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54 Products
The world of Hogarth: Lichtenberg’s commentaries on Hogarth’s engravings / Translated by Innes and Gustav Herdan. — Boston: Houghton Mifflin Company, Cambridge: The Riverside Press, 1966.
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Утопический роман XVI – XVII веков. (Библиотека всемирной литературы). — М.: Художественная литература, 1971.
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[Voltaire]. La Pucelle d’Orléans, poëme, divisé en vingt chants, avec des notes. — [Geneva]: s.n., 1762.
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John Whitehead. This solemn mockery: The art of literary forgery. — London: Arlington Books, 1973.
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Легенда о докторе Фаусте / Изд. подг. В. М. Жирмунский; (Литературные памятники) — М.: Наука, 1978.
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Harriet Beecher Stowe. La case de l’Oncle Tom / gravures par George Cruikshank. — Paris: Aux Bureaux Du Magasin Pittoresque, 1853.
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Ernest Hemingway. A moveable feast. — New York : Charles Scribner’s Sons, [1964].
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Henri Murger. Die Bohème : Szenen aus dem Pariser Künstlerleben. — Leipzig: Insel-Verlag, 1906.
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Поэзия и проза Древнего Востока. (Библиотека всемирной литературы). — М.: Художественная литература, 1973. // О всё видавшем (эпос о Гильгамеше).
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Альфонс Додэ. Тридцать лет в Париже / пер. с фр. (Из «Книжек Недели»)— СПб.: Газета «Неделя», 1888.
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John Carter. Taste and technique in book-collecting. — Cambridge: Cambridge University Press, 1949.
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Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.
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Geisha: Beyond the painted smile / Edited by the Peabody Essex Museum. — [New York]: George Braziller; Salem, MA: Peabody Essex Museum, ©2004.
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[Louis Protat]. Examen de Flora à l’effet d’obtenir son diplôme de putain. — Paris: s.n., s.d. [c. 1932].
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E. Cresson. Cent jours de siège à la préfecture de police: 2 novembre 1870 – 11 février 1871. — Paris: Plon-Nourrit et Cie., 1901.
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Gil Blas illustré, 1892: №№ 1-52. — Paris: s.n, 1892.
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Le Riche de La Popelinière. Tableaux des mœurs du temps dans les différents âges de la vie, notice de Charles Monselet / 2 vol. — Paris: Fermiers généraux [i.e. Bruxelles: A. Poulet-Malassis], 1867.
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Muneshige Narazaki, Sadao Kikuchi. Utamaro [歌麿] / Translation by John Bester (Masterworks of ukiyo-e, №4). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.
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