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Title: OVID'S | METAMORPHOSES | IN | FIFTEEN BOOKS. | Translated by the most Eminent Hands. | Adorn’d with Sculptures | London: | Printed for Jacob Tonson at Shakespeare’s–Head | over-against Katharine-Street in the Strand. | M DCC XVII. || Physical description: Folio, laid paper, engraved title as frontispiece, letterpress title-page, portrait of the dedicatee, the Princess of Wales, engraved by George Vertue (British, 1684 – 1756) after Sir Godfrey Kneller (German, 1646 – 1723), [4] – dedication with headpiece vignette engraved by Elisha Kirkall (British, 1682 – 1742) after Peter Berchet (French, 1659 – 1720 London), [i]-xx – preface, [4] – contents, 1-548; collation: π3 a-f2, B-Zzzzzz2, +15 full-paged engravings, one heading each book; bound in full contemporary tan English calf blind-tooled with a darker panel, raised bands, crimson label with gilt lettering, sprinkled compartments with blind tooling, rebacked, later endpapers, 15 1/4 x 9 1/2 in (39.5 x 26 x 5 cm). Contributors: Author: Ovid (Roman, 43 B.C. – A.D. 17) Translator: Sir Samuel Garth (British, 1661 – 1719) Translator: John Dryden (British, 1631 – 1700) Translator: Joseph Addison (British, 1672 – 1719) Translator: John Gay (British, 1685 – 1732) Dedicatee / Sitter: Caroline Wilhelmina of Brandenburg-Ansbach, Princess of Wales, Queen of England (German-British, 1683 – 1737) Engraver: Elisha Kirkall (British, 1682 – 1742) Artist: Peter Berchet (French-British, 1659 – 1720) Artist: Sir Godfrey Kneller (German, 1646 – 1723) Engraver: George Vertue (British, 1684 – 1756) Engraver: Louis Du Guernier, the younger (French, 1677 – 1716) Engraver: Michael Vandergucht (Flemish, 1660 – 1725) Engraver: Elisha Kirkall (British, 1682 – 1742) Engraver: R. Smith (British, fl. early 18th century) Engraver: Matthys Pool (Dutch, 1670 – c. 1732) Publisher: Jacob Tonson, the Elder (British, 1655 – 1736) -
Title: ACADEMIE | DES | SCIENCES | ET DES | ARTS, | Contenant les Vies & les Eloges Historiques des | Hommes Illustres, | Qui ont excellé en ces Professions depuis environ quatre Siécles | parmy diverses Nations de l’Europe : |Avec leurs Pourtraits tirez sur des Originaux au Naturel, & plusieurs Inscriptions | funebres, exactement recueïlies de leurs Tombeaux | Par Isaac Bullart , Chevalier de l’Ordre de Saint Michel. | TOME PREMIER | {allegorical vignette, signed Abr. A Diepenbeke delineavit – Pet. Clouwet sculp.} | Imprimé par les soins de l’Autheur. | A PARIS, | Se vendent chez Loüis Bilane, Marchand Libraire à la ruë S. Jaques, | & au Palais, M. DC. LXXXII. || Pagination : [2] – h.t. / blank ; [2] – 1st vol. t.p. in black and red with vignette engraved by Pet. Clouwet after Abr. Diepenbeke / blank; [7] – dedication to Jacques Theodore de Brias {Jacques-Théodore de Bryas (Dutch, 1630 – 1694)}, [9] – preface, [2] – table demonstrative / stanza by Guilielmus Riverius, [2] – vignette “Tardius sed grandius” with an elephant in ornamental frame / text; [2] – noms politiques / blank (A1 before f.t.), [2] – f.t. livre premiere, illustres politiques / blank, 3(A2)-421, [422-424] – table eloges; [2] – f.t. tome second / blank, [2] – 2nd vol. t.p. in