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© Aurora Art Publishers: ISBN 0-8109-1406-9. Printed and bound in Finland. A pictorial album about the history and collections of The Hermitage museum in St. Petersburg during World War II. Title-page: in frame: THE ORDEAL | OF THE | THE SIEGE OF | LENINGRAD• | 1941 – 1944 | HERMITAGE; under the frame: Text by Sergei Varshavsky and Boris Rest | — | AURORA ART PUBLISHERS, LENINGRAD• | HARRY N. ABRAMS, INC., PUBLISHERS, NEW YORK || Description: Illustrated album in hardcover, 33 x 25 cm, bound in black cloth with gilt and purple lettering to spine, brown endpapers, pictorial dust jacket; pp.: [1-6] 7-270 [34], total 304 pages with b/w and colour illustrations. Text: Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980); B. Rest [Б. Рест; Юлий Исаакович Шапиро] (Jewish-Russian, fl. 1940 – 1980). Preface: Boris Piotrovsky [Борис Борисович Пиотровский] (Russian, 1908 – 1990). Translated by Arthur Shkarovsky-Rafeé. Layout by Liubov Rakhmilevich. Photography by Viktor Savik and Leonid Bogdanov. A twin edition to [LIB-3043.2022] S. Varshavsky, B. Rest. Saved for humanity: the Hermitage during the siege of Leningrad, 1941-1944. — Leningrad: Aurora Art Publishers, 1985 and the Russian edition [LIB-3044.2022] C. Варшавский, Б. Рест. Подвиг Эрмитажа, 1941-1944 / Альбом. — Ленинград: Издательство «Аврора», 1987. The text extracted from [LIB-3035.2022] С. Варшавский, Б. Рест. Подвиг Эрмитажа: Государственный Эрмитаж в годы Великой отечественной войны. — М.-Л.: Советский художник, 1965. -
One volume 23.5 x 16 x 6 cm, with glossy pictorial boards lettered to front, back and spine; pp.: [i-viii] ix-xlviii 1-766, total 407 leaves, with b/w illustrations. Title-page: Historical Dictionary of | Japanese Traditional Theatre | Second Edition | Samuel L. Leiter | ROWMAN & LITTLEFIELD | Lanham • Boulder • New York • London || ISBN: 9781442239104. Author: Samuel L. Leiter (American, b. 1940) -
One volume 24.2 x 16.2 x 5.2 cm, in black cloth lettered in gilt to front cover and spine, pp.: i-vii] viii-xxxix [xl blank] [2] 3-572 [2], total 307 leaves, with b/w illustrations. Title-page: KABUKI | ENCYCLOPEDIA | An English-Language | Adaptation of | KABUKI JITEN | SAMUEL L. LEITER | {publisher’s device “GP”} | GREENWOOD PRESS | WESTPORT, CONNECTICUT • LONDON, ENGLAND || Author: Samuel L. Leiter (American, b. 1940) -
Half-title: AQUATINT ENGRAVING || Title: AQUATINT ENGRAVING | A CHAPTER IN THE HISTORY | OF BOOK ILLUSTRATION BY | S. T. PRIDEAUX | ILLUSTRATED BY AN ORIGINAL AQUATINT, TWO COLLOTYPE PLATES | AND NUMEROUS HALF-TONE PLATES | [Prideaux device] | LONDON | DUCKWORTH & CO. | 3 HENRIETTA STREET, COVENT GARDEN, W.C. || Pagination: ffl, [i, ii] – h.t. / blank, [2] – blank / frontis. w/guard, [iii, iv] – t.p. / coloph. "First Published, December 1909", [v, vi] – dedication "TO MY FATHER" / blank, vii-xv [xvi], [1] 2-434, bfl, + 24 pl. (incl. port). Collation: [a]6 b8 A-Z8 2A-2C8 2D4 Binding: Original navy cloth, gilt-ruled and lettered front board, gilt lettering to spine, a blind device to back board; upper margin gilt, free margin untrimmed. Author: Sarah Prideaux. "Engravers and the books they illustrated": p. 388-405. "Publications by Ackermann with aquatint plates": p. 374-378. "Biographical notices of engravers whose names appear on the plates": p. 358-371. "Books published before 1830 with aquatint plates": p. 325-357. -
Japanese book: 24 leaves, 22 numbered plates, b/w photography reproduced photomechanically, with descriptions at the facing pages; in Japanese. Hardcover, 19 x 18.5 cm, green cloth stamped with title to front board and spine. Separate translation into English. -
