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Луи-Себастьян Мерсье. Картины Парижа (в 2-х томах) / Пер. В. А. Барбашевой, ред. и коммент. Е. А. Гунста, статья Ц. Фридлянда (Французская литература). — М.-Л.: Academia, 1935-6.
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Walt Whitman. Leaves of Grass : Centenary edition / 3 vol. in one. — New York, London: D. Appleton and Company, 1923.
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Muneshige Narazaki. Hokusai: Sketches and paintings [漫画肉筆画] (Manga nikuhitsuga) / English adaptation by John Bester (Masterworks of ukiyo-e, №7). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.
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Arthur L. Guptill. Rendering in pen and ink / Edited by Susan E. Meyer. — N.Y.: Watson- Guptill, 1976.
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The world of Hogarth: Lichtenberg’s commentaries on Hogarth’s engravings / Translated by Innes and Gustav Herdan. — Boston: Houghton Mifflin Company, Cambridge: The Riverside Press, 1966.
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Эразм Роттердамский. Похвальное слово глупости / Перевод П. К. Губера. — М.-Л.: Academia, 1932.
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Charles-Louis de Secondat Montesquieu. Le temple de Gnide. — Paris: Le Mire, 1772.
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The complete etchings of Goya / Foreford by Aldous Huxley. — New York: Crown publishers, 1943.
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Шарль Монтескьё. Персидские письма / Пер. с фр. под ред. Е. А. Гунста; вступ. ст. С. Д. Артамонова. — М.: Гос. изд-во художественной литературы, 1956.
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Harriet Beecher Stowe. La case de l’Oncle Tom / gravures par George Cruikshank. — Paris: Aux Bureaux Du Magasin Pittoresque, 1853.
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Ernest Hemingway. A moveable feast. — New York : Charles Scribner’s Sons, [1964].
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Henri Murger. Die Bohème : Szenen aus dem Pariser Künstlerleben. — Leipzig: Insel-Verlag, 1906.
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Поэзия и проза Древнего Востока. (Библиотека всемирной литературы). — М.: Художественная литература, 1973. // О всё видавшем (эпос о Гильгамеше).
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Альфонс Додэ. Тридцать лет в Париже / пер. с фр. (Из «Книжек Недели»)— СПб.: Газета «Неделя», 1888.
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John Carter. Taste and technique in book-collecting. — Cambridge: Cambridge University Press, 1949.
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Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.
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Geisha: Beyond the painted smile / Edited by the Peabody Essex Museum. — [New York]: George Braziller; Salem, MA: Peabody Essex Museum, ©2004.
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[Louis Protat]. Examen de Flora à l’effet d’obtenir son diplôme de putain. — Paris: s.n., s.d. [c. 1932].
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