//Hardcover
  • The edition consists of two albums:

    1) Skizzenbuch: Hundert Federzeichnungen von Heinrich Kley. — München: Albert Langen, [1909]. — pp.: [1-4] 5-63 [64], illustr. Printed by Hesse & Becker in Leipzig. Bound in the original brown moire covered boards, with a paste-down drawing on the front, gilt cover titles, original patterned endpapers.

    2) Skizzenbuch II. Hundert Federzeichnungen von Heinrich Kley. — München: Albert Langen, [1910]. — pp.: [1-4] 5-64, illustr. Printed by Hesse & Becker in Leipzig; paper by Bohnenberger & Cie.; binding by E. A. Enders, Leipzig. Bound in the original bluish-gray moire covered boards, with a paste-down drawing on the front, gilt cover titles, original patterned endpapers.

    The number of printed copies unknown. Reproduction of ink drawings by Heinrich Kley, 1st edition.

    Dimensions of each album: 32 x 24.5 cm; Quarto. Heinrich Kley (April 15, 1863 in Karlsruhe – 1945? in Munich) was a German illustrator, editorial illustrator and painter.
  • Four parts bound in two 18mo volumes (1-2 & 3-4), half polished brown calf, dot-ruled, flat spine with gilt bands and lettering, marbled boards, some plates with guard sheets, margins sparkled red. Title-page: LES LIAISONS | DANGEREUSES, | Ou Lettres recueillies dans une | société, et publiées pour l’ins- | truction de quelques autres. | par  C….. de L… | — | J’ai vu les mœurs de mon temps, et j’ai publié | ces Lettres. | J. J. Rous. Préf. De la nouv. Hél. | PREMIÈRE PARTIE. | — | A GENEVE. | 1792. || Vol. 1: Pagination: ffep, blank, [2] – h.t., [i, ii] – t.p. part one, [iii] iv-xxij, [1] 2-245 [246] + 2 plates (p. 26 & p. 75); [1, 2] – h.t., [3, 4] – t.p. part two, [5] 6-233 [234], fep + 2 plates (p. 59 & p. 222). Collation: part 1: a12, A-M18 N5; part 2: A-M18 N9, plus four plates by various engravers after Le Barbier. Vol. 2: Pagination: ffep, blank, [1, 2] – h.t., [3, 4] – t.p. part three, [5] 6-225 [226] + 2 plates (p. 69 & p. 215); [1, 2] – h.t., [3, 4] – t.p. part four, [5] 6-250, fep + 2 plates (p. 25 & p. 201). Collation: part 3: A-M18 N5; part 4: A-N18 O5, plus four plates by various engravers after Le Barbier. Illustrations: After Le Barbier, engravers: Halbou (1), Simonet (1), N. Thomas (2), Dambrun (2), and Delignon (2). In the first illustration (vol. 1, part one, p. 26) Le Barbier signed “Le Barbier Jnv. 1794”, however, the edition was published (anonymously) in 1792. Cohen-De Ricci mentions an edition of 1794 (Paris: Maradan) and 1801 (Genéve) with the same plates. Lewine mentions a reprint of 1794 without naming the publisher. Catalogue raisonné: Cohen-De Ricci: 234-5, Ray: p. 79; Lewine: 109-10. Contributors: Choderlos de Laclos, Pierre Ambroise François (French, 1741 – 1803) – author. Le Barbier, Jean-Jacques-François (French, 1738 – 1826) – artist Engravers: Dambrun, Jean (French, 1741 – c. 1808) Delignon, Jean Louis (French, 1755 – 1804) Halbou, Louis Michel (1730 – 1809) Thomas, N. (French, c. 1750 – 1812) Simonet, Jean-Baptiste Blaise (French, 1742 – 1813)
  • Title: Ю. И. МАСАНОВ | В МИРЕ | ПСЕВДОНИМОВ, | АНОНИМОВ | И ЛИТЕРАТУРНЫХ | ПОДДЕЛОК | Под редакцией и со вступительной статьей | П. Н. БЕРКОВА | ИЗДАТЕЛЬСТВО ВСЕСОЮЗНОЙ КНИЖНОЙ ПАЛАТЫ | МОСКВА • 1963 || Frontispiece: ИСТОРИКО- | ЛИТЕРАТУРНЫЕ | И | БИОГРАФИЧЕСКИЕ | ОЧЕРКИ Pagination: [1-6] 7-318 [2], errata slip; 15 leaves of plates. Collation: 8vo; [1]8 2-208. Binding: 22.0 x 18 cm, hardcover; publisher's tan cloth, gilt arabesque to front board, brown labels with gilt lettering to spine; pictorial DJ. Масанов, Юрий Иванович (Russian, 1911 – 1965). Берков, Павел Наумович (Russian, (1896 – 1969).
  • Title: THE | BIOGRAPHY AND | TYPOGRAPHY | OF | WILLIAM CAXTON, | ENGLAND'S FIRST PRINTER. | BY | WILLIAM BLADES. | LONDON : | TRÜBNER & CO, 57 & 59 LUDGATE HILL. | STRASSBURG : | KARL I. TRÜBNER. | 1877. || Pagination: ffl, [2] blank, [i, ii] - t.p., imprint, [iii], iv, v - preface, [vi] - cul-de-lampe, [vii], viii - contents; [1], 2-383 [384] - imprint, 2] - blanks, bfl.; 18 plates: op. p. 8, 22, 54 (3), 60, 126 (4), 283, [311], 336, 358 (5). Collation: 8vo; [A]4 B-Z8 AA8 BB7. Exterior: 22.6 x 14.8 cm, printed on watermarked Zanders laid paper, original brown decorated paper boards, spine with decoration and lettering, marbled end-papers, water stain to bottom of upper cover, slightly rubbed, upper margin marbled, other untrimmed, binder's mark to back pastedown: "Bound by Simpson & Renshaw". Bookplates to front pastedown: upper: F. Marcham | Tempora mutantur, nos et mutamur in illis. | Hornsey | 1907"; lower: (2) "From the library of | H. Harvey Frost". Caxton, William (British, c. 1422 – 1491). Blades, William (British, 1824-1890) Frank Marcham (1883 – 1934), motto: "Times are changed, we also are changed with them". This book is based on the author's The Life and Typography of William Caxton, London: J. Lilly, 1861-63, – "A new 'Life' in a more handy form".
  • Title: GUILLAUME APOLLINAIRE | FERNAND FLEURET LOUIS PERCEAU | L'Enfer | DE LA | BIBLIOTHÈQUE NATIONALE | ICONO-BIO-BIBLIOGRAPHIE | DESCRIPTIVE, CRITIQUE ET RAISONNÉE, | COMPLÈTE A CE JOUR | DE TOUS LES OUVRAGES COMPOSANT CETTE CÉLÈBRE COLLECTION | AVEC UN INDEX ALPHABÉTIQUE | DES TITRES ET NOMS D'AUTEURS | PARIS | MERCVRE DE FRANCE | XXVI, RVE DE CONDÉ, XXVI | MCMXII || Pagination: ffl, [1-5] 6-415 [416], bfl. Collation: [1]8 2-268. Binding: Original tan wrappers, lettering to covers and spine. Edition: First edition of which this is №952. Ref.: BnF
