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Hardcover volume 20 x 14 cm, bound in burgundy half faux chagrin over brown faux chagrin boards, gilt lettering to spine, marbled endpapers, all margins sprinkled blue. Convolute: 1) SPIRITOMANES ET SPIRITOPHOBES |— | ÉTUDE | SUR LE | SPIRITISME | PAR LE | DOCTEUR HUGUET | De la Faculté de Paris | {« ED » publsiher’s device} | PARIS | E. DENTU, LIBRAIRE-ÉDUTEUR | Palais-Royal, 17-19, Galerie d’Orléans | – | 1875 | Tous droits réservés ||; pp. [1-7] 8-48, with Dr Huguet signature to h.t. verso. Contents: Introduction. I. Le procès du 16 juin 1875; MM. Firman, Buguet, Leymarie. II. Le Spiritisme dans ses rapports avec le dogme, l’histoire, la science. Conclusion. 2) Same, pp. [1-7] 8-48, with Dr Huguet signature to h.t. verso. 3) FÉDÉRATION SPIRITE BELGE | — | Étude critique | DU LIVRE INTITULÉ | L'Hypnotisme | et le Spiritisme | du Docteur Joseph LAPPONI | Médecin de L. L. S. S. LÉON XIII et PIE X. | * | CONFÉRENCE | PAR | J. FRAIKIN | Président de la Fédération Spirite de Liége, | Vice-Président de la Fédération Spirite Belge. | * | Imp. Emile Dumon | Rue Haute-Marexhe, 27, Herstal-Liége. ||; pp. [1-3] 4-50 [51] errata/blank. 4) BUREAU PERMANENT D’ÉTUDE | DES | PHÉNOMÈNES SPIRITES | ANVERS | * | Cours De Doctrine Spirite | — | Imprimerie et Publicité « LA GÉNÉRALE » (SOC. AN.) Anvers. ||; 6 leaves, pagination trimmed out with partly visible numbers 13 and 18 ; includes Deuxième leçon « Du passage de la vie… », t.p., 7 pp. of text, last three pages blank. 5) LA PSYCHOLOGIE EXPERIMENTALE || Manifeste adresse par le « Syndicat de la Presse spiritualiste de France » | au Congres spiritualiste de Londres (Juin 1898); pp. [1] 2-31 [32]. Contents: I. Prolégomènes. II. Télépathie. III. Médiumnité. Conclusion. 6) LE FLUIDE HUMAIN | Son existence/ | Ses lois * Ses propriétés | — | CONFÉRENCE | DONNÉE PAR LE | Sous-Lieutenant DE BACKERE | — ||; pp. [1-3] 4-28. Contributors: Hilarion Huguet (French, ? – ?) Alfred-Henri Firman (American, ? – ?) Édouard Isidore Buguet (1840 – 1901) Pierre-Gaëtan Leymarie (1827 – 1901) Giuseppe Lapponi (Italian, 1851 – 1906) Jacques Fraikin (Belgian, ? – ?) Franz de Backere (Belgian, ? – ?) -
Hardcover volume, 35 x 26.8 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a double slipcase, the outer case pictorial paper over cardboard, 36 x 28.2 cm, pp.: [4] [1] 2-144 (plates with photographs of 332 items), [2] 147-182 [4]. 鍋島 – Nabeshima – book title. 日本の陶磁 – Japanese ceramics, series title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher. -
Oblong hardcover volume, 13.3 x 21 cm, bound in brown buckram with embossed gilt lettering to front, pp.: [1-4] 5-482 [2] errata leaf laid in. Title-page: СОЮЗ СОВЕТСКИХ ПИСАТЕЛЕЙ СССР | СПРАВОЧНИК | на 1954 — 1955 годы | ИЗДАТЕЛЬСТВО «Советский писатель» | МОСКВА 1954 || On page 71, second from bottom: Варшавский Сергей Петрович, г. Ленинград, Ропшинская ул., д. 1/32, кв. 18, тел. В 3-56-00. Print run: 3,000 copies. -