black and red with vignette…, [4] – advertisement, [2] – livre premier f.t. / blank, [2] – noms theologiens / blank, 1-501, [3] – table eloges. Collation : vol.1: [*]6, **6, A6 B-Ggg4; vol. 2: *4, **2, A-Sss4. (12 prelim. leaves, while in LIB-2239.2019 and in LIB-2675.2021 there is 14 prelim. leaves). Binding: contemporary full calf, size: 34 x 23 x 7.2 cm; crimson label with gilt lettering separated. Provenance: Bookplate of Sir Philip Crampton Smyly to the front pastedown; Stephen White Collection. The title is drawn by Abraham van Diepenbeeck (Dutch, 1596 - 1675) and engraved by Pieter Clouwet (Flemish, 1629–1670). The volume illustrated throughout with 279 portraits of important scientists, artists, thinkers, explorers, printers, and others of the period by a variety of artists. Tome 1: 120 plates of which 30 engraved by Esme de Boulonois (French, 1645 – 1681), 87 by Nicolas de Larmessin I (French, 1632 – 1694)Lavinia Vecellio (Italian, 1530 – 1575) engraved by Lamerssin after Titian, Portrait of Jacques Auguste de Thou engraved by de Boulonois after Daniel Dumonstier (French, 1574 – 1646). Tome 2: 159 plates of which 63 by Esme de Boulonois, 79 by Nicolas de Larmessin, 15 unsigned, 1 by Pieter Clouwet, and 1 by Wenceslaus Hollar (Bohemian, 1607 – 1677). Portraits of Knelme Digby, Juste Lipse, Nicolas Claude Fabri de Peiresc, Michel Mirevelt, Jacques Calot, Martin Richart, Pierre Paul Rubens, Venceslas Coberghe, Theodore Rombouts, Adrien Brouwer, Simon Vouet, Gerard Segers, Gaspar de Crayer, Antoine Van Dyck himself, and his wife Mary Ruthven – after Anthony Van Dyck. Young Man with a Skull engraved by Esme de Boulonois after Lucas van Leyden (Dutch, c. 1494 – 1533). Portrait of Louis Arioste engraved by Nicolas de Larmessin after Titian. Portrait of Balthasar de Castillon engraved by Nicolas de Larmessin after Raffaello Sanzio da Urbino (Italian, 1483 – 1520). Petrarch's Laura – by Larmessin after Palma Vecchio (Italian, c. 1480 – 1528). Vittoria Colonne – by Larmessin after Sebastiano del Piombo (Italian, c. 1485 – 1547). The portrait of Albert Durer is engraved by Esme de Boulonois after Tommaso Vincidor (Flemish, 1493 – 1536). Vol. 1, Book 1. Politicians Vol. 1, Book 2. Historians Vol. 1, Book 3. Jurists Vol. 1, Book 4. Writes and Linguists Vol. 1, Book 5. Italian Artists Vol. 2, Book 1. Theologians Vol. 2, Book 2. Philosophers, Mathematicians, Astronomers, and Physicians Vol. 2, Book 3. Scientists Vol. 2, Book 4. Inventors and Explorers Vol. 2, Book 5. Poets Vol. 2, Book 6. Netherlandish painters -
Title: ACADEMIE | DES | SCIENCES | ET DES | ARTS, | Contenant les Vies & les Eloges Historiques des | Hommes Illustres, | Qui ont excellé en ces Professions depuis environ quatre Siécles | parmy diverses Nations de l’Europe : |Avec leurs Pourtraits tirez sur des Originaux au Naturel, & plusieurs Inscriptions | funebres, exactement recueïlies de leurs Tombeaux | Par Isaac Bullart , Chevalier de l’Ordre de Saint Michel. | TOME PREMIER | {allegorical vignette, signed Abr. A Diepenbeke delineavit – Pet. Clouwet sculp.