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  • Josef Halfer. The progress of the marbling art … with a supplement on the decoration of book edges / translated by Herman Dieck. — Buffalo, NY: Louis H. Kinder, 1893.

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  • John Windle, Karma Pippin. Thomas Frognall Dibdin, 1776-1847: A Bibliography. — New Castle, DE: Oak Knoll Press, 1999.

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  • John Whitehead. This solemn mockery: The art of literary forgery. Arlington Books, London, 1973. ISBN-10: 0851402127

    John Whitehead. This solemn mockery: The art of literary forgery. — London: Arlington Books, 1973.

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  • John Landwehr. Romeyn de Hooghe the etcher: Contemporary portrayal of Europe, 1662-1707. – Leiden: A. W. Sijthoff; Dobbs Ferry, N.Y.: Oceana, 1973.

    John Landwehr. Romeyn de Hooghe, the etcher: Contemporary portrayal of Europe 1662 – 1707. — Leiden: A. W. Sijthoff; Dobbs Ferry (NY): Oceana, 1973.

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  • John Landwehr. Romeyn de Hooghe as book illustrator: A bibliography. — Amsterdam: Vangendt & Co., New York: Abner Schram, 1970.

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  • John Fowles. The French lieutenant’s woman. — London: Jonathan Cape Ltd., 1969.

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  • John Carter. Taste and technique in book-collecting. — Cambridge: Cambridge University Press, 1949.

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  • John Carter. ABC for book-collectors, by John Carter. — London: R. Hart-Davis, 1952.

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  • Jérome Paturot à la recherche d’une position sociale par Louis Reybaud / Édition illustrée par J.-J. Grandville. — Paris: J.-J. Dubochet, Le Chevalier et Cie, 1846.

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  • Jean-Pierre Dutel. Bibliographie des ouvrages érotiques publiés clandestinement en français entre 1880 et 1920 [Vol. 1]; 1920 et 1970 (Vol. 2); 1650 et 1880 (Vol. 3). — Paris: Chez l’Auteur, 2002–2009.

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  • Jean Viollis. Bonne-fille / Illustrations de André Dignimont (La Collection Originale). — Paris: Éditions Mornay, 1926.

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  • Jean Galtier-Boissière. Mysteries of the French secret police / translated by Ronald Leslie-Melville. — London: Stanley Paul, [1938].

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  • Jay A. Gertzman. Bookleggers and Smuthounds: The Trade in Erotica, 1920-1940. — Philadelphia: University of Pennsylvania Press, © 1999.

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  • James M.Donovan. Juries and the Transformation of Criminal Justice in France in the Nineteenth and Twentieth Centuries (Studies in Legal History). — Chapel Hill, NC: The University of North Carolina Press, 2010. — pp.: [i-viii] ix [x], 1-262.

    James M. Donovan. Juries and the Transformation of Criminal Justice in France in the Nineteenth and Twentieth Centuries. — Chapel Hill, NC: The University of North Carolina Press, 2010.

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  • Jacob Pins. The Japanese pillar print: Hashira-e / Foreword by Roger Keyes. — London: Robert G. Sawers Publishing, 1982.

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  • Jack Kahane. Memoirs of a booklegger. — London: Michael Joseph Ltd., 1939.

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  • Jack Hillier. Japanese prints and drawings from the Vever Collection (3 volumes). — New York: Rizzoli International & Sotheby Parke Bernet, 1976.

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  • J. Armelhault & E. Bocher. Gavarni: Catalogue raisonné of the graphic work / A revision of the 1873 edition, with essays by Gordon N. Ray and Robert J. Wickenden, and 61 new plates. — San Francisco: Alan Wofsy Fine Arts, 2004.

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  • Illustrated Catalogues of Tokyo National Museum: Ukiyo-e Prints, vol. 1, 2, and 3. — Tokyo: Tokyo National Museum, 1960-63.

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  • Henry James. The Aspern Papers. — London: Folio Press, 1990.

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  • Henri Murger. The Bohemians of the Latin Quarter. (Scènes de la vie de Bohême) / Translated from the French. — London: Vizetelly & Co., 1883.

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  • Heinz Sarkowski. Der Insel-Verlag: Eine Bibliographie, 1899 – 1969. — [Frankfurt a.M.]: Insel-Verlag, [1999].

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  • Harold G. Henderson, Louis V. Ledoux. The surviving works of Sharaku. — NY: E. Weyne, Society for Japanese Studies, 1939.

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  • Harold Curwen. Processes of graphic reproduction in printing. — New York: Oxford University Press, 1934.

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  • Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.

