//Softcover
  • Cover: La Conspiration Juive contre les Peuples | « Protocols » | Procès-verbaux de réunions secrètes | des | SAGES D'ISRAËL | ÉDITION DE | “La Vieille-France” | 1920 | 5Rue du Pré-aux-Clercs, 5 | PARIS (7e) || Title: « Protocols » | Procès-verbaux de réunions secrètes | des | SAGES D'ISRAËL | ÉDITION DE | “La Vieille-France” | 1920 | 5Rue du Pré-aux-Clercs, 5 | PARIS (7e) || Pagination: [1, 2] – t.p. / blank, 3-141 [142 blank] [2] – table / blank. Pp.: 1-11 – Introduction; 13-82 – Protocols; 97-141 – Le Bolchevisme, c’est les Juifs. Collation : 8vo; [1]8 2-98. Binding: Publisher’s blue black-lettered wrappers, lettered spine. Printer: Imprimerie Chantenay (Paris). The French translation of "Протоколы синоских мудрецов" written in Russian by Сергей Нилус (Sergei Nilus, 1862 – 1929) was published in “La Vieille-France” by Urbain Gohier (1862 – 1951). Inside front wrapper: "Brave French! Please note that the format of this book allows you to hide it in your pockets. Your Jewish masters strictly forbid you to read it. Its existence is hidden in every possible way by the Jewish-controlled press. But fear not! While carefully hiding it, read carefully about what your Jewish masters forbid the newspapers to tell you. And you will understand – who and how will take your homeland away from you."
  • Title-page: ROBERT GANZO | DU DANCING | OU | LE DANSEUR SENTIMENTAL | avec un Frontispice et un Bandeau originaux | de | MARCEL VERTES | {publisher’s device} | Editions LEMARGET | 43, rue Madame, PARIS (VIe) | 1930.|| Description: 20.7 x 14.9 cm, French flapped cream wrappers with black and green lettering similar to title, lettering to spine “DU DANCING”; [1-13] incl. leaf in wrapper, 1st blank leaf, h.t. / limitation, frontispiece, t.p. / copyright, dedication to Gaston Guillot / blank, 14-106 [4] colophon / blank, and one leaf in wrapper; frontispiece and first chapter headpiece lithography by Vertès, plus inset of the same. Collation: 4to; [1,2]4 3-134 143; total 55 leaves. Printing: June 10, 1930, by Presses Modernes in Reims. Edition: 15 copies on Japon Impérial numbered I-XV, 20 colies on Hollande Van Gelder numbered XVI-XXXV, 250 copies on Vélin de Rives numbered 1-250, 20 of which reserved for the bookstore of H. Champion, and 25 presentation copies numbered A-Z. This copy is № XVI. Contributors: Robert Ganzo (French, 1898 – 1995) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Gaston Guillot (French, 1889 – 1960) – dedicatee. Editions Lemarget (Paris) – publisher. Presses Modernes (Reims) – printer. Other names: Marcel Vertès, Marcel Vertes, Marcell Vértes
  • Description: One volume bound in green morocco, sunned spine with raised bands and gilt lettering, collated 8vo, 28.3 x 23 cm, original wrappers and spine preserved, top margin gilt; numerous in-text woodcuts, 30 full-page plates and one plate tipped-in. Front wrapper (red and black): RABELAIS | GARGANTUA | LITHOGRAPHIES DE SCHEM | {publisher’s device lettered in red “ÉDITIONS DU MANOIR”} | HENRI PASQUINELLY | DIJON || Half-title: LA VIE TRESHORRIFIQUE | DU | GRAND GARGANTUA | PERE DE PANTAGRUEL | JADIS COMPOSÉE | PAR MAISTRE ALCOFRIBAS | ABSTRACTEUR DE QUINTE ESSENCE | — | LIVRE PLEIN DE PANTAGRUELISME || Title-page (red and black): RABELAIS | GARGANTUA | LITHOGRAPHIES DE SCHEM | AVEC UNE PRÉFACE ET DES RÉSUMÉS EXPLICATIFS PAR | PIERRE HUGUENIN | UN GLOSSAIRE ET DES NOTES DE | LOUIS PERCEAU | {publisher’s device lettered in red “ÉDITIONS DU MANOIR”} | HENRI PASQUINELLY | DIJON || Collation: 2 blanks, front wrapper, [1] 2-118, spine, back wrapper, 2 blanks, total 88 leaves between the wrappers plus 30 plates incl. frontispiece, two of which are double-page, extraneous to collation with lettered tissue guards, and one cancelled plate with lettered tissue guard tipped-in. Pagination: [1-7] 8-171 [172] [2 colophon] [2 blank], total 176 pages, ils. Printed on February 20, 1937, at Imprimerie Darantière (Dijon), lithographs were printed by Desjobert (Paris). Limitation: The print run of 3,335 copies, of which 10 (№ I-X) on Japon Impérial, 300 copies (№ 1-300) on Vélin de Rives, 3000 copies (№ 301-3,300) on Bouffant Dauphinois, and 25 copies (A-Z ) on Vélin de Rives for collaborators. This is copy № 45 on Vélin de Rives, enriched with one cancelled plate (see image below).