} | Imprimé par les soins de l’Autheur. | A AMSTERDAM, | Se vendent chez les Heritiers de Daniel Elzevier, 1682. || Vol. 1: Pagination: 2 blank end-leaves, [2] – Two-volumes h.t. / blank ; [2] – 1st vol. t.p. in black and red with vignette engraved by Pieter Clouwet (Flemish, 1629–1670) after Abraham van Diepenbeeck (Dutch, 1596 - 1675), book-label 'I. A. Aubert' pasted / blank; [7] – dedication to Jacques Theodore de Brias {Jacques-Théodore de Bryas (Dutch, 1630 – 1694)}, [9] – preface, [2] – table demonstrative / stanza by Guilielmus Riverius, [2] – vignette “Tardius sed grandius” with an elephant in ornamental frame / text; [2] – Advis au lecteur; [1, 2] – noms politiques / blank (A1), 3(A2)-416, 2 blank end-leaves; laking 8 last pages 417-424 if compared to Paris 2 in 1 vol. edition LIB-2676.2021, and lacking 4 last pages if compared with another Amsterdam edition LIB-2239.2019. These last 4 pages contain portraits and eulogies of François Primatici and Jacques Barozzi de Vignole. Collation: 4to; [*]6, **8, A6 B-Fff4, lacking Ggg4, 118 plates (instead of 120) within a collation. Vol. 2: Pagination: 2 blank end-leaves, [2] – tome second h.t. / blank ; [2] – 2nd vol. t.p. in black and red with vignette similar to vol. 1, with book-label 'I. A. Aubert' / blank; [4] – advertissement; [2] – f.t. Theologiens / blank; [2] – noms theologiens / blank 1-501 [3] – table eloges, 1 blank end-leaf. Collation: 4to; [*]4, **2, A-Sss4, 159 plates within a collation. Binding: both volumes uniformly bound in full contemporary cream vellum with blind double fillet over boards, raised bands, compartments tooled in black, brown calf labels with gilt lettering to spine. Printed on laid paper, with tall "s", all margins sprinkled red; the size of each vol.: 32.2 x 20.5 x 4.7 cm. A full description of plates, as well as their images, presented in LIB-2676.2021. -
Title: LA | BELLE ASSEMBLÉE | OR, | BELL'S | COURT AND FASHIONABLE | MAGAZINE, | ADDRESSED PARTICULARLY TO | THE LADIES. | VOL. XI.—NEW SERIES. | FROM JANUARY 1, TO JUNE 30, 1815. | LONDON: | Printed for J. BELL, GALLERY OF FINE ARTS, | Clare-Court, Drury-Lane. | 1815. || Pagination: [2] – 11th volume wood-engraved pictorial title page, [1, 2] – January faux-title and table of content, [3] 4-284 [2] – index to 11th vol. Notes: February f.t. not paginated, but within the collation; the last page of the index at the very end paginated [iii]/iv, so pages i/ii missing (the gathering Nn lacking one sheet) Collation: 4to; π1 A-Mm4 Nn3, 28 plates extraneous to collation (lacking 2 plates). Binding: Half brown morocco over marbled boards, flat spine, compartments gilt-ruled with double-fillet and gilt-lettered. Contents: Jan: pp. 1-48, 5 plates. Feb: pp. 51-96, 5 plates. Mar: pp. 97-144, 5 plates. Apr: pp. 145-192, 5 plates. May: pp. 193-240, 5 plates. Jun: pp. 241-284, 3 plates (lacking 2 colour prints). Fashion plates, two per issue, are hand-coloured copperplate engravings, unsigned. Stipple engraved portraits, one per issue as frontispiece: (1) Actress Catherine Stephens, Countess of Essex (British, 1794 – 1882) by James Hopwood the Elder [James Hopwood Senior] (British, c. 1740s/50s – 1819) after Sir George Hayter (British, 1792 – 1871); (2) Madame de Talleyrand, Princesse De Bénévent (Danish-French, 1761– 1834), unsigned, but can