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54 Products
Nabeshima (Japanese ceramics 10) [鍋島 日本の陶磁 (10) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.
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Справочник Союза Советских писателей СССР на 1954-1955 годы. — М.: Советский писатель, 1954.
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Graham Greene. The end of the affair. — London: Heinemann, 1951.
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Otto Van Veen. Amoris Divini Emblemata. — Antwerp: Plantin – Balthasar Moretus, 1660.
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[Taxile Delord]. Un autre monde par Grandville. — Paris: H. Fournier, 1844
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Sasano Masayuki. Kagamishi Tsuba: Sword guards by mirror makers (in Japanese). — 1980.
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Adelbert von Chamisso. Peter Schlemihls wundersame Geschichte. — Leipzig: Insel-Verlag, [1916–1940].
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Arthur M. Hind. Engraving in England in the Sixteenth and Seventeenth Centuries: A Descriptive Catalogue / 3 volumes. — Cambridge: The University Press, 1952, 1954, 1964.
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H. L. Rosegger. Von Königen und Jakobinern / Vollbildern und Buchschmuck von Marquis F. von Bayros. — Köstritz, Leipzig: C. Seifert, 1913.
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Продолжатель Феофана. Жизнеописания византийских царей / изд. подг. Я. Н. Любарский; 2-е изд., испр. и доп. (Византийская библиотека. Источники). — СПб.: Алетейя, 2009.
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Жизнь Бенвенуто, сына маэстро Джованни Челлини, флорентинца, написанная им самим во Флоренции / Перевод М. Лозинского. — М.-Л.: Academia, 1931.
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Jay A. Gertzman. Bookleggers and Smuthounds: The Trade in Erotica, 1920-1940. — Philadelphia: University of Pennsylvania Press, © 1999.
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Dürers Kupferstiche und Holzschnitte. Ein kritisches Verzeichnis von R. v. Retberg. — München: Theodor Ackermann, 1871.
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Jean de La Fontaine. Contes et nouvelles en vers / 2 vol. — Amsterdam [i.e. Paris: David Jeune], 1745.
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Arendie and Henk Herwig. Heroes of the kabuki stage: an introduction to kabuki with retellings of famous plays, illustrated by woodblock prints. — Amsterdam: Hotei Publishing, 2004.
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Эстетика раннего французского романтизма (История эстетики в памятниках и документах). — М.: Искусство, 1982.
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Gustav Hochstetter. Das Füsschen der gnädigen Frau und Anderes / Umschlagzeichnung und fünf Bildbeigeben von Franz von Bayros. — München und Leipzig: Georg Müller, 1912.
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Marcia B. Hall. Color and meaning : Practice and theory in Renaissance painting. — Cambridge: Cambridge University Press, 1992.
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