Hardcover volume, 19 x 13 cm, grey cloth with gilt lettering to spine, grey/cream dust jacket lettered throughout, price “10s 6d | NET” unclipped. Covers rubbed, dust jacket has a purple ink stain on the back bottom. Black ink inscription to recto ffl. Collation: a-o8 p10, total 122 leaves; pp.: [6] 1-237 [238]. 1st edition, 1st issue / Great Britain. Title-page: THE END OF THE | AFFAIR | by | GRAHAM GREENE | {publisher’s device} | — | WILLIAM HEINEMANN LTD | MELBOURNE :: LONDON :: TORONTO || Imprint: FIRST PUBLISHED 1951 | PRINTED IN GREAT BRITAIN | AT THE WINDMILL PRESS | KINGSWOOD, SURREY || Dedication: To C. (Catherine Walston, nee Crompton, American, 1925 – 1978) Contributors: Graham Greene (British, 1904 – 1991) William Henry Heinemann (Jewish-British, 1863 – 1920) -
Title: PETER SCHLEMIHL: | FROM THE GERMAN | OF LAMOTTE FOUQUÉ | WITH PLATES BY GEORGE CRUICKSHANK. | "There are more things in heaven and earth, Horatio, | "Than are dreamt of in your philosophy." | SHAKESPEARE. | — | LONDON: | G. AND W. B. WHITTAKER, | AVE MARIA LANE. | 1824.|| Pagination: xii, 165 p. : ill. No Adelbert von Chamisso (German, 1781 – 1838) name on the title page. George Cruikshank's name printed with a typo 'Cruickshank'. The attribution on the title-page to Friedrich de La Motte-Fouqué (German, 1777 – 1843) is erroneous. The original German was edited by La Motte Fouqué. The translation was performed by Sir John Bowring (British, 1792 – 1872) First edition in English, third issue with no hyphen between "Ave" and 'Maria" in publisher's imprint.In a cover box of red cloth over cardboard. Box: 21 x 13 x 2.3 cm; book: 19.3 x 11.8 x 1.7 cm; Crown 8vo. Red cardboard binding. Printed spine labels mounted on spine of the box and the book. Untrimmed edges.
Reference: Cohn 475. -
Vol. 1 title: OVID'S | METAMORPHOSES | IN LATIN AND ENGLISH, | TRANSLATED BY | THE MOST EMINENT HANDS. | With HISTORICAL EXPLICATIONS | Of the FABLES, | WRITTEN IN FRENCH BY | The ABBOT BANIER, | MEMBER OF THE ACADEMY OF INSCRIPTIONS | AND BELLES LETTRES. | TRANSLATED INTO ENGLISH. | Adorned with Sculptures, by B. Picart, and other able Masters. | VOLUME THE FIRST. | [Device] | AMSTERDAM, | Printed for the WETSTEINS and SMITH. | MD CC XXII || — Pagination: [26 – Half-title, frontis., t.p., dedic., The Bookseller's Preface To This Edition, Mr. Banier's Preface To The French Translation, Contents], [1] 2-247 – Text of books 1-7, with illus., [1 blank]. Vol. 2 half-title: OVID'S | METAMORPHOSES | IN LATIN AND ENGLISH | TWO VOLUMES || — Pagination: [2 – half-title / blank], 249-524 – Text of books 8-15, with illus., incl. 3 leaves of pl., [4 – Index]. Three leaves between pages 264 and 271 are included in the pagination as pp. [265-70] but do not carry page-numbers or letterpress text. They each carry two prints on their rectos and are blank on the verso. Vol. II without the engraved title page. The names of the translators are given in the list of Contents as Dryden, Addison, Eusden, Arthur Mainwaring, Croxall, Tate, Stonestreet, Vernon, Gay, Pope, Stephen Harvey, Congreve, Ozel, Temple Stanyan, , Catcot, Rowe, Samuel Garth, Welsted. The frontispiece is signed as made by B. Picart. The six plates on pages [265, 267, 269] are all signed as painted by C. Le Brun and engraved by Iakob Folkema. Of the 124 illustrations, most are unsigned by a draughtsman, but some are signed as designed by G. Maas, one as designed by Jul. Romain, two as designed by G. Maas and drawn by J. de Wit, one as drawn by 'HA', one as painted by C. le Brun, one as made by