  • Cover: (original wrapper) PARIS-CANARD| PAR | CH. VIRMAITRE | A. SAVINE, Édeiteur, rue Drouot, 18, PARIS || Wood engraving to cover signed LeNatur — Michelet, sc. Title page: CHARLES VIRMAITRE | PARIS–CANARD | {publisher’s device} | PARIS | NOUVELLE LIBRAIRIE PARISIENNE | ALBERT SAVINE, ÉDITEUR | 18, RUE DROUOT, 18 | 1888 | Tous droits réservés. || Pagination: 2 blank leaves, original pictorial wrapper, [4], [1] 2-319 [320 blank], original back wrapper with publisher’s advertisement, 2 blank leaves. Collation: 12mo; π2, 1-1712 184. Binding: 18 x 12 cm, hardcover; quarter blue percaline, marbled boards, red title label ruled gilt with gilt lettering, gilt double tail ruler, fleuron to spine; original paper wrappers preserved. Bookplate to front pastedown: "EX LIBRIS EUGENE SELIGMANN" written on a ribbon; ink inscription to half-title in french: "To my good friends Paul Vogler and Maurice Radiguet, former – for a new acquaintance, latter – to become great." Signed: Ch. Virmaitre. Paul Vogler (French, 1853 – 1904) – painter in the Impressionist style. Jules Maurice Radiguet (French, 1866 – 1941) – illustrator , caricaturist and cartoonist. Father of Raymond Radiguet (French, 1903 – 1923).  
  • Hardcover in blue cloth with gilt lettering to spine, pictorial dust jacket, 25.5 x 19.5 cm, pp.: [1-4] 5-452, +12 colour plates; 576 b/w plates within the pagination.
  • Two volumes uniformly bound by Riviere & Son in full red marbled calf, triple fillet border stamped in gilt, elaborate gilt ornament and brown morocco labels with gilt lettering to spine, all edge gilt, gilt dentelles. Vol. 1: Title page: THE | LIFE AND EXPLOITS | Of the ingenious gentleman | DON QUIXOTE | DE LA MANCHA. | Translated from the Original Spanish of | Miguel Cervantes de Saavedra. | By CHARLES JARVIS, Esq; | IN TWO VOLUMES. | {single rule} | VOLUME the FIRST. | {double rule} | LONDON: | Printed for J. and R. Tonson in the Strand, and | R. Dodsley in Pall-Mall. | {single rule} | M DCC XLII || Pagination: [i-iii] iv-xxxii, [i-iii] iv-vi, [2], [1] 2-90, [14], [1] 2-355 [356]; 500 pages total + ils. Collation: 4to; 250 leaves; A4 a-b4 c-d2, A4, a-l4 m2 n4 o2, B-Z4, Aa-Yy4 Z2, ils. Illustrations: 27 full-page copperplate engravings, incl. frontispiece (skillfully repaired), portrait of Cervantes by George Vertue After G. Kent and a fictional portrait of Don Quixote by George Vertue after John Vanderbank. Vol. 2: Title page: THE | LIFE AND EXPLOITS | Of the ingenious gentleman | DON QUIXOTE | DE LA MANCHA. | Translated from the Original Spanish of | Miguel Cervantes de Saavedra. | By CHARLES JARVIS, Esq; | {single rule} | VOLUME the SECOND. | {double rule} | LONDON: | Printed for J. and R. Tonson in the Strand, and | R. Dodsley in Pall-Mall. | {single rule} | M DCC XLII || Pagination: [i-iii] iv-xii, [1] 2-388; 400 pages total + ils. Collation: 4to; 200 leaves; A4 a2 B-Z4 Aa-Zz4 Aaa-Ccc4 Ddd2, ils. Illustrations:41 full-page copperplate engravings, pl. 29 (as frontispieces) precedes pl. 28. Contributors: Author: Miguel de Cervantes Saavedra (Spanish, 1547 – 1616) Translator: Charles Jervas (British, 1675 – 1739) Author: Cervantes biography by Gregorio Mayans y Siscar (Spanish, 1699 – 1781) Translator: Cervantes biography by John Ozell (British, d. 1743) Illustrator: John Vanderbank, the younger (British, 1694 – 1739) Artist: (Cervantes portrait): G. Kent (British, fl. 1738 – 1742) Engravers: Gerard Vandergucht (British, 1696 – 1776); George Vertue (British, 1684 – 1756); Bernard Baron (French, 1696 – 1762); Claude Du Bosc (French, 1682 – 1746 or later) Publishers: J. and R. Tonson (London); Robert Dodsley (British, 1703 – 1764) Catalogue raisonné: Lewine p. 102 Reference: Metropolitan Museum (New York)
  • Title page (in red and black): FRENCH ROCOCO | BOOK ILLUSTRATION | OWEN E. HOLLOWAY | {vignette} | LONDON/ALEC TIRANTI/1969 || Series: Pagination: [2 blanks], [i-iv] v-vi, 1-115 [116 blank], plus 65 leaves of plates (283 illustrations). Binding: 25.5 x 19 cm; publisher's navy buckram, gilt lettering to spine, pictorial dust jacket, unclipped.
  • Engraved title-page 1, as per British Museum: An architectural setting with, at upper centre, a portrait of Carlo Emanuele I, Duke of Savoy, in an ornate cartouche lettered “"Spectandus Certamine Martio"; a central title “LA | GERUSALEMME | DI | TORQUATO | TASSO | FUGURATA A | DA BERNARDO CASTELLO | A | CARLO EMANUELLO | DVCA DI SAVOIA” flanked by Tuscan columns and crests with mottos and imprese showing compasses lettered "Dvm Premor Amplior", at left, and a crossed sword and sceptre with a crown lettered "Illaesa Super Sunt", at right; in the lower register, male and female figures in armour, perhaps representing Tancredi and Clorinda, with a central crest showing an impresa of armour”. Central title: Below, within frame: "In Genova, Appresso Giuseppe Pavoni. […] Con licenza de' Superiori. MDCXVII." Engraved title-page 2, as per British Museum: Portrait of Torquato Tasso, bust, facing front, wearing a laurel crown; within an oval pendant, lettered “TOROVATO […] TASSO EF”, suspended from a pediment, beneath which a view of Genoa is flanked by two columns, and above is a tablet, lettered: “LA GERUSALEMME | LIBERATA | DI TORQUATO | TASSO. | Con le annotazioni | di Scipion | Gentili, e di Givlio | Guastauini , | Et li argomenti di Oratio Ariosti , | STAMPATA | Per Giuseppe Pauoni ad instanza di | Bernardo Castello,in Genova | L’Anno MDCXVII." Collation: 8vo; 2 leaves of engraved title-pages, 1 leaf signed †2, 1 leaf unsigned, 2 leaves signed †† and ††2, respectively, 1 leaf unsigned, 1 leaf with engraving to verso (frontispiece to Canto Primo) —> 8 prelims (besides FEP or a blank leaf before 1st t.p.); π8 A-Q8 (pp. 1-255 [256 blank], plated within collation), G1, I1, K1, O1, and P1 (recto to plates without text) unsigned, L3 signed as second L2; A-D8 E4 (pp. 1-71 [72]; A-B8 C4 χ1 (pp. [1] 2-36 [37-40] [2]),  in the 4-leaf quires E and C only two first leaves signed, in the 8-leaf quires four first leaves signed. Illustrations: woodcut head- and tail-pieces, woodcut initials, some historiated, and 20 plates within collation and pagination engraved by Camillo Cungio after Bernardo Castello. Binding: 30.5 x 21.4 cm overall, 30 x 20.5 cm leaves; contemporary vellum, rebacked with modern brown morocco, crimson morocco label with gilt lettering and double-fillet outline. Two bookplates to front pastedown: (1) Chippendale armorial bookplate (8.3 x 7.6 cm): Thos. Brand Esqr. Signed: W Austin — Fecit; (2) The Robin Collection bookplate. Bookseller’s ticket to back pastedown: “J. POOLE. | British & foreign | BOOKSELLER, | 39 BOOKSELLERS ROW, | STRAND |〰️| Books Bought.” All edges green. Provenance: The Robin Collection; Thomas Brand Hollis (British, 1719 – 1804). Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Scipione Gentili [Scipio Gentilis] (Italian, 1563 – 1616) – author. Giulio Guastavini (Italian, fl. 16th century) – author. Bernardo Castello [Castelli] (Italian, 1557 – 1629) – artist. Camillo Cungi (Italian, fl. 1597 – 1649) – engraver. Giuseppe Pavoni (Italian, 1551 – c. 1641) – printer, publisher. Carlo Emanuele I, Duke of Savoy (Italian, 1562 – 1630) – dedicatee.
  • Description: 12mo, full calf, 12.9 x 7.4 cm, boards chain-bordered in gilt, front board gilt-lettered with the name of the owner “T. D. TOWNSEND”, flat spine, adorned in gilt, black label with gilt lettering, red endpapers, bookstore ticket to front pastedown: SOLD BY | ASH & MASON, | 139 Chesnut st.; ink ms inscription to ffep: Presented to | T. D. Townsend by | Mrs. Rebecca Cole of Burlington, N. Y. | Septr 29th 1827. Note: Ash & Mason bookstore and printing house in Philadelphia, PA. Engraved title-page: THE | LIFE & ADVENTURES | OF | Robinson Crusoe | Written | BY HIMSELF. | {vignette by C. Warren after T. Uwins, inscribed “Robinson on his periagua, making the circuit of his island”} | LONDON. | J. Walker & the other Proprietors | 1818. || Frontispiece: seated portrait of Robinson Crusoe in his bungalow with a dog and a cat by C. Warren after T. Uwins, inscribed below: ROBINSON CRUSOE | surrounded by his domestics || under the frame: T. Uwins del — C. Warren sculp.; beneath: London. Pub. by Walker & the other Proprietors || Title-page: THE | LIFE & ADVENTURES | OF | ROBINSON CRUSOE; | WRITTEN BY HIMSELF. | — | LONDON: | Printed for J. Walker; | 8 lines of names… and B. Reynolds. | 1818. || Collation: A6 (A1 torn out, A2 blank), B-Z12, 2A-2D12, 2E10 (2E8-10 blank); total 328 leaves plus two plates (engraved frontispiece and engraved title). Pagination: [2 torn out] [2 blank], [i-iii] iv-vi [2 blank] [1] 2-638 [6 blank]; total 656 pages, ill. Contributors: Daniel Defoe [Daniel De Foe] (British, 1660 – 1731) – author. Thomas Uwins (British, 1782 – 1857) – artist. Charles Warren (British, 1762 – 1823) – engraver. J Walker & Co. [Walker & Edwards] (London) – publisher. Ellerton and Henderson, Printers (London) – printer.
  • A pictorial album with almost no information (coffee-table book), hardcover, 28 x 21 x 4.8 cm, in pictorial paper boards, lettered all over, in transparent plastic dust jacket; pp.: [1-5] 6-463 [464 colophon], total 232 leaves, illustrated in colour throughout. Title-page: Poem of the Pillow and other stories | by Utamaro, Hokusai, Kuniyoshi | and other artists of the Floating World | Gian Carlo Calza | In collaboration with Stefania Piotti | {publisher’s device “Φ” in the bottom} || Contributors: Gian Carlo Calza (Italian, b. 1940); Stefania Piotti (Italian).
    "Poem of the Pillow and Other Stories examines the artistic developments of Japanese erotic art from the ukiyo-e period, dating from the mid-seventeenth century to the end of the nineteenth century. Known by the delicate euphemism of Shunga or 'spring images', these pictures were hugely popular and admired, and are today highly collectable works of art. This book illustrates major Shunga works from important ukiyo-e masters such as Utamaro, Hokusai, Harunobu, Kunisada, Kuniyoshi and many others. World-renowned scholar Gian Carlo Calza defines these fascinating erotic works in their social, historical and artistic context, providing a broad overview of a subject that is extremely nuanced and intriguing. Beautifully illustrated with over 300 images, including woodblock prints, scrolls and paintings, this book is a perfect introduction to ukiyo-e erotic art."
    List of the artists: The Kanbun Master, Hishikawa Moronobu, Sugimura Jihei, Torii Kiyonobu I, Nishikawa Sukenobu, Miyagawa Chōshun, Okumura Masanobu, Tsukioka Settei, Suzuki Harunobu, Isoda Koryūsai, Katsukawa Shunshō, Katsukawa Shunchō, Kitao Masanobu, Torii Kiyonaga, Kitagawa Utamaro, Chōbunsai Eishi, Chōkyōsai Eiri, Katsushika Hokusai, Utagawa Toyokuni, Utagawa Kunisada, Kikugawa Eizan, Keisai Eisen, Utagawa Kuniyoshi.
  • Book title: Kabuki fan-prints from Edo: Genroku to Enkyō periods (1688-1748) [江戸歌舞伎団扇絵]  (Edo kabuki uchiwa-e: Genroku - Enkyō hen). Author: Shigeo Miyao [宮尾しげを] (Japanese, 1902 – 1982). Comments by: Sutezō Kimura [木村仙集] (Japanese, 20th century). Publisher: Inoue Shobō [井上書房] (Tokyo). Oblong volume bound in black washi paper with silver kabuki face design to front and silver lettering to spine and silver publisher’s name to back; three-colour title, folding frontispiece, second frontispiece, pp.: [6] foreword, contents, [2] f.t.p./blank, 3-134 [2], 43 full-page black & white illustrations, colophon slip pasted, bookstore label to back pastedown, in a pink slipcase with black lettering. Primitive fan prints from the Kaga collection, from 1691 to 1747. Edition: 1st edition, limited to 500 copies.