    Ce petit paillard tousjours tastonnoyt ses gouvernantes cen dessus dessous, cen devant darriere.

      Collaborators: François Rabelais [Alcofribas Nasier] (French, c. 1494 – 1553) – author. Pierre Huguenin (French, 1874 – 1937) – author. Louis Perceau (French, 1883 – 1942) – author. Raoul Serres [Schem] (French, 1881– 1971) – artist. Éditions du manoir; Henri Pasquinelly [Pasquinelli] (French, 20th century) – publisher. Imprimerie Darantière (Dijon) – printer. Edmond Desjobert (French, 1888 – 1963); Edmond et Jacques Desjobert – lithography printer.
  • Softcover, in pictorial flapped wrappers, 28 x 21.6 cm, 21 entries, with colour illustrations. Catalogue # 10 of the sales exhibition on March 30 - April 6, 2005 in NY; pagination: [1-3] 4-50 [2], ils. Contributor: Sebastian Izzard
  • Softcover, 21.5 x 17 cm, glossy pictorial wrappers, pp.: [2] 3-[52] [53-88] 89-90 [2]; total 92 pages, incl. 18 leaves of plates within collation, not paginated.
  • Softcover volume, 25.9 x 16.7 cm, in French flapped wrappers lettered "PIETRO ARETINO | SONNETS | LUXURIEUX | {garland}" unbound, 6 gatherings in 4to (24 leaves, incl. those in wrappers), a few sheets of guard tissue laid in, unpaginated, lower margin untrimmed; in a burgundy double slipcase 26.3 x 17.3 cm. Illustrated with title-page vignette, red initials and tailpieces and 16 half-page engravings by Jean Baptiste Tavy Notton. Text in Italian and French. Title-page (red and black): SONNETS | LUXURIEUX | de | PIETRO ARETINO | dit L'ARÉTIN | avec accompagnement | de gravures au burin | d'après la description des gravures | de GIULIO PIPPI DE GIANNUZZI dit JULES ROMAIN | {vignette} | AUX DÉPENS | DE QUELQUES AMATEURS | 1948 || Clandestine limited edition, print run of 250 copies, of which this is copy № 20, printed on thick wove paper without watermarks. Catalogue raisonné: Dutel III № 2421. Original edition: Sonetti lussuriosi by Pietro Aretino, illustrated by Giulio Romano and engraved by Marcantonio Raimondi, published clandestinely in Venice in c.1527. Contributors: Pietro Aretino (Italian, 1492 – 1556) – author. Jean Baptiste Tavy Notton (French, 1914 – 1971) – artist. Antoine-Isidore Liseux (French, 1835 – 1894) – translator/comments. Giulio Romano [Giulio Pippi, Giulio Giannuzzi] (Italian, c.1499 – 1546) – artist. Marcantonio Raimondi (Italian c. 1470/82 – c. 1534) – engraver.  
  • Title: PROBLÈMES ET DOCUMENTS | HENRI ROLLIN | L'APOCALYPSE | DE | NOTRE TEMPS | Les dessous de la propagande allemande | d'après des documents inédits | nrf | S. P. | GALLIMARD | Paris — 43, rue de Beaune Pagination: [1-9] 10-567 [9]. Size: 22.6 x 14.2 cm Binding: original publisher's wrappers. Ex libris Lorenzo Grazzini of Librairie Scritti (book store in Paris). Publishing Year: 1939; Publisher: Gallimard; Acheve d'impremier - Le 23 Septembre 1939 par l'Impremierie Orleanaise 68, rue Royale, Orleans.