A two-volume set in the contemporary full calf, imitating the editorial cloth binding. Vol. 1: SCÈNES | DE LA | VIE PRIVÉE ET PUBLIQUE | DES ANIMAUX | VIGNETTES | PAR GRANDVILLE. | — | ÉTUDES DE MŒURS CONTEMPORAINES | PUBLIÉES | SOUS LA DIRECTION DE M. P. – J. STAHL , | AVEC LA COLLABORATION | DE MESSIEURS | DE BALZAC. – L. BAUDE. – E. DE LA BEDOLLIERE. – P. BERNARD. – J. JANIN. | ED. LEMOINE. – CHARLES NODIER. – GEORGE SAND. | [VIGNETTE] | PARIS. | J. HETZEL ET PAULIN , ÉDITEURS , | RUE DE SEINE-SAINT-GERMAIN , 33. | 1842 Pagination: [2 blanks] [2 - ht. / imprim.] [2 - blank / frontis.] [2 - t.p. / blank] [4] [1] 2-386 [6 - table] [2 blanks], 96 whole-page wood-engravings after Grandville, vignettes within the text including head and tailpieces, together with a frontispiece. VOL. 2: SCÈNES | DE LA | VIE PRIVÉE ET PUBLIQUE | DES ANIMAUX | VIGNETTES | PAR GRANDVILLE. | — | ÉTUDES DE MŒURS CONTEMPORAINES | PUBLIÉES | SOUS LA DIRECTION DE M. P. – J. STAHL , | AVEC LA COLLABORATION | DE | MM. DE BALZAC, – L' HERITIER (DE L' AIN), – ALFRED DE MUSSET – PAUL DE MUSSET, | CHARLES NODIER, – MADAME M. MENESSIER NODIER, – LOUIS VIARDOT. | [VIGNETTE] | PARIS, | J. HETZEL , ÉDITEUR , | RUE DE SEINE-SAINT-GERMAIN , 33. | 1842 Pagination: [2 - ht. / imprim.] [2 - blank / frontis.] [2 - t.p. / blank] [1] 2-390 [6 - table], 105 whole-page wood-engravings after Grandville, vignettes within the text including head and tailpieces, together with a frontispiece. Size: Each volume 27 x 18 cm; In-4to (usually classified as 8vo, however, the numeric signatures provide for gathering in-quarto). Binding: Full burgundy calf, gilt embossed Grandville's characters to boards and spine, lettering to spine, white moire end-papers to vol. 1, and yellow end-papers to vol. 2, all margins gilt. Combination of the 1st and 2nd print-runs of the 1st edition. Ref.: L. Carteret, 1927: pp. 552-558. Wikipedia; Gallica; Hathi Trust. In: British Museum, MET, RISD Museum, Fine Arts Museums of San Francisco. -
Hardcover, 30 x 26 cm, publisher's pictorial boards, pp.: [1-5] 6-168, il.Published to accompany the recent successful exhibition at the Museu Picasso, Barcelona, this book sheds new light on Picasso's work - his connection with Japanese art. It is illustrated with images
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Hardcover volume from the series Masterworks of ukiyo-e, 26.5 x 19.1 cm, bound in unprimed canvas, red characters on black strip to front 春信, red and black lettering to spine, cream embossed endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/blank), 7-30 text, [2] faux-title, 33-96 (66 colour plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | HARUNOBU | by Seiichirō Takahashi | English adaptation by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules 春信} || Series: Masterworks of ukiyo-e, № 6. Contributors: Seiichirō Takahashi [高橋誠一郎] (Japanese, 1884 – 1982) – author. Suzuki Harunobu [鈴木 春信] (Japanese, 1725 – 1770) – artist. John Bester (British, 1927 – 2010) – adaptation. -
Publisher's brown cloth stamped in gilt, in a slipcase, 19 x 14 cm; pp.: [11] 1-657 [1] 1-12 [6]; in Japanese. With full English translation published in 1982 on letter-size writing paper in a separate folder, 29.5 x 23 cm, pp. [2] i-iii, 1-197, 1-52, 1-3. "Kinkō Meikan is a collection of photographs of signatures that appear on the tsuba and other fittings of the Japanese sword". -
Book title: Kabuki fan-prints from Edo: Genroku to Enkyō periods (1688-1748) [江戸歌舞伎団扇絵] (Edo kabuki uchiwa-e: Genroku - Enkyō hen). Author: Shigeo Miyao [宮尾しげを] (Japanese, 1902 – 1982). Comments by: Sutezō Kimura [木村仙集] (Japanese, 20th century). Publisher: Inoue Shobō [井上書房] (Tokyo). Oblong volume bound in black washi paper with silver kabuki face design to front and silver lettering to spine and silver publisher’s name to back; three-colour title, folding frontispiece, second frontispiece, pp.: [6] foreword, contents, [2] f.t.p./blank, 3-134 [2], 43 full-page black & white illustrations, colophon slip pasted, bookstore label to back pastedown, in a pink slipcase with black lettering. Primitive fan prints from the Kaga collection, from 1691 to 1747. Edition: 1st edition, limited to 500 copies. -