  • One volume, collated 8vo, 19.5 x 13 cm, later bound in brown full morocco by Pouillet, gilt-bordered covers, raised bands to spine, gilt in compartments, gilt-lettered, double-fillet on cover edges, gilt dentelle inside, signed, all edges gilt, marbled endpapers. Title-page: ŒUVRES | PHILOSOPHIQUES | DE MR. D ***. | — | LES BIJOUX INDISCRETS | — | TOME CINQUIEME | {vignette} | A AMSTERDAM, | Chez Marc-Michel Rey. | — | M. DCC. LXXII. || Pagination: [8] [1] 2-389 [390], total 398 pages, frontis., vignette, plates. Collation: 3 blank leaves at front and rear, π2 a2 A-Aa8 Bb3, total 199 leaves plus 7 unsigned engraved plates incl. frontispiece, and engraved vignette to t.p. Catalogue raisonné: Cohen-DeRicci 303; Lewine 145-6: …with the plates which have been copied and reduced in the undated Cazin edition (1771 and 1785). Contributors: Marc-Michel Rey (Dutch, 1720 – 1780) – publisher. Denis Diderot (French, 1713 – 1784) – author.
  • 4to volume, ‘cartonnage percaline romantique’, 27.5 x 19.5 cm, green cloth with gilt fillet border and fictional coat of arms to front, border and fleuron to back, gilt and embossed vignette to spine, yellow endpapers, all edges gilt, 32 plates, incl. frontispiece, with tissue guards, and numerous in-text woodcuts after J.-J. Grandville by various engravers, mostly by Best, Leloir, Hotelin et Régnier group. Page 102 is numbered correctly. Title-page: JÉROME | PATUROT | A LA RECHERCHE | D'UNE POSITION SOCIALE | PAR | LOUIS REYBAUD, | Auteur des Études sur les Reformateurs ou Socialistes modernes. | — | Édition illustrée par J.-J. Grandville. | {vignette} | PARIS, | J.-J. DUBOCHET, LE CHEVALIER ET Cie, ÉDITEURS, | RUE DE RICHELIEU, 60. | – | 1846 || Collation: π4 1-574 582; total 234 leaves plus 32 wood-engraved plates extraneous to collation. Pagination: [8] [1] 2-460; total 468 pages, ils. Catalogue raisonné: L. Carteret 516; Ray 197 (pp. 277-8); Brivois: 350-1. Contributors: Louis Reybaud [Jérôme Paturot] (French, 1799 – 1879) – author. J.-J. Grandville [Isidore-Adolphe Gèrard] (French, 1803 – 1847) – artist. Schneider et Legrand (Paris) – printer. J.-J. Dubochet, Le Chevalier et Cie – publsiher. Engravers: Lucjan Stypulkowski (Polish, 1806 – 1849) Best, Leloir, Hotelin et Régnier Jean Baptiste Best (French, 1808 – 1879) or Adolphe Best (French, 1808 – 1860) Isidore Leloir (French, 1806 – 1851) Laurent Éloi Hotelin (French, 1821 – 1894) Eugène Laurent Isidore Régnier (?)
  • Hardcover volume, 24.3 x 17.3 cm, bound in black buckram with blind barbed wire design and silver lettering to front cover and spine, pp.: [2] 3-959 [960]. Одеський мартиролог: Данi про репресованих Одеси i Одеськоï областi за роки радянськоï  влады (Серiя «Реабiлiтованi iсторiэю») (Том 4) / Уклад.: Л. В. Ковальчук, Г. О. Разумов— Одеса: СМИЛ, 2006. Title-page: Научно-документальная серия книг | «РЕАБИЛИТИРОВАННЫЕ ИСТОРИЕЙ» | ОДЕССКИЙ | МАРТИРОЛОГ | ТОМ 4 | Одесса | СМИЛ | 2006 || ISBN: 966-8127-63-3 Print run: 1,000 copies. Ковальчук, Лидия Всеволодовна Разумов, Георгий Александрович
  • Hardcover volume, 23 x 15 cm, bound in full pictorial olive cloth, lettering to spine, in a green slipcase 23.5 x 15.9 cm; pp.: [1-4] 5- 267 [268] [4 blanks], b/w tailpieces, frontispiece and 8 colour photomechanical plates after John Holder. Title-page: GRAHAM GREENE | TRAVELS WITH MY AUNT | A Novel | Introduced by John Mortimer | Illustrated by John Holder | FOLIO SOCIETY | LONDON MMIV || Contributors: Graham Greene (British, 1904 – 1991) – author. John Mortimer (British, 1923 – 2009) – author/introduction. John Holder (British, b. 1941) – artist. St. Edmundsbury Press (UK) – printer. Hunter & Fouls (Haddington) – binder. Folio Society (UK) – publisher. For the 1st edition, see [LIB-2758.2021] Graham Greene. Travels with my aunt: a novel. — London: Bodley Head, 1969.
  • Hardcover volume, 12mo, 125 x 85 mm, two parts in one, bound and gilded by Cuzin and Maillard, respectively, between 1876 and 1881, in crimson crushed morocco with raised bands and gilt lettering to spine, marbled endpapers, all edges gilt, gilt dentelle, signed 'Cuzin' to foot of front turn-in and 'Maillard dor.' to rear. Adorned with engraved frontispiece and 12 plates by Elluin after Borel. Text printed on a slightly bluish paper. Title-page: LE | MEURSIUS FRANÇOIS, | OU | ENTRETIENS GALANS | D'ALOYSIA. | ORNÉ | DE FIGURES. | — | TOME PREMIER (SECOND) | — | ✵ | A CYTHERE | — | M. DCC. LXXXII. || Collation: 12mo, π4 (2 blanks) A-Z6 χ1,+ π2 A-S6 (4 blanks) χ1, total 254 leaves; pagination: [8] [1] 2-277 [278 blank], [4] [1] 2-210 [8 blanks], total 508 pages, plus 13 engraved plates, incl. frontispiece. Catalogue raisonné: Cohen-de Ricci 240; Eros invaincu 17; Fekete 51; Nordmann (I) 91. Contributors: Nicolas Chorier (French, 1612 – 1692) – author. Antoine Borel (French, 1743 – 1810) – artist. François-Rolland Elluin (French, 1745 – c. 1822) – engraver. Hubert-Martin Cazin (French, 1724 – 1795) – publisher. Francisque Cuzin (French, 1836 – 1890) – bookbinder. Seller’s description: Erotica.- [Chorier (Nicolas)]Le Meursius François, ou Entretiens galans d'Aloysia, 2 parts in 1, half-title to each part, engraved frontispiece and 12 plates [by Elluin after Borel], handsomely bound in crimson crushed morocco by Cuzin, spine with gilt lettering and five raised bands, gilt tooled turn-ins by Maillard, signed 'Cuzin' to foot of front turn-in and 'Maillard dor.' to rear, marbled endpapers, g.e., fractional rubbing to extremities, an excellent copy, 12mo, Cythere [but Paris], [Cazin], 1782.
  • Title page: УТОПИЧЕСКИЙ РОМАН XVI – XVII ВЕКОВ | ТОМАС МОР | УТОПИЯ |•| КАМПАНЕЛЛА | ГОРОД СОЛНЦА |•| ФРЭНСИС БЭКОН | НОВАЯ АТЛАНТИДА |•| СИРАНО ДЕ БЕРЖЕРАК | ГОСУДАРСТВА ЛУНЫ |•| ДЕНИ ВЕРАС | ИСТОРИЯ СЕВАРАМБОВ | {PUBLISHER’S DEVICE} | ИЗДАТЕЛЬСТВО | «ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА» | МОСКВА • 1971 || Pagination: [1-4] 5-493 [494] [2], 10 plates extraneous to collation. Collation: 16mo; [1]16 2-1516 168. Binding: 20.5 x 15 cm, burgundy cloth, gilt serial device to cover, gilt lettering to spine, pictorial DJ. Colophon: БИБЛИОТЕКА ВСЕМИРНОЙ ЛИТЕРАТУРЫ | СЕРИЯ ПЕРВАЯ | Том 34 || Print run 300,000 copies