B. Picart, one as designed by P. Testa and drawn by B. Picart, one as designed by S. Le Clerc, one as designed by B. Picart. Many are signed by their engravers - Philip à Gunst (one as directed by B. Picart and engraved by Phil. à Gunst), J. Vandelaar (or I. Wandelaar), Martin Bouche, Jan Schenck, 'MB', Petr. Paul. Bouche, Iakob Folkema, W. Jongman, Fred. Bouttats. The title-page vignette of Volume I is signed as drawn by B. v. Overbeke and engraved by F. Mulder. Many tailpieces are signed 'VLS'. The book is dedicated by the publishers, R. and J. Wetstein and W. Smith, to the Countess of Pembroke. [Description is cited from the Royal Academy of Arts] Physical description: Two large 4to volumes, first title page printed in red and black, added engraved title in the first volume; half-title in the second volume; illustrated throughout with copperplate engravings in text; text printed in parallel columns in Latin and English; three leaves extraneous to collation each with two engravings in the second volume; bookplate pasted to the front endpaper in each volume: Ex Libris Theodore C. Tebbetts (Theodore Charles Tebbetts, American, 1871 – 1920) designed after Francis Carruthers Gould (British, 1844 – 1925); pages 517-520 of the second volume torn with loss of bottom blank corners and a word or two; original full leather, spines tooled elaborately in gilt; some boards detached, endcaps and corners rather worn, contents bright and fresh. Size: Large 4to; 47.5 x 31 cm. -
Title: OXFORD EDITION | POPULAR STORIES | COLLECTED BY | THE BROTHERS GRIMM | A REPRINT OF THE FIRST ENGLISH EDITION | WITH TWENTY-TWO ILLUSTRATIONS | BY GEORGE CRUIKSHANK | {publisher’s device} | HENRY FROWDE | LONDON, EDINBURGH, GLASGOW | NEW YORK AND TORONTO | 1905 || Pagination: [i, ii] – frontis., [iii-iv]– t.p. / imprint. [v] – preface, vi-xvii [xviii blank], [2] [1] 2-403 [404], plates included in pagination, pp. 379-403 – notes. Collation: a8 b2 B-Z8 Aa-Cc8 Dd2. Binding:1 9 x 13 cm, olive green cloth blind-stamped in art nouveau style and lettered in gilt to cover and spine: GRIMMS’ POPULAR STORIES. Aubergine pencil inscription to front pastedown: C. Grant Robertson | All Souls | 1905: Provenance: Sir Charles Grant Robertson CVO (British, 1869 – 1948) who was a British academic historian, a Fellow of All Souls College, Oxford, and Vice-chancellor of the University of Birmingham. -
![[Barham, Richard Harris]. The Ingoldsby Legends or Mirth and Marvels by Thomas Ingoldsby, esquire / First, Second and Third Series - 3 volumes; Illustr.: George Cruikshank and John Leech. — London: Richard Bentley, 1840-1847. — Vol. 1: Printed by London: Samuel Bentley, 1840. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [iii] iv-v [vi blank] [contents, list of ill.] [blank, etching on verso] [1] 2-338 [339] [7, incl. orig. FC and Sp.] bf, 6 plates: 1 by Buss, 3 by Leech, 2 by Cruikshank. — Vol. 2: Printed by London: S. & J. Bentley, Wilson, and Fley, 1842. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [v] vi-vii [viii blank] [contents, verso blank] [blank, etching on verso] [1] 2-288 [6, incl. orig. FC and Sp.] bf, 7 plates: 3 by Leech, 4 by Cruikshank. — Vol. 3: Printed by London: S. & J. Bentley, Wilson, and Fley, 1847. pp.: ff, [2 blank] [i ht] [ii colophon] [title, verso blank] [iii] iv-vi [contents, list of ill.] [blank, portrait on verso] [1] 2-364 [6, incl. orig. FC and Sp.] bf, 6 plates: 2 portraits, 2 by Leech, 2 by Cruikshank.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2483-1.2020-c-1-500x790.jpeg)