  • Title page: CHARLES VIRMAITRE | PARIS | qui s'efface | {publisher’s device} | PARIS | NOUVELLE LIBRAIRIE PARISIENNE | ALBERT SAVINE, ÉDITEUR | 18, RUE DROUOT, 18 | 1887 | Tous droits réservés. || Collation: Front pictorial wrapper, ffl, π3 1-1712 181, bfl, back wrapper w/publ. advert. Pagination: [6] [1-3] 4-314.
  • Publisher’s pictorial wrappers, to front wrapper in frame “П. БЕЗСАЛЬКО | АЛМАЗЫ | ВОСТОКА | С ПРЕДИСЛОВИЕМ | А. ЛУНАЧАРСКОГО | {vignette vase with flowers} | РИСУНКИ | С. ВИТБЕРГА || Ex-library book with stamps and stickers. Title page: П. БЕЗСАЛЬКО | АЛМАЗЫ | ВОСТОКА | {publisher’s device «КНИГОИЗДАТЕЛЬСТВО ПЕТРОГРАДСКОГО СОВДЕПА / КНИГА НАРОДУ» | Издание Петроградского Совета | Рабочих и Красн. Депутатов | 1919 || Pagination: [1-4] 5-85 [3], total 88 pages, 12 full-page black and white plates. Collation: 8vo; [1]-58 64, total 44 leaves, plates within collation. Contributors: Безсалько, Павел Карпович (Russian, 1887 – 1920) – author. Луначарский, Анатолий Васильевич (Russian, 1875 – 1933) – author if the foreword. Vidbergs, Sigismunds (Latvian-American, 1890 – 1970) – artist. Бельгова, Полина Борисовна (written "ПОЛИНА БОРИСОВНА ЬЕЛЬГОВА") – dedicatee, unidentified.
  • (1) Claudine à l'école: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-206 [2], colophon "IMPRIMÉ EN BELGIQUE"; 208 pages (104 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | à l'école | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || (2) Claudine à Paris: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-153 [3], colophon "IMPRIMÉ EN BELGIQUE"; 156 pages (78 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | à Paris | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || (3) Claudine en ménage: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-150 [2], colophon "IMPRIMÉ EN BELGIQUE"; 152 pages (76 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | en ménage | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || (4) Claudine s'en va: 1st blank and limitation leaves uncut, t.p. / blank ; [1-6] 7-128 [4], colophon "IMPRIMÉ EN BELGIQUE"; 132 pages (66 leaves) plus 12 plates. COLETTE | Claudine | {vignette} | s'en va | ILLUSTRÉE PAR | RENÉE RINGEL | « Leurs Chefs-d'œuvre » | AUX ÉDITIONS TERRES LATINES || Illustrations: in each volume, there are 12 plates extraneous to collation, incl. frontispiece, stencil-coloured (au pochoir) collotype reproductions after drawings by Renée Ringel, and numerous in-text b/w illustrations. Binding: 4 volumes uniformly bound in French flapped pictorial wrappers, spine with lettering and vignette, each in a canvas double slipcase 22 x 17.5 cm, with lettering to spine. Edition: Limited to 1800 copies, of which this is copy № 365, printed by Jean de Clercq, plates printed by Thill, colouring by Ateliers du coloris d’art. Contributors: Sidonie-Gabrielle Colette [a.k.a. Colette] (French, 1873 – 1954) Renée Ringel – nothing is known so far.
  • Softcover, in pictorial wrappers, 28.1 x 21.7 cm, 63 entries, with colour illustrations, some folding. Catalogue of the sales exhibition on March 17-29, 2018 in NY; pagination: [1-3] 4-133 [134] [2 blank], ils.; insert: printed invitation. Contributors: Sebastian IzzardHenry Steiner (Austrian-Jewish, b. 1934) – art collector.