    Вступительная статья: Л. Воробьев

    Томас Мор: Утопия. Перевод А. Малеина и Ф. Петровского.

    Томмазо Кампанелла: Город Солнца. Перевод Ф. Петровского.

    Фрэнсис Бэкон: Новая Атлантида. Перевод З. Александровой.

    Сирано де Бержерак: Государства Луны. Перевод Е. Гунста.

    Дени Верас: История Севарамбов. Перевод Е. Дмитриевой.

    Примечания А. Малеина, Ф. Петровского, Ф. Коган-Бернштейн, Ф. Шуваевой.

    Художник: Селиверстов, Юрий Иванович (Russian, b. 1940) Authors, translators:

    More, Sir Thomas (British, 1478 –1535)

    Campanella, Tommaso (Italian, 1568 – 1639) Bacon, Francis (British, 1561 –1626) Cyrano de Bergerac, Savinien de (French, 1619 – 1655) Vairasse d' Allais, Denis (French, c. 1630 – 1672) Малеин, Александр Иустинович (Russian, 1869 – 1938) Петровский, Фёдор Александрович (Russian, 1890 – 1978) Елизавета Ивановна Дмитриева [Васильева; Черубина де Габриак] (Russian, 1887 – 1928) Александрова, Зинаида Николаевна (Russian, 1907—1983) Гунст, Евгений Анатольевич (Russian, 1901 – 1983) Коган-Бернштейн, Фаина Абрамовна [Аронгауз] (Russian, 1899 – 1976)
  • [François Marie Arouet de Voltaire]. La Pucelle d'Orléans, poëme, divisé en vingt chants, avec des notes. Nouvelle édition, corrigée, augmentée & collationnée sur le manuscript de l'auteur. – [Geneva: Gabriel Cramer], 1762.
    Illustrated book with 20 etchings and numerous woodcut vignettes.
    Illustrated by: Hubert-François Bourguignon, a.k.a. Gravelot (French, 1699–1773) Author: François Marie Arouet de Voltaire (French, 1694–1778) Printer: Gabriel Cramer (Swiss, 1723–1793)
    Pagination: [2 blanks, "Ex libris JCP" to recto] [2 - h.t., blank] [2 - t.p., blank], [i] ii-viii, [1] 2-358 [2 blanks]; 20 engraved plates, unsigned, one before every chant, by Gravelot (Hubert-François Bourguignon).
    Year of Publication: 1762
    Place of Publication: Geneva, Switzerland
    Size: 8vo, 19.8 x 12.6 x 3.7 cm.
    Binding: Full mottled calf, restored, flat spine, decorated in gilt, red labels with gilt lettering "Oeuvres de Voltaire; La Pucelle, tom XXII"; marbled endpapers and all margins.
    CATALOGUE RAISONNÉ: Cohen-de Ricci 1029.
    Mentions: MFA: ACCESSION NUMBER 25.701.
    Another copy in this collection: LIB-2580.2020.
                   