3-volume set, 1st edition, with original wrappers. Vol. 1: Half-title: THE | INGLODSBY LEGENDS. Title (in black and red, emblematic, engraved): THE | Ingoldsby Legends | OR | MIRTH AND MARVELS | by | THOMAS INGOLDSBY | ESQUIRE | In frame: | LONDON. | RICHARD BENTLEY. | MDCCCXL. | Under the frame: J. S. GWILT. | INV. Pagination: ffl, [2] – blanks, [i, ii] – h.t./ colophon, [2] – t.p. / verso blank, [iii] iv-v [vi] – blank, contents / list of ill., blank / etching, [1] 2-338 [339], [7] incl. orig. covers and spine bound in, bfl; 6 plates: 1 by Buss, 3 by Leech, 2 by Cruikshank. Vol. 2: Half-title: THE | INGLODSBY LEGENDS. |—| SECOND SERIES.|| Title (in black and red, emblematic, engraved): THE | Ingoldsby Legends | OR | MIRTH AND MARVELS | by | THOMAS INGOLDSBY | ESQUIRE | SECOND SERIES | In frame: | LONDON | RICHARD BENTLEY. | MDCCCXLII. | Under the frame: G. COOK SCULPo|| Pagination: ffl, [2] – blanks, [i, ii] – h.t. / colophon, [iii, iv] – t.p. / verso blank, [v] vi-vii [viii ] – blank, contents / blank, blank / etching, [1] 2-288 [6], incl. orig. covers and spine bound in, bfl; 7 plates: 3 by Leech, 4 by Cruikshank. Vol. 3: Half-title: THE | INGLODSBY LEGENDS. |—| THIRD SERIES.|| Title (in black and red, emblematic, engraved): THE | Ingoldsby Legends | OR | MIRTH AND MARVELS | by | THOMAS INGOLDSBY | ESQUIRE | THIRD SERIES | In frame: | LONDON | RICHARD BENTLEY. | MDCCCXLVII. | Under the frame: COOK || Pagination: ffl, [2] – blanks] [i, ii] – h.t. / colophon, [2] – t.p. / verso blank], [iii] iv-vi – contents / list of ill., blank / portrait, [1] 2-364 [6], incl. orig. covers and spine bound in, bfl; 6 plates: 2 portraits, 2 by Leech, 2 by Cruikshank. Binding: 3 volumes, 8vo, 20.5 x 13.5 cm, hardcover, full carmine morocco, triple ruled in gilt, top edge gilt, slightly raised bands, gilt lettering and double fillet gilt panels to spine by T. W. Morrell & Co. (London) for Brentano's bookstore in New York. 6, 7, and 6 (19 total) plates inset. The original brown figured cloth covers and spines preserved at the end of each volume. Catalogue raisonné: Albert M. Cohn, 1924: №50, p.20. Contrary to A. Cohn's description, the first etching in the first series is signed “Dalton del.” bottom left and “Buss sculp.” bottom right. It has been suggested that the name Dalton might refer to Richard Harris Dalton Barham (British, 1815-1886). Robert William Buss (1804 – 1875). Portrait (v.3, p.1): John William Cook (fl.1819 - 1862) after Richard James Lane (British, 1800 – 1872). Portrait (v.3, p.127): Henry Griffiths after Dalton. Seller's description: First editions, mixed states, in full crimson levant morocco by Morrel for Brentanos, New York. Vol.1, p. 236 is NOT blank, but unpaginated; Vol. 2 does NOT have a list of ill's on verso of contents; Vol. 3, p. 351 'to pot' NOT run together. Cloth spine and front cover bound in the back of each volume, all volumes have half-titles, with engraved titles and 19 plates by Cruikshank, Leech, et al. Conforms in the main to Sadlier 156b, 156e, and 156f. -