be attributed to François Gérard (French, 1770 – 1837); (3) Actress Miss Sarah Booth (1793 – 30 December 1867), unsigned; (4) Group portrait of the French Royal family (Louis XVI, Louis XVII, Marie Antoinette, Madam Elizabeth, Louis Antoine de Bourbon, Duke d'Enghien, and Marie Thérèse Louise of Savoy, Princesse de Lamballe), unsigned, (5) Actress, Miss Sarah Blanche Matthews (b.1794) by Thomas Burke (Irish, 1749 – 1815) after George Hayter. The sixth print, in the March issue, is a lithographic portrait of Napoléon Bonaparte (French, 1769 – 1821), unsigned. -
Title (in black and red): АНРИ РОШФОР | ПРИКЛЮЧЕНИЯ МОЕЙ ЖИЗНИ | ПЕРЕВОД, ВСТУПИТЕЛЬНАЯ | СТАТЬЯ И ПРИМЕЧАНИЯ | Е. СМИРНОВА | ACADEMIA | 1933 || Opposite title: ИНОСТРАННЫЕ МЕМУАРЫ, ДНЕВНИКИ, | ПИСЬМА И МАТЕРИАЛЫ | Под редакцией И. Т. Смилги ( whited-out) | АНРИ РОШФОР | 1831—1913 | ACADEMIA | МОСКВА — ЛЕНИНГРАД || Title verso: Henri Rochefort | Les Aventures de ma vie. | Переплет и суперобложка | по рисункам М. В. Ушакова-Поскочина. Pagination: [1, 2] – publisher’s device / blank, [3, 4] – opposite title, [5, 6] – t.p. / orig. title, 7-452 [453-460], ill. Collation: [1]-288 296 + 15 plates extraneous to collation. Binding: burgundy cloth ruled blind and stamped in gilt with a lantern to cover and lettering to spine, pictorial DJ; top margin red. Catalogue raisonné: Крылов, Е. В. Кичатова. "Academia" (2004): p. 237-8. Ушаков [Ушаков-Поскочин], Максим Владимирович (Russian, 1893 – 1943) – died in NKVD labor camp. Смилга, Ивар Тенисович (Latvian-Russian, 1892 – 1937) — shot dead by NKVD firing squad. -
Title: L'ART | D'AIMER, | ET | POÉSIES DIVERSES | DE M. BERNARD. Pagination: [2] – t.p. / stanza by Voltaire; engraved t. p., frontispiece, [1] 2-170; pp. 1-61 – L'art d'aimer; pp. 62-111 – Phrosine et Mélidore; pp. 112-170 – Poésies diverses; illustrations. Collation: 8vo; π1 (letterpress t.p.), A-K8 L5; + 8 plates: (1)* engraved title page facing the stanza by Ch. Baquoy; (2) plate as a frontispiece by Ponce after Ch. Eisen, inscribed Chant I above the image, dated 1772, facing p. [1], chant 1er of l’art; (3)* Ch. Baquoy after P. Martini, inscribed Chant II below the image, facing p. 22, chant 2nd of l’art; (4) Ch. Baquoy after Eisen, inscribed Chant III above the image, facing p. 44, chant 3rd of l’art; (5)* Patas after P. Martini, inscribed Chant Ier below the image, dated 1775, facing p. 62, chant 1er of Phrosine; (6) Ch. Baquoy after Eisen, inscribed Chant II above the image, facing p. 74, chant 2nd of Phrosine; (7)* C. Gaucher after P. Martini, facing p. 84, chant 3rd of Phrosine; (8) Ch. Baquoy after Eisen, inscribed Chant IV above the image, facing p. 97, chant 4th of Phrosine; * – images additional to 1772 edition by Le Jay [LIB-2706.2021] (i.e. plates 1, 3, 5, and 7 are new). A counterfeit edition by an anonymous publisher. Binding: brown pebbled morocco, triple fillet gilt-ruled boards, raised bands, gilt in compartments, gilt label lettering to spine, marbled endpapers, AMG; printed on laid paper, with tall 's'. Catalogue raisonné: Cohen, De Richi (1912): p. 132: describes a counterfeit edition with 170 pages and 3 additional plates plus an engraved title. This seems to be