  • Softcover, pictorial wrappers, square 21 x 21 cm, 40 leaves, unpaginated, with illustrations in colour, 76 entries, with price list laid in; limited edition of 700 copies. Contributor: Israel Goldman In this collection:
    Kawanabe Kyōsai . Two Crows on a Plum Branch with Rising Sun [烏、梅、旭] 1889

    SVJP-0148.2014: Kawanabe Kyōsai. Two Crows on a Plum Branch with Rising Sun / Nagaban, c. 1885–89

  • Paperback, pictorial wrappers, 20.5 x 14 cm, pp.: [1-4] 5-271 [272 colophon]. Title-page: Я. С. Лурье | ИЗБРАННЫЕ СТАТЬИ | И ПИСЬМА | Санкт-Петербург 2011 || Contributors: Яков Соломонович Лурье (Russian-Jewish, 1921 — 1996) Варвара Гелиевна Вовина-Лебедева (Russian, b. 1961) Михаил Маркович Кром (Russian, b. 1966)
  • Paperback, 21.3 x 14.5 cm, publisher’s grey and black wrappers with black and grey lettering, respectively; pp. [1-4] 5-151 [1], 152 pages total; collated 8vo: 1-98 104, 76 leaves total. Title-page: В. ПРОПП | МОРФОЛОГИЯ СКАЗКИ | «ACADEMIA» | ЛЕНИНГРАД | 1928 || Frontispiece: ГОСУДАРСТВЕННЫЙ ИНСТИТУТ ИСТОРИИ ИСКУССТВ | ВОПРОСЫ ПОЭТИКИ | НЕПЕРИОДИЧЕСКАЯ СЕРИЯ, ИЗДАВАЕМАЯ | ОТДЕЛОМ СЛОВЕСНЫХ ИСКУССТВ | ВЫПУСК XII | «ACADEMIA» | ЛЕНИНГРАД | 1928 || English title: [LIB-1615.2018] V. Propp. Morphology of the Folktale. — Austin: University of Texas Press, 1979. Print run: 1,600 copies. Catalogue raisonné: Крылов-Кичатова № 328, p. 199. Contributors: Владимир Яковлевич Пропп [Vladimir Propp] (Russian, 1895 – 1970) See also  [LIB-1710.2019] (circulation copy) В. Я. Пропп. Исторические корни волшебной сказки (2-е изд.) — Л.: Изд-во ЛГУ, 1986 and (first edition) [LIB-3184.2023] В. Я. Пропп. Исторические корни волшебной сказки. — Л.: Изд-во Ленинградского ун-та, 1946.
  • Front pictorial cover: [PRISON | FIN DE | SIÈCLE] – [SOUVENIRS | DE | PÉLAGIE | PAR | E. GEGOUT | ET | CH. MALATO] – [Dessinsde | Steinlen]  – [PARIS | G. CHARPENTIER & E. FASQUELLE | ÉDITEURS | Rue de Grenelle, 11 | 1891] || Title page: GEGOUT ET CH. MALATO | PRISON | FIN DE SIÈCLE | — SOUVENIRS DE PÉLAGIE — | Illustrations de Steinlen | PARIS | G. CHARPENTIER ET E. FASQUELLE | ÉDITEURS | 11, RUE DE GRENELLE, 11 | 1891 | Tous droits réservés. || Pagination: [2] – blank / imprint, [2] – h.t. / frontis., [2] – t. p. / blank, [2] – préface, [1] 2-352 [2 blanks], wrappers, illustr. by Steinlen, paginated. Collation: 12mo ; π4 1-1912 203. Binding: 19 x 12 cm, publisher’s pictorial wrappers, block broken; bookplates pasted to verso of the front wrapper: Ex Libris NesClo, Fecit: René Versel; embossed stamp Versel to h.t. and t.p. Autograph of Ernest Gegout handwritten in black ink to half-title: Très amicalement allait à mon aimable cousin Le Roy. Ernest Gegout. Gégout, Ernest (French, 1854 – 1936) Malato, Charles (French, 1857 – 1938) Steinlen, Théophile Alexandre (Swiss-French, 1859 – 1923)
  • 22 x 15.5 cm, wrappers, label pasted down to the front cover, lettering in a double frame: П. Е. КОРНИЛОВ. | МАТЕРИАЛЫ К ИКОНОГРАФИИ | КАЗАНИ | Казань | 1930 | Оттиск из издания “Материалы по охране, ремонту и реставрации памятников ТССР”, вып. IVй, 50 экз. Pagination: 1-17, frontispiece and 5 leaves of photomechanical illustrations (plates 1-7), extraneous to collation; pages also numbered for the compiled publication: pp. [15] 16-31 [32], published by «Отдел по делам музея и охраны памятников искусства, старины и природы при Академическом центре Татнаркомпроса». A pre-print of a paper for a compilation, published as a separate limited edition of 50 copies. Autograph: Дорогому Николаю Васильевичу | Ильину с дружеской приязнью | от автора | 18. VIII. 30. | Казань. Корнилов, Петр Евгеньевич (Russian, 1896 – 1981) Ильин, Николай Васильевич (Russian, 1894 – 1954) — График. Окончил МУЖВЗ (1910-1916). В 1922-1930 годах работал по оформлению книг в Нижнем Новгороде. С 1930 года жил и работал в Москве. Художник в издательстве Детгиз, затем главный художник Гослитиздата. Оформлял книги произведений А.С. Пушкина в технике силуэта.