A three-volume set. VOL. 1: ENGRAVING IN ENGLAND | IN THE | SIXTEENTH AND SEVENTEENTH CENTURIES | A DESCRIPTIVE CATALOGUE | WITH INTRODUCTIONS | BY | ARTHUR M HIND | Sometime Keeper of Prints and Drawings in the British Museum | and Slade Professor of Fine Art in the University of Oxford | PART I | THE TUDOR PERIOD | WITH 319 ILLUSTRATIONS | {The coat of arms of the University of Cambridge} | CAMBRIDGE | AT THE UNIVERSITY PRESS | 1952|| Pagination: ffl, [i-vi] – h.t. / blank, frontis., t.p. / colophon, dedication / blank; vii-xxx; 1-333 [334 blank] [2] – the plates / blank; 1-156 pp. of plates. Collation: a-b8, 1-218 + 78 leaves of plates at the end. VOL. 2: ENGRAVING IN ENGLAND | IN THE | SIXTEENTH AND SEVENTEENTH CENTURIES | A DESCRIPTIVE CATALOGUE | WITH INTRODUCTIONS | BY | ARTHUR M HIND | Sometime Keeper of Prints and Drawings in the British Museum | and Slade Professor of Fine Art in the University of Oxford | PART II | THE REIGN OF JAMES I | WITH 618 ILLUSTRATIONS| {The coat of arms of the University of Cambridge} | CAMBRIDGE | AT THE UNIVERSITY PRESS | 1955|| Pagination: [i-iv] – h.t. / blank, t.p. / colophon; v-xiv [xv] [xvi blank]; 1-396 [397] [398 blank] [2] – the plates / blank; 1-252 pp. of plates. Collation: a-b8, 1-268 + 126 leaves of plates at the end. VOL. 3: ENGRAVING IN ENGLAND | IN THE | SIXTEENTH AND SEVENTEENTH CENTURIES | A DESCRIPTIVE CATALOGUE | WITH INTRODUCTIONS | PART III | THE REIGN OF CHARLES I | WITH 466 ILLUSTRATIONS | COMPILED FROM THE NOTES OF | THE LATE A. M. HIND | BY | MARGERY CORBETT & MICHAEL NORTON | {The coat of arms of the University of Cambridge} | CAMBRIDGE | AT THE UNIVERSITY PRESS | 1964|| Pagination: [i-vi] – h.t. / blank, frontis., t.p. / colophon, dedication / blank; vii-xxx; 1-333 [334 blank] [2] – the plates / blank; 1-214 pp. of plates. Collation: [a]8, 1-258 + 107 leaves of plates at the end. Each of three volumes bound in red cloth with gilt lettering to spine, residuals of library stickers, dark spotting to the top and lateral edges; tan DJ with title lettering in a frame to front, lettering to spine, advert. to back, with cut off stickers to spine; ‘The Francis Bacon Foundation’ ink stamp to front pastedown. -
Cover (in blackletter): H. L. Rosegger. | Von Königen u. Jakobinern | {vignette by von Bayros} | Verlag C. Seifert | • Köstritz u Leipzig • || Title (blackletter): Von Königen | und Jakobinern | Von | Hans Ludwig Rosegger | mit vier Vollbildern und Buchschmuck | von Marquis F. von Bayros | {publisher’s device} | 1913 | C. Seifert Verlag, G.m.b.H. | Köstritz und Leipzig || Pagination: [2] – t.p. / blank, [2] – contents / blank, [1-3] 4-263 [264 vignette, colophon], 4 plates extraneous to collation, 2 vignettes. Collation: 8vo; 1-168 174. Binding: Hardcover, pictorial paper boards, lettering to spine, lettering and vignette by von Bayros to cover. Owner's inscription to ffl: "T. Lewe. März, 1919." -
Title: ПРОДОЛЖАТЕЛЬ ФЕОФАНА | ЖИЗНЕОПИСАНИЯ | ВИЗАНТИЙСКИХ ЦАРЕЙ | Издание второе, исправленное и дополненное | Санкт-Петербург | АЛЕТЕЙЯ | 2009 || Pagination: [108] 9-398 [2]. Binding: 21.5 x 15 cm; hardcover, crimson buckram, gilt lettering in the border, gilt serial device on black, pictorial endpapers. Print run: 1,000 copies. ISBN: 978-5-91419-146-4. Theophanes Continuatus [Продолжатель Феофана; συνεχισταί Θεοφάνους] (Byzantine, 9th century). Любарский, Яков Николаевич (Russian, 1929 – 2003). -