  • Title: This Solemn | Mockery | THE ART OF LITERARY FORGERY | John Whitehead, A.L.A. | Arlington Books {device} London Pagination: [2] – h.t. / blank, [2] – t.p. / imprint, [2] –contents / acknowledgement, 1-177 [178 blank]; 4 leaves of plates (total 96 leaves). Binding: 22.2 x 14.2 cm; hardcover, aubergine cloth, silver lettering to spine, pictorial dust jacket. ISBN-10: 0851402127
  • Title (black lettering, red elements): ЛЕГЕНДА | О ДОКТОРЕ | ФАУСТЕ | {element} | ИЗДАНИЕ ПОДГОТОВИЛ | В. М. ЖИРМУНСКИЙ | ВТОРОЕ, ИСПРАВЛЕННОЕ ИЗДАНИЕ | ИЗДАТЕЛЬСТВО «НАУКА» | МОСКВА 1978 || Pagination:[1-5] 6-421 [3]; +3 leaves of plates. Collation: 8vo; [1]8 2-278. Binding: 22 x 17.5 cm, serial green buckram blind-stamped with a scroll adorned with gold lettering to board and spine. Contents:
    1. Исторические и легендарные свидетельства о докторе Фаусте / Пер. С. А. Акулянц.
    2. Народная книга: История о докторе Иоганне Фаусте, знаменитом чародее и чернокнижнике / Пер. Р. В. Френкель.
    3. Свидетельства о постановке народной драмы и кукольной комедии / Пер. С. А. Акулянц
    4. Кукольные комедии / Пер. H. A. Сигал: (1) Доктор Иоганн Фауст; (2) Доктор Фауст, или Великий Негромант; (3) Иоганнес Фауст.
    5. Кристофер Марло. Трагическая история доктора Фауста / Пер. H. H. Амосовой.
    6. «Фауст» Лессинга / Пер. В. Е. Гаккель-Аренс.
    7. Комментарии: В. М. Жирмунский. История легенды о Фаусте.
    8. Примечания / Сост. В. М. Жирмунский; к «Фаусту» Марло — H. H. Амосова.
  • Half title: LA PUCELLE | D’ORLEANS.|| Title: LA PUCELLE | D’ORLEANS , | POEME , | DIVISÉ EN VINGT-UN CHANTS , AVEC | LES NOTES DE M. DE MORZA. | Nouvelle édition, corrigée, augmentée d'un Chant | entier, & de plusieurs morceaux répandus dans | le corps de l'ouvrage, avec les Variantes que | l'on a jointes à la fin de chaque Chant. | [ornament] | A LONDRES. |—| M. DCC. LXXV. || Pagination : [4] – two blank unnumbered fly leaves, [i,ii] – h.t. / double-ruled blank leaf, [2] – blank / frontispiece on verso, [iii, iv] – t.p. ruled and bordered / double-ruled blank leaf, [v]vi-viii – table, ix-xv – preface, [xvi] – double-ruled blank leaf, [1]2-447 [448] – double-ruled blank leaf, [2] – two blank unnumbered fly leaves; page 14 misnumbered 18; title within ornamental border; text within double-ruled borders; head- and tail-pieces; 22 leaves of plates (frontis. + one before each chant.) Collation: 8vo; a8 A-Z8 Aa-Ee8 Binding: 19.9 x 13.2 cm; full contemporary brown calf, blind ruled plates, spine with raised bands, gilt-ruled and tooled in compartments, red label with gilt lettering, all edges red; plate for chant 6, H4, H5 - separated from the block. De Morza is Voltaire (Cf. Quérard, v. 10, p. 306). Engravings unsigned; attributed to Desrais, Claude-Louis (French, 1746 – 1816). False imprint; possibly printed in Paris.
  • Title: MEMOIRS OF M. THIERS | 1870—1873 | Translated by | F. M. ATKINSON | {publisher’s device} | LONDON: GEORGE ALLEN & UNWIN LTD. | RUSKIN HOUSE 40 MUSEUM STREET, W.C. Pagination: [6] 7-384. Collation: 8vo; [1]-248. Size: 23 x 15 cm Binding: Blue cloth, top and bottom ruled in blind, gilt lettering to front cover and spine. Original: Adolphe Thiers. Notes et souvenirs de M. Thiers, 1870-1873: voyage diplomatique, proposition d'un armistice, préliminaires de la paix, présidence de la République. — Paris : [s.n.], 1901. — 465 p. The preface and editing signed "F. D." [Félicie Dosne]. Félicie Dosne (French, 1823 – 1906) was Thiers's sister-in-law.  
  • THE | POETICAL | WORKS | OF | Mr. John Milton. | Paradise Lost, Paradise Regained, | Sampson Agonistes, and his Poems | on several Occasions. | TOGETHER WITH | Explanatory NOTES on each Book of the | PARADISE LOST, and a TABLE | never before Printed. | LONDON: | Printed for Jacob Tonson, at Judges-Head near Inner-Temple-| Gate in Fleet – street , M DC XC V. || Pagination: [6] 1-343 [5] 1-66 [4] 1-57 [5] 1-60 [2] 321 [1], frontispiece and 12 plates, one before each book of Paradise Lost. Collation: 4to, folio; blank leaf, π3 B2, C-Z4, Aa-Yy4, A-H4 I2, [A]-D2 †D2 E-Q2 [A]1 B-Z2 Aa-Zz2 Aaa-Zzz2 Aaaa-Mmmm2 [N]1, 2 blank leaves, + frontis. portrait and 12 plates extraneous to collation. Plates: Portrait of John Milton (British, 1608 – 1674) engraved by Robert White (British, 1645 – 1703) after William Faithorne (British, 1616 – 1691) 11 plates engraved by Michael Burghers (Dutch, c. 1640 – c. 1723) after John Baptiste de Medina (Flemish, 1659 –1710); 1 plate (for Book IV) engraved by Peter-Paul Bouché (Dutch, 1646 – c. 1697) after Bernard Lens (British, 1659 – 1725). Binding: Folio, bound in full contemporary English panelled and speckled calf, tooled in blind, re-backed, corners repaired, the lines in Paradise Lost numbered; title pages of Paradise Regain'd and Samson Agonistes dated 1695; without a list of subscribers after the general title; with the Table for Paradise Lost; printed on laid paper, with tall "s", margins sprayed red. Provenance: near-contemporary ex libris of Sarah Bugg inside front board; along with that of Sam Bontham, 1726; later owned by forger Osborne Charles Vyse Aldis (1843 – 1916), with his signature on general title, with a nine-line note in his hand and initialled on page 343. Catalogue raisonné: Gordon N. Ray, Illustrated book in England (1976): p. 3. Ref: National Gallery of Art Contributors: Bouché, Peter-Paul (Dutch, 1646 – c. 1697) Burghers, Michael (Dutch, c. 1640 – c. 1723) Faithorne, William (British, 1616 – 1691) Lens, Bernard (British, 1659 – 1725) Medina, John Baptiste de (Flemish, 1659 – 1710) Milton, John (British, 1608 –  1674) Tonson, Jacob, the Elder (British, 1655 – 1736) White, Robert (British, 1645 – 1703)  