  • Front wrapper and title page (in red and black): LES CONTES DE | CHARLES | PERRAULT | ILLUSTRATIONS | EN COULEURS | DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [4] – preface, [2] – d.t.p., 1-168 [169-70], [4] – table, [2] – imprint / blank; total 188 pages (94 leaves) with 55 in-text illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Edition: Limited edition of 1,000 copies, this copy is № 1 (stamped in black). Printed on the 31st of October 1946 by J. Dumoulin (H. Barthélemy – director, Louis Malexis – mise en page); stencil-colouring (au pochoir) by E. Charpentier under direction of the artist. Binding: 26.7 x 20.3 cm, publisher’s flapped pictorial wrappers, vignettes and lettering to front wrapper and spine, publisher’s device to back wrapper, uncut. Fairy Tales by Charles Perrault (French, 1628 – 1703): Griselidis (Griselda) — Peau d'Asne (Donkeyskin) — Les Souhaits ridicules (The Ridiculous Wishes— La Belle au Bois dormant (Sleeping Beauty) — Le Petit Chaperon rouge (Little Red Riding Hood) — La Barbe-Bleue (Bluebeard) — Le Maistre Chat ou Le Chat Botté (Puss in Boots) — Les Fées (The Fairies) — Cendrillon ou La Petite Pantoufle de verre (Cinderella)— Riquet à la Houppe (Riquet with the Tuft) — Le Petit Poucet (Hop-o'-My-Thumb) Description of the stensil (au pochoir) technique.
  • Description: Softcover, French flapped wrappers, lettered front, back (advert.) and spine, collated in-4to, 24.3 x 20.2 cm, printed on thick wove paper Vélin pur fil Lafuma-Navarre, print run limited to 335 copies from which this is copy № 219; outer margin untrimmed, some leaves uncut, glassine DJ. Limitation: 1 copy (A) on Japon Impérial + double suite of plates + suite of original drawings, 4 copies (B-E) on Japon Impérial + double suite of plates, 15 copies on on Japon Impérial + suite of plates on Vieux Japon teinté (F-T), 315 copies on Vélin pur fil Lafuma-Navarre, of which 15 (I-XV) not for sale. Copyright: Libraire Gallimard, 1924. Printed: March 10, 1924 – text by Coulouma (Argenteuil) under direction of H. Barthélemy, lithographs printed by Marchizet (Paris). Front wrapper (in letterpress two-colour border): Tableaux Contemporains – no 4 | . TABLEAU | de | L'AMOUR | VÉNAL | par | FRANCIS CARCO | Illustré | de douze lithographies en noir | par Luc-Albert Moreau | PARIS | ÉDITIONS DE LA NOUVELLE REVUE FRANÇAISE | 3, rue de Grenelle || Title-page: Same, without a frame, in black, L'AMOUR | VÉNAL in brown. Collation: 4to; 14 a4 2-164, total 68 leaves with wrappers included in collation plus 12 plates, incl. frontispiece, extraneous to collation. Pagination: [2 wrapper] [6] [i] ii-vii [viii blank] [9] 10-122 [2 colophon] [2 blank] [2 wrapper]; total 136 pages incl. wrappers, plus ils. Contributors: Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Luc-Albert Moreau (French, 1882 – 1948) – artist. La Nouvelle Revue Française (nrf) (Paris)– publisher. Gaston Gallimard (French, 1881 – 1975) – publisher.