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54 Products
Joseph B. Dallett. Romeyn de Hooghe: Virtuoso Etcher / Exhibition catalogue. — Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 2009.
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Francis Carco. L’amour vénal / Pointes sèches de Vertès. — Paris: s.n., 1926.
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Ellis Tinios. Mirror of the stage: The actor prints of Kunisada. — Leeds: The University Gallery Leeds, 1996.
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C. Варшавский, Б. Рест. Сын отечества (Библиотека краснофлотца). — М.: Военмориздат, 1942.
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[Pigault-Lebrun]. L’Enfant du Bordel ou Les Aventures de Chérubin, nouvelle édition ornée de six gravures sur acier. — Le Mans: citoyens du Maine, 1800 [i.e. Bruxelles: A. Christiaens, 1875].
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[Gustave Droz]. Un été à la campagne. — S.l.: s.n., 1868 [i.e. Paris: s.n., 1926].
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Harunobu / text by Lubor Hájek, reproductions by W. and B.Forman. — London: Spring books, [1950-9?]
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Морис Доманже. Бланки. Пер. с франц. — Л.: Прибой, 1925.
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Marcel Vertès. Dames seules / texte de Francis Carco — Paris: Louis Godefroy, 1932.
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Restif de la Bretonne. L’Anti-Justine ou les délices de l’amour / Nouvelle édition, précédée d’une notice bibliographique par Helpey. — Ile Saint-Louis [Paris:] Monsieur Nicolas [Maurice Duflou, 1929].
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Japanese paintings, prints, and works of art / Catalogue 5, Exhibition September 17-22, 2001. — NY: Sebastian Izzard LLC, 2001.
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A.-R. Andréa de Nerciat. Félicia ou mes fredaines / Illustré par Louis Icart. — Paris: Georges Guillot, 1947. [№ I, enriched].
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Sarah E. Thompson, Harry D. Harootunian. Undercurrents in the Floating World: Censorship and Japanese Prints. — NY: The Asia Society Galleries, 1991.
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Maurice Joly. Les affamés : Études de mœurs contemporaines. — Paris: E. Dentu, 1876.
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Le Comte de Arthur Grandeffe. Paris sous Napoléon III : Mémoires d’un homme du monde de 1857 à 1870. — Paris: A. Chaix et Cie., 1879.
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Graham Greene. Our man in Havana: An entertainment / UNCORRECTED PROOF COPY. — London: Heinemann, 1958.
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Colette, Willy. L’ingénue libertine / Eaux-fortes de Louis Icart. — Paris: Éditions Excelsior, 1926.
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Pierre Louÿs. Poésies érotiques / Illustrées de 20 pointes sèches par artiste inconnu [i.e. Louis Berthommé Saint-André]. — Chihuahua [i.e. Paris]: Aux dépens d’un amateur, [1946].
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