  • Four-volume edition with 6+4+5+5 = 20 plates. Vol. 1 : Title page, in double-border, within rules; accents as per original, with tall «s»: Les | Parisiennes, | ou | XL caractères generaux | Pris dans les Mœurs actuelles, | Propres à servir à l'instruction | des personnes-du-sexe : | Tirés des memoires du nouveau Lycée-des-mœurs. | I Volume : Les jeunes-filles, | & les filles-à-marier. | A Neufchâtel , | Et se trouve à Paris. | Chéz Guillot, libraire de Monsieur, rue | S.-Jacques, vis-à-vis celle des Mathurins. | 1787. Pagination : [1-5] 6-300, plus 6 etched/engraved plates w/guard tissue after Louis Binet (French, 1744 – about 1800). Collation: 12mo; A14 B-M12 N4; first 6 leaves in gatherings B to M signed, with exceptions: A1,2 unsigned, A3-8 signed, A9-14, D5, N3,4 unsigned. Vol. 2: Title page: Text above the first rule similar; below: II Volume : Les N.lles–mariées : | Les Mariées depuis 3 ans. | A Neufchâtel , | Et se trouve à Paris. | 1787. Pagination : [1-3] 4-388, plus 4 plates. Collation: 12mo; A8 B-Q12 R6; A1,5-8, R4-6 unsigned. Vol. 3: Title page: Text above the first rule similar; below: III Volume : Les epouses | à imiter : à— suir | A Neufchâtel , | Et se trouve à Paris. | 1787. Pagination: [1-3] 4-392, plus 5 plates. Collation: 12mo, A4 B-R12; A1,3,4, G4, N4,6, O5 unsigned. Vol 4: Title page: Text above the first rule similar; below: IV Volume : Les J.nes-Mères, | &—de grands-enfans. | A Neufchâtel , | Et se trouve à Paris. | 1787. Pagination: [1-3] 4-380 [4], plus 5 plates. Collation: A-Q12; A1 unsigned. Binding: later (c. 1875 – 1885) uniform binding of all four volumes in motley 'percaline anglaise' (buckram) with black gilt-lettered labels to spine, marbled endpapers; printed on laid paper; armorial bookplate of Masséna engraved by Stern to front pastedown. Provenance: Library of Masséna; Victor Masséna, duc de Rivoli, prince d'Essling (French, 1836 – 1910) [photo]. Catalogue Raisonné: P.-L. Jacob, 1875: № XXXII, pp. 247-250. P. L. Jacob. Bibliographie et iconographie de tous les ouvrages de Restif de la Bretonne. — Paris: A. Fontaine, 1875. [LIB-2634.2021]. Contributors: Nicolas Edmé Restif de la Bretonne (French, 1734 – 1806) – text. Louis Binet (French, 1744 – c. 1800) – illustrations. Sources: MFA: ACCESSION NUMBER 37.1667a-b lacking one plate in vol. 4. Collation: 12mo, 4 vols. in 2; [v. 1] 150 leaves, plus 6 plates; [v. 2] 194 ll., plus 4 pls.; [v. 3] 196 ll., plus 5 pls.; [v. 4] 192 ll., plus 4 [of 5] pls. BNF Identifier ark:/12148/bpt6k1050366b. Collation: 4 vol. (300; 388; 392; 380 p., XX f. de pl.) : ill. ; in-12
  • Title: A SENTIMENTAL | JOURNEY | THROUGH FRANCE AND ITALY | BY | LAURENCE STERNE | ILLUSTRATED BY | MAHLON BLAINE | {vignette} | Illustrated library | HALCYON HOUSE | GARDEN CITY, NEW YORK || Pagination: [1-6] – first leaf blank, h.t., t.p., 7-192, total 192 pages; frontispiece plus 4 plates within collation, and a headpiece, all photomechanical reproductions of Mahlon Blaine’s pen drawings. Binding: 20.5 x 14 cm, off-white pictorial paper boards decorated with black ivy-clad pink lattice, black lettering in a pink frame to spine, pink pictorial dust jacket with spine sunned to beige. Contributors: Sterne, Laurence (British-Irish, 1713 – 1768) – author of the text. Blaine, Mahlon (American, 1894 – 1969) – illustrator (pseudonym: G. Christopher Hudson). The Illustrated library series was started by Halcyon House, a reprint division of Doubleday Publishers, in 1950. This edition of Sterne with Blaine’s illustrations is a reprint of the same, published by Three Sirens Press of New York in 1930. Blaine's illustrations of this kind are pen drawings, not wood engravings.
  • Title page: CATALOGUE | DES | OUVRAGES, ÉCRITS | ET DESSINS | DE TOUTE NATURE | POURSUIVIS, SUPPRIMÉS OU CONDAMNÉS | DEPUIS LE 21 OCTOBRE 1814 JUSQU'AU 31 JUILLET 1877 | Edition entièrement nouvelle, considérablement augmentée | SUIVIE DE LA TABLE DES NOMS D’AUTEURS ET D’ÉDITEURS | ET ACCOMPAGNÉE DE NOTES BIBLIOGRAPHIQUES ET ANALYTIQUES | PAR | FERNAND DRUJON | {publisher’s device} | PARIS | LIBRAIRIE ANCIENNE ET MODERNE | ÉDOUARD ROUVEYRE | 1, RUE DES SAINTS-PÈRES, 1 | 1879 || Pagination: [2] [i-v] vi-xxxvii [xxxviii blank] [1] 2-430 [2] 1-16, total number of pages 2+38+430+2+16=488. Collation: 8vo; π4 i-ii8 1-258 26-294 ω8, total number of leaves 4+(2x8)+(25x8)+(4x4)+8=244; 2 binder’s blank leaves before the front wrapper, 2 blanks after the wrapper, blank / avis important, h.t. with gift inscription from publisher to Anger / limitation, t.p. / blank, [text], 17 leaves of advert., 2 blanks before back wrapper, 1 binder’s blank after. Binding: 28.3 x 19 cm, tree-quarter beige buckram over marbled boards, spine: brown leather label with gilt double fillet top and bottom, gilt lettering, stamped in gilt with a lily and a year of publishing, gilt double-fillet to tail; publisher’s wrappers bound in. Bookplate with motto “AGE DICANT” to front pastedown. Gift inscription: "À mon ami Anger | Hommage de me bien dévoué | Édouard Rouveyre". Possibly Pierre Anger (1854-19..).
    Edition: 1st edition, this copy is from an unnumbered print run. Despite the note "Edition entièrement nouvelle, considérablement augmentée" this is obviously the 1st edition.
    Contributors: Drujon, Fernand (French, 1845 – 1912) Rouveyre, Édouard (French, 1849 – 1930)
  • Title-page: GRAHAM GREENE | — | A Burnt Out Case | {publisher's device} | HEINEMANN | LONDON MELBURNE TORONTO || Black buckram with silver lettering to spine, green pictorial dust jacket, unclipped (16s | NET), [2] h.t. / books by GG, [2] t.p. / copyright, [2] quotations / blank, [2] dedication to Doctor Michel Lechat; [1, 2] d.t.p. Part I / blank, 3-256. Total 264 pages. Publisher: William Heinemann Ltd. Printer: Windmill Press Ltd., Kingswood, Surrey. Copyright: © Graham Greene 1960, 1961. Wrapper design: Lacey Everett. Graham Greene (British, 1904 – 1991) William Henry Heinemann (Jewish-British, 1863 – 1920) Michel Lechat (Belgian, 1927 – 2014)
  • Hardbound, 25.3 x 22 cm, blue cloth, pictorial dust jacket lettered: HIROSHIGE | FAN PRINTS | RUPERT FAULKNER | {image} | VICTORIA AND ALBERT MUSEUM • FAR EASTERN SERIES ||; silver lettering to spine, green endpapers, description of 136 items with colour illustrations; pagination: [1-6] 7-160, ils. Utagawa Hiroshige [歌川 広重] a.k.a. Andō Hiroshige [安藤 広重] (Japanese, 1797 – 1858).
  • Description: Pictorial album 29.7 x 24 cm, bound in ¾ red morocco over marbled boards with gilt lettering “LA BIBLIOTHÈQUE DES ROMANS” and raised bands to spine; marbled endpapers, two flyleaves, tan original wrapper lettered “La Bibliothèque des Romans. (gothic, arch) | {colour vignette} | UNE VEILLÉE DE JEUNE FILLE. | 1840. || Six hand-coloured lithographs, each in a double-rule border with the series title above it and image title below. Sequential numbers are hand-inscribed within the border in the upper-right corner. Frame 23.5 x 18.3 cm, image 21.5 x 16.5 cm. Three flyleaves at the end. A bookplate to front pastedown: “GERARD NORDMANN EX-LIBRIS”. Content:
