappers, 28 x 21.8 cm, 64 entries, with colour illustrations, some folding. Catalogue # 17 of the sales exhibition on March 17-21, 2021 in NY; pagination: [1-3] 4-182 [2], ils. Contributor: Sebastian Izzard Select illustrations (references in this collection): SVJP-0222.2016: A view of the dressing room of a Theater in Dōtonbori, Ōsaka. SVJP-0105.2014: Ichikawa Danjūrō VIII as the ghost of Seigen. SVJP-0360.2022: Ichikawa Danjūrō VII. SVJP-0361.2022: Beauty playing the shamisen beneath a mosquito net. SVJP-0359.2022: Young woman checks her makeup in a mirror. SVJP-0197.2015: Three Pleasures of Present-day Osaka (Tôsei Naniwa no sankô); left; centre, right.

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