a combination of Lejan [sic] Paris 1775 edition, which normally has 134 pages, 8vo, title engraved by Baquoy and three plates after Martini by Patas, Baquoy and Gaucher. Contributors: Nicolas Ponce (French, 1746 – 1831) – engraver. Jean Charles Baquoy (French, 1721 – 1777) – engraver. Jean-Baptiste Patas (French, 1748 – 1817) – engraver. Charles-Étienne Gaucher (French, 1740 – 1804) – engraver. Charles-Dominique-Joseph Eisen (French, 1720 – 1778) – artist. Pietro Antonio Martini (Italian, 1738 – 1797) – artist. Pierre-Joseph Bernard [Gentil-Bernard] (French, 1708 – 1775) – author of the text. -
Dust jacket (black lettering, sanguine vignettes over light blue) : {vignette} | P. M. HANDOVER | PRINTING | IN LONDON | from Caxton to | Modern Times | {vignette} || Title page: PRINTING IN LONDON | FROM 1476 TO MODERN TIMES | COMPETITIVE PRACTICE AND | TECHNICAL INVENTION | IN THE TRADE OF | BOOK AND BIBLE PRINTING | PERIODICAL PRODUCTION | JOBBING &C |—| P. M. HANDOVER | M.A. F.R.HIST.S. | HARVARD UNIVERSITY PRESS | CAMBRIDGE, MASSACHUSETTS | 1960 || Pagination: [1, 2] – h.t. / blank ; frontispiece; [3, 4] – t.p. / imprint; [5, 6] – dedication / blank; [7] 8-224, inset: 7 sheets of plates between pp. 112-113 extraneous to collation, other illustrations in text; insert: invitation card "Publication date JUL 11 1960 Handover". Collation: 8vo; [A]8 B-O8. Binding: publisher’s blue cloth, red label to spine, silver lettering, DJ. -
Binding: 25. 3 x 19.5 cm, light blue cloth, black labels with gilt lettering to cover and spine. Title: Dictionary of | Victorian | Wood Engravers | {fleuron} | Rodney K Engen | Chadwyck-Healey || Pagination: frontispiece; [i-iv] v-xxi [2] 3-297 [298]. Author’s signature dated 1987 to recto frontis. -
A two-volume edition. 1st vol. Title (in black and red): МИШЕЛЬ | МОНТЕНЬ | ОПЫТЫ | В ТРЕХ КНИГАХ | КНИГИ | ПЕРВАЯ И ВТОРАЯ | Издание подготовили | А. С. БОБОВИЧ | Ф. А. КОГАН-БЕРНШТЕЙН | Н. Я. РЫКОВА, А. А. СМИРНОВ | Второе издание | ИЗДАТЕЛЬСТВО "НАУКА | МОСКВА | 1979 || Opposite title: MICHEL |de | MONTAIGNE | LES ESSAIS || Pagination: [1-5] 6-703 [1], errata slip. Collation: 16mo, [1]-2216, + frontispiece portrait and 2 plates extraneous to collation. 2nd vol. Title (2) (in black and red): МИШЕЛЬ | МОНТЕНЬ | ОПЫТЫ | В ТРЕХ КНИГАХ | КНИГА ТРЕТЬЯ | Издание подготовили | А. С. БОБОВИЧ | Ф. А. КОГАН-БЕРНШТЕЙН | Н. Я. РЫКОВА, А. А. СМИРНОВ | Второе издание | ИЗДАТЕЛЬСТВО "НАУКА | МОСКВА | 1979 || Opposite title: MICHEL |de | MONTAIGNE | LES ESSAIS || Pagination: [1-5] 6-534 [2]. Collation: 8vo, [1]-348, + frontispiece portrait. Binding: Uniformly bound in serial design green cloth with gilt lettering on an embossed scroll to front cover, gilt lettering to spine, 22 x 18 cm. Print run: 200,000 copies each volume. Michel Eyquem de Montaigne (French, 1533 – 1592) Ананий [Анатолий] Самуилович Бобович (Russian-Jewish, 1904 – 1988) Надежда Януарьевна Рыкова (Russian, 1901 – 1996) Александр Александрович Смирнов (Russian, 1883– 1962) Фаина Абрамовна Коган-Бернштейн [b. Аронгауз] (Russian-Jewish, 1899 – 1976) -