    1. Front wrapper (title-page)
    2. SŒUR ANNE (Sister Anne)
    3. LA GRISETTE (The grisette)
    4. LÉONIDE OU LA VIEILLE DE SURÊNE (Léonide or the old lady of Surêne)
    5. LA PUCELLE DE BELLEVILLE (The maid of Belleville)
    6. MON VOISIN RAYMOND (My neighbor Raymond)
    7. LE COCU (The cuckold)
    Catalogue raisonné: Nordmann/Christie’s (I) № 127, p. 86 (Lithographic title and 6 erotic plates, in the Romantic style of Achille Devéria. Original pictorial front wrapper preserved) Provenance: Gérard Nordmann (French, 1930 – 1992). Achille Jacques-Jean-Marie Devéria (French, 1800 – 1857).
  • Sergei Petrovich Varshavsky [Сергей Петрович Варшавский] (Jewish-Russian, 1906 – 1980): «Цусима» (Tsushima) [対馬沖海戦], pp. 89-132. Description: Propaganda collection of short stories, hardcover, collated 8vo, [1]-158, 18 x 13 cm, bound in grey cloth with blind stamped lettering to front and blue lettering to spine, pp.: [1-4] 5-239 [240], dark blue dust jacket lettered to front, rear and spine. Title-page (red and black): ПЕРЕД БОЯМИ | ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА НА ОБОРОНЕ СССР | СБОРНИК СТАТЕЙ | ПОД РЕД. Н. СВИРИНА. | Издательство писателей в Ленинграде || Print run: 5,500 copies.
  • Collection of poems. Hardcover volume, 20.7 x 13.3 cm, bound in green buckram, gilt double-fillet border, gilt frame, gilt lettering to front, gilt stars, fillets and lettering to spine, blind lettering to back, matching endpapers, pp.: [1-4] 5-637 [638] [2], total 640 pages, collated in-16mo, [1]-1116, 8 leaves of plates, 13-2116. Title-page: ПОЭТЫ | ГРУППЫ «ОБЭРИУ» | С.-ПЕТЕРБУРГСКОЕ ОТДЕЛЕНИЕ • 1994 || Opposite to t.p.: БИБЛИОТЕКА ПОЭТА | ОСНОВАНА МАКСИМОМ ГОРЬКИМ В 1931 ГОДУ | БОЛЬШАЯ СЕРИЯ | ИЗДАНИЕ | ТРЕТЬЕ | СОВЕТСКИЙ ПИСАТЕЛЬ || Print run: 3,000 copies. Contributors: Михаил Борисович Мейлах (Russian-Jewish, b. 1944) Татьяна Львовна Никольская (Russian, b. 1945) Александр Николаевич Олейников (Russian, 1936 – 2013) Владимир Ибрагимович Эрль [Владимир Иванович Горбунов] (Russian, 1947 – 2020) ОБЭРИУ (Объединение Реального Искусства) Даниил Иванович Хармс [Ювачёв] (Russian, 1905 – 1942) Александр Иванович Введенский (Russian, 1904 – 1941) Николай Алексеевич Заболоцкий (Russian, 1903 – 1958) Игорь Владимирович Бахтерев (Russian, 1908 – 1996) Николай Макарович Олейников (Russian, 1898 – 1937) Константин Константинович Вагинов [Вагенгейм] (Russian, 1899 – 1934)
  • One volume in-4o, 26.5 x 21 x 4 cm, bound by Durvand (signed) in tan quarter morocco over marbled boards, spine with raised bands and gilt lettering, top margin gilt, marbled endpapers, publisher’s wrappers preserved; enriched with 39 original prints after Félicien Rops. Collation: 2 blanks, π5 (original front wrapper ‘Canicule’/blank, 2 blanks, h.t./justification, t.p/blank), 1-294 301 (paginated 1-233 [234]) χ1 (advert.) plus frontispiece (photographic seated portrait of Félicien Rops, collotype, artist unknown) and 39 leaves of bound-in original prints by various printers on different papers, with tissue guards; back wrapper and original spine, 2 blanks; loosely inset a marriage invitation for Dr Robert Fasquelle and Mlle Suzanne Luneau with a partial list of prints, incl. page numbers. Title-page (red and black): Études sur quelques Artistes originaux | — | FÉLICIEN ROPS | par | CAMILLE LEMONNIER | {fleuron} | PARIS | H. FLOURY, ÉDITEUR1, Boulevard des Capucines, 1 | – | 1908 || Limitation: 125 copies with two original plates «Canicule» and «Seule» numbered 1-125, of which 100 copies on Japon à la forme, 25 copies on papier de Chine; plus 50 copies on papier vélin with one coloured plate «Canicule», numbered 126-175, printed by Edmond Deman in Brussels. Our copy is on dense wove paper (vélin), without a number. Photographs here represent the original prints only. Camille Lemonnier (Belgian, 1844 – 1913) – author. Félicien Rops (Belgian, 1833 – 1898) – artist. Henri Floury (French, 1862 –1961) – publisher. Edmond Deman (Belgian, 1857–1918) – printer. Lucien Durvand (French, 1852 – 1924) – bookbinder.
  • Hardcover volume, 20.7 x 13.5 cm, modern half morocco over marbled boards, gilt lettering and ornament to spine, pp.: [i-vii] viii-xvi [17] 18-255 [256], collated 8vo: 1-168, 128 leaves. Title-page: HIÉROLOGIES | OU | DISCOURS | HISTORIQUES ET DOGMATIQUES | Sur les Superfétations | APPORTÉES A LA RÉVÉLATION DU CHRIST, | PRONONCÉS AU TEMPLE DES CHRÉTIENS PRIMITIFS, | DEPUIS LE 15 AOUT JUSQU’AU 1er DÉCEMBRE 1833, ET DEPUIS LE 2 FÉVRIER | JUSQU’AU 25 MAI 1834, | SUIVIS DU DISCOURS | SUR LES TROIS VERSIONS DE LA BIBLE, | PRONONCÉ LE 20 JUILLET 1834 ; | Par M. le C. Marie de Venise, | VICAIRE PRIMATIAL DE L’EGLISE DE France. | {1 line citation} | — | Paris. | AU BUREAU CENTRAL D’IMPRIMERIE ET DE LIBRAIRE, | Rue Saint-Marc, No 21; | ET AU TEMPLE DES CHRÉTIENS PRIMITIFS, | RUE ET COUR DAMIETTE, PRÈS LA PLACE DU KAIRE. | — | 1834 || Contributors : Félix Ragon (French, 1795 – 1872) – author. Seller's description: [RAGON (Félix) : Hiérologies ou Discours historiques et dogmatiques sur les Superfétations apportées à la révélation du Christ suivis du Discours sur les trois versions de la Bible. Paris, au Bureau central et au Temple des Chrétiens Primitifs, 1834 ; in 8°, demi-basane brune à coins. Reliure pastiche moderne. Edition originale extrêmement rare, dont le tirage est estimé à 50 ex.
  • Owner’s quarter cloth over faux marbled paper binding, 19.8 x 15.1 cm, pp.: [1-4] 5-227 [3], total 230 pages plus frontispiece (b/w photographic portrait w/facsimile); library blue ink stamp to t.p. “Библиотека средней политехнической школы № 76 г. Харькова Октябрьского района Инв. № ___». Title-page: ДИТЯЧА БIБЛIОТЕКА УКРАЇНСЬКИХ ПИСЬМЕННИКIВ | За редакцiєю В. АРНАУТОВА та О. ПОПОВА | — | ВИБРАНI ТВОРИ | Упорядкував С. МIЗЕРНИЦЬКИЙ | Державний Науково-Методологiчний Комитет | Наркомосвiти УСРР по секциï сицiяльного | виховання дозволив до вжитку як допомiчний | посiбник в книгозбiрнях установ соцвиху | ДЕРЖАВНЕ ВИДАВНИЦТВО УКРАЇНИ | 1928 || Contents: Передмова, Викуп, Паньска воля (Горпина), Козачка, Ледащиця, Чумак, Не до пари, Тюлева баба, Кармелюк, Гайдамаки. Print run: 5,000 copies. Contributors: Марко Вовчок [Marko Vovchok; Марія Олександрівна Вілінська] (Ukrainian, 1833 – 1907) – author. Other variants: Markowovzok and Marko Vovtchok.