Dust jacket: Pictorial floral ornament, lettering in a central medallion: ЖИЗНЬ | БЕНВЕНУТО | ЧЕЛЛИНИ | {ACADEMIA} || Title page in black and red in a pictorial frame: ЖИЗНЬ | БЕНВЕНУТО, | СЫНА МАЭСТРО | ДЖОВАННИ | ЧЕЛЛИНИ, | ФЛОРЕНТИНЦА, | НАПИСАННАЯ | ИМ САМИМ | ВО ФЛОРЕНЦИИ |{√}| ПЕРЕВОД, ПРИМЕЧА | НИЯ И ПОСЛЕСЛОВИЕ | М. ЛОЗИНСКОГО | ВСТУПИТЕЛЬНАЯ | СТАТЬЯ | А. К. ДЖИВЕЛЕГОВА | ACADEMIA | МОСКВА~ЛЕНИНГРАД | M.CM.XXXI || Frontispiece: ПАМЯТНИКИ | ХУДОЖЕСТВЕННОГО | И ОБЩЕСТВЕННОГО | БЫТА |{√}| ЖИЗНЬ | БЕНВЕНУТО | ЧЕЛЛИНИ |{√}| ACADEMIA | МОСКВА~ЛЕНИНГРАД | M.CM.XXXI || Title verso: LA VITA DI BENVENUTO DI Mo GIOVANNI | CELLINI FIORENTINO | scritta per lui medesimo in Firenze | […] | Рисунки титулов, переплета и супер-обложки И. Ф. Реберга |[…]| 6 – 10 тысяча || Pagination: [1-5] 6-735 [736], 30 photomechanical plates (incl. portrait) Collation : [1]8 2-468 + 15 leaves of plates extraneous to collation, total 383 leaves. Binding: publisher’s burgundy cloth, gilt-stamped to front, blind-stamped to back board, gilt lettering to spine, pictorial DJ. Print run: 5,250 copies. Catalogue raisonné: Крылов-Кичатова (2004): №473, p. 220 (in 1932 section). Contributors: Benvenuto Cellini (Italian, 1500 – 1571) – author. Алексей Карпович Дживелегов (Russian, 1875 – 1952) – editor. Михаил Леонидович Лозинский (Russian, 1886 – 1955) – translator. Иван Фёдорович Рерберг (Russian, 1892 – 1957) – artist. -
Title page: BOOKLEGGERS | AND | SMUTHOUNDS | THE TRADE IN EROTICA, 1920-1940 | JAY A. GERTZMAN | UNIVERSITY OF PENNSYLVANIA PRESS • PHILADELPHIA || Pagination: [8] [1] 2-418 [6] blanks, total 216 leaves. Binding: 24.5 x 16 cm; black cloth, silver lettering to spine, pictorial dust jacket. -
Publisher’s blue wrapper: DÜRERS | KUPFERSTICHE UND HOLZSCHNITTE. | EIN KRITISCHES VERZEICHNIS | VON | R. v. RETBERG. | MÜNCHEN. | THEODOR ACKERMANN. | 1871. || Title page: similar to front wrapper, 2.5 cm cut at the bottom, text not affected. Pagination: front wrapper with lettering in a frame, flyleaf, [4] 1-169 [170 blank] [2], flyleaf, back wrapper with imprint plus 2 plates (frontis., Il. entry №129, and op. p., il. entry 100 № 260, printed on laid paper without watermark). Collation: π2 1-88 9-134 142, plus 2 plates extraneous to collation, incl. frontispiece. Binding: 26.4 x 17.5 cm, quarter green morocco over marbled boards, black compartment fillets and lettering to spine, publisher’s wrappers preserved. Marks: bookplate 6 x 9 cm to front pastedown: “БИБЛИОТЕКА | ГОСУДАРСТВЕННОГО | ЭРМИТАЖА ИЗ СОБРАНИЯ | СТЕПАНА ПЕТРОВИЧА | ЯРЕМИЧА | (1869 – 1939)”, purple ink stamp “В ПРОДАЖУ”. To front wrapper: Ink manuscript on top “Dr. Lichtenstein”… etc., black ink seal of rampant lion and pencil number “949” in the middle; pencil marks to p. 162.Contents: Inhalt - Berichtigungen - Vorwort und Einleitendes - Dürers Lebenskizze - [Text] - Nachtrag zu Dürers "Lebenskizze". A critical directory of Albrecht Dürer (German, 1471 – 1528) copperplate engravings and woodcuts by Ralf von Retberg (German, 1812 – 1885): the description of 167 woodcuts and 103 copperplate engravings.