Жан де Лабрюйер | ХАРАКТЕРЫ, | ИЛИ | НРАВЫ | НЫНЕШНЕГО | ВЕКА | Перевод с французского | Э. ЛИНЕЦКОЙ И Ю. КОРНЕЕВА | ИЗДАТЕЛЬСТВО | «ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА» | МОСКВА • ЛЕНИНГРАД | 1964 || Pagination: frontis., [2] 3-413 [414-416]; print run 50,000 copies. Collation : 8vo, [1]-268. Binding: 21 x 13.5 cm, olive buckram, lettering to cover and spine. Jean de La Bruyère (French, 1645 – 1696). Юрий Борисович Корнеев (Russian, 1921—1995). Эльга Львовна (Лейбовна) Линецкая [b. Фельдман] (Russian-Jewish, 1909 — 1997) -
Title: АННА КОМНИНА | АЛЕКСИАДА | Перевод, комментарий и статьи | Я. Н. Любарского | Издание третье, исправленное и дополненное | Санкт-Петербург | АЛЕТЕЙЯ | 2010 || Series: Византийская библиотека. Источники. Pagination: [i-v] vi-lxvi [1] 2-682 [4]. Binding: 21.5 x 15 cm; hardcover, crimson buckram, gilt lettering, border and serial device on black. Edition: 3rd edition. Print run: 1,000 copies. ISBN: 978-5-91419-301-7. Anna Komnene [Άννα Κομνηνή; Anna Comnena] (Byzantine, 1083 – 1150s). Любарский, Яков Николаевич (Russian, 1929 – 2003) -
Title: МИХАИЛ ПСЕЛЛ | ХРОНОГРАФИЯ |Перевод, статья и примечания | Я. Н. Любарского | КРАТКАЯ ИСТОРИЯ | Перевод | Д. А. Черноглазова и Д. Р. Абдрахмановой | «АЛЕТЕЙЯ» | Санкт-Петербург | 2003 || Series: Византийская библиотека. Источники. Pagination: [1-8] 9-396 [4], frontis. Binding: 21.5 x 15 cm; hardcover, crimson buckram, gilt lettering in the border, gilt serial device on black, map endpapers. Print run: 1,000 copies. ISBN: 5-89329-594-3. Михаи́л Пселл [Μιχαήλ Ψελλός; Michael Psellos] (Byzantine, 1018 – c. 1078). Любарский, Яков Николаевич (Russian, 1929 – 2003). -
Title: К 550-летию великой трагедии | ВИЗАНТИЙСКИЕ | ИСТОРИКИ | О ПАДЕНИИ | КОНСТАНТИНОПОЛЯ | в 1453 году | Под редакцией | Я. Н. Любарского, | Т. И. Соболь | Санкт-Петербург | АЛЕТЕЙЯ | 2006 || Series: Византийская библиотека. Источники. Pagination: [1-5] 6-189 [3]. Binding: 21.5 x 15 cm; hardcover, crimson buckram, gilt lettering in the border, gilt serial device on black, map endpapers. Print run: 1,000 copies. ISBN: 5-89329-766-0. Michael Critobulus [Μιχαήλ Κριτόβουλος; Михаил Критовул] (Greek, c. 1410 – c. 1470). Doukas [Dukas; Дука; Δούκας] (Greek, c. 1400 – after 1462). Laonikos Chalkokondyles [Laonicus Chalcocondyles; Λαόνικος Χαλκοκονδύλης; Лаоник Халкокондил] (Greek, c. 1430 – c. 1470). Любарский, Яков Николаевич (Russian, 1929 – 2003). -
Title: ПРОДОЛЖАТЕЛЬ ФЕОФАНА | ЖИЗНЕОПИСАНИЯ | ВИЗАНТИЙСКИХ ЦАРЕЙ | Издание второе, исправленное и дополненное | Санкт-Петербург | АЛЕТЕЙЯ | 2009 || Pagination: [108] 9-398 [2]. Binding: 21.5 x 15 cm; hardcover, crimson buckram, gilt lettering in the border, gilt serial device on black, pictorial endpapers. Print run: 1,000 copies. ISBN: 978-5-91419-146-4. Theophanes Continuatus [Продолжатель Феофана; συνεχισταί Θεοφάνους] (Byzantine, 9th century). Любарский, Яков Николаевич (Russian, 1929 – 2003). -
Title: П. В. БЕЗОБРАЗОВ | Я. Н. ЛЮБАРСКИЙ | ВИЗАНТИЙСКИЙ ПИСАТЕЛЬ | И ГОСУДАРСТВЕННЫЙ ДЕЯТЕЛЬ | МИХАИЛ ПСЕЛЛ | МИХАИЛ ПСЕЛЛ: | ЛИЧНОСТЬ И ТВОРЧЕСТВО | Научное издание | Издательство | «АЛЕТЕЙЯ» | Санкт-Петербург | 2001 || Pagination: [1-5] 6-542 [2]. Binding: 21.5 x 15 cm; hardcover, crimson buckram, gilt lettering in the border, gilt serial device on black, pictorial endpapers. Print run: 1,300 copies. ISBN: 5-89329-401-7 Безобразов, Павел Владимирович (Russian, 1859 – 1918). Любарский, Яков Николаевич (Russian, 1929 – 2003). -
Title: Я. Н. ЛЮБАРСКИЙ | ВИЗАНТИЙСКИЕ | ИСТОРИКИ | И ПИСАТЕЛИ| Издание второе, дополненное | Санкт-Петербург | АЛЕТЕЙЯ | 2012 || Pagination: [2] – serial h.t., [1-5] 6-502 [2] +frontispiece portrait. Binding: 21.5 x 15 cm; hardcover, crimson buckram, gilt lettering in the border, gilt serial device on black, pictorial endpapers. Print run: 1,000 copies. ISBN: 978-5-91419-682-7. Любарский, Яков Николаевич (Russian, 1929 – 2003). -
Title: THE BOHEMIANS | OF | THE LATIN QUARTER. | (SCÈNES DE LA VIE DE BOHÊME.) | By HENRI MURGER. | ILLUSTRATED WITH 10 ETCHINGS FROM DESIGNS BY MONTADER. |{publisher’s device}| LONDON: | VIZETELLY & CO., 16, HENRIETTA STREET, | COVENT GARDEN. | 1888. || Pagination: [i-v] vi-xxxiv, [1] 2-317 [318 blank]; collation: 8vo, π1 (h.t.), [a]-b8, B-U8 X7 + 10 etchings by Charles Courtry after Alfred Montader (incl. frontispiece and portrait of Henri Murger). Binding: 23 x 14.5 cm, olive cloth, black lettering to cover and gilt lettering to spine. Contributors: Murger, Henri [Henry] (French, 1822 – 1861) – original text (French). Montader, Pierre Marie Alfred (French, fl. c. 1881 – 1925) – artist. Courtry, Charles Jean Louis (French, 1846 – 1897) – engraver. Vizetelly, Henry Richard (British, 1820 – 1894) – publisher. -
Title: THE | FABLES OF ÆSOP, | AND OTHERS, | WITH DESIGNS ON WOOD, | BY | THOMAS BEWICK. | “The wisest of the Ancients delivered their Conceptions of the Deity, and their Lessons of Morality, in Fables and Parables.” | {vignette} | NEWCASTLE: | PRINTED BY E. WALKER, FOR T. BEWICK AND SON. | SOLD BY THEM, LONGMAN AND CO. LONDON, AND ALL BOOKSELLERS. | 1818. || Pagination: [2] – blank / receipt with thumbprint, [i, ii] – t.p. / blank, [iii] iv-xvi – introduction with “Auld Clouty” vignette, [xvii] xviii-xxiv – table of contents, [1] 2-376; 188 wood-engraved head-pieces to the fables and 136 other vignettes, tail-pieces, etc. Collation: demy 8vo( octavo in fours); π1 (receipt), a-c4, B-3B4; A and 2P2 unsigned. Binding: Original blue boards, rebacked, original spine laid down, with original paper spine label ("Demy Paper/Price 15 s."); wove paper, top edge trimmed, the others are not; round book-plate to front paste-down “TWM, The Whitehead Library”; in a clamshell case, also book-plated inside. Size: case: 24.2 x 16.2 cm; boards: 22.8 x 14.2 cm; 22 x 14 cm. Note from seller: First copy in boards to ever appear at auction. Edition: First edition (one of 1,000 copies printed in demy 8vo), with Bewick's thumbprint and signature in facsimile, “Demy” and “15” in manuscript on receipt (page facing title-page), variant A (with "Auld Clouty" wood-engraving at bottom of p. XVI, and with the last line in p. 248 reading "road of honour and honesty"). "According to Roscoe, demy 8vo copies were apparently the first to be issued". There is 1 copy at the University Library, Cambridge and 1 at Liverpool public libraries. Catalogue raisonné: Roscoe: pp. 155-165, 45c for Variant A [see LIB-2714.2021]; Hugo (I vol.): p. 261; Ray: p. 35; Steedman: №№ 99-104, pp. 34-35 (№ 103 for Variant A).