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  • Gustave Flaubert. The Temptation of St. Anthony, illustrated by Mahlon Blaine. – NY: Williams, Belasco and Meyers, 1930.

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  • Gustav Hochstetter. Das Füsschen der gnädigen Frau und Anderes / Umschlagzeichnung und fünf Bildbeigeben von Franz von Bayros. — München und Leipzig: Georg Müller, 1912.

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  • Guillaume Apollinaire, Fernand Fleuret, Louis Perceau. L’enfer de la Bibliothèque Nationale. — Paris: Mercure de France, 1913.

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  • Graham Greene. Travels with my aunt: a novel. — London: Bodley Head, 1969.

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  • Graham Greene. Travels with my aunt: A novel / Introduced by John Mortimer, illustrated by John Holder. — London: Folio Society, 2004.

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  • Graham Greene. The third man. — New York: The Viking Press, 1950.

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  • Graham Greene. The third man, and, The fallen idol. — London: Heinemann, 1950.

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  • Graham Greene. The human factor. — London: The Bodley Head, 1978.

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  • Graham Greene. The Honorary Consul. — London: Bodley Head, 1973.

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  • Graham Greene. The end of the affair. — London: Heinemann, 1951.

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  • Graham Greene. The Comedians. — London: Bodley Head, 1966.

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  • Graham Greene. Our man in Havana: An entertainment. — New York: The Viking Press, 1958.

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  • Graham Greene. Our man in Havana: An entertainment. — London: Heinemann, 1958.

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  • Graham Greene. Monsignor Quixote: A novel. — London: The Bodley Head, 1982.

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  • Graham Greene. Doctor Fischer of Geneva, or the bomb party. — London: The Bodley Head, 1980.

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  • Graham Greene. A sort of life. — London: The Bodley Head, 1971.

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  • Gordon Norton Ray. The Illustrator and the Book in England from 1790 to 1914 / Bibl. descript. Thomas V. Lange, photo. by Charles V. Passela. The Pierpont Morgan Library, Oxford University Press. — Oxford : Oxford Univ. Pr., 1976. — pp.: [i-viii] ix-xxxiii [1], [1-2] 3-336 [4], illustr.

    Gordon N. Ray. The Illustrator and the Book in England from 1790 to 1914. — New York: Pierpont Morgan Library; London: Oxford University Press, © 1976.

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  • Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914 (2 vol. set). — NY, London: The Pierpont Morgan Library; Cornell University Press, 1982. — pp.: vol.1: [8] ix-xxxii, [2] 3-245 [3]; vol.2: [8] 247-557 [5], illustr.

    Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914 / 2 vol. — NY: The Pierpont Morgan Library; London: Cornell University Press, © 1982.

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  • Gil Blas illustré, 1892: №№ 1-52. — Paris: s.n, 1892.

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  • Giacomo Casanova. History of my life / Translated by Willard R. Trask. — New York: A Helen and Kurt Wolff book; Harcourt, Brace & World, 1966.

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  • Giacomo Casanova. Erinnerungen aus galanter Zeit / mit Bildern von F. v. Bayros. Eingeleitet von Hanns Heinz Ewers. – Berlin: Wilhelm Borngräber, 1916. – ffl, 2 - cit., advert.] [1-4] 5-557 [558] [2 - table+illustr., printer], bfl.], frontis, and 5 plates.

    Giacomo Casanova. Erinnerungen aus galanter Zeit / Bildern von F. von Bayros, Eingeleitet von H. H. Ewers. — Berlin: Wilhelm Borngräber, [1916?]

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  • Georges Vicaire. Manuel de l’amateur de livres du XIXe siècle, 1801 – 1893 / Préface de Maurice Tourneux. — Teaneck, NJ: Somerset House, 1973.

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  • George A. Audsley, James L. Bowes. Keramic art of Japan. — London: Henry Sotheran & Co., 1881.

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  • Geoffrey A. Godden. British Porcelain: An Illustrated Guide. — London: Barrie and Jenkins, 1986.

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  • Geisha: Beyond the painted smile / Edited by the Peabody Essex Museum. — [New York]: George Braziller; Salem, MA: Peabody Essex Museum, ©2004.

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  • Gail Levin. Edward Hopper: The Complete Prints. — NY, London: W. W. Norton & Co., 1979©.

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  • G. Legman. The art of Mahlon Blaine. — East Lansing: Peregrine Books, 1982.

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  • Fredson Bowers. Principles of Bibliographical Description. — Princeton, NJ: Princeton University Press, 1949.

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  • Francois Le Goff. The Life of Louis Adolphe Thiers / translated from the unpublished manuscript by Theodore Stanton. — NY: G. P. Putnam’s Sons, 1879.

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