Hardcover volume, 29.6 x 25 x 4 cm, in red cloth with black lettering to spine, in pictorial dust jacket, profusely illustrated in colour; pp.: [1-6] 7-536, total 268 leaves and 2 folding plates extraneous to collation. Title-page: {Hotei's device} Hotei Publishing | Shunga | sex and pleasure in Japanese art | Edited by | Timothy Clark | C. Andrew Gerstle | Aki Ishigami | Akiki Yano || Contents: The Cultural Historical Significance and Importance of Japanese Shunga / Kobayashi Tadashi. Introduction: What Was Shunga? / C. Andrew Gerstle; Who Were the Audiences for Shunga? / Hayakawa Monta. (1) Early Shunga before 1765: Shunga Paintings before the `Floating World' / Akiko Yano; Chinese Chunhua and Japanese Shunga / Ishigami Aki; Shunga and the Rise of Print Culture / Asano Shugo. (2) Masterpieces of Shunga 1765-1850: The Essence of Ukiyo-e Shunga / Kobayashi Tadashi; Erotic Books as Luxury Goods / Ellis Tinios; Listening to the Voices in Shunga / Hayakawa Monta; The Tale of Genji in Shunga / Sato Satoru. (3) Censorship: Timeline of Censorship; Shunga and Censorship in the Edo Period (1600-1868) / Jennifer Preston; Graph of approximate output of shunga print series and books; The Censorship of Shunga in the Modern Era / Ishigami Aki; Shunga Studies in the Showa Era (1926-89) / Shirakura Yoshihiko. (4) Contexts for Shunga: Traditional Uses of Shunga / Yamamoto Yukari; The Distribution and Circulation of Erotic Prints and Books in the Edo Period Laura Moretti; Shunga and Parody / C. Andrew Gerstle; Popular Cults of Sex Organs in Japan / Suzuki Kenko; Grotesque Shunga / Ishigami Aki; Violence in Shunga / Higuchi Kazutaka; Foreign Connections in Shunga / Timon Screech; Children in Shunga / Akiko Yano; Shunga and the Floating World / Matsuba Ryoko. (5) Shunga in the Meiji Era: Erotic Art of the Meiji Era (1868-1912) / Rosina Buckland; The Modern West's Discovery of Shunga / Ricard Bru. Published to accompany the exhibition Shunga: sex and pleasure in Japanese art at the British Museum from 3 October 2013 to 5 January 2014. Abstract: This catalogue aims to answer some key questions about what is shunga and why it was produced. In particular, the social and cultural contexts for sex art in Japan are explored. Erotic Japanese art was heavily suppressed in Japan from the 1870s onwards as part of a process of cultural 'modernisation' that imported many contemporary western moral values. Only in the last twenty years or so has it been possible to publish unexpurgated examples in Japan and this landmark book places erotic Japanese art in its historical and cultural context for the first time. This book looks at painted and printed erotic images produced in Japan during the Edo period (1600-1868) and early Meiji era (1868-1912). These are related to the wider contexts of literature, theatre, the culture of the pleasure quarters, and urban consumerism; and interpreted in terms of their sensuality, reverence, humour and parody. Contributors: Timothy Clark (British, b. 1959) Timothy Clark (British, b. 1959) C. Andrew Gerstle (American, 1951) Aki Ishigami [石上阿希] (Japanese) Akiki Yano -
Pictorial paper hardcover, 29 x 22.5 cm, pp. [i-vi] vii-xiv, [2] 3-319 [3], total 336 pp. ISBN: 1442263393. ISBN/EAN: 9781442263390. Title-page: The Dictionary of the Book | A Glossary for Book Collectors, Booksellers, | Librarians, and Others | Sidney E. Berger | […] | Rowman & Littlefield | Lanham • Boulder • New York • London || -
The edition consists of two albums:
1) Skizzenbuch: Hundert Federzeichnungen von Heinrich Kley. — München: Albert Langen, [1909]. — pp.: [1-4] 5-63 [64], illustr. Printed by Hesse & Becker in Leipzig. Bound in the original brown moire covered boards, with a paste-down drawing on the front, gilt cover titles, original patterned endpapers.
2) Skizzenbuch II. Hundert Federzeichnungen von Heinrich Kley. — München: Albert Langen, [1910]. — pp.: [1-4] 5-64, illustr. Printed by Hesse & Becker in Leipzig; paper by Bohnenberger & Cie.; binding by E. A. Enders, Leipzig. Bound in the original bluish-gray moire covered boards, with a paste-down drawing on the front, gilt cover titles, original patterned endpapers.
The number of printed copies unknown. Reproduction of ink drawings by Heinrich Kley, 1st edition.
Dimensions of each album: 32 x 24.5 cm; Quarto. Heinrich Kley (April 15, 1863 in Karlsruhe – 1945? in Munich) was a German illustrator, editorial illustrator and painter. -
Title: SONGS, | NAVAL AND NATIONAL, | OF THE LATE | CHARLES DIBDIN; | WITH A MEMOIR | AND | ADDENDA. | COLLECTED AND ARRANGED BY | THOMAS DIBDIN, | AUTHOR OF “THE ENGLISH FLEET,” CABINET,” &c. &c. | WITH CHARACTERISTIC SKETCHES BY | GEORGE CRUIKSHANK. | LONDON: | JOHN MURRAY, ALBEMARLE STREET. | (PUBLISHED TO THE ADMIRALTY) | 1841.|| Pagination: [4 binder's blanks] [i-vi] vii-xv [xvi advert.], [1] 2-336 [4 binder's blanks], engraved frontispiece and 11 plates by George Cruikshank. Collation: 8vo; [A] – Y8. Binding: brown ¾ morocco, ruled in gilt over marbled boards, marbled endpapers, raised bands, gilt in compartments, top margin gilt, title lettering and year to spine, by V. Krafft. Bookplate to front pastedown “Ex Libris Robert Hoe”. Provenance: HOE, Robert III (American, 1839-1909) – American businessman and producer of printing press equipment. Catalogue raisonné: Albert M. Cohn (1924): № 231, p. 75. Makers: Charles Dibdin the younger (British, 1768—1833) – author. Thomas John Dibdin (British, 1771—1841) – author. William Clowes (British, 1779—1847), printer. John Murray III (British, 1808—1892), publisher. George Cruikshank (British, 1792—1878), artist, emgraver. -
Description: single volume 24.5 x 19 cm, collated 4to, bound by a previous owner in quarter red morocco over marbled boards, raised bands, with gilt lettering in compartments: "SPADDY | DÉVERGONDAGES", red marbled endpapers. Printed on wove paper with watermark “RIVES”. Title-page: SPADDY | DÉVERGONDAGES | BRUXELLES | Aux Dépens d'un Amateur | 1948 || Pagination: [4] – blank, [1, 2] – h.t. / limitation, [3, 4] – t.p. / blank, 5-151 [152] – blank, [4] – blank; uncut, illustrated with 16 hand-coloured lithographs extraneous to collation after watercolours by Féodor Rojankowski [Rojan]. Table of contents on p. 151. Limitation: 250 copies of which №№ I – XVI with original watercolour and b/w suite of plates and №№ 17-250 on Rives paper with coloured lithography; this copy is № 100 of 234 Rives paper copies. Catalogue Raisonné: J.-P. Dutel (1920–1970) № 1389 / p. 128. -
NEWHardcover, 250 x 310 mm, black cloth, gilt lettering to spine, grey end papers, pictorial dust jacket; pp.: [1-8] 9-237 [3], illustrated in colour throughout. ISBN 0.8457.3150-5 Title-page (pictorial): The Beinecke Library OF YALE UNIVERSITY | Edited by Stephen Parks Architectural photography by Richard Cheek | Dedication photography by Ezra Stoller Collection photography by Stan Godlewski | With contributions by | Robert G. Babcock Vincent Giroud George A. Miles Stephen Parks Patrick L. Pinnell Christa Sammons Barbara A. Shailor Patricia C. Willis Marjorie G. Wynne Timothy G. Young | Published by | The Beinecke Rare Book & Manuscript Library | Yale University | Distributed by | University Press of New England || Contents: Introduction The Building Ezra Stoller Dedication Portfolio Crossing Wall Early Manuscripts and Books Modern Books and Manuscripts The Collection of American Literature The Osborn Collection: English Manuscripts German Literature Collection Western Americana Collection Music in the Beinecke -
Title: AN ESSAY | ON THE | PRINCIPLE OF POPULATION; | OR, | A VIEW OF ITS PAST AND PRESENT EFFECTS | ON | HUMAN HAPPINESS; | WITH | AN INQUIRY INTO OUR PROSPECTS RESPECTING THE FUTURE | REMOVAL OR MITIGATION OF THE EVILS WHICH | IT OCCASIONS | BY T. R. MALTHUS, A. M. | Late Fellow of Jesus College, Cambridge, and Professor of History and Political Economy in the East-India College, Hertfordshire. | IN THREE VOLUMES. | VOL. I. [or II. or III.] | THE FIFTH EDITION, | WITH IMPORTANT ADDITIONS. | LONDON: | JOHN MURRAY, ALBEMARLE-STREET. | 1817. || Pagination and collation: Vol. 1: ffl, [i, ii] – t. p. / imprint., [iii] iv-xvi, [1] 2-496, bfl; A-Z8 2A-2I8. Vol. 2: ffl, [i, ii] – t. p. / imprint., [iii]-iv – contents, [1]-2-507 [508], bfl; [A]2 B-Z8 2A-2I8 2K6. Vol. 3: ffl, [i, ii] – t. p. / imprint., [iii]-iv – contents, [1]-2-500, bfl; [A]2 B-Z8 2A-2I8 2K2. Binding: Three volumes printed on wove paper, uniformly bound in quarter brown polished calf, blind-ruled, black label, ruled and lettered in gilt to spine, green buckram boards; 22.2 x 13.5 cm. Edition: 5th edition, corrected with a new preface, an updated appendix of Malthus’ responses to his critics, and addition of several chapters to the whole: on France, England, and on the poor laws. Lifetime edition. Ref.: Einaudi 3670; Goldsmiths’ 21761; Kress B.6974; Mattioli 2210. Printed by W. Clowes: William Clowes Ltd. (London). Clowes, William (British, 1779 – 1847). Malthus, Thomas Robert (British, 1766 – 1834). Murray, John (British, 1737 – 1793) Murray, John II (British, 1778 – 1843) John Murray (publishing house) -
Title-page (in red and black): TALES AND NOVELS | OF | J. DE LA FONTAINE | WITH 12 ORIGINAL ETCHINGS | BY | CLARA TICE | VOLUME ONE (TWO) | {arabesque} | PRIVATELY PRINTED | AT THE PRINTING HOUSE OF G. J. THIEME | NIJMEGEN ~ HOLLAND | 1929 || Collation: 8vo. Vol. 1: π8 (2 blanks, h.t. / limitation №103 of 990, frontispiece etched portrait of La Fontaine w/ tissue guard, 4 leaves uncut with table and preface), 1—138, incl. 2 final blanks, paginated: xvi, 204 [4], plus 5 etchings besides frontis., all with tissue guards, by Clara Tice, in sepia. Vol. 2: π8, 1-188, paginated: xvi, 270 [271] epitaph, [272] blank, plus 6 etchings w/ tissue guards, by Clara Tice. Binding: 25.3 x 16.8 cm, quarter faux parchment over light blue publisher's boards, gilt lettering to spine. Ticket to front pastedown in each volume: “FROM THE COLLECTION | OF PRINCETON ANTIQUES BOOKFINDERS”, etc. Etchings printed on wove paper, text – on laid paper; untrimmed, uncut. Edition: limited, privately printed run of 990 copies of which this is №103.