Provenance: From the collection of a Russian artist Stepan Petrovich Yaremich, sold by Hermitage Museum in St. Petersburg. Ref: Royal Academy. -
Two volumes, 16.6 x 11.4 cm each, uniformly bound in sprinkled calf, spine with raised bands, gilt in compartments, with crimson and black gilt lettered labels. Ink inscription to title page of vol. 1: “Thomas Fry. St: John's, Oxford.” Vol. 1: Collation: 4to; π2 ✶2 a4 b3 A-Z4 2A-2E4 2F1, (total 124 leaves), plus frontispiece, 29 in-text vignettes. Pagination: [2] – h.t., [2] – t.p., [4] – preface, [i] ii-xiv – Vie de La Fontaine, [1] 2-224, [2] – table, (total 248 pages), ils. Vol. 2: Collation: 4to; π2 ✶3 A-Z4 2A-2K4 2L3, (total 140 leavs), 40 in-text vignettes. Pagination: [2] – h.t., [2] – t.p., [6] – preface, [1] 2-268, [2] – table, (total 280 pages), ils. Illustrations: frontispiece by Lebas (signature erased), Vie de La Fontaine headpiece by Fessard after Cochin, 2 fleurons on two title pages, 69 vignettes by Chedel, Fessard, and Ravenet after Cochin (not signed). Catalogue raisonné: Lewine: 278; Cohen-deRicci: 557-8. Contributors: Charles-Nicolas Cochin (French, 1715 – 1790) – artist. Engravers: Pierre Quentin Chedel (French, 1705 – 1763). Étienne Fessard (French, 1714 – 1774). Simon François Ravenet (French, 1706 – 1764). Jacques-Philippe Le Bas [Lebas] (French, 1707 – 1783). Provenance: Thomas Fry (British, 1718 – 1772) – English priest and academic, president of St John's College, Oxford from 1757. -
One hardcover volume, 30.2 x 25.3 cm, in red cloth blind stamped to front and spine with lettering, in pictorial dust jacket; pp.: [1-4] 5-359 [360], total 180 leaves, profusely illustrated. Subject: Japan; Theatre; Kabuki theatre; Kabuki actors; Woodblock prints. Contributors: Arendie Herwig (Dutch, fl. 2002 – 2016); Henk Herwig (Dutch, fl. 2002 – 2017). -
Description: Hardcover, 20.8 x 13.3 cm, green buckram with gilt lettering to spine, gilt serial design and lettering to front cover, pp.: [1-6] 7-479 [480]. Incl. Ф.-Р. де Шатобриан. «Гений христианства», пер. О. Э. Гринберг. Title-page : | — | ЭСТЕТИКА РАННЕГО ФРАНЦУЗСКОГО РОМАНТИЗМА |— | {publisher’s device} | МОСКВА | ИСКУССТВО | 1982 | 3 || François-René de Chateaubriand (French, 1768 – 1848) – author Ольга Эммануиловна Гринберг (Russian, 1950 – 2008) – translator Вера Аркадьевна Мильчина [Vera Miltchina] (Russian, b. 1953) – foreword, translator -
Description: Hardcover, 18.8 x 13 cm, pictorial front cover (after Franz von Bayros) in colour over tan cloth, lettering to spine, all margins red, laid paper endpapers, pp.: [4] 1-185 [3]; collated 8vo as π2 1-118, 126, total 192 pages (96 leaves) plus 5 b/w photogravures after drawings by Franz von Bayros. Title-page (blackletter): Gustav Hochstetter | Das Füsschen der gnädigen Frau | und Anderes | {publisher’s device} | {blank} | 1912 | München und Leipzig bei Georg Müller || T.p. verso (blackletter): Umschlagzeichnung und fünf Bildbeigeben von | Franz von Bayros | {blank} | (serif) Copyright 1912 by Georg Müller in München || Colophon: Druck von Mänicke u. Jahn, Rudolstadt. Contributors: Gustav Hochstetter (German-Jewish, 1873 – 1944) – author. Franz von Bayros (Austrian, 1866 – 1924) – artist. Mänicke und Jahn (Rudolstadt) – printer. Georg Müller (München, Leipzig